Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
'What eating disorders are really like' - dynamics of lived experience and repetitive aesthetics on TikTok | 2025 | International journal of cultural studies 28 (2): 462-80 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Enacting identities: Chōgen, Kujō Kanezane, and the Tōdaiji Great Buddha | 2025 | History of religions 64 (3): 168-214 | H6/KFO [HISTORY-] | 0018-2710 | |||
Thriving in modernity: crisis and mimesis in the life-experiences of Padre Pio and Ernesto de Martino | 2025 | History and anthropology 36 (2): 217-38 | H6 [HISTORY-] | 1477-2612 | |||
Crafting to serve: craftsmen and tomb construction from the 11th to 14th centuries in China’s central plains region | 2024 | Material religion 20 (1): 1-27 | H6/KFO [MATERIAL-] | 1743-2200 | |||
To grow up: affectionate imitation in the relations of Capuxu children with their animals | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (3): 725-45 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
Introduction: four ways to naturalize anthropology | 2024 | Bulletin of the National Museum of Ethnology (Osaka) 49 (1): 1-8 | H6 [OSAKA-] | 0385-180X | |||
Acting like others: analysis of caregiver-child interactions among the !Xun | 2024 | Bulletin of the National Museum of Ethnology (Osaka) 49 (1): 67-92 | H6 [OSAKA-] | 0385-180X | |||
Making, replication, and quality in late antique art | 2024 | Res 81-82 (): 119-40 | *H6 [RES-] | 0277-1322 | |||
Tarde's ancestors. Imitation and crowds from Hobbes to Locke | 2023 | Social science information 62 (1): 31-49 | H6/KF [SOCIAL-] | 0539-0184 | |||
A 'Lascaux open air site' in the Swiss Alps | 2023 | Adoranten (): 43-57 | |||||
The proto-Slavic pre-Christian ritual scenario of a Međimurje weddings as an imitation of the divine wedding | 2022 | Cosmos 33-36 (): 61-83 | H6/KFO [COSMOS-] | 0269-8773 | |||
The mindful animism of ideophony in Pastaza and upper Napo Kichwa | 2022 | Ethos 50 (3): 295-314 | H6/KH [ETHOS-] | 0091-2131 | |||
Imitation games: the exchange and emulation of fine orange pottery in central Chiapas, Mexico | 2021 | Journal of anthropological archaeology 62 (): 1-23 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Two Sarmatian coin imitations from a late Sarmatian grave at Békésszentandrás | 2021 | Communicationes archaeologicae Hungariae (): 21-6 | H6/KE [COMMUNICATIONES-] | 0231-133X | |||
Methods in performing Fela in contemporary Afrobeats, 2009-2019 | 2020 | African studies 79 (1): 88-109 | H6/KY [BANTU-] | 0002-0184 | |||
'Je suis sick of this shit'. Terrorangrep, memetisk kultur og digitale sorgriter | 2020 | Tidsskrift for kulturforskning (2): 45-66 | H6/KVT [TIDSSKRIFT-] | 1502-7473 | |||
The impact of the work of Miguel Covarrubias on the artists of Shanghai | 2020 | Anales del Instituto de Investigaciones Estéticas (116): 17-49 | H6/KFY [MEXICO-] | 0185-1276 | |||
Techniques et nature. Pour une approche anthropologique des biomimétismes | 2020 | Techniques et culture (73): 21-33 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Le biomimétisme comme système | 2020 | Techniques et culture (73): 35-43 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Faire ou laisser-faire. Imiter une rivière: la recréation morphologique du Vistre | 2020 | Techniques et culture (73): 45-57 | *H6 [TECHNIQUES-] | 0248-6016 | |||
"Nous les avons copiés." L'apprentissage d'un savoir-vivre interspécifique dans la forêt kasua | 2020 | Techniques et culture (73): 59-77 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Les pasteurs d'Afrique de l'Est imitent-ils leur bovins? | 2020 | Techniques et culture (73): 99-112 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Le robot fourmi AntBot. Conception et réalisation d'un robot bio-inspiré | 2020 | Techniques et culture (73): 129-45 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Le chant des poissons | 2020 | Techniques et culture (73): 147-65 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Comme si la nature imitait l'art. Les machines moléculaires artificielles et leur analogues naturels | 2020 | Techniques et culture (73): 167-9 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Un biomimétisme rituel et ludique. Entretien avec Roberte Hamayon | 2020 | Techniques et culture (73): 191-207 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Enquêter sur l'imitation du vivant. Remarques méthodologiques | 2020 | Techniques et culture (73): 209-21 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Dünnwandige Keramik, Keramik mit marmorierter Verzierung unde gestempelte Keramik in Lágymányos | 2020 | Acta archaeologica (Budapest) 71 (2): 639-50 | H6/KE [ACTA-] | 1588-2551 | |||
Greening honey: producing the underground origins of a forest wonder | 2019 | Journal of material culture 24 (1): 48-63 | H6/KF [JOURNAL-] | 1359-1835 | |||
Groups and individuals: conformity and diversity in the performance of gendered identities | 2019 | British journal of sociology 70 (4): 1561-81 | H6/KF [BRITISH-] | 0007-1315 | |||
Encounters between fashion and anthropology: beginnings, debates and perspectives | 2019 | Cadernos de arte e antropologia 8 (1): 15-27 | |||||
Encounters between fashion and anthropology: beginnings, debates and perspectives | 2019 | Cadernos de arte e antropologia 8 (1): 15-27 | |||||
Archaeology and the origins of human cumulative culture: a case study from the earliest Oldowan at Gona, Ethiopia | 2019 | Current anthropology 60 (3): 309-40 | H6 [CURRENT-] | 1537-5382 | |||
Molded meaning | 2019 | Res 71-72 (): 1-5 | *H6 [RES-] | 2327-9621 | |||
Anticipating replication: hand-modeled Preclassic figurines | 2019 | Res 71-72 (): 6-15 | *H6 [RES-] | 2327-9621 | |||
Reexamining 'uniformity' at Teotihuacan: identity, handcrafting, and mass production in household ritual | 2019 | Res 71-72 (): 16-24 | *H6 [RES-] | 2327-9621 | |||
Profane illuminations: classic Maya molded figurines in comparative context | 2019 | Res 71-72 (): 25-39 | *H6 [RES-] | 2327-9621 | |||
Molding Maya practice: standardisation and innovation in the making of Jaina figurines | 2019 | Res 71-72 (): 40-51 | *H6 [RES-] | 2327-9621 | |||
Copying in clay: Maya hieroglyphs and changing modes of scribal practice | 2019 | Res 71-72 (): 52-63 | *H6 [RES-] | 2327-9621 | |||
The Jama-Coaque mold-made figurines from coastal Ecuador: the case for continuity | 2019 | Res 71-72 (): 64-77 | *H6 [RES-] | 2327-9621 | |||
Twin brothers: originality and copy in the Americas | 2019 | Res 71-72 (): 97-112 | *H6 [RES-] | 2327-9621 | |||
Muisca cloth and image in early New Granada | 2019 | Res 71-72 (): 113-30 | *H6 [RES-] | 2327-9621 | |||
Modeling, models, and knowledge exchange in early modern Japan | 2019 | Res 71-72 (): 253-64 | *H6 [RES-] | 2327-9621 | |||
Ceramic studies using portable XRF: from experimental tempered ceramics to imports and imitations at Tell Mozan, Syria | 2018 | Journal of archaeological science 90 (): 12-38 | H6/KE [JOURNAL-] | 0305-4403 | |||
Escalations: theorizing sudden accelerating change | 2018 | Anthropological theory 18 (1): 36-58 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
Introduction: mimetic governmentality, colonialism, and the state | 2018 | Social analysis 62 (2): 1-27 | H6/KF [SOCIAL-] | 0155-977X | |||
Variants of frontier mimesis: colonial encounter and intercultural interaction in the Lao-Vietnamese uplands | 2018 | Social analysis 62 (2): 51-75 | H6/KF [SOCIAL-] | 0155-977X | |||
The hut-hospital as project and as practice: mimesis, alterities, and colonial hierarchies | 2018 | Social analysis 62 (2): 76-97 | H6/KF [SOCIAL-] | 0155-977X | |||
The colonial state and carnival: the complexity and ambiguity of carnival in Guinea Bissau, West Africa | 2018 | Social analysis 62 (2): 126-49 | H6/KF [SOCIAL-] | 0155-977X | |||
There is no place like home: imitation and the politics of recognition in Bolivian obstetric care | 2018 | Medical anthropology quarterly (New Series) 32 (3): 404-24 | H6/KGT [MEDICAL-] | 0745-5194 |