Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
“Ngaites are listening”. The sound heritage of the Magütá Ethnographic Museum of Mocagua: an experience from lullabies | 2024 | Mundo Amazonico 15 (1): e107401 | 2145-5082 | ||||
A multilevel classification of Căluş tunes (Argeş County) | 2024 | Revista de etnografie şi folclor (NS) (1-2): 64-78 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Folk songs of Montenegro - from the first field recordings of Miodrag A. Vasiljević to published collections | 2024 | Revista de etnografie şi folclor (NS) (1-2): 79-89 | H6/KVQ [REVISTA-] | 0034-8198 | |||
A foklorist looks at ice cream vans | 2024 | Folklore 135 (1): 1-19 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Raudal y pervivencia del corrido mexicano | 2024 | Studies in Latin American popular culture 42 (): 22-39 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Toward a dialectical understanding of North Indian drumming traditions: musical labor, dance, and the folk/classical distinction in Banaras | 2024 | Asian music 55 (2): 40-74 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
The temptation and consequences of "the finest sight": vice and venereal disease in "Serafina" | 2024 | Journal of folklore research 61 (2): 35-68 | H6/KF [INDIANA-] | 0737-7037 | |||
Youth identity development on the basis of traditional Kazakh folk music | 2024 | Folklore (Tartu) 93 (): 70-104 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
The bowed lyre of Estonia's Swedes: origin, diffusion, decline, revival | 2024 | Folklore (Tartu) 93 (): 105-42 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
English folk tradition and the choice of ancestors | 2024 | Folklore 135 (3): 313-26 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Villages in Vrancea region and their pastoral songs. Past and present | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 33-45 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Entre mares de vozes e entre vozes sobre o mar, no cancioneiro da tradição oral portuguesa | 2024 | Trabalhos de antropologia e etnologia (64): 241-60 | H6/KVE [SOCIEDADE-] | ||||
Ainu puri as compass: from yukar musical epics to a contemporary contexts of transnational indigeneity of the Ainu | 2024 | Folklore (Tartu) 94 (): 99-132 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Melancholic, joyful, and outlaw voices: Finnish rhymed couplets and writers' archival materials | 2024 | Folklore (Tartu) 94 (): 169-90 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Exploring the semantics and structure of vocatives in Ukrainian folk songs | 2024 | Folklore (Tartu) 94 (): 233-66 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Homo lyricus, or lyric song in the ethnomusicological stratigraphy of "folkloric culture": notes from a monograph (part 2) | 2023 | Revista de etnografie şi folclor (NS) (1-2): 139-67 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Manele music as a marker of collective shame in the online discourse of the Romanian diaspora in the United Kingdom | 2023 | Revista de etnografie şi folclor (NS) (1-2): 168-83 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Neo-folklore motifs in Che Yi's piano work | 2023 | Revista de etnografie şi folclor (NS) (1-2): 184-97 | H6/KVQ [REVISTA-] | 0034-8198 | |||
‘Have you heard of Kalevauva.fi yet?’ Modern folklore, humour, and gender in the lyrics of the Finnish folk troubadour duo Kalevauva.fi | 2023 | Folklore (Tartu) 88 (): 69-94 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Political meaning hidden behind enchanting melodies: how China delivered ideological messages in the song cycle "Four Seasons of Our Motherland" | 2023 | Folklore (Tartu) 88 (): 219-34 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Identities and ethnic groups in the northern shores of Rio Grande do Sul in the Tafona de Canção Nativa festival | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-24 | 2525-3123 | ||||
A glimpse behind closed doors. Alfred L. Kroeber and the representation of Native Californian music | 2023 | History and anthropology 34 (3): 521-39 | H6 [HISTORY-] | 1477-2612 | |||
Authors and burners: imagining creative agency in Turkey’s musical folklore | 2023 | Ethnomusicology forum 32 (1): 52-72 | H6/KFYV [BRITISH-] | 1741-1912 | |||
The Estonian language and its influence on music: a cognitive sciences approach | 2023 | Folklore (Tartu) 90 (): 109-36 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
The popular balland, rumours and memories as a special narrative format | 2023 | Folklore (Tartu) 90 (): 155-78 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Layers of folkloric variation: computational explorations of poetic and narrative texts corpora | 2023 | Folklore (Tartu) 90 (): 233-66 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
If Oskar Kolberg had had thephonograph… Or how to read the oldest archival notes of Polish traditional music through the prism of phonographic experience | 2023 | Folklore (Tartu) 91 (): 47-70 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
How to participate in participatory music making at a contemporary folk music festival: runosong nests at the Viljandi Folk Music Festival and Pelimanni evenings at the Kaustinen Folk Music Festival | 2023 | Folklore (Tartu) 91 (): 141-64 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
The collection of Hungarian traditional games | 2023 | Folklore (Tartu) 91 (): 215-22 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
A response to the article “Olaus Sirman runojen vertailevaa luentaa” [The comparative interpretation of Olaus Sirma’s poems] (SUSA 97, 2019) | 2023 | Suomalais: journal de la Société Finno-Ougrienne (99): 339-43 | H6 [SUOMALAIS-] | 0355-0214 | |||
Olaus Sirma, poetic irregularity, and the question of authorship | 2023 | Suomalais: journal de la Société Finno-Ougrienne (99): 344-8 | H6 [SUOMALAIS-] | 0355-0214 | |||
The musical genre of "Romanţa" (romance). Folk romance and romance as cultivated musical genre. Some musicological considerations | 2023 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 34 (): 19-28 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Korean traditional music on global stages | 2022 | The World of Music 11 (1): 5-21 | H6/KFY [WORLD-] | 0043-8774 | |||
For the glory of the nation | 2022 | The World of Music 11 (1): 23-44 | H6/KFY [WORLD-] | 0043-8774 | |||
The Little Angels | 2022 | The World of Music 11 (1): 45-62 | H6/KFY [WORLD-] | 0043-8774 | |||
"I'm a New Yorker" | 2022 | The World of Music 11 (1): 63-86 | H6/KFY [WORLD-] | 0043-8774 | |||
Towards one Korea | 2022 | The World of Music 11 (1): 87-108 | H6/KFY [WORLD-] | 0043-8774 | |||
The p’ansori experience in Europe | 2022 | The World of Music 11 (1): 109-32 | H6/KFY [WORLD-] | 0043-8774 | |||
Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
The role of women in Kurdish cultural heritage | 2022 | The World of Music 11 (2): 65-72 | H6/KFY [WORLD-] | 0043-8774 | |||
‘Peace o’er the World’: village carolling in the Hope Valley of Derbyshire | 2022 | Folklore 133 (4): 411-38 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Homo Lyricus, or lyric song in the ethnomusicological stratigraphy of "folkloric culture": notes for a monography (part I) | 2022 | Revista de etnografie şi folclor (NS) 1-2 (): 121-46 | H6/KVQ [REVISTA-] | 0034-8198 | |||
François Rouschitzki’s “Musique Orientale” (1834) as a source for the creation of urban music in Moldova | 2022 | Revista de etnografie şi folclor (NS) 1-2 (): 147-60 | H6/KVQ [REVISTA-] | 0034-8198 | |||
The Ottoman classical music in the Romanian principalities | 2022 | Revista de etnografie şi folclor (NS) 1-2 (): 161-80 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Performance of Romani ethnicity in Klenovec: the pariahdom boundary and its markers | 2022 | Romani studies 32 (2): 247-68 | H6 [GYPSY-] | 1528-0748 | |||
Historical background of Malaysian Tamil folk songs | 2022 | Time and mind: the journal of archaeology, consciousness and culture 15 (1): 41-66 | H6/KH [TIME-] | 1751-696X | |||
From the bush to the stage: nation building in Mozambique through music | 2022 | Anuário antropológico (Rio) 47 (1): 208-27 | H6 [ANUARIO-] | 2357-738X | |||
Familiar = Unfamiliar / Unfamiliar = Familiar? Singing as a wandering traveller, or on transfer, limits, experiencing, and identity from the Polish-Bulgarian perspective | 2022 | Konteksty 76 (1/2): 388-96, 435 | H6/KVM [POLSKA-] | 1230-6142 | |||
"Between respect and impertinence": cross-cultural engagement with Sardinian Cantu A Tenore | 2022 | Journal of folklore research 59 (3): 39-86 | H6/KF [INDIANA-] | 0737-7037 | |||
Fado, spirituality and healing: sensing, embodying and performing emotion in Lisbon, Portugal | 2022 | Trabalhos de antropologia e etnologia (62): 69-90 | H6/KVE [SOCIEDADE-] |