| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| An artistic G.I. Jane | 2026 | American Indian NMAI 26 (): 42-3 | *H6/KUB [AMERICAN-] | 1528-0640 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Simon Ottenberg: his life and legacy | 2025 | African arts 58 (2): 8-16 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Transactional acts: sculpture in the Nsukka School | 2025 | African arts 58 (2): 40-52 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Norman Lewis: the tilled surface, 1935-42 | 2025 | Nka: journal of contemporary African art (56): 18-27 | H6/KY [NKA-] | 1075-7163 | |||
| Action and affect: ritual dynamics in Jackson Pollock's creative process | 2025 | Journal of material culture 30 (2): 171-90 | H6/KF [JOURNAL-] | 1359-1835 | |||
| In conversation with Tayo Quaye: master draughtsman and artist provocateur | 2025 | African arts 58 (4): 34-49 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dialogues between modern architecture and landscape in the Região dos Lagos | 2025 | Habitus: revista do Instituto Goiano de Pre-Historia e Antropologia 23 (2): 1-30 | |||||
| Care work as art work: Polvo de Gallina Negra in the context of the feminist movement in 1980s Mexico-City | 2025 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 8 (): 122-39 | 2363-8087 | ||||
| Trabajo de cuidados como trabajo artístico: Polvo de Gallina Negra en el contexto del movimiento feminista de los años 1980 en Ciudad de México | 2025 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 8 (): 140-8 | 2363-8087 | ||||
| Among dialogues, trajectories, and artistic reinventions from Dakar | 2025 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (45): 1-7 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Dakar, a hub of the African art market? Senegalese art dealers at the crossroads of worlds | 2025 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (45): 18-28 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
| Norval Morrisseau's Astral Guide I and II | 2024 | First American art magazine (43): 102-4 | H6/KUB [FIRST-] | 2333-5548 | |||
| André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Josef Albers in Mexico. The Bauhaus in search of its Pre-Hispanic origins | 2024 | Iberoamericana 24 (87): 35-59 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Sign, color, spirit: Americanist ancestralist suggestions | 2024 | Iberoamericana 24 (87): 81-103 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Ancient Peru as a cultural and modern identity in the Peruvian arts in the first half of the 20th century | 2024 | Iberoamericana 24 (87): 11-34 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Exploding the canon: Modernism from Africa at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
| Stranieri Ovunque-Foreigners Everywhere and the history of global modernism | 2024 | Nka: journal of contemporary African art (55): 104-18 | H6/KY [NKA-] | 1075-7163 | |||
| South Africa at the Tate: searching for a national school and a national identity | 2024 | Journal of southern African studies 50 (3): 447-68 | H6/KY [JOURNAL-] | 1465-3893 | |||
| Looking for Beauford: the Green Street Paintings, 1936-1952 | 2023 | Nka: journal of contemporary African art (52): 54-67 | H6/KY [NKA-] | 1075-7163 | |||
| Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Between the museum and the street: Roberto Matta's work in Chile during the Unidad Popular | 2023 | Bulletin of Latin American research 42 (2): 220-32 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
| National Gallery of Canada | 2023 | First American art magazine 38 (): 88-91 | H6/KUB [FIRST-] | 2333-5548 | |||
| Jilali Gharbaoui and decolonization | 2023 | Nka: journal of contemporary African art 53 (1): 44-55 | H6/KY [NKA-] | 1075-7163 | |||
| Decolonization and disentanglement in Ukrainian art | 2023 | Konteksty 77 (4): 37-41, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
| Bad myth: Picturing intergenerational experiences of revolution and war in Ukraine before 2022 | 2023 | Konteksty 77 (4): 51-66, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
| Sam Joseph Ntiro: mapping the path of a pioneering artist, educator, scholar, diplomat, and civil servant | 2023 | African arts 57 (3): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Otxarkoaga (1960-1964) and its artistic treasures | 2023 | Kobie: antropología cultural (25): 133-64 | H6/KVE [KOBIE-] | 0214-7971 | |||
| Pacienți psihiatrici și artiști plastici – Adolf Wölffli (1864 Berna – 1930 Waldau/Berna) și Else Blankenhorn (1873 Karlsruhe – 1920 Konstanz) | 2023 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 30 (): 45-58 | H6/KVQ [ANUARUL-] | ||||
| Modernidade devorada: olhando o antropoceno a partir da proposta antropofágica de Oswald de Andrade | 2023 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 7 (): 111-21 | 2363-8087 | ||||
| Modernity devoured: re-viewing the anthropocene with Oswald de Andrade's concept of anthropophagy | 2023 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 7 (): 87-110 | 2363-8087 | ||||
| The international posters exhibition in Mexico City, 1934 and the development of a “national style” | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 81-117 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Tang Chang - a reluctant 'outsider' of Thai modern art | 2022 | World art 12 (1): 1-23 | H6 [WORLD-] | 2150-0908 | |||
| Into the Abbatoire. Eldzier Cortor in Haiti, 1949-51 | 2022 | Nka: journal of contemporary African art (50): 22-34 | H6/KY [NKA-] | 1075-7163 | |||
| Charles White's global perspective | 2022 | Nka: journal of contemporary African art (50): 36-47 | H6/KY [NKA-] | 1075-7163 | |||
| Bridging the gap. The postwar era and the significance of John Biggers's Ananse | 2022 | Nka: journal of contemporary African art (50): 48-62 | H6/KY [NKA-] | 1075-7163 | |||
| Street to Mbari. Jacob Lawrence and the influence of the "international" on local modernism | 2022 | Nka: journal of contemporary African art (50): 64-75 | H6/KY [NKA-] | 1075-7163 | |||
| The Great Congress of the Black Spirit. Artist reflections on FESTAC '77 | 2022 | Nka: journal of contemporary African art (50): 76-89 | H6/KY [NKA-] | 1075-7163 | |||
| Alma W. Thomas: unexpected presence on the global stage | 2022 | Nka: journal of contemporary African art (50): 90-104 | H6/KY [NKA-] | 1075-7163 | |||
| Making art about art: Emma Amos's foundations in London | 2022 | Nka: journal of contemporary African art (50): 116-30 | H6/KY [NKA-] | 1075-7163 | |||
| Breathless: Myths of Masculinity at Auckland's Art Gallery | 2022 | Art New Zealand (182): 80-4 | H6/KX [ART-] | 0110-1102 | |||
| Informal empire: the process of exhibiting Latin American art under the good neighbor policy. The case of the MoMA collection, 1943 | 2022 | Boletín americanista (84): 171-93 | H6/KUL [BOLETIN-] | 0520-4100 | |||
| Emanations from the Musée de Trocadéro: African art in a global context | 2022 | Tribal art (105): 80-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Chagall and the eyes of hope: towards the unknown friend and the exodus inside the quadrilateral | 2022 | Ciência & Trópico 46 (1): 9-22 | H6/KUL [CIENCIA-] | 0304-2685 | |||
| Harold Cousins’s Plaiton sculpture | 2022 | Nka: journal of contemporary African art (51): 6-20 | H6/KY [NKA-] | 1075-7163 |