Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Cultural netizenship as platformization of popular culture in Nigeria | 2025 | International journal of cultural studies 28 (1): 260-77 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The sailor's tale | 2025 | Folklore 136 (1): 1-20 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Flyting versus Karşılaşma: a comparative study of verbal duelling as a form of poetic competition | 2025 | Folklore 136 (1): 105-28 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Centuries of flowers, crowns, and nosegays. A material culture study of crown nun paintings from Santa Inés de Montepulciano Monastery in Bogotá | 2025 | Anales del Instituto de Investigaciones Estéticas 47 (126): 55-82 | H6/KFY [MEXICO-] | 0185-1276 | |||
Performance: revoicing and re-embodiment in performance genres | 2025 | Cahiers de litterature orale 97 (): 20-43 | H6/KF [CAHIERS-] | 2266-1816 | |||
Collective singing in the Jewish shtetl | 2025 | Journal of ethnology and folkloristics 19 (1): 207-34 | H6/KVT [JOURNAL-] | 1736-6518 | |||
The adoption of runosong techniques in Estonian antiphonal psalmody: toward a circular model of chanting | 2025 | Journal of ethnology and folkloristics 19 (1): 235-61 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Epistemicity and discursive genre. A contrastive analysis of a fragment of a Xiuhtlapōhualli and a fragment of a Tēmachtīliztla’tōlli’ | 2025 | Estudios de cultura náhuatl 70 (): 56-99 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
Skinamrink and the algorithmic uncanny interface between children's and horror film TikTok culture | 2025 | International journal of cultural studies 28 (5): 966-86 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
A "Hong Kong-style"? Identity and authenticity in Hong Kong Cantonese opera | 2025 | Asian music 56 (2): 31-64 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Khap of the Tai Dam: timbre, language sounds, and the vocable | 2025 | Asian music 56 (2): 101-39 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Ambivalent affective labor: the datafication of qing and danmei writers in the cultural industry | 2025 | European journal of cultural studies 28 (3): 773-92 | H6/KF [EUROPEAN-] | 1367-5494 | |||
A seven-headed public: empire and satire in revolutionary Caucasus | 2025 | Comparative studies in society and history 67 (3): 622-53 | H6/KF [COMPARATIVE-] | 0010-4175 | |||
Taste externalization practices amog Brazilian metal consumers who learn to play musical instruments | 2025 | European journal of cultural studies 28 (4): 1115-32 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Netflix teen series and the globalization of difference | 2025 | European journal of cultural studies 28 (4): 1170-88 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Coupé-Décalé in the Ivorian crisis (2002-2012): mere entertainment or a form of pacific contestation? | 2025 | Cadernos de arte e antropologia 14 (): 85-97 | |||||
The vacillating imagination of 'us' in Black Panther (2018) | 2024 | International journal of cultural studies 27 (2): 199-216 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Not just Netflix: interventions of Korea's domestic streamers | 2024 | International journal of cultural studies 27 (1): 28-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Breaking the chains of television: streaming and the 'Netflix effect' in Turkey | 2024 | International journal of cultural studies 27 (1): 47-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Archives in dialog. Contemporary re-readings of historical photographs on workers and popular types | 2024 | Iberoamericana 24 (85): 125-51 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Mapping globalised Chinese webnovels: genre blending, cultural hybridity, and the complexity of transcultural storytelling | 2024 | International journal of cultural studies 27 (3): 368-86 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Amazonian shamanic enquiry: formulaic composition and specialized discourse | 2024 | Journal of the Royal Anthropological Institute (New Series) 30 (1): 205-24 | H6 [JOURNAL-] | 1359-0987 | |||
U T’aan Nukuch Máak (‘Words of the Elders’): defining a Yucatec Maya ‘speech’ genre | 2024 | Estudios de cultura maya 63 (): 251-78 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Raudal y pervivencia del corrido mexicano | 2024 | Studies in Latin American popular culture 42 (): 22-39 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Tensiones raciales y visuales en el trópico colombiano: discografías de orquestras sabaneras Pedro Laza y sus playeros y La Sonora Cordobesa | 2024 | Studies in Latin American popular culture 42 (): 145-71 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Soundscapes of tango: criollismo, the dissonances of modernity, and Peronism | 2024 | Studies in Latin American popular culture 42 (): 172-98 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Codex style ceramics of Popul Vuh Museum | 2024 | Boletín del Museo chileno de Arte precolombino 29 (1): 38-51 | H6/KE [BOLETIN-] | 0716-1530 | |||
Listenting to Amīt Ḳhusraw in the Mughal court: Indian sultanate epistemologies of Persian music and the construction of Hindustani music history in the Mughal imaginary | 2024 | Asian music 55 (2): 5-39 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Hakka blues and jazz: the inspiration of Black music in the Hakka Taiwanese musical revitalization movement in postdictatorial Taiwan | 2024 | Asian music 55 (2): 114-49 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Introduction: fiction and worlds unknown | 2024 | Etnofoor 36 (1): 7-11 | *H6 [ETNOFOOR-] | 0921-5158 | |||
Anthropological fiction: why anthropologists should dare to weave speculation through academic narratives | 2024 | Etnofoor 36 (1): 13-29 | *H6 [ETNOFOOR-] | 0921-5158 | |||
Youth identity development on the basis of traditional Kazakh folk music | 2024 | Folklore (Tartu) 93 (): 70-104 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
The 'wooden horse' tale of Shirak as a variation of ATU 575 | 2024 | Folklore 135 (3): 373-87 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Canciones de comparsas de blancos tiznados del carnaval de Buenos Aires (1866-1877): inventario y análisis de sus letras y géneros musicales | 2024 | Etnografías Contemporáneas (18): 78-104 | 2451-8050 | ||||
Forming techniques of Ychsma cephalomorphic bottles and cara-gollettes from Pachacamac, Peru | 2024 | Ñawpa Pacha 44 (2): 209-32 | H6/KE [NAWPA-] | 0077-6297 | |||
What's in a vignette? History, functions, and development of an elusive ethnographic sub-genre | 2024 | Ethnos 89 (5): 786-804 | H6 [ETHNOS-] | 1469-588X | |||
Popular culture: weavings of resistance in the manifestation of Coco de Roda | 2024 | Ciência & Trópico 48 (2): 165-90 | H6/KUL [CIENCIA-] | 0304-2685 | |||
As much as necessary and as little as possible: the interplay of national and Soviet in a wedding performance at the 1960 folk art evening of the Estonian Folk Festival | 2024 | Folklore (Tartu) 94 (): 67-98 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Bridging northern and southern traditions in the Finnic corpus of oral poetry | 2024 | Folklore (Tartu) 94 (): 191-232 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Exploring the semantics and structure of vocatives in Ukrainian folk songs | 2024 | Folklore (Tartu) 94 (): 233-66 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Corpus-based research of semantic aspects of laul-stem words in Estonian, focused on past newspaper texts and folk song lyrics | 2024 | Folklore (Tartu) 94 (): 267-308 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Lullabies and universality: an ethnographic review | 2024 | Cross-cultural research 58 (5): 411-46 | H6/KF [BEHAVIOR-] | 1069-3971 | |||
About performativity in the location of culture: Reunionese hybridization between slam-poetry, rap, and fonnkèr | 2024 | Cahiers de litterature orale (95-96): 1-23 | H6/KF [CAHIERS-] | 2266-1816 | |||
Peering into a dark hovel. The peasantry and aristocracy and their representations of each other | 2024 | Eesti Rahva Muuseumi aastaraamat 65 (1): 45-68 | H6/KVT [TARTU-] | 1406-0388 | |||
Transcultural memory in the study of folk music in Turkey: 78-rmp records of the Ottoman American diaspora | 2024 | The World of Music 13 (1): 123-66 | H6/KFY [WORLD-] | 0043-8774 | |||
Verbal charm vs. prayer: an emic approach to the Lithuanian terminology | 2024 | Incantatio 12 (1): 32-62 | H6/KVT [TARTU-] | 2228-1355 | |||
Dressing up ‘justice’: the cinematic body and the body of the cinematic medium in Mard Ko Dard Nahi Hota (2018) | 2024 | South Asian popular culture 22 (4): 167-80 | H6/KW [SOUTH-] | 1474-6689 | |||
Culture change and culture loss among youths in Sabah: some observations in Dusunic societies | 2024 | Borneo research bulletin 54 (): 25-61 | H6/KX [BORNEO-] | 0006-7806 | |||
The chef goes to the slaughterhouse: animal pain and ethical pleasure in Southern cookbooks | 2023 | Food Culture and Society 26 (1): 102-15 | H6/KF [FOOD-] | 1751-7443 |