Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Political censorship and the contestation of nation-building discourse: a survey of cultural productions regarding the Malayan Communist struggle in Malaysia after 2000 | 2023 | Southeast Asian studies 12 (2): 307-31 | H6/KWY [SOUTHEAST-] | 2423-8686 | |||
Producing indigenous media: protocols, circulation, and the politics of accountability | 2023 | Visual anthropology review 39 (1): 128-43 | H6 [PROGRAM-] | 1053-7147 | |||
Screen agencies as cultural intermediaries: delivering gender equality in the film and television sectors? | 2023 | European journal of cultural studies 26 (3): 408-27 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Speaking through Manbhum films: between song, dance and peripheral video industries | 2022 | South Asian popular culture 20 (1): 61-75 | H6/KW [SOUTH-] | 1474-6689 | |||
Broken gods: collaborative filmmaking in troubled times | 2022 | American anthropologist 124 (3): 490-503 | *H6 [AMERICAN-] | 0002-7294 | |||
Feminist sensory ethnography: embodied filmmaking aas a politic of necessity | 2022 | Visual anthropology review 38 (2): 184-210 | H6 [PROGRAM-] | 1053-7147 | |||
Extending the frame: ethnographic film and the potential of multipart work | 2022 | Visual anthropology review 38 (2): 212-32 | H6 [PROGRAM-] | 1053-7147 | |||
A chronology of seeing: subverting gender norms through a long-term participatory video project with rural women in Iran | 2022 | Visual anthropology review 38 (2): 234-54 | H6 [PROGRAM-] | 1053-7147 | |||
Collaborations across cinematic objects: a conversation between Pong and Sensory Ethnography Lab, mediated by the Graduate Research Training Group 'Documentary practices: excess and privation' | 2022 | Visual anthropology review 38 (2): 298-319 | H6 [PROGRAM-] | 1053-7147 | |||
Drama production and audiences as 'affective superaddressee' in an illiberal democracy | 2022 | European journal of cultural studies 25 (4): 1066-82 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'I got voodoo, I got hoodoo': ethnography and its objects in Disney's The princess and the frog | 2021 | Material religion 17 (1): 56-80 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Filmic encounters: multispecies care and sacrifice on island Timor | 2021 | The Australian journal of anthropology 32 (S1): 80-95 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Authenticity and anthropophagy in Kayapó film production | 2021 | Current anthropology 62 (3): 309-32 | H6 [CURRENT-] | 1537-5382 | |||
Towards a decolonial media archaeology: the absent archive of screenwriting history and the obsolete munshi | 2021 | Theory, culture and society 38 (1): 3-26 | H6 [THEORY-] | 0263-2764 | |||
Documentary imaginary: production and audience research of The act of killing and The look of silence | 2021 | European journal of cultural studies 24 (4): 801-15 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Environmental futures through children's eyes: slow observational participatory videomaking and multi-sited ethnography | 2021 | Visual anthropology review 37 (2): 310-32 | H6 [PROGRAM-] | 1053-7147 | |||
Sleepless fathers in Malayalam cinema: unraveling the dynamics of caste and masculinity | 2020 | South Asian popular culture 18 (1): 11-28 | H6/KW [SOUTH-] | 1474-6689 | |||
The ethical practices of three first-generation indigenous documentary film activists in Taiwan | 2020 | Taiwan journal of anthropology 18 (1): 1-60 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Media sovereignty and digital activism. Transdisciplinary service-learning with indigenous peoples in the Brazilian Amazon | 2020 | Teaching anthropology 9 (2): 78-91 | |||||
Gaining control over the loss of it. Software as focusing media in digital visual ethnography | 2019 | Social anthropology 27 (1): 17-32 | H6/KF [SOCIAL-] | 0964-0282 | |||
Musik-Filmische Teilhabekonstellationen als Partizipationsversprechen und situiertes Wissen in The queen of silence (2014) und And-Ek Ghes... (2016) | 2019 | Paragrana: internationale Zeitschrift für historische Anthropologie 28 (1): 153-74 | H6/KF [PARAGRANA-] | 0938-0116 | |||
The promise and The lost city of Z: diasporas, cinematic imperalism and commercial films | 2019 | Anthropologica (New Series) 61 (1): 150-61 | H6/KUB [ANTHROPOLOGICA N.S.-] | 0003-5459 | |||
Remaking identities and sterotypes: how film remakes transform and reinforce nationality, disability, and gender | 2019 | European journal of cultural studies 22 (5-6): 613-29 | H6/KF [EUROPEAN-] | 1367-5494 | |||
In and out of control: portraying older women in contemporary Finnish comedy films | 2019 | European journal of cultural studies 22 (5-6): 684-99 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Living with a postcolonial conundrum: Yi Yŏngil and Korean film historiography | 2019 | Journal of Asian studies 78 (3): 601-20 | *H6/KW [JOURNAL-] | 0021-9118 | |||
Taking the long route. Ethnographic metacommentary as method in the anthropological film practice | 2019 | Current anthropology 60 (6): 774-95 | H6 [CURRENT-] | 0011-3204 | |||
Brand displaced: trademarking, unmarking, and making the generic | 2019 | Hau 9 (3): 498-513 | 2049-1115 | ||||
Taking the long route. Ethnographic metacommentary as method in the anthropological film practice | 2019 | Current anthropology 60 (6): 774-95 | H6 [CURRENT-] | 1537-5382 | |||
Prefiguring as an indigenous narrative tool in Nigerian cinema: an ethnomusicological reading | 2019 | Ethnomusicology 63 (2): 159-83 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
The future of Lao cinema: the new wave | 2018 | Visual anthropology 31 (1-2): 14-33 | *H6 [VISUAL-] | 0894-9468 | |||
The moving image as incident of disappearance | 2018 | Visual anthropology 31 (1-2): 34-44 | *H6 [VISUAL-] | 0894-9468 | |||
Q! Film Festival as cultural activism: strategic cinephilia and the expansion of a queer counterpublic | 2018 | Visual anthropology 31 (1-2): 74-92 | *H6 [VISUAL-] | 0894-9468 | |||
The authoring of observational cinema: conversations with Colin Young | 2018 | Visual anthropology 31 (3): 193-235 | *H6 [VISUAL-] | 0894-9468 | |||
Dreaming a narrative and conjuring an image: collaborative filmmaking with people and spirits in Melanesia | 2018 | Visual anthropology 31 (3): 268-91 | *H6 [VISUAL-] | 0894-9468 | |||
Beyond paradise? Retelling Pacific stories in Disney's Moana | 2018 | The contemporary Pacific 30 (2): 297-327 | *H6/KX [CONTEMPORARY-] | 1043-898X | |||
Cultural discourses and practices of institutionalised diversity in the UK film sector: 'Just get something black made' | 2018 | Sociological review 66 (6): 1111-27 | H6/KF [SOCIOLOGICAL-] | 0038-0261 | |||
The joy of Travel | 2018 | Visual anthropology 31 (4-5): 445-8 | *H6 [VISUAL-] | 0894-9468 | |||
An epistemology of play: provocation, pleasure, participation and performance in ethnographic fieldwork and film-making | 2018 | Anthropologica (New Series) 60 (2): 403-12 | H6/KUB [ANTHROPOLOGICA N.S.-] | 0003-5459 | |||
Theorising rupture in the foundational years of Indian Parallel Cinema | 2018 | South Asian popular culture 16 (1): 1-19 | H6/KW [SOUTH-] | 1474-6689 | |||
Oppositional cultural elements in the emergent cinema of Pakistan | 2018 | South Asian popular culture 16 (1): 21-8 | H6/KW [SOUTH-] | 1474-6689 | |||
The pyrotechnics of gender and terrorism in Mani Ratnam’s Dil Se | 2018 | South Asian popular culture 16 (1): 29-49 | H6/KW [SOUTH-] | 1474-6689 | |||
My name is Khan… from the epiglottis: changing linguistic norms in Bollywood songs | 2018 | South Asian popular culture 16 (1): 51-69 | H6/KW [SOUTH-] | 1474-6689 | |||
British South Asian women’s feminist aesthetics in ‘Bombay cinema talk’ | 2018 | South Asian popular culture 16 (1): 71-87 | H6/KW [SOUTH-] | 1474-6689 | |||
Designing a visual palimpsest through film: a critical examination of Jodhaa Akbar and the nationalist narrative | 2018 | South Asian popular culture 16 (2-3): 253-62 | H6/KW [SOUTH-] | 1474-6689 | |||
The ax fight: a critical engagement with the work of Tim Asch and John Marshall | 2018 | Visual anthropology review 34 (2): 113-23 | H6 [PROGRAM-] | 1053-7147 | |||
The first ethnographic documentary? Luiz Thomaz Reis, the Rondon Commission and the making of Rituais e festas Borôro (1917) | 2017 | Visual anthropology 30 (2): 105-46 | *H6 [VISUAL-] | 0894-9468 | |||
The evolution of song and dance in Hindi cinema | 2017 | South Asian popular culture 15 (2-3): 103-8 | H6/KW [SOUTH-] | 1474-6689 | |||
Synchronicity and continuity of sound and image in early Indian cinema | 2017 | South Asian popular culture 15 (2-3): 109-22 | H6/KW [SOUTH-] | 1474-6689 | |||
Dance musicalization: proposing a choreomusicological approach to Hindi film song-and-dance sequences | 2017 | South Asian popular culture 15 (2-3): 123-38 | H6/KW [SOUTH-] | 1474-6689 | |||
Romance, piety, and fun: the transformation of qawwali and Islamicate culture in Hindi cinema | 2017 | South Asian popular culture 15 (2-3): 139-53 | H6/KW [SOUTH-] | 1474-6689 |