Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Genèse atikamekw du Wapikoni mobile | 2104 | Recherches amérindiennes au Québec 44 (1): 119-21 | H6/KUB [RECHERCHES-] | 0318-4137 | |||
Sex exceptionalism and erasure in porn health protocols | 2024 | Culture, health & sexuality 26 (1): 126-41 | H6/KGT [CULTURE-] | 1464-5351 | |||
The vacillating imagination of 'us' in Black Panther (2018) | 2024 | International journal of cultural studies 27 (2): 199-216 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Streaming and India's film-centred video culture: linguistic and formal diversity | 2024 | International journal of cultural studies 27 (1): 65-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
(M)apping films in Scotland: film tour maps, apps and 'real' engagements with virtual space | 2024 | Tourist studies 24 (1): 7-33 | H6/KD [TOURIST-] | 1468-7976 | |||
A wondering archive: Super 8, music and temporality in Avanti popolo (Brazil, 2012) | 2024 | Iberoamericana 24 (85): 69-84 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Black extras and actors in Francoist cinema | 2024 | Ethnic and racial studies 47 (7): 1420-37 | H6/KD [ETHNIC-] | 1466-4356 | |||
Racial rhetoric in black and white: situational whiteness in Francoist Spanish Guinea through Misión blanca | 2024 | Ethnic and racial studies 47 (7): 1478-94 | H6/KD [ETHNIC-] | 1466-4356 | |||
Family, power, and nationalism | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Family, power, and nationalism. Children in post-independence Indonesian cinema | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Beyond triage work: a conversation on representation and ethics in film | 2024 | Inuit art quarterly 371 (): 28-33 | *H6/KFY [INUIT-] | 0831-6708 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Alien nights: between the fantastic and the ordinary in the speculative anthropology of Acrean cinema | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-21 | 2525-3123 | ||||
Botanizing the city of Kolkata: exploring the modern-day flâneuse and a refashioned mode of flânerie in Sujoy Ghosh’s Film Kahaani | 2024 | Visual anthropology 37 (4): 376-492 | *H6 [VISUAL-] | 1545-5920 | |||
Entanglement of values: examining the phenomenon of pesantren producing films in the post-reformasi era | 2024 | The Asia Pacific journal of anthropology 25 (1): 69-74 | H6 [CANBERRA-] | 1444-2213 | |||
The Good , The Bad and the Disney: employing princesses to examine Hungarian tweens' understanding of gender | 2024 | European journal of cultural studies 27 (2): 195-214 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Reproductive governance in Nordeste/Northeast (Juan Solanas, 2005, Argentina/France/Belgium/Spain) | 2023 | Bulletin of Latin American research 42 (1): 21-35 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
“Children of the Soil” to “Dark Wind”: nature, environment and climate in Indian films | 2023 | Visual anthropology 36 (1): 69-79 | *H6 [VISUAL-] | 1545-5920 | |||
The male householder and the hypermasculine deity: Malayalam-language films based on the Sabarimala temple in Kerala | 2023 | Visual anthropology 36 (2): 117-41 | *H6 [VISUAL-] | 1545-5920 | |||
Delinking "the gentleman's game": visual epistemic representations in the film Shabaash Mithu | 2023 | Visual anthropology 36 (2): 142-74 | *H6 [VISUAL-] | 1545-5920 | |||
‘Inbetweenness’, Tanah Air and Nusantara in Dain Said’s Bunohan (2012), Interchange (2016) and Dukun (2018) | 2023 | Indonesia and the Malay world 51 (149): 100-18 | H6/KX [INDONESIA-] | 1469-8382 | |||
(In)visibility, mediated, and sporting perceptions: Bollywood, biopics, and the epistemic turn in Mary Kom | 2023 | Visual anthropology 36 (3): 249-79 | *H6 [VISUAL-] | 1545-5920 | |||
'I cringe at the slave portions': how fans of Gone with the Wind negotiate anti-racist criticism | 2023 | International journal of cultural studies 26 (3): 257-73 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The Ziguéhi Movement and the afterlives of Kung fu films in Abidjan | 2023 | Ethnos 88 (3): 618-40 | H6 [ETHNOS-] | 1469-588X | |||
The rise and fall of the synthetic: the mediatization of Canada's oil sands | 2023 | International journal of cultural studies 26 (4): 427-44 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Imaginaries of the outer space: the Star Wars phenomenon as a creation of new possible worlds | 2023 | Revista colombiana de antropología 59 (2): 93-117 | H6/KUL [REVISTA-] | 0486-6525 | |||
"Give us free": the influence of Steven Spielberg's Amistad on legal scholarship and the African origins of United States c. Schooner Amistad | 2023 | International journal of African historical studies 56 (1): 65-82 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Welcome to the horror show. Settler colonialism, gender and the horror film | 2023 | Canadian review of sociology and anthropology 60 (2): 313-16 | H6/KUB [CANADIAN-] | 1755-6171 | |||
Basotho blankets: ownership and appropriation | 2023 | Journal of the Royal Anthropological Institute (New Series) 29 (1): 124-44 | H6 [JOURNAL-] | 1359-0987 | |||
Institutional denialism as public policy: using films as a tool to deny the Armenina genocide in Turkey | 2023 | Ethnic and racial studies 46 (12): 2677-97 | H6/KD [ETHNIC-] | 1466-4356 | |||
Hoisting the Mexican death totem: Macario (dir. Galvadón, 1960) and the projection of mexicanidad | 2023 | Mexican studies 39 (2): 241-70 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
Ethics based on a Sámi perspective in the encounter with film and photography | 2023 | Rig (2): 68-85 | H6/KVT [RIG-] | 0035-5267 | |||
Outside the imagined community: Pashtun subjects in contemporary Pakistani cinema | 2023 | South Asian popular culture 21 (1): 25-40 | H6/KW [SOUTH-] | 1474-6689 | |||
Rebellion from outside the margins: representation of de-notified tribe and questions of identity in Fandry (2013) | 2023 | South Asian popular culture 21 (1): 57-75 | H6/KW [SOUTH-] | 1474-6689 | |||
Reframing female bodies in Sri Lankan cinema: 28 and Asandhimitta revisited | 2023 | South Asian popular culture 21 (1): 77-88 | H6/KW [SOUTH-] | 1474-6689 | |||
Traversing boundaries: contemporary Hindi cinema at international film festivals | 2023 | South Asian popular culture 21 (1): 89-103 | H6/KW [SOUTH-] | 1474-6689 | |||
Collective sounds: Pa. Ranjith's cinema, Gaana, and fusion music | 2023 | South Asian popular culture 21 (1): 105-22 | H6/KW [SOUTH-] | 1474-6689 | |||
Shero worship: female stardom in Tamil cinema | 2023 | South Asian popular culture 21 (1): 123-37 | H6/KW [SOUTH-] | 1474-6689 | |||
The biopolitics of transnational commercial gestational surrogacy in Mimi (2021) | 2023 | South Asian popular culture 21 (1): 139-42 | H6/KW [SOUTH-] | 1474-6689 | |||
A superhero in Indian style and culture: Minnal Murali goes global | 2023 | South Asian popular culture 21 (1): 143-6 | H6/KW [SOUTH-] | 1474-6689 | |||
Contesting the mainstream transwoman figurations: the question of caste and precarity in Undalaazham | 2023 | South Asian popular culture 21 (2): 189-204 | H6/KW [SOUTH-] | 1474-6689 | |||
Between 'Cheeni' and 'Nupi Maanbi': transgender politics in Manipur at the intersection of nation and indigeneity | 2023 | South Asian popular culture 21 (2): 223-34 | H6/KW [SOUTH-] | 1474-6689 | |||
Framing the 'hanging garden' of Seoul - querying heritage transculturally. Jung Yeondoo re-stages (art) history in South Korea in 2009 | 2023 | World art 13 (3): 271-83 | H6 [WORLD-] | 2150-0908 | |||
When women speak phallocentric positionalities: biopolitics of female loneliness in the Russian cinemascape | 2023 | Visual anthropology 36 (4): 397-420 | *H6 [VISUAL-] | 1545-5920 | |||
A future horizon for restitution in a film on the Argentinian puna: Rubén Guzmán’s The Noise of Time | 2023 | Visual anthropology 36 (5): 443-64 | *H6 [VISUAL-] | 1545-5920 | |||
Human rights and secularism in conflict with Hindutva: the Water controversy | 2023 | Antropologia portuguesa (40): 55-73 | H6 [ANTROPOLOGIA-] | 0870-0990 | |||
Cinephilia, Hollywood, and the Cuban revolution: the American journey of Néstor Almendros,1955-1956 | 2023 | Iberoamericana 23 (84): 188-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Hidden protagonists - toward a decolonial cinema history of Brazil | 2023 | Cadernos de arte e antropologia 12 (): 47-67 | |||||
Native American dis/possessions: postcolonial trauma in Hitchcock's Vertigo | 2023 | Theory, culture and society 40 (7-8): 141-56 | H6 [THEORY-] | 0263-2764 | |||
Endurance of difference: insights from contemporary native Hawaiian media | 2023 | Visual anthropology review 39 (1): 82-102 | H6 [PROGRAM-] | 1053-7147 |