Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Luz de agua. Una teoría de la electricidad entre los nahuas | 2025 | Revista española de antropología americana 55 (1): 143-9 | H6/KUL [MADRID-] | 0556-6533 | |||
Creels and catenary wires: creating community through winter light displays | 2023 | Journal of material culture 28 (2): 246-63 | H6/KF [JOURNAL-] | 1359-1835 | |||
Una luz en la oscuridad. La extracción minera, sus métodos y artilugios utilizados en el Perú, en los siglos XIX y comienzo del XX | 2022 | Boletín de Lima 44 (207-210): 27-33 | *H6/KE [BOLETIN-] | 0253-0015 | |||
The "archaeology of light": a multiproxy, interdisciplinary and experimental approach to Palaeolithic subterranean activities | 2022 | Annales de la Fondation Fyssen (37): 192-225 | *H6 [ANNALES-] | 0980-157X | |||
The party is the light of the universe. The metaphor of light in the Shining Path’s initial discourse (1966-1976) | 2021 | Antipoda: revista de antropología y arqueología (44): 145-65 | H6/KUL [REVISTA-] | 0124-485X | |||
Gendered figure, lightning, artifice, and realism in Rosaura a las diez | 2021 | Studies in Latin American popular culture 39 (): 84-103 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Bodies in place: the transformative atmospherics of lightscapes in Mahikari | 2021 | Asian anthropology 20 (3): 173-89 | H6/KW [ASIAN-] | 1683-478X | |||
Sheikh Loftollah Mosque: a story of daylight in sequential spaces | 2021 | Space and culture 24 (1): 19-36 | H6 [SPACE-] | 1206-3312 | |||
Upper Palaeolithic art as a perceptual search for magical images | 2021 | Time and mind: the journal of archaeology, consciousness and culture 14 (4): 487-99 | H6/KH [TIME-] | 1751-696X | |||
Light mediations: introduction | 2020 | Material religion 16 (1): 1-8 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Optical and acoustic aura in the medieval image: the golden retable of the Pentecost at Stavelot | 2020 | Material religion 16 (1): 9-40 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Transilluminations: making the transcendent transparent | 2020 | Material religion 16 (1): 41-60 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Projecting faith: French and Belgian Catholics and the magic lantern before the Frst World War | 2020 | Material religion 16 (1): 61-83 | H6/KFO [MATERIAL-] | 1743-2200 | |||
The light of the world: mediating divine presence through the light and sound in a contemporary megachurch | 2020 | Material religion 16 (1): 84-107 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Gounded reflections | 2020 | Material religion 16 (1): 109 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Gounded reflections | 2020 | Material religion 16 (1): 110-12 | H6/KFO [MATERIAL-] | 1743-2200 | |||
The light of the Prophet Muhammad: an audiovisual and microphenomenological journey | 2020 | Material religion 16 (1): 113-15 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Liminal light and primate evolution | 2020 | Annual review of anthropology 49 (): 257-76 | H1 [BIENNIAL-] | 0084-6570 | |||
Capturing crisis: solar power and humanitarian energy markets in Africa | 2020 | The Cambridge journal of anthropology 38 (2): 105-24 | H6 [CAMBRIDGE-] | 2047-7716 | |||
Public art replacement on the Mapocho River: erasure, renewal and conflict of cultural value in Santiago del Chile | 2020 | Space and culture 23 (2): 149-63 | H6 [SPACE-] | 1206-3312 | |||
In the light of Bedouin homes | 2020 | Anthropologie et sociétés 44 (1): 95-116 | H6 [ANTHROPOLOGIE-] | 0702-8997 | |||
Understanding the perception and appropriation of space in Palaeolithic decorated caves: new methods and tools, with the examples of Cussac and Lascaux caves | 2020 | Rock art research 37 (2): 137-54 | H6/KE [ROCK-] | 0813-0426 | |||
More than darkness preservation: the importance of the dark, star-filled skies in urban areas | 2020 | Nature and culture 15 (3): 296-317 | H6 [NATUR-] | 1558-6073 | |||
Simultaneous activities in the household and residential electricity demand in Spain | 2019 | Time and society 28 (1): 175-99 | H6 [TIME-] | 0961-463X | |||
Domesticating light and shadow in the Neolithic: the Dombate passage grave (A Coruña, Spain) | 2019 | Cambridge archaeological journal 29 (2): 327-43 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Coins, beads, and necklaces: on light, brilliance, and sacredness in the northern Andes | 2019 | Material religion 15 (5): 577-98 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Ghosts or absence of light? The understanding of shadows. A contribution to the understanding of the ontogenetic and historical development of the notions about spatial dimensions | 2019 | Anthropos (St Augustin) 114 (2): 471-80 | H6 [ANTHROPOS-] | 0257-9774 | |||
Dark tent and light tent | 2019 | Inner Asia 21 (2): 199-215 | H6/KW [INNER-] | 1464-8172 | |||
Winter anthropology in Finland: exploring 'green care' in low light | 2019 | Medicine Anthropology Theory 6 (4): 166-78 | 2405-691X | ||||
Folding images: position and ubiquity in Amerindian shamanisms | 2019 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 14 (2): 499-511 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Iridescence as affordance: on artefacts and light interference in the renewal of life among the Owa (Eastern Solomon Islands) | 2018 | Oceania 88 (1): 31-40 | H6/KX [OCEANIA-] | 0029-8077 | |||
La mirada vigil: la percepción de la noche en el mundo humano | 2018 | Archivos 16 (): 121-76 | H6/KUL [ARCHIVOS-] | 1668-4737 | |||
El observatorio de la gruta del sol de Xochicalco | 2018 | Arqueología mexicana 26 (153): 74-80 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Moving through the lit world: the emergent experience of urban paths | 2018 | Space and culture 21 (4): 358-74 | H6 [SPACE-] | 1206-3312 | |||
Why was the color violet rarely used by artists before the 1860s? A descriptive summary of potential explanations | 2018 | Journal of cognition and culture 18 (3-4): 262-73 | H6 [JOURNAL-] | 1567-7095 | |||
Aspects of the sacred kingship at the Inka palace of Qespiwanka | 2017 | Time and mind: the journal of archaeology, consciousness and culture 10 (3): 237-76 | H6/KH [TIME-] | 1751-696X | |||
Spiritual process in lightprayer: a network of new religious practice | 2017 | Temenos: Nordic journal of comparative religion 53 (1): 85-111 | 2342-7256 | ||||
Turbinas y electricidad para la mina, lámparas a parafina para la población. Crónica de una asimetría del capitalismo minero en Tocopilla (1914-1942) | 2017 | Estudios Atacameños 54 (): 179-200 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
Thick photography | 2016 | Journal of material culture 21 (1): 111-32 | H6/KF [JOURNAL-] | 1359-1835 | |||
The prophetic principle of light and love: Nūr Muḥammad in early modern Bengali literature | 2016 | History of religions 55 (4): 391-428 | H6/KFO [HISTORY-] | 0018-2710 | |||
Hot stones and cool digitals: sustainable contact zones for intangible cultural heritage in Finland | 2016 | International journal of intangible heritage 11 (): 162-71 | H1/KWU [INTERNATIONAL-] | 1975-3536 | |||
L'ampoule sus tension | 2016 | Techniques et culture 65-66 (): 151-3 | *H6 [TECHNIQUES-] | 0248-6016 | |||
The places of darkness: Nahuatl epistemology of life and everyday techniques | 2016 | Revista de antropología (São Paulo) 59 (1): 33-72 | H6/KUL [REVISTA-] | 0034-7701 | |||
Ana O Keke and Ana More Mata Puku - the neru caves of Easter Island | 2016 | Rapa Nui journal 30 (2): 35-50 | *H6/KX [RAPA NUI-] | 1040-1385 | |||
In the den of the spirit bear | 2015 | American Indian rock art 41 (): 87-97 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Celtic and non-Celtic divinities from ancient Hispania: power, daylight, fertiltiy, water spirits and what they can tell us about Indo-European morphology | 2015 | Journal of Indo-European studies 43 (1-2): 1-56 | H6 [JOURNAL-] | 0092-2323 | |||
Hazy worlds: atmospheric ontologies in Denmark | 2015 | Anthropological theory 15 (3): 257-74 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
Light in a neolithic dwelling: building 1 at Koutroulou Magoula (Greece) | 2015 | Antiquity 89 (347): 1034-50 | H6/KE [ANTIQUITY-] | 0003-598X | |||
"A minaret of light": transducting the Islamic call to prayer? | 2015 | Material religion 11 (2): 136-63 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Paradigm of techniques for images of light in the painting of Belarusian artists during the XX - beginning of XXI centuries | 2015 | Vestsi Akademii Navuk Belarusi 4 (): 59-67 | H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] | 0321-1649 |