Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Under the yoke of origin. The ethnographic halls of the National Museum of Anthropology, Mexico | 2025 | Boletín de antropología (Antioquia) 40 (69): 95-120 | H6/KUL [BOLETIN-] | 0120-2510 | |||
A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 | |||
First application of the protocol for the contextualization of institutionalized human remains in the Museum of Natural Sciences of the University of La Plata (Argentina) | 2024 | Runa: archivo para la ciencias del hombre 45 (2): 213-31 | 0325-1217 | ||||
Archaeology in articulation with museums of the pampeana region of Argentina. Current challenges, and pending issues | 2024 | Boletín de antropología (Antioquia) 39 (68): 24-53 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Pathways of art: how objects get to the museum | 2023 | Tribal art (107): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Inhabiting heritage through community participation: co-creating exhibitions with the people of Huaycan de Cieneguilla | 2023 | Boletin de arqueologia PUCP (32): 104-20 | H6/KE [BOLETIN DE ARQUEOLOGIA PUCP-] | 2304-4292 | |||
Abject objects: disputed narratives in the Historical Museum of the Police in Colombia | 2023 | Mana 29 (2): 1-34 | H6/KUL [MANA-] | 1678-4944 | |||
Lost in temporal translation: a visual and visitor-based evaluation of prehistory displays | 2023 | Antiquity 97 (393): 707-25 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Monaco topo, the Museum of Prehistoric Anthropology of Monaco and 3D technologies | 2023 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (62): 73-9 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
Sarawak Museum and Iban cultural artifacts: a discussion in aspects of conservation and cultural philosophy of its community | 2023 | Sarawak Museum journal (New Series) 86 (107): 63-86 | H6/KX [SARAWAK-] | 0375-3050 | |||
Artefacts and their texts: contextualising ancient Near Eastern Collections from excavation to display | 2022 | Papers from the Institute of Archaeology (London) 33 (1): 1-32 | H6/KE [PAPERS-] | 0965-9315 | |||
Ethnonationalism and ethnographic museums in the postcolonial context: representing the culture of Sindh in Pakistan | 2022 | Gradhiva: revue de anthropology et museologie (34): 94-111 | H6 [GRADHIVA-] | 0764-8928 | |||
From colonial ethnology to museum diplomacy. The nationalization of the Museum of Abidjan (Ivory Coast, 1942-1978) | 2022 | Gradhiva: revue de anthropology et museologie (34): 74-93 | H6 [GRADHIVA-] | 0764-8928 | |||
Inclusive museum exhibition: the FCT-Unesp regional archaeology museum, Presidente Prudente, São Paulo | 2022 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (39): 140-55 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
A stitch in time | 2022 | American Indian NMAI 23 (2): 30-9 | *H6/KUB [AMERICAN-] | 1528-0640 | |||
Diaspora museum. Re-conceptualizing Tan Kah Kee's museum endeavours in 1950s China | 2022 | Journal of Chinese overseas 18 (1): 62-89 | H6/KW [JOURNAL-] | 1793-0391 | |||
Native truths and why the storyteller matters: an in-depth look into the renovation at the Field Museum | 2022 | First American art magazine 36 (Fall): 24-9 | H6/KUB [FIRST-] | 2333-5548 | |||
A vision realized: the Eteljorg Museum revitalizes its Native American exhibitions | 2022 | First American art magazine 36 (Fall): 34-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Reflections on the agency of objects. A perspective from the collections of Instituto de Arqueología y Museo (IAM, UNT) | 2022 | Comechingonia: Revista de Arqueología 26 (1): 145-65 | 2250-7728 | ||||
Objects that tell a story: An evaluation of the museological value of the objects from the MEAB collection presented at the exhibition La Doctora | 2022 | Etnolog (New Series) 32 (): 159-68 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
The tools women use: the Women's Gallery, Suffrage 125 and contemporary feminist museology | 2021 | Tuhinga (32): 5-17 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
Patrimonialization processes in the anthropological/archaeological exhibitions at Museo del Fin del Mundo (Tierra del Fuego, Argentina) | 2021 | Runa: archivo para la ciencias del hombre 42 (2): 43-62 | 0325-1217 | ||||
The Museum of the Unknown City. Part 1 | 2021 | Martor: revue d'anthropologie du Musée du Paysan Roumain (26): 114-30 | H6/KVQ [MARTOR-] | 2734-8350 | |||
The Museum of the Unknown City. Part 2 | 2021 | Martor: revue d'anthropologie du Musée du Paysan Roumain (26): 147-55 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Recovering news. The gender perspective in the renovation of museums in Necochea | 2021 | Anales de arqueología y etnología 76 (2): 317-46 | H6/KUL [MENDOZA. Universidad Nacional de Cuyo. Instituto de Etnografia Americana. Anales] | 2591-3039 | |||
The art of touch: lending a hand to the sighted majority | 2021 | Journal of visual culture 20 (2): 433-54 | H6/KF [JOURNAL-] | 1470-4129 | |||
Mirando a América Latina desde el museo: nuevas aproximaciones y nuevas prácticas | 2021 | Bulletin de la Société suisse des Américanistes (81): 6-9 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Povos indígenas e o Museu Paraense Emílio Goeldi (Amazônia brasileira): pesquisas colaborativas e experiências de curadoria de coleções etnográficas | 2021 | Bulletin de la Société suisse des Américanistes (81): 11-21 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Experiencias de co-curaduría con comunidades locales en el MUSEF de Bolivia | 2021 | Bulletin de la Société suisse des Américanistes (81): 23-31 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Skilling for dialogue exhibitions as arenas for the interchange of ideas and the materialization of negotiated interpretations | 2021 | Bulletin de la Société suisse des Américanistes (81): 33-43 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Learning to listen. From a Babylon of misunderstood voices to collaborations between ethnographic museums and Amazonian indigenous communities | 2021 | Bulletin de la Société suisse des Américanistes (81): 45-56 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Distinguished: art & women artists fo the inventory | 2021 | Tribal art (101): 72-81 | *H6/KFY [WORLD-] | 1354-2990 | |||
Design attic - interactive collection work and digital eccessibility of the museum collections | 2021 | Suomen Museo/Finskt Museum 128 (): 15461 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | |||
Hybrid spaces: an emerging opportunity that alternative reality technologies offer to the museums | 2021 | Space and culture 24 (1): 83-96 | H6 [SPACE-] | 1206-3312 | |||
Where next? For film in the museum: filmmaking as part of creative museum practice at Liverpool's World Museum | 2021 | Journal of museum ethnography (34): 35-53 | *H6 [JOURNAL-] | 0954-7169 | |||
Staging your cases: one artist's argument for more creative writing and performance in museums | 2021 | Journal of museum ethnography (34): 54-68 | *H6 [JOURNAL-] | 0954-7169 | |||
A sea of islands: masterpieces from Oceania | 2021 | Journal of museum ethnography (34): 69-89 | *H6 [JOURNAL-] | 0954-7169 | |||
Recovering wampum in English museums: the search for Metacom's belts | 2021 | Journal of museum ethnography (34): 113-26 | *H6 [JOURNAL-] | 0954-7169 | |||
Digitalización de las cabezas momificadas del Museo de Arqueología y Etnología de América de la Universidad Computense de Madrid | 2021 | Revista española de antropología americana 51 (): 245-54 | H6/KUL [MADRID-] | 0556-6533 | |||
Custody and custodianship: a reflection on collection terminology through the lens of human remains | 2021 | Anthropology today 37 (5): 21-4 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
The exhibition beyond the mannequin: Silicone effigies of historical figures in Bulgarian museums | 2021 | Bulgarska etnologiia 47 (3): 378-86 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Museums in the first year of the Covid-19 pandemic | 2021 | Etnolog (New Series) 31 (): 89-110 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
Film and some of the new media at ethnographic exhibitions | 2021 | Etnolog (New Series) 31 (): 133-57 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
Le grain qui rende fou(r) | 2021 | Terrain (): 34-41 | H6 [TERRAIN-] | 0760-5668 | |||
The spiritualization of archaeological objects. Analysis of contemporary narratives about indigeneity and diversity in two Colombian museums | 2020 | Chungara 52 (2): 305-15 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
#MeToo in Sweden: museum collections, digital archiving and hashtag visuality | 2020 | Ethnos 85 (3): 920-37 | H6 [ETHNOS-] | 0014-1844 | |||
Categories and boundaries in Sámi exhibitions | 2020 | Ethnic and racial studies 43 (12): 2140-57 | H6/KD [ETHNIC-] | 2099-2119 | |||
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space | 2020 | Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
Curatorial practice in popular music museums: an emerging typology of structuring concepts | 2020 | European journal of cultural studies 23 (3): 434-53 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The practice of everyday museum making: naturalization and empowerment in the amateur consumption of museographic language | 2020 | European journal of cultural studies 23 (3): 415-33 | H6/KF [EUROPEAN-] | 1367-5494 |