Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Ambivalence and informality: COVID-19 and unmasked precarity in Nollywood | 2024 | International journal of cultural studies 27 (1): 1-18 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The Syrian Archive Digital Memory Project: archiving as testimony, as evidence, as creative practice | 2024 | Visual anthropology 37 (1): 19-34 | *H6 [VISUAL-] | 1545-5920 | |||
‘Inbetweenness’, Tanah Air and Nusantara in Dain Said’s Bunohan (2012), Interchange (2016) and Dukun (2018) | 2023 | Indonesia and the Malay world 51 (149): 100-18 | H6/KX [INDONESIA-] | 1469-8382 | |||
Hoisting the Mexican death totem: Macario (dir. Galvadón, 1960) and the projection of mexicanidad | 2023 | Mexican studies 39 (2): 241-70 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
Ossie Michelin Evan's Drum | 2023 | Inuit art quarterly 36 (1): 20-1 | *H6/KFY [INUIT-] | 0831-6708 | |||
Cinephilia, Hollywood, and the Cuban revolution: the American journey of Néstor Almendros,1955-1956 | 2023 | Iberoamericana 23 (84): 188-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Hidden protagonists - toward a decolonial cinema history of Brazil | 2023 | Cadernos de arte e antropologia 12 (): 47-67 | |||||
Filming incommunicability and challenging representation: the sensory in Michelangelo Antonioni's trilogy | 2023 | Cadernos de arte e antropologia 12 (): 83-99 | |||||
Dialogues in silence: Ibrahim Shaddad through the frame | 2023 | Nka: journal of contemporary African art 53 (1): 56-63 | H6/KY [NKA-] | 1075-7163 | |||
Enduring inequalities: fifty years of gender equality talk in the media and cultural industries | 2023 | European journal of cultural studies 26 (3): 428-45 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Seminole/Muskogee filmmaker, producer and podcaster: Sterlin Harjo | 2022 | First American art magazine 34 (): 46-51 | H6/KUB [FIRST-] | 2333-5548 | |||
Producing Nollywood portal films: navigating precarity through informal social relations and hope | 2022 | International journal of cultural studies 25 (5): 500-17 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘A filmmaker fond of anthropology’: Ian Dunlop (1927–2021) | 2022 | Oceania 92 (2): 156-70 | H6/KX [OCEANIA-] | 0029-8077 | |||
Ian Dunlop and the Yirrkala Film Project | 2022 | Oceania 92 (2): 171 | H6/KX [OCEANIA-] | 0029-8077 | |||
Assembling the natural and the supernatural in Thai independent cinema: the ethno-cinematographic rhizomes of Apichatpong Weerasethakul | 2022 | Asian anthropology 21 (2): 138-54 | H6/KW [ASIAN-] | 1683-478X | |||
A conversation with Nora de Izcue: Runan Caycu, new Latin American cinema, and the Peruvian documentary tradition | 2022 | Visual anthropology review 38 (1): 142-62 | H6 [PROGRAM-] | 1053-7147 | |||
From Cinéfondation's Résidence to film production: the experience of Brazilian filmmakers in an international labour market | 2022 | European journal of cultural studies 25 (5): 1361-76 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Movies about the First World War: shaping the collective memory. Cases of Serbian/Yugoslav and Greek cinematography | 2022 | Balcanica 53 (): 95-113 | H6/KVO [BALCANICA-] | 0350-7653 | |||
Between filmmaking practices and tourist practices: an ethnographic look on the production of Portuguese tourism films in the 1960s | 2021 | Etnográfica: revista do Centro de Estudos de Antropologia Social 25 (1): 193-210 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
The excentric film project of Gokot Prakosa | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (1): 94-123 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Candra Aditya's Dewi pulang, a short film, translation, and discussion | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 183-207 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Indie cinema and the short film assemblage | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 208-20 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Landscape of possibility: community filmmaking in Indonesia as a relational process | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 221-33 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Traces of the other form of life: the rural, the urban, and Indonesians’ social mobility in Candra Aditya’s Dewi pulang | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 234-42 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Why don't you get it? Reflections on language and the idea of (mis)understanding in Dewi pulang | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 243-53 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
A conversation with Indonesian filmmaker Candra Aditya | 2021 | Bijdragen tot de taal-, land- en volkenkunde 177 (2-3): 254-63 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Self-categorization, intersectionality and creative freedom in the cultural industries: Palestinian women filmmakers in Israel | 2021 | Ethnic and racial studies 44 (6): 1030-50 | H6/KD [ETHNIC-] | 1466-4356 | |||
Intimacy and hedonism: the aesthetics of the terrazza in Italian cinema | 2021 | Space and culture 23 (4): 394-408 | H6 [SPACE-] | 1206-3312 | |||
New publications regarding the history of Spanish film | 2021 | Iberoamericana 21 (76): 243-53 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The transnational trajectories of Moroccan filmmakers: film training between Socialist Poland and postcolonial France in the 1960s and 1970s | 2021 | International journal of African historical studies 54 (3): 355-75 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Myth and psychoanalysis in Edipo re (Oedipus Rex) by Pier Paolo Pasolini | 2021 | Ethnologia slovaca et slavica 42 (): 45-61 | H6/KVL [ETHNOLOGIA-] | 1335-4116 | |||
Immersive worlds | 2021 | Inuit art quarterly 342 (): 60-5 | *H6/KFY [INUIT-] | 0831-6708 | |||
Humour and antiquity in film: Roman Scandals and Monty Python’s Life of Brian | 2021 | Ethno-anthropological problems journal 16 (1): 135–54 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Until death do us part and they upload us into clones: An analysis of film narratives about mind uploading and the myth of immortality | 2021 | Ethno-anthropological problems journal 16 (2): 529-48 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Glamorous work: notes from the red carpet | 2021 | Visual anthropology review 37 (1): 142-63 | H6 [PROGRAM-] | 1053-7147 | |||
From vues to ethnofiction: French ethnographic filmmaking in African before Jean Rouche | 2020 | Visual anthropology 33 (1): 32-80 | *H6 [VISUAL-] | 1545-5920 | |||
“To articulate ourselves”: trans-indigenous reflections on film and politics in Amazonia | 2020 | Native American and indigenous studies 7 (2): 1-28 | |||||
“We start our lives from different positions.” A dialogue | 2020 | Martor: revue d'anthropologie du Musée du Paysan Roumain (25): 191-8 | H6/KVQ [MARTOR-] | ISSN 2734-8350 | |||
Dare to record! The ethics of decision making in fieldwork documentary practice | 2020 | Martor: revue d'anthropologie du Musée du Paysan Roumain (25): 199-213 | H6/KVQ [MARTOR-] | ISSN 2734-8350 | |||
With or without the camera running: the work of Inuit film-making | 2020 | Journal of the Royal Anthropological Institute (New Series) 26 (1): 105-25 | H6 [JOURNAL-] | 1359-0987 | |||
Borges’ dark metaphysics. View via Judas / through a peephole | 2020 | Konteksty 74 (3): 28-41, 247 | H6/KVM [POLSKA-] | 1230-6142 | |||
The ethical practices of three first-generation indigenous documentary film activists in Taiwan | 2020 | Taiwan journal of anthropology 18 (1): 1-60 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Mohawk photographer and filmmaker Shelley Niro | 2020 | First American art magazine 28 (): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
Desiring Bollywood: re-staging racism, exploring difference | 2020 | American anthropologist 122 (4): 961-72 | *H6 [AMERICAN-] | 0002-7294 | |||
Ancient myth in Brazilian cinematography: Black Orpheus | 2020 | Ethno-anthropological problems journal 15 (2): 401-16 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Waiting for (African) cinema: Jean-Pierre Bekolo’s quest | 2019 | African studies review 62 (1): 49-66 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Ecstasy, choreography and re-enactment: aesthetic and political dimensions of filming states of trance and spirit possession in postwar southern Italy | 2019 | Visual anthropology 32 (1): 33-55 | *H6 [VISUAL-] | 0894-9468 | |||
Entrevista a Alex Schenker, cineasta alemán que hace cine en Ecuador | 2019 | Studies in Latin American popular culture 37 (): 217-28 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Moving bodies: captured life in the late works of Harun Farocki | 2019 | Journal of visual culture 18 (3): 358-77 | H6/KF [JOURNAL-] | 1470-4129 | |||
Postproduction, archive, and memory in the work of César Schofield Cardoso | 2019 | Nka: journal of contemporary African art 44 (): 94-107 | H6/KY [NKA-] | 1075-7163 |