| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Kwame Nkrumah and the artistic nation: a cultural history of Ghana's first republic with emphasis on music | 2026 | African arts 59 (1): 48-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The sounds for death. Andean rituals and music during the pandemic in Northern Chile. The historical roots of a contemporary phenomenon | 2026 | Estudios Atacameños 72 (): 1-35 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
| Somatic agency and the sensory construction of familiarity among Ecuadorian migrants in the Netherlands | 2026 | Ethnic and racial studies 49 (7): 1312-28 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Taste making as assemblage effect: the case of electronic dance music | 2026 | Journal of consumer culture 26 (3): 285-307 | H6 [JOURNAL-] | 1469-5405 | |||
| Murad's travels: courtesanly mobility, honour, and defiance in late eighteenth-century Multan | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 295-321 | H6/KW [ROYAL-] | 1356-1863 | |||
| Local Chinese recorded music and the imagination of Malayan multiculturalism in Singapore, 1950s and 1960s | 2026 | Indonesia and the Malay world 54 (159): 113-31 | H6/KX [INDONESIA-] | 1469-8382 | |||
| Music from the source: Am Muileann Dubh and North Atlantic supernatural music legends | 2026 | Scottish studies 42 (2): 99-133 | H6/KVC [SCOTTISH-] | ||||
| Maritime folklore in the West Highlands: some mid-century collectors and their informants (1953-1970) | 2026 | Scottish studies 42 (2): 134-50 | H6/KVC [SCOTTISH-] | ||||
| The fiddler and the waterfall: the quest for inspiration in Norwegian legends of fiddlers | 2026 | Scottish studies 42 (2): 151-60 | H6/KVC [SCOTTISH-] | ||||
| A' Chluais-chiùil ann an Dualchas nan Gàidheal | 2026 | Scottish studies 42 (2): 161-74 | H6/KVC [SCOTTISH-] | ||||
| Salawat dulang: Minang oral tradition as oral history of Islam | 2025 | Asian music 56 (1): 5-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| First Nations music and social emotional wellbeing and health among LGBTIQA+SB First Nations peoples: a review of the literature | 2025 | Culture, health & sexuality 27 (5): 570-90 | H6/KGT [CULTURE-] | 1464-5351 | |||
| Music and dance beyond boundaries? Emphasizing Muslim-Jewish North African commonalities, avoiding politics | 2025 | European journal of cultural studies 28 (1): 17-39 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Afrosonica soundscapes: an interview with Madeleine Leclair | 2025 | Tribal art (116): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The faces of Central Easter European region in hymnals of the global ecumenical movement | 2025 | Journal of ethnology and folkloristics 19 (1): 262-90 | H6/KVT [JOURNAL-] | 1736-6518 | |||
| Sounds of resistance: nuns, music, and power in Córdoba del Tucumán (18th Century) | 2025 | Fronteras de la Historia 30 (2): 155-78 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| "Mi sueño es cantar": Natalia Oreiro en Miss Tacuarembó y Gilda, no me arrepiento de este amor | 2025 | Studies in Latin American popular culture 43 (): 91-103 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Life-cycle celebrations in Senegal: the Balafon's role in early Balante culture | 2025 | International journal of African historical studies 58 (1): 41-64 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
| José Vasconcelos’s Neoplatonist politics of music: theory and praxis | 2025 | Mexican studies 41 (2): 273-303 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
| Taste externalization practices amog Brazilian metal consumers who learn to play musical instruments | 2025 | European journal of cultural studies 28 (4): 1115-32 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Coupé-Décalé in the Ivorian crisis (2002-2012): mere entertainment or a form of pacific contestation? | 2025 | Cadernos de arte e antropologia 14 (): 85-97 | |||||
| "She doesn't know anything, she doesn't heal, she just plays!" Concerning playfulness in a Tandroy possession ritual (Madagascar) | 2025 | Journal des africanistes 95 (1): 44-77 | H6/KY [SOCIETE-] | 0399-0346 | |||
| On the use of loudspeakers in mosques and churches in Bouaké (Côte d'Ivoire) | 2025 | Journal des africanistes 95 (1): 78-89 | H6/KY [SOCIETE-] | 0399-0346 | |||
| Between stone plaques and dance steps: tensions and creativities around Cuarteto as heritage on the pedestrian street of Córdoba, Argentina | 2025 | Revista colombiana de antropología 61 (3): 1-29 | H6/KUL [REVISTA-] | 0486-6525 | |||
| Direct effects of bipedalism on early hominin fetuses stimulated later musical and linguistic evolution | 2025 | Current anthropology 66 (2): 257-78 | H6 [CURRENT-] | 1537-5382 | |||
| Disruption and resistance in sonic spaces | 2025 | European journal of cultural studies 28 (5): 1470-92 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Music and musical terms in Bobovius' Serai Enderum (1665, MS Harley 3409) | 2025 | Bulletin of the School of Oriental and African Studies (London) 88 (3): 493-522 | H6/KW [LONDON-] | 0041-977X | |||
| If this building could sing. Composing motion & deep listening at the Len Lye Centre | 2025 | Art New Zealand (196): 80-3 | H6/KX [ART-] | 0110-1102 | |||
| Performing royal piety: Wajid 'Ali Shah's Muharram commemorations in colonial Calcutta | 2025 | Journal of the Royal Asiatic Society (Series 3) 35 (3): 605-22 | H6/KW [ROYAL-] | 1356-1863 | |||
| Music streaming, cultural consumption and the everyday routines of algorithm managment: exploring how trust and objective setting shape everyday encounters with algorithmic systems | 2025 | European journal of cultural studies 28 (6): 1778-98 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| It has to have bass - creative relations between MCs, DJs, and an anthropologist | 2025 | Mana 32 (1): 1-29 | H6/KUL [MANA-] | 1678-4944 | |||
| How to stage Soviet operas in the 21st century: navigating Russian music heritage amidst revival and boycott | 2025 | Traditiones: acta Instituti Ethnographiae Slovenorum 54 (1): 135-55 | H6/KVP [TRADITIONES-] | 0352-0447 | |||
| Dancing until dawn: the origin, song, and dance of the Oklahoma Forty-Nine | 2025 | First American art magazine 49 (): 26-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| The causes and impact of Famo music gang violence in Lesotho | 2025 | Journal of southern African studies 51 (3): 331-47 | H6/KY [JOURNAL-] | 1465-3893 | |||
| Ethical striving with other-than-humans in contemporary improvised music | 2025 | Suomen antropologi 49 (2): 19-40 | H6 [SUOMEN -] | 0355-3930 | |||
| Approaching tchakare players within the cultural attaché network: postcolonial agency and national identity | 2025 | Ethnomusicology forum 34 (1): 29-51 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Skopeofonia in the field: ways of worldmaking through music in a Cape Verdean neighbourhood in Lisbon | 2025 | Ethnomusicology forum 34 (1): 52-71 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Intangible heritage system: challenges of culture preservation in a cross-cultural perspective | 2025 | Ethnomusicology forum 34 (1): 91-119 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Negotiated leadership in Sacred Harp singing | 2025 | Ethnomusicology forum 34 (1): 120-40 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Songs and female names in contemporary Nigeria: a mother's prayer or men's muse? | 2025 | Ethnomusicology forum 34 (2): 177-94 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| From research to algorithm: the role of ethnomusicologists in addressing cultural bias and miserpresentation in music systems | 2025 | Ethnomusicology forum 34 (2): 215-18 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Digital discourse and the human experiences of AI music: an ethnomusicological perspective | 2025 | Ethnomusicology forum 34 (2): 219-24 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Bagpipes, AI, and cultural hegemony | 2025 | Ethnomusicology forum 34 (2): 225-32 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Ethnomusicology, artificial intelligence, and the intimate work of connection | 2025 | Ethnomusicology forum 34 (2): 233-7 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Music and the machine: testing the UK music industry's preparedness for AI-generated copyright challenges | 2025 | Ethnomusicology forum 34 (2): 238-44 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| AI vocal clones: race and the abstraction of labour | 2025 | Ethnomusicology forum 34 (2): 245-50 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Ghost in the machine: AI's sonic disruption in Manila | 2025 | Ethnomusicology forum 34 (2): 251-7 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| The singer in the loop: searching for embodiment in Grime's AI voice clone | 2025 | Ethnomusicology forum 34 (2): 258-63 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Writing musical ethnography in the AI era: an autoethnographic reflection by a non-native English speaker | 2025 | Ethnomusicology forum 34 (2): 264-9 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| AI-driven radio and cultural production: an ethnomusicological inquiry into the Off Radio Kraków experiment with artificial intelligence | 2025 | Ethnomusicology forum 34 (2): 270-6 | H6/KFYV [BRITISH-] | 1741-1912 |