Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
Editorial impressions. The great robbery: how skeletons and gods ended up in museum collections | 2024 | Journal of ethnology and folkloristics 18 (2): i-iv | H6/KVT [JOURNAL-] | 1736-6518 | |||
La estatuilla de Huitzilopochtli del Musée du Quai Branly de París | 2024 | Arqueología mexicana 30 (188): 26-39 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
The Taíno and Kalinago of the Antilles | 2024 | Tribal art (112): 48-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
Black prolepses: the mask “de Sérent”, from Afrofuturism to African futurism | 2023 | Terrain (79): 94-111 | H6 [TERRAIN-] | 0760-5668 | |||
The uses of the concept of indigenization in French museums | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (40): 147-62 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Songlines: songs of the Australian desert tracks: a guided tour | 2023 | Tribal art (108): 64-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
The statues are crying too. Critical reception of the exhibition Sur la route des chefferies du Cameroun, du visible à l’invisible | 2023 | Cahiers d'études africaines (251-252): 929-52 | H6/KY [CAHIERS-] | 0008-0055 | |||
The Amazonian statue, from Brazil to Paris. The epilogue of an archaeological comedy | 2023 | Gradhiva: revue de anthropology et museologie (35): 196-216 | H6 [GRADHIVA-] | 0764-8928 | |||
A belt to bind them, a belt to find them, a belt to bring them all back home | 2022 | Gradhiva: revue de anthropology et museologie (33): 60-77 | H6 [GRADHIVA-] | 0764-8928 | |||
Wampum. A living tradition | 2022 | Gradhiva: revue de anthropology et museologie (33): 118-31 | H6 [GRADHIVA-] | 0764-8928 | |||
From Africans to the Black Indians of New Orleans | 2022 | Tribal art (106): 52-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
John Mawurndjul's art in Paris | 2022 | Museum anthropology 45 (2): 164-79 | H6 [MUSEUM-] | 0892-8339 | |||
Le grain qui rende fou(r) | 2021 | Terrain (): 34-41 | H6 [TERRAIN-] | 0760-5668 | |||
The Amazonian statue. A biography of a famous and polemic artifact from Brazil | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (2): 1-16 | H6/KUL [BOLETIM-] | 1981-8122 | |||
La statuette ambassadrice: diplomatie kanak au musée du quai Branly | 2020 | Terrain (73): 228-35 | H6 [TERRAIN-] | 0760-5668 | |||
The Olmec and the civilizations of the Gulf of Mexico in Paris | 2020 | Tribal art (98): 52-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
La fascination de Gog et Magog. Guérir par l’image en Éthiopie | 2019 | Terrain (71): 202-11 | H6 [TERRAIN-] | 0760-5668 | |||
Jacques Chirac: indigenous art and the sacred | 2019 | Tribal art (94): 138-41 | *H6/KFY [WORLD-] | 1354-2990 | |||
La collection de madame: a few keys to understanding the exhibition at the Musée du Quai Branly - Jacques Chirac | 2019 | Tribal art (94): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Temporalités encapsulées dans les peintures aborigènes du Musée du Quai Branly | 2018 | Gradhiva: revue de anthropology et museologie (28): 51-75 | H6 [GRADHIVA-] | 0764-8928 | |||
Orator's stools of the middle Sepik River: reflections on inalienable objects | 2018 | Tribal art 87 (): 98-117 | *H6/KFY [WORLD-] | 1354-2990 | |||
Paintings from afar | 2018 | Tribal art 87 (): 148-59 | *H6/KFY [WORLD-] | 1354-2990 | |||
Entretien avec Christine Barthe: resposable de l'unité patrimoniale des collections photographiques au musée di Quai Branly-Jacques Chirac | 2018 | Gradhiva: revue de anthropology et museologie 27 (): 176-95 | H6 [GRADHIVA-] | 0764-8928 | |||
Madagascar: arts of the great red island | 2018 | Tribal art (89): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
The legendary book: a facsimile edition. Negro Anthology edited by Nancy Cunard | 2018 | Tribal art (89): 150-6 | *H6/KFY [WORLD-] | 1354-2990 | |||
"La parole huilée". Un don en retour de Geneviève Calame-Griaule | 2018 | Cahiers de litterature orale 83 (): 179-92 | H6/KF [CAHIERS-] | 0396-891X | |||
What else to say about the MQB? Re-centring anthropology in art and French museum practices: a vision from an ex-boursier | 2018 | ANUAC: rivista della Società Italiana di Antropologia Culturale 7 (1): 169-82 | 2239-625X | ||||
The Inca figurines of the Musée du Quai Branly - Jacques Chirac: typological variety and production technology | 2017 | Bulletin de l’Institut Français d’Etudes andines 46 (1): 193-219 | H6/KUL [INSTITUT-] | 0303-7495 | |||
Sonder une collection | 2017 | Techniques et culture (68): 178-95 | *H6 [TECHNIQUES-] | 0248-6016 | |||
L'insect à l'œuvre: de la muséographie au bruit de fond biologique des collections | 2017 | Techniques et culture (68): 162-77 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Taistumanialuk, the Arctic collections from Canada and Greenland in nineteenth century French museums | 2017 | Etudes inuit 42 (1): 87-116 | *H6/KUB [ETUDES-] | 0701-1008 | |||
Peru before the Incas | 2017 | Tribal art 22 (1): 68-73 | *H6/KFY [WORLD-] | 1354-2990 | |||
The artification of culture: the art economy and the consumption of culture in the Musée du Quai Branly | 2017 | Revista de antropología (São Paulo) 60 (2): 460-86 | H6/KUL [REVISTA-] | 0034-7701 | |||
"Native forests": arts of the Atlantic Equatorial Guinea | 2017 | Tribal art 21 (4): 104-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
A journey to the Musée du Quai Branly: the anthropology of a visit | 2017 | Museum anthropology 40 (1): 4-17 | H6 [MUSEUM-] | 0892-8339 | |||
Ecletic: a 21st-century collection | 2016 | Tribal art 21 (1): 72-81 | *H6/KFY [WORLD-] | 1354-2990 | |||
The silver earrings of northern Patagonia: the contribution to the Henry de Vaulx collection (1896) to form, technology and metallurgy | 2016 | Chungará 48 (2): 331-45 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
Suite: Gradhiva au Musée du Quai Branly. Entretien avec Anne-Christine Taylor | 2016 | Gradhiva: revue de anthropology et museologie 24 (): 228-43 | H6 [GRADHIVA-] | 0764-8928 | |||
Stop the academic world, I wanna get off in the Quai Branly. Of sketchbooks, museums and anthropology | 2015 | Cadernos de arte e antropologia 4 (2): 141-78 | |||||
Post-ethnographic museums. Changing relationships between museum and anthropology in France | 2015 | ANUAC: rivista della Società Italiana di Antropologia Culturale 4 (2): 78-105 | 0210-5810 | ||||
Creating new connections: objects, people, and digital data at the Musée du Quai Branly | 2015 | ANUAC: rivista della Società Italiana di Antropologia Culturale 4 (2): 106-29 | 0210-5810 | ||||
Nostalgia in search of someone to experience it. The paintings of Amatiwana Trumai | 2015 | Terrain (65): 76-93 | H6 [TERRAIN-] | 0760-5668 | |||
The taste for authority and the authority of taste: cultural appropriations in the ‘arts prémiers’ | 2015 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 10 (1): 169-86 | H6/KUL [BOLETIM-] | 1981-8122 | |||
On the trail of Eugène de Girardin: a hitherto unknown Sioux painted robe acquired by the Musée du Quai Branly | 2014 | Tribal art 18 (3): 140-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Un robot comme personne. Ontologies comparée et expérimentale au musée du quai Branly | 2014 | Terrain (62): 152-65 | H6 [TERRAIN-] | 0760-5668 | |||
The intoxication and the flask. Ethnographic collections and the history of the material culture of drinking in Ethiopia (16th - 20th centuries) | 2014 | Gradhiva: revue de anthropology et museologie 20 (): 243-67, 286 | H6 [GRADHIVA-] | 0764-8928 | |||
The radiance of the shadows: black-and-white art of the Solomon Islands | 2014 | Tribal art (74): 74-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Faire la fête à un grand esprit: les paradoxes du centième anniversaire de Claude Lévi-Strauss | 2014 | Anthropologica (New Series) 56 (1): 217-27 | H6/KUB [ANTHROPOLOGICA N.S.-] | 0003-5459 | |||
Interview with Constance de Monbrison and Corazon Alvina; exhibition curators | 2013 | Tribal art 4 (): 8-19 | *H6/KFY [WORLD-] | 1354-2990 |