Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
Norval Morrisseau's Astral Guide I and II | 2024 | First American art magazine (43): 102-4 | H6/KUB [FIRST-] | 2333-5548 | |||
André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
Josef Albers in Mexico. The Bauhaus in search of its Pre-Hispanic origins | 2024 | Iberoamericana 24 (87): 35-59 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Sign, color, spirit: Americanist ancestralist suggestions | 2024 | Iberoamericana 24 (87): 81-103 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Ancient Peru as a cultural and modern identity in the Peruvian arts in the first half of the 20th century | 2024 | Iberoamericana 24 (87): 11-34 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Exploding the canon: Modernism from Africa at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
Stranieri Ovunque-Foreigners Everywhere and the history of global modernism | 2024 | Nka: journal of contemporary African art (55): 104-18 | H6/KY [NKA-] | 1075-7163 | |||
South Africa at the Tate: searching for a national school and a national identity | 2024 | Journal of southern African studies 50 (3): 447-68 | H6/KY [JOURNAL-] | 1465-3893 | |||
Looking for Beauford: the Green Street Paintings, 1936-1952 | 2023 | Nka: journal of contemporary African art (52): 54-67 | H6/KY [NKA-] | 1075-7163 | |||
Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
Between the museum and the street: Roberto Matta's work in Chile during the Unidad Popular | 2023 | Bulletin of Latin American research 42 (2): 220-32 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
National Gallery of Canada | 2023 | First American art magazine 38 (): 88-91 | H6/KUB [FIRST-] | 2333-5548 | |||
Jilali Gharbaoui and decolonization | 2023 | Nka: journal of contemporary African art 53 (1): 44-55 | H6/KY [NKA-] | 1075-7163 | |||
Decolonization and disentanglement in Ukrainian art | 2023 | Konteksty 77 (4): 37-41, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
Bad myth: Picturing intergenerational experiences of revolution and war in Ukraine before 2022 | 2023 | Konteksty 77 (4): 51-66, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
Sam Joseph Ntiro: mapping the path of a pioneering artist, educator, scholar, diplomat, and civil servant | 2023 | African arts 57 (3): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Otxarkoaga (1960-1964) and its artistic treasures | 2023 | Kobie: antropología cultural (25): 133-64 | H6/KVE [KOBIE-] | 0214-7971 | |||
Pacienți psihiatrici și artiști plastici – Adolf Wölffli (1864 Berna – 1930 Waldau/Berna) și Else Blankenhorn (1873 Karlsruhe – 1920 Konstanz) | 2023 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 30 (): 45-58 | H6/KVQ [ANUARUL-] | ||||
The international posters exhibition in Mexico City, 1934 and the development of a “national style” | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 81-117 | H6/KFY [MEXICO-] | 0185-1276 | |||
Tang Chang - a reluctant 'outsider' of Thai modern art | 2022 | World art 12 (1): 1-23 | H6 [WORLD-] | 2150-0908 | |||
Into the Abbatoire. Eldzier Cortor in Haiti, 1949-51 | 2022 | Nka: journal of contemporary African art (50): 22-34 | H6/KY [NKA-] | 1075-7163 | |||
Charles White's global perspective | 2022 | Nka: journal of contemporary African art (50): 36-47 | H6/KY [NKA-] | 1075-7163 | |||
Bridging the gap. The postwar era and the significance of John Biggers's Ananse | 2022 | Nka: journal of contemporary African art (50): 48-62 | H6/KY [NKA-] | 1075-7163 | |||
Street to Mbari. Jacob Lawrence and the influence of the "international" on local modernism | 2022 | Nka: journal of contemporary African art (50): 64-75 | H6/KY [NKA-] | 1075-7163 | |||
The Great Congress of the Black Spirit. Artist reflections on FESTAC '77 | 2022 | Nka: journal of contemporary African art (50): 76-89 | H6/KY [NKA-] | 1075-7163 | |||
Alma W. Thomas: unexpected presence on the global stage | 2022 | Nka: journal of contemporary African art (50): 90-104 | H6/KY [NKA-] | 1075-7163 | |||
Making art about art: Emma Amos's foundations in London | 2022 | Nka: journal of contemporary African art (50): 116-30 | H6/KY [NKA-] | 1075-7163 | |||
Breathless: Myths of Masculinity at Auckland's Art Gallery | 2022 | Art New Zealand (182): 80-4 | H6/KX [ART-] | 0110-1102 | |||
Informal empire: the process of exhibiting Latin American art under the good neighbor policy. The case of the MoMA collection, 1943 | 2022 | Boletín americanista (84): 171-93 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Emanations from the Musée de Trocadéro: African art in a global context | 2022 | Tribal art (105): 80-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
Chagall and the eyes of hope: towards the unknown friend and the exodus inside the quadrilateral | 2022 | Ciência & Trópico 46 (1): 9-22 | H6/KUL [CIENCIA-] | 0304-2685 | |||
Harold Cousins’s Plaiton sculpture | 2022 | Nka: journal of contemporary African art (51): 6-20 | H6/KY [NKA-] | 1075-7163 | |||
Once again, we greatly need the world | 2022 | Gradhiva: revue de anthropology et museologie (34): 184-200 | H6 [GRADHIVA-] | 0764-8928 | |||
Poto-Poto, 1946-1960s. Narrative frictions, esthetic attributions | 2022 | Gradhiva: revue de anthropology et museologie (34): 164-82 | H6 [GRADHIVA-] | 0764-8928 | |||
Speaking freely and establishing a postcolonial modern art museum? Integration of the Museum of Modern Art of Algiers | 2022 | Gradhiva: revue de anthropology et museologie (34): 112-29 | H6 [GRADHIVA-] | 0764-8928 | |||
Dictatorship and art: the Indigenous as artistic modernity and essence of the Chilean in the government of Carlos Ibáñez del Campo (1927-1931) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (121): 339-70 | H6/KFY [MEXICO-] | 0185-1276 | |||
Apparitions: exposure of Inuit art at Expo '67 | 2022 | Inuit art quarterly 35 (1): 50-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
Japanese inspiration in the art of Nandalal Bose | 2022 | South Asia research 42 (3): 343-63 | H6/KWL [SOUTH-] | 0262-7280 | |||
La pintura y la arqueología. La modernidad y el estado | 2022 | Arqueología mexicana (105): 10-39 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Rafael Yela Günther: indagaciones | 2022 | Arqueología mexicana (105): 40-3 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Adolfo Best Maugard | 2022 | Arqueología mexicana (105): 44-9 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Jean Charlot | 2022 | Arqueología mexicana (105): 50-3 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Miguel Covarrubias | 2022 | Arqueología mexicana (105): 54-9 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Museo Anahuacalli: "Casa para los Ídolos" | 2022 | Arqueología mexicana (105): 60-3 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Ana Teresa Ordiales | 2022 | Arqueología mexicana (105): 64-5 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 |