Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
Foreign agents: Aotearoa artists in Venice | 2024 | Art New Zealand (91): 80-3 | H6/KX [ART-] | 0110-1102 Europe | |||
Who needs Big Data?: Data and information in precision agriculture | 2024 | Mana 30 (2): 1-26 | H6/KUL [MANA-] | 1678-4944 | |||
Les archives sonores dahoméennes de l’Exposition coloniale de Paris (1931). Chronique d’un projet de recherche-création | 2024 | Gradhiva: revue de anthropology et museologie (38): 180-3 | H6 [GRADHIVA-] | 0764-8928 | |||
The arts of Africa and Oceania at the nineteenth-century universal exposition in Paris | 2024 | Tribal art (114): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
Africa in Venice | 2024 | Nka: journal of contemporary African art (55): 4-5 | H6/KY [NKA-] | 1075-7163 | |||
Foreigners in Venice: reflections on Black diaspora art at La Biennale di Venezia 2024 | 2024 | Nka: journal of contemporary African art (55): 62-75 | H6/KY [NKA-] | 1075-7163 | |||
Visibility and the politics of representation at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 76-87 | H6/KY [NKA-] | 1075-7163 | |||
Exploding the canon: Modernism from Africa at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
Two Buye statues that disappeared from the Mostra d'Oltremare in 1940 | 2023 | Tribal art (108): 90-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
Amateur film, cultural memory and the visual legacy of the 1920 Inter-Tribal Indian Ceremonial | 2023 | Visual anthropology 36 (3): 201-28 | *H6 [VISUAL-] | 1545-5920 | |||
All the world's histories at the 59th Venice Biennale | 2023 | Nka: journal of contemporary African art (52): 120-35 | H6/KY [NKA-] | 1075-7163 | |||
We made It in Venice! But then …? Reversing notions of center and periphery | 2023 | African arts 56 (1): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Interaction rituals at content trade fairs: a microfoundation of cultural markers | 2023 | Journal of contemporary ethnography 52 (3): 317-43 | H6/KY [JOURNAL-] | 0891-2416 | |||
Setting up camp: Yuki Kihara & NZ at Venice | 2022-23 | Art New Zealand (184): 96-100 | H6/KX [ART-] | 0110-1102 | |||
The festivalized countryside in Poland: from folk fairs to community festyns | 2022 | Folklore 133 (2): 224-42 | H6/KF [FOLKLORE-] | 1469-8315 | |||
Frybread at the fair: told by Alma Ahote | 2022 | International journal of American linguistics 88 (S1): S197-S205 | H6/KK [INTERNATIONAL-] | 0020-7071 | |||
Goodnight show in Amarillo, Texas: told by Rev. George Saumty | 2022 | International journal of American linguistics 88 (S1): S207-S218 | H6/KK [INTERNATIONAL-] | 0020-7071 | |||
Apparitions: exposure of Inuit art at Expo '67 | 2022 | Inuit art quarterly 35 (1): 50-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
A centennial of progress repelling pseudo-Indians. Santa Fe Indian Market and the Indian Arts and Crafts Act | 2022 | First American art magazine (35): 49-51 | H6/KUB [FIRST-] | 2333-5548 | |||
Santa Fe Indian Market through the decades | 2022 | First American art magazine (35): 52-8 | H6/KUB [FIRST-] | 2333-5548 | |||
Progress, design, and hyperreal spectacle. The ancient Near East in nineteenth-century expos, fairs, and geographical amusements | 2022 | Near Eastern Archaeology 85 (1): 54-65 | H6/KE [BIBLICAL-] | 0006-0895 | |||
From local fairs to televisual feasts: negotiating visibilities in the Portuguese territory | 2021 | Etnográfica: revista do Centro de Estudos de Antropologia Social 25 (1): 211-30 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
The rallying call to decolonize: Okwui Enwezor's legacy | 2021 | Nka: journal of contemporary African art (48): 24-39 | H6/KY [NKA-] | 1075-7163 | |||
In the wake of Okwui Enwezor | 2021 | Nka: journal of contemporary African art (48): 14-22 | H6/KY [NKA-] | 1075-7163 | |||
Mexico's interamerican biennals and the hemispheric Cold War | 2021 | Anales del Instituto de Investigaciones Estéticas 43 (119): 249-85 | H6/KFY [MEXICO-] | 0185-1276 | |||
Exhibitions and visual culture in Latin America,19th and 20th century. Introduction | 2021 | Iberoamericana 21 (77): 7-13 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
A poem about the decline of traditional fairs | 2021 | Ethnographia 132 (1): 140-43 | H6/KVN [ETHNOGRAPHIA-] | 0014-1798 | |||
Notes on how to irritate a group of committed artists: politics of emotion at the Ghetto Biennale in Port-au-Prince | 2020 | Space and culture 23 (1): 61-76 | H6 [SPACE-] | 1206-3312 | |||
Mestizo cuisines in Mexico and Peru. Keys to interpreting multiculturalism in Latin America | 2020 | Antipoda (39): 69-93 | H6/KUL [REVISTA-] | 0124-485X | |||
Mestizo cuisines in Mexico and Peru. Keys to interpreting multiculturalism in Latin America | 2020 | Antipoda (39): 69-93 | H6/KUL [REVISTA-] | 0124-485X | |||
Special issue introduction: historical and cultural perspectives of food on the fairgrounds | 2020 | Food Culture and Society 24 (2): 174-86 | H6/KGT [CULTURE-] | 1751-7443 | |||
Beyond beefsteak and onions: engaging the foodscape at the 1876 Centennial Exposition | 2020 | Food Culture and Society 24 (2): 187-201 | H6/KGT [CULTURE-] | 1751-7443 | |||
“Nothing corresponding to it in China”: Asian food at London’s International Health Exhibition, 1884 | 2020 | Food Culture and Society 24 (2): 202-26 | H6/KGT [CULTURE-] | 1751-7443 | |||
Italian sagre: preserving and re-inventing cultural heritage and community through food festivals in Umbria, Italy | 2020 | Food Culture and Society 24 (2): 291-308 | H6/KGT [CULTURE-] | 1751-7443 | |||
Chicken noodle night: conviviality, resilience, and food at the Vinland Fair | 2020 | Food Culture and Society 24 (2): 309-24 | H6/KGT [CULTURE-] | 1751-7443 | |||
Zimbabwe's journey to the Venice Biennale from 2011 to 2019 | 2020 | African arts 53 (1): 1-3 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The Mostra di Arte Negra at the Venice Biennale in 1922 | 2020 | Tribal art (95): 86-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
Exoticism and colonial education. The Guinean as a curiosity in the trade fairs of Valencia, 1942-1948 | 2020 | Disparidades: revista de antropologia 75 (1): 1-17 | H6/KVE [REVISTA-] | 2659-6881 | |||
A milestone in the construction of the exhibits in National Museum of Ethnology, Japan: Japan World Exposition "Osaka 70 Expo" and its ethnographic collections | 2020 | Archivio per l'antropologia e la etnologia 150 (): 129-46 | H6 [ARCHIVIO-] | 0373-3009 | |||
BACA 2020: Contemporary Native Art Biennale/Biennale d'art contemporain autochtone, fifth edition: Honoring Kinship | 2020 | First American art magazine 28 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Where is the Southeastern Native American economy? | 2020 | Southeastern archaeology 39 (4): 281-308 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
Le parole quechua e aimara indicanti le feste e il festeggiare | 2020 | Thule (48/49): 325-37 | H6/KUL [THULE-] | 1126-8611 | |||
Meanings of the "Nova Sulanca" project under the discourse theory of Laclau and Mouffe | 2020 | Cadernos de estudos sociais 35 (1): 73-99 | H6/KUL [CADERNOS-] | 0102-4248 | |||
Maritime fishing festivals in the Basque Country: spaces and times of beliefs, sport, seafood gastronomy and economy | 2019/2020 | Kobie: antropología cultural (22): 153-72 | H6/KVE [KOBIE-] | 0214-7971 | |||
Reproductive commodities: work, joy, and creativity in Argentinean miniature fairs | 2019 | Ethnos 84 (2): 241-62 | H6 [ETHNOS-] | 0014-1844 | |||
'Anything off the bottom shelf': ephemeral fairgrounds and material swag | 2019 | Journal of material culture 24 (3): 313-33 | H6/KF [JOURNAL-] | 1359-1835 | |||
Mock rituals, sham battles, and real research. Anthropologists and ethnographic study of the Bontoc Igorot in 1900s "Igorrote Villages" | 2019 | Histories of anthropology annual 13 (): 151-75 | H1 [HISTORIES-] | 1557-637X | |||
Folk sÅbor, festival and competition in the present. Function, significance and pole of music making | 2019 | Bulgarski folklor 45 (2): 130-44 [insert i-viii] | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Disney introduces new audiences to Native art | 2018/2019 | First American art magazine 21 (): 38-43 | H6/KUB [FIRST-] | 2333-5548 |