Title | Date | Reference | Authors | Call # | ISSN | ||
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The pleasures of Parikan in Malang, East Java: an analysis of text and music in the dance Ngremo putri | 2023 | Asian music 54 (2): 6-37 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Reclaiming the legacy of Merdana, a Kebyar master | 2023 | Asian music 54 (2): 38-56 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Feeling time in Indonesian langgam Jawa | 2022 | Asian music 53 (2): 110-38 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Female street singers of Java: musical styles and life circumstances | 2021 | Ethnomusicology 65 (1): 138-69 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
“So nicely in harmony with the tropical nature.” Listening to the cultural and the natural in Suriname, 1883–2020 | 2021 | The World of Music 10 (2): 51-78 | H6/KFY [WORLD-] | 0043-8774 | |||
Trans-border flow of music as an encounter with instruments: cases of Balinese gamelan in Japan | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (2): 311-48 | H6 [OSAKA-] | 0385-180X | |||
A mythical medieval hero in modern East Java: the masked dance Gunung Sari as an alternative model of masculinity | 2020 | Ethnomusicology 64 (3): 447-72 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Knowledge transmission in Javanese karawitan: is it time for an ontological turn? | 2020 | Asian music 51 (1): 94-117 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
My music | 2019 | Ethnomusicology 63 (1): 1-18 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
One or several gamelan? Perpetual (re)construction in the life of a Balinese Gamelan Semara Pauglingan | 2019 | Ethnomusicology 63 (3): 357-92 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Bringing the music out, bringing the listener in: the Gérong in Javanese Gamelan | 2018 | Asian music 49 (2): 34-70 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Schools and families as institutions of learning in central Javanese gamelan | 2018 | Ethnomusicology forum 27 (1): 68-87 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Talking about mode in Malang, east Java | 2017 | Asian music 48 (2): 62-89 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Reviving Javanese picture scroll theatre | 2017 | Etnološka tribina 40 (47): 198-221 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Atmosphere as a concept for ethnomusicology: comparing the gamelatron and gamelan | 2016 | Ethnomusicology 60 (1): 125-47 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The hybrid music and cosmopolitan scene in Balinese guitarist I Wayan Balawan | 2013 | Ethnomusicology forum 22 (2): 188-209 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Controlling time in epic performances: an examination of Mahābhārata performance in central Himalayas and Indonesia | 2011 | Ethnomusicology forum 20 (1): 57-78 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Gamelan performance outside Indonesia "setting sail": Babar Layar and notions of "bi-musicality" | 2011 | Asian music 42 (2): 56-87 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Negotiating authority and articulating gender: performer interaction in Malang, east Java | 2011 | Ethnomusicology 55 (1): 31-54 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Gamelan in prisons in England and Scotland: narratives of transformation and the 'good vibrations' of educational rhetoric | 2010 | Ethnomusicology 54 (3): 369-94 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Wayan Gandera and the hidden history of Gamelan Gong Kebyar | 2010 | Archipel 79 (): 195-214, 276 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
The universe of gamelan: theoretical opposition and fundamental unity | 2010 | Archipel 79 (): 125-94, 275-6 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
Changing conventions in the central Javanese performing arts: a case study of the music of the colonial-era Wayang Kulit Purwa | 2010 | Archipel 79 (): 79-100, 274 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
A stage in the development of Central Javanese gamelan music. The introduction of notation and some of its consequences | 2010 | Indonesia and the Malay world 38 (111): 273-88 | H6/KX [INDONESIA-] | 1363-9811 | |||
Of one family? Improvisation, variation, and composition in Balinese gendér wayang | 2010 | Ethnomusicology 54 (2): 224-56 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Making sense and senses of locale through perceptions of music and dance in Malang, east Java | 2010 | Asian music 41 (1): 89-126 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Agency, leadership, and gender negotiation in Balinese girls' gamelans | 2010 | Ethnomusicology 54 (1): 54-80 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The abduction of the signifying monkey chant: schizophonic transmogrifications of Balinese kecak in Fellini's Satyricon and the Coen brothers' Blood simple | 2009 | Ethnomusicology forum 18 (1): 83-106 | H6/KFYV [BRITISH-] | 1741-1912 | |||
Sacred music in Java | 2009 | British Museum magazine (63): 31 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | |||
Radical tradition: Balinese musik kontemporer | 2009 | Ethnomusicology 53 (1): 115-41 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Lou Harrison's music for western instruments and gamelan: even more western than it sounds | 2009 | Asian music 40 (1): 31-52 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Indonesians and Australians playing Javanese gamelan in Perth, Western Australia: community and the negotiation of musical identities | 2009 | The Asia Pacific journal of anthropology 10 (2): 80-97 | H6 [CANBERRA-] | 1444-2213 | |||
Erratum to Noriko Ishida's article in Bijdragen 164-4 | 2009 | Bijdragen tot de taal-, land- en volkenkunde 165 (1): 127 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
The texture of central Javanese gamelan music: pre-notation and its discontents | 2008 | Bijdragen tot de taal-, land- en volkenkunde 164 (4): 475-99 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Different temporalities: the time of Balinese gamelan | 2008 | Yearbook for traditional music 40 (): 136-62 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
The prince of the pagodas, gong and tabuh-tabuhan. Balinese music and dance, classical ballet and Euro-American composers and choreographers | 2007 | Indonesia and the Malay world 35 (101): 49-61 | H6/KX [INDONESIA-] | 1363-9811 | |||
Issues of pastiche and illusions of authenticity in gamelan-inspired composition | 2007 | Indonesia and the Malay world 35 (101): 31-48 | H6/KX [INDONESIA-] | 1363-9811 | |||
Westliche Gamelan-Musiken - 'Freundliche Übernahmen'? | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 146-8 | H6 [TEN-] | ||||
From Vietnamese lithophones to Balinese gamelans: a history of tuned percussion in the Indo-Pacific region | 2006 | Bulletin of the Indo-Pacific Prehistory Association 26 (): 48-61 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 0156-1316 | |||
Universals of musical scale in ethnomusicology and psychology of music | 2006 | Tautosakos Darbai (NS) 31 (): 90-109 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
Gamelan Manikasanti: one ensemble, many musics | 2006 | Asian music 37 (2): 34-57 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Nice 'n' easy - the Balinese gamelan rindik: its music, musicians, and value as tourist art | 2006 | Asian music 37 (2): 84-121 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Wayan Gandera redux | 2006 | Asian music 37 (2): 141-6 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Wege zum Gamelan | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 161-78 | H6 [TEN-] | ||||
Über sieben Berge musst du gehen | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 149-60 | H6 [TEN-] | ||||
Gamelan und Improvisation - ein Widerspruch? Erfahrungen eines Musikers | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 141-5 | H6 [TEN-] | ||||
Der Elefantenfluch. Schattenspiel mit Musik auf balinesischen Gamelaninstrumenten | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 135-40 | H6 [TEN-] | ||||
Javanisches Wayang Kulit von 'Margi Budoyo' | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 131-4 | H6 [TEN-] | ||||
Javanisches Gamelan - ein Traum | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 123-30 | H6 [TEN-] | ||||
Misi Budaya - Gamelan-Musik als Mittel der Diplomatie | 2006 | Ten Den Zen: jahrbuch Über Museum Bremen 14 (): 117-22 | H6 [TEN-] |