| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Genèse atikamekw du Wapikoni mobile | 2104 | Recherches amérindiennes au Québec 44 (1): 119-21 | H6/KUB [RECHERCHES-] | 0318-4137 | |||
| Rewriting Chineseness: Chinese American films through Chinese eyes | 2026 | International journal of cultural studies 29 (1): 156-75 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Fan-driven paratextuality in the audios: film and television podcast in the post-fansubbing era of Chinese translational fandom | 2026 | International journal of cultural studies 29 (2): 253-69 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Feminist fan engagement and collective agency: a case study of Barbie in China | 2026 | International journal of cultural studies 29 (2): 291-310 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Rewriting Chineseness: Chinese American films through Chinese eyes | 2026 | International journal of cultural studies 29 (1): 156-75 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The 'miracle of development', the good neighbourhood policy, and political coexistence: print media and documentary film in Macau in the 1960s-1974 | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (1): 33-63 | H6/KW [ROYAL-] | 1356-1863 | |||
| A full moon on the screen: Terang Boelan, Roekiah, and vernacular modernism in the late colonial Malay world | 2026 | Indonesia and the Malay world 54 (158): 27-51 | H6/KX [INDONESIA-] | 1469-8382 | |||
| From Un cuento chino to La luna representa mi corazón: Chinese diasporic narratives in Argentine cinema | 2026 | Iberoamericana 26 (91): 71-88 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Third nature: on Shu Lea Cheang's film UKI and nature's infestations of technology | 2026 | Theory, culture and society 43 (2): 21-36 | H6 [THEORY-] | 0263-2764 | |||
| Going underground: tours into the subterranean | 2026 | Tourist studies 26 (1): 7-30 | H6/KD [TOURIST-] | 1468-7976 | |||
| Kick off your Sunday shoes! The material religion of Footlose | 2026 | Material religion 22 (1): 86-117 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Queer/cuir moments and 'que(e)rencias' in Colombian narrative cinema | 2026 | Bulletin of Latin American research 45 (2): 1-12 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
| Collaborative filmmaking as a conveyor of (migrant) women’s embodied experiences in Portuguese academia | 2026 | Ethnic and racial studies 49 (7): 1369-89 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Anxious pleasures: reading Bollywood's item numbers through regional reception cultures | 2026 | International journal of cultural studies 29 (4): 640-57 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Recasting 'Joymoti': in search of travelling female performers of mobile theatre in Assam | 2026 | Journal of the Royal Asiatic Society (Series 3) 36 (2): 431-47 | H6/KW [ROYAL-] | 1356-1863 | |||
| Sugar-coated happiness: the affective politics of contemporary Asian American film posters | 2026 | International journal of cultural studies 29 (5): 757-77 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Witch traditions (Boksi): a manifestation of cruel practice and dark reality in Nepalese society and Nepalese film- Boksi Ko Ghar | 2026 | International journal of anthropology 41 (1-2): 49-81 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
| Spiritist Filipina: Tatlong Maria (1944) and the discourse on the portrayal of women in Philippine cinema during the Japanese occupation period | 2026 | Southeast Asian studies 15 (1): 105-26 | H6/KWY [SOUTHEAST-] | 2423-8686 | |||
| Representing Muhammad: the prophet on screen | 2025 | Material religion 21 (1): 74-106 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Film cultures of conquest and domesticity: the family films of Silvino Santos and Agesilau de Araújo (1927-1929) | 2025 | History and anthropology 36 (2): 260-84 | H6 [HISTORY-] | 1477-2612 | |||
| Bachelard, Besson and Bakhtin: a dialogical discourse on the potential of intimate space | 2025 | Space and culture 28 (2): 137-49 | H6 [SPACE-] | 1206-3312 | |||
| Wael Shawky’s revisionist histories | 2025 | Nka: journal of contemporary African art (56): 50-7 | H6/KY [NKA-] | 1075-7163 | |||
| Viral nationalism: right wing media and the aesthetics of distributed participation | 2025 | International journal of cultural studies 28 (3): 597-616 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Sincere critique in Israeli filmmaking | 2025 | Journal of the Royal Anthropological Institute (New Series) 31 (2): 531-48 | H6 [JOURNAL-] | 1359-0987 | |||
| Contemporary trends in Latin American cinema | 2025 | Studies in Latin American popular culture 43 (): 1-3 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| México 2010: cine historia (y para las mujeres), nada que celebrar | 2025 | Studies in Latin American popular culture 43 (): 4-27 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Moviegoing experience, gender, and socioeconomic distribution in São Paulo during the 1920s | 2025 | Studies in Latin American popular culture 43 (): 28-47 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| El escarabajo de oro y las posibilidades de ars combinatoria | 2025 | Studies in Latin American popular culture 43 (): 48-63 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Un archipélago cinemático: Chiloé en el imaginario fílmico chileno, 2000-2023 | 2025 | Studies in Latin American popular culture 43 (): 64-90 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| "Mi sueño es cantar": Natalia Oreiro en Miss Tacuarembó y Gilda, no me arrepiento de este amor | 2025 | Studies in Latin American popular culture 43 (): 91-103 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Retour sur l’édition 2024 des « Regards comparés » (Festival international Jean Rouch – Inalco) : Corées, déjouer les destins | 2025 | Gradhiva: revue de anthropologie et museologie (39): 236-9 | H6 [GRADHIVA-] | 0764-8928 | |||
| Filming The Sunjata Story – glimpse of a Mande epic | 2025 | The World of Music 14 (1): 55-76 | H6/KFY [WORLD-] | 0043-8774 | |||
| Viral nationalism: right wing media and the aesthetics of distributed participation | 2025 | International journal of cultural studies 28 (3): 597-616 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Violence, between realism and tragedy in auteur Mexican cinema: Sin señas particulares (2020) by Fernanda Valadez | 2025 | Mexican studies 41 (2): 205-34 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
| Netflix teen series and the globalization of difference | 2025 | European journal of cultural studies 28 (4): 1170-88 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| A book forum on Timothy P. A. Cooper’s Moral Atmospheres (Columbia University Press, 2024) | 2025 | History and anthropology 36 (4): 780-800 | H6 [HISTORY-] | 1477-2612 | |||
| Envisioning the future: deaf forms of life and visual anthropology | 2025 | Visual anthropology 38 (1-2): 67-89 | *H6 [VISUAL-] | 1545-5920 | |||
| The right to African interiority: the power of quiet in Abderrahmane Sissako's Bamako | 2025 | Nka: journal of contemporary African art (57): 58-77 | H6/KY [NKA-] | 1075-7163 | |||
| Performative resistance and aestheticized conflicts: Barbie's ambivalent feminist practice | 2025 | European journal of cultural studies 28 (6): 1519-34 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Talking on oppression: a feminist exploration of female sexuality in À nos amours and Benim Sinemalarım through the eyes of activist women | 2025 | European journal of cultural studies 28 (6): 1880-99 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Speculative human evolution: evidence through fiction and film | 2025 | Human evolution 40 (3-4): 325-37 | H6/HB [HUMAN-] | 0393-9375 | |||
| Starring Esteban Montejo as himself: featuring the African inspirations of the ‘audiovisual interface’, 1975/1812 | 2025 | Journal of Latin American studies 52 (2): 215-47 | *H6/KUL [JOURNAL-] | 0022-216X | |||
| Projecting patriarchy: a reflexive thematic analysis of gendered narrative in Bollywood films (1970-2024) through a criminological lens | 2025 | WAH Academia Journal of Social Sciences 4 (2): 81-106 | 0032-4000 | ||||
| Reimagining the divine: analyzing the portrayal of Hinduism in the 21st century Indian Hindi film 'Adipurush' | 2025 | WAH Academia Journal of Social Sciences 4 (2): 129-43 | 0032-4000 | ||||
| Cinematic memories of partition: visualizing trauma, otherness, and reconciliation in South Asian cinema | 2025 | WAH Academia Journal of Social Sciences 4 (2): 451-68 | 0032-4000 | ||||
| O fim da ideologia, a ideologia do fim | 2025 | Trabalhos de antropologia e etnologia 65 (): 169-80 | H6/KVE [SOCIEDADE-] | ||||
| Rabinal Achí and Santo Luzbel: Indigenous theater as a philosophical resource of memory | 2025 | Boletín americanista (91): 189-213 | H6/KUL [BOLETIN-] | 0520-4100 | |||
| Making Mẽbêngôkre-Kayapó movies: governance, conviviality, and productive frictions | 2025 | Visual anthropology 38 (3-5): 161-81 | *H6 [VISUAL-] | 1545-5920 | |||
| Unveiling Joyland: gender politics and Islamic feminist interventions in Pakistani cinema | 2025 | South Asian popular culture 23 (1): 1-17 | H6/KW [SOUTH-] | 1474-6689 | |||
| Cla$$ – Individual, society, identity, caste | 2025 | South Asian popular culture 23 (1): 19-35 | H6/KW [SOUTH-] | 1474-6689 |