| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| From Aby Warburg’s Pathosformel to neuroaesthetics. Exploring movement, gesture and expression in the image | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 229-62 | 2363-8087 | ||||
| De la Pathosformel de Aby Warburg a la neuroestética. Explorando el movimiento, el gesto y la expresión en la imagen | 2026 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 9 (): 263-81 | 2363-8087 | ||||
| The historicity of the gaze. The cosmos according to a late 15th-century Flemish tapestry | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 11-39 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The decorative arts on the periphery of the artistic-cultural field in Chile. The case of Joaquín Muñoz Jara, an undervaluated artist | 2026 | Anales del Instituto de Investigaciones Estéticas 48 (128): 135-68 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Arts across Africa before 1600: an ever-growing void? | 2026 | African arts 59 (2): 1-2, 4-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Painting the marvelous: digital humanities approaches to Our Lady Mary illuminations in highland Ethiopian Tä'ammarä Maryam manuscripts before 1600 | 2026 | African arts 59 (2): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Traces, clues, and details: from attribution to visual circulation. Painted manuscripts from the late thirteenth to the early fifteenth century and the rule of the Ethiopian kingdom | 2026 | African arts 59 (2): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The trials and tribulations of exile. The Ethiopian story of Mary [Nägärä Maryam] | 2026 | African arts 59 (2): 44-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| An interview on Real Spaces | 2026 | Res 85 (): 1-12 | *H6 [RES-] | 0277-1322 | |||
| Empathy reconsidered | 2026 | Res 85 (): 13-26 | *H6 [RES-] | 0277-1322 | |||
| This goes on the syllabus | 2026 | Res 85 (): 27-36 | *H6 [RES-] | 0277-1322 | |||
| On concepts and art history | 2026 | Res 85 (): 37-48 | *H6 [RES-] | 0277-1322 | |||
| Monsters and monuments: Real Spaces and the survival of art | 2026 | Res 85 (): 49-61 | *H6 [RES-] | 0277-1322 | |||
| Benignm not too certain: theses on the Real Spaces project | 2026 | Res 85 (): 62-9 | *H6 [RES-] | 0277-1322 | |||
| The evolution of contemporary art in Jerusalem: 1967 to the present | 2026 | World art 16 (1): 27-50 | H6 [WORLD-] | 2150-0908 | |||
| Divinized protection: a set of unique, inscribed shields from Malla, Nepal | 2026 | Bulletin of the School of Oriental and African Studies (London) 89 (2): 309-33 | H6/KW [LONDON-] | 0041-977X | |||
| Are we ready not to know, to unlearn, and to learn anew? | 2026 | African arts 59 (3): 1-2, 4-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Afro-Portuguese ivories since Bassani and Fagg (1988) | 2026 | African arts 59 (3): 52-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Nigerian modernism: art and independence. Perspectives on an exhibition | 2026 | African arts 59 (3): 64-85 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Abstract art and church membership in the life of a Jewish woman: Vicci Sperry's paintings | 2026 | Material religion 22 (3): 243-73 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The princess who saved the captain: the allegorization of Pocahontas’ body in the engravings of Robert Vaughan (1624) and Matthäus Merian (ca. 1634) | 2025 | Fronteras de la Historia 30 (2): 86-114 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Children’s drawing put to the test of realism: a study of Russian and Soviet artistic and educational discourse, 1901-1934 | 2025 | Gradhiva: revue de anthropologie et museologie (39): 210-28 | H6 [GRADHIVA-] | 0764-8928 | |||
| Boa (Buenos Aires, 1958-1960) magazine, a Surrealism expanded towards informalism and Existentialism | 2025 | Iberoamericana 25 (89): 149-70 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Manuel de los Santos Salazar: the art commissions of a Tlaxcaltecan priest | 2025 | Estudios de historia novohispana (73): 89-117 | H6/KUL [ESTUDIOS-] | 2448-6922 | |||
| Victim and prey. An iconography of the manhunt | 2025 | Journal des africanistes 95 (1): 6-42 | H6/KY [SOCIETE-] | 0399-0346 | |||
| Hans Sibbelee and The Sculpture of Primitive Man | 2025 | Tribal art (118): 100-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Keskiaikaisten seinämaalausten kalkeeraaminen Suomessa 1800-luvun lopulla: Syrjään jääneen dokumentointimenetelmän käytäntö ja merkitys | 2025 | Suomen Museo/Finskt Museum 132 (): 144-66 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
| Kirjeet kulttuuriperintönä: Suomen Taideyhdistyksen Taiteilijakirjekokoelma 1800-luvun lopulta 1900-luvun alkupuolelle | 2025 | Suomen Museo/Finskt Museum 132 (): 122-43 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
| British history at Tate Britain post-Brexit: rich, white men and space invaders | 2025 | European journal of cultural studies 28 (5): 1205-27 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Elizabeth Eastmond (1945-2025) | 2025 | Art New Zealand (196): 42 | H6/KX [ART-] | 0110-1102 | |||
| Feminist textiles against gender violence: engrams of memory, testimony and affection | 2025 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 8 (): 54-68 | 2363-8087 | ||||
| Los texiles feministas contra la violencia de género: engramas de memoria, testimonio y afecto | 2025 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 8 (): 29-53 | 2363-8087 | ||||
| The unknown artificers. A first look to the involvement of Mayan painters in the manufacturing of certain altarpieces in the Church of Santa Clara de Assis in Dzidzantún, Yucatán | 2025 | Estudios de cultura maya 66 (): 255-79 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| Conceptualizing iconoclasm and Taiwanese art: sociopolitical implications | 2025 | World art 15 (2): 245-69 | H6 [WORLD-] | 2150-0908 | |||
| Curating ancient Peru: bringing archaeological objects to life in museum exhibitions to forge connections with the past and enrich learning spaces | 2025 | World art 15 (3): 413-38 | H6 [WORLD-] | 2150-0908 | |||
| Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Elizabeth Moore (1949-2024) | 2024 | Indonesia and the Malay world 52 (152): 150-4 | H6/KX [INDONESIA-] | 1469-8382 | |||
| In memoriam: Eloise Quiñones Keber 1941–2023 | 2024 | Colonial Latin American review 33 (1): 105-7 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| Risks, challenges, and possibilities building a future in African arts | 2024 | African arts 57 (2): 9-15 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
| André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Contradictions of culture and oppression: portraits of planters in power and of Black West Indians in eighteenth century Jamaican art | 2024 | New West Indian guide 98 (3-4): 237-76 | H6/KUL [NWIG-] | 0028-9930 | |||
| The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 |