Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Ambivalence and informality: COVID-19 and unmasked precarity in Nollywood | 2024 | International journal of cultural studies 27 (1): 1-18 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Ambivalence and informality: COVID-19 and unmasked precarity in Nollywood | 2024 | International journal of cultural studies 27 (3): 510-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Into the twentieth century: science and entertainment, two realms apart? | 2024 | Visual anthropology 37 (4): 301-21 | *H6 [VISUAL-] | 1545-5920 | |||
‘The festival is ours’: power dynamics of community participation in the Alter do Chão Film Festival | 2023 | International journal of cultural studies 26 (2): 200-15 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
(In)visibility, mediated, and sporting perceptions: Bollywood, biopics, and the epistemic turn in Mary Kom | 2023 | Visual anthropology 36 (3): 249-79 | *H6 [VISUAL-] | 1545-5920 | |||
The actors in the transformation of the film and audiovisual industry in Côte d'Ivoire since 1961 | 2023 | Cahiers d'études africaines (250): 239-67 | H6/KY [CAHIERS-] | 0008-0055 | |||
Hollywood on the Danube: location management and the production of place in transnational media production | 2023 | International journal of cultural studies 26 (5): 536-49 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Traversing boundaries: contemporary Hindi cinema at international film festivals | 2023 | South Asian popular culture 21 (1): 89-103 | H6/KW [SOUTH-] | 1474-6689 | |||
Three contemporary art stories about missing objects. Undertaking in Nigeria from the point of view of restitutions | 2023 | Cahiers d'études africaines (251-252): 747-80 | H6/KY [CAHIERS-] | 0008-0055 | |||
Screen media, technological innovation and the state in Nigeria | 2023 | Anthropological quarterly 96 (4): 625-50 | H6 [PRIMITIVE-] | 0003-5491 | |||
Conceptualising change in equality, diversity and inclusion: a case study of the Irish film and television sector | 2023 | European journal of cultural studies 26 (3): 336-53 | H6/KF [EUROPEAN-] | 1367-5494 | |||
‘Collecting what the sea gives back’: postcolonial ecologies of the ocean in contemporary Chilean film | 2022 | Bulletin of Latin American research 41 (2): 209-26 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
The film script as an ethnography. About an anthropological study in Saudi Arabia | 2022 | Antipoda: revista de antropología y arqueología (47): 141-66 | H6/KUL [REVISTA-] | 0124-485X | |||
On the tracks of musical screenscapes: analysing the emerging phenomenon of Bollywood Filmi-song tourism in Iceland | 2022 | Tourist studies 22 (2): 175-99 | H6/KD [TOURIST-] | 1468-7976 | |||
Producing Nollywood portal films: navigating precarity through informal social relations and hope | 2022 | International journal of cultural studies 25 (5): 500-17 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Unions: foundation of the Mexican film industry | 2022 | Mexican studies 38 (2): 331-60 | *H6/KUL [MEXICAN-] | 1533-8320 | |||
Sex and sensibility: the homographic stardom of Ranveer Singh | 2022 | South Asian popular culture 20 (3): 303-19 | H6/KW [SOUTH-] | 1474-6689 | |||
'We are merely furniture': Palestinian actors and actresses react to rationalization and racialization processes in the Israeli TV market | 2022 | European journal of cultural studies 25 (4): 1099-17 | H6/KF [EUROPEAN-] | 1367-5494 | |||
From Cinéfondation's Résidence to film production: the experience of Brazilian filmmakers in an international labour market | 2022 | European journal of cultural studies 25 (5): 1361-76 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Movies about the First World War: shaping the collective memory. Cases of Serbian/Yugoslav and Greek cinematography | 2022 | Balcanica 53 (): 95-113 | H6/KVO [BALCANICA-] | 0350-7653 | |||
The Peacock Junction | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-33 | 2525-3123 | ||||
In between the global and the local: mapping the geographies of Netflix as a multinational service | 2021 | International journal of cultural studies 24 (2): 195-215 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
A Brazilian Hollywood in the making? Film, tourism and creative city discourse in the hinterland of Paraíba | 2021 | International journal of cultural studies 24 (5): 691-706 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
New publications regarding the history of Spanish film | 2021 | Iberoamericana 21 (76): 243-53 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The transnational trajectories of Moroccan filmmakers: film training between Socialist Poland and postcolonial France in the 1960s and 1970s | 2021 | International journal of African historical studies 54 (3): 355-75 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
The reification of concrete work in Egyptian film production | 2021 | Journal of the Royal Anthropological Institute (New Series) 27 (3): 599-616 | H6 [JOURNAL-] | 1359-0987 | |||
Humour and antiquity in film: Roman Scandals and Monty Python’s Life of Brian | 2021 | Ethno-anthropological problems journal 16 (1): 135–54 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Anthropology's prophecy for #MeToo: from Hollywood to Hong Kong | 2021 | Visual anthropology review 37 (1): 120-41 | H6 [PROGRAM-] | 1053-7147 | |||
Récits de savoirs partagés par l'art et la création en milieux autochtones | 2020-2021 | Recherches amérindiennes au Québec 50 (3): 223-26 | H6/KUB [RECHERCHES-] | 0318-4137 | |||
With or without the camera running: the work of Inuit film-making | 2020 | Journal of the Royal Anthropological Institute (New Series) 26 (1): 105-25 | H6 [JOURNAL-] | 1359-0987 | |||
Portuguese and Belgian colonial cinema: the filmography of two small big countries in Africa | 2020 | Cahiers d'études africaines (239): 563-91 | H6/KY [CAHIERS-] | 0008-0055 | |||
Exploitation in all-male pornography set in the Czech Republic | 2019 | European journal of cultural studies 22 (1): 18-36 | H6/KF [EUROPEAN-] | 1367-5494 | |||
'Announcement' trailers and the inter-temporality of Hollywood blockbusters | 2019 | International journal of cultural studies 22 (3): 434-49 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Imagining Greek mythologies and film location at Paestum | 2019 | International journal of anthropology 34 (1-2): 123-7 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Hegemony in a global age: mutations of the communications landscapes in contemporary Venezuela | 2019 | Bulletin of Latin American research 38 (S1): 38-56 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Queering the barrios: the politics of space and sexuality in Mariana Rondón's film, Pelo malo (2013) | 2019 | Bulletin of Latin American research 38 (S1): 158-80 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
"Not art for art's sake": social economic strategies in Cameroonian video production | 2019 | Cahiers d'études africaines 59 (3): 723-46 | H6/KY [CAHIERS-] | ||||
The promise and The lost city of Z: diasporas, cinematic imperalism and commercial films | 2019 | Anthropologica (New Series) 61 (1): 150-61 | H6/KUB [ANTHROPOLOGICA N.S.-] | 0003-5459 | |||
Mum's the word: public testimonials and gendered experiences of negotiating caring responsibilities with work in the film and television industries | 2019 | European journal of cultural studies 22 (5-6): 646-64 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Sara Jahan Hamara: Indian films and their portrayal of foreign destinations | 2019 | Visual anthropology 32 (3-4): 343-52 | *H6 [VISUAL-] | 0894-9468 | |||
New Cinema and new media: hopes for resurrection | 2019 | South Asian popular culture 17 (1): 31-45 | H6/KW [SOUTH-] | 1474-6689 | |||
Antagonism and imaginaries of plurality in Bolivian cinema | 2018 | Iberoamericana 18 (67): 63-83 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The future of Lao cinema: the new wave | 2018 | Visual anthropology 31 (1-2): 14-33 | *H6 [VISUAL-] | 0894-9468 | |||
Investigating tourists' and local residents' perceptions of a Chinese film site | 2018 | Tourist studies 18 (3): 275-91 | H6/KD [TOURIST-] | 1468-7976 | |||
Transformations in destination texture: curry and Bollywood romance in the Swiss Alps | 2018 | Tourist studies 18 (3): 292-314 | H6/KD [TOURIST-] | 1468-7976 | |||
An ethnographic experiences and stories from a spectator research | 2018 | Journal of folklore and literature 3 (): 13-34 | 1300-7491 | ||||
On the margins: black directors and the persistence of racial inequality in twenty-first century Hollywood | 2018 | Ethnic and racial studies 41 (7): 1217-34 | H6/KD [ETHNIC-] | 0141-9870 | |||
What remained: materiality and colonialism in a collection of moving images | 2018 | Mana 24 (3): 247-76 | H6/KUL [MANA-] | 0104-9313 | |||
Oppositional cultural elements in the emergent cinema of Pakistan | 2018 | South Asian popular culture 16 (1): 21-8 | H6/KW [SOUTH-] | 1474-6689 | |||
Augusto Roa Bastos, un futuro Premio Cervantes al servizio del cinema | 2018 | Thule (44): 15-40 | H6/KUL [THULE-] | 1126-8611 |