| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
| Sharjah Biennial 16: sharing space in to carry | 2025 | Nka: journal of contemporary African art (57): 46-57 | H6/KY [NKA-] | 1075-7163 | |||
| Foreign agents: Aotearoa artists in Venice | 2024 | Art New Zealand (91): 80-3 | H6/KX [ART-] | 0110-1102 Europe | |||
| Who needs Big Data?: Data and information in precision agriculture | 2024 | Mana 30 (2): 1-26 | H6/KUL [MANA-] | 1678-4944 | |||
| Les archives sonores dahoméennes de l’Exposition coloniale de Paris (1931). Chronique d’un projet de recherche-création | 2024 | Gradhiva: revue de anthropology et museologie (38): 180-3 | H6 [GRADHIVA-] | 0764-8928 | |||
| The arts of Africa and Oceania at the nineteenth-century universal exposition in Paris | 2024 | Tribal art (114): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Africa in Venice | 2024 | Nka: journal of contemporary African art (55): 4-5 | H6/KY [NKA-] | 1075-7163 | |||
| Foreigners in Venice: reflections on Black diaspora art at La Biennale di Venezia 2024 | 2024 | Nka: journal of contemporary African art (55): 62-75 | H6/KY [NKA-] | 1075-7163 | |||
| Visibility and the politics of representation at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 76-87 | H6/KY [NKA-] | 1075-7163 | |||
| Exploding the canon: Modernism from Africa at the 60th Venice Biennale | 2024 | Nka: journal of contemporary African art (55): 88-102 | H6/KY [NKA-] | 1075-7163 | |||
| Two Buye statues that disappeared from the Mostra d'Oltremare in 1940 | 2023 | Tribal art (108): 90-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Amateur film, cultural memory and the visual legacy of the 1920 Inter-Tribal Indian Ceremonial | 2023 | Visual anthropology 36 (3): 201-28 | *H6 [VISUAL-] | 1545-5920 | |||
| All the world's histories at the 59th Venice Biennale | 2023 | Nka: journal of contemporary African art (52): 120-35 | H6/KY [NKA-] | 1075-7163 | |||
| We made It in Venice! But then …? Reversing notions of center and periphery | 2023 | African arts 56 (1): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Interaction rituals at content trade fairs: a microfoundation of cultural markers | 2023 | Journal of contemporary ethnography 52 (3): 317-43 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Setting up camp: Yuki Kihara & NZ at Venice | 2022-23 | Art New Zealand (184): 96-100 | H6/KX [ART-] | 0110-1102 | |||
| The festivalized countryside in Poland: from folk fairs to community festyns | 2022 | Folklore 133 (2): 224-42 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| Frybread at the fair: told by Alma Ahote | 2022 | International journal of American linguistics 88 (S1): S197-S205 | H6/KK [INTERNATIONAL-] | 0020-7071 | |||
| Goodnight show in Amarillo, Texas: told by Rev. George Saumty | 2022 | International journal of American linguistics 88 (S1): S207-S218 | H6/KK [INTERNATIONAL-] | 0020-7071 | |||
| Apparitions: exposure of Inuit art at Expo '67 | 2022 | Inuit art quarterly 35 (1): 50-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
| A centennial of progress repelling pseudo-Indians. Santa Fe Indian Market and the Indian Arts and Crafts Act | 2022 | First American art magazine (35): 49-51 | H6/KUB [FIRST-] | 2333-5548 | |||
| Santa Fe Indian Market through the decades | 2022 | First American art magazine (35): 52-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Progress, design, and hyperreal spectacle. The ancient Near East in nineteenth-century expos, fairs, and geographical amusements | 2022 | Near Eastern Archaeology 85 (1): 54-65 | H6/KE [BIBLICAL-] | 0006-0895 | |||
| Introduction: world fairs, exhibitions and anthropology. Revisiting contexts of post-colonialism | 2022 | Anthropological journal of European cultures 31 (2): 1-14 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
| The exhibition of Botocudos at Piccadilly Hall. Variations of an anthropological show, from the museum to the circus | 2022 | Anthropological journal of European cultures 31 (2): 15-37 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
| 'To the extremes of Asian sensibility'. Balinese performances at the 1931 International Colonial Exhibition | 2022 | Anthropological journal of European cultures 31 (2): 38-64 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
| Picturesque savagery on display. Exhibition of indigenous people, science and commerce in Argentina (1898-1904) | 2022 | Anthropological journal of European cultures 31 (2): 65-88 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
| The mise-en-scène of modernity. Exposición Internacional del Centenario, Buenos Aires (1910) | 2022 | Anthropological journal of European cultures 31 (2): 89-111 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
| A new turn in Russian ethnography. Science and cultyural politics at Moscow's first ethnographic exhibition of 1867 | 2022 | Anthropological journal of European cultures 31 (2): 112-32 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
| Mummies and mannequins: Elena Izcue, modern Peruvian design and Paris fashion | 2022 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 6 (): 74-92 | 2363-8087 | ||||
| Momias y maniquís: Elena Izcue, diseño peruano moderno y moda parisina | 2022 | Miradas: Journal for the arts and culture of the Americas and the Iberian peninsula 6 (): 93-103 | 2363-8087 | ||||
| From local fairs to televisual feasts: negotiating visibilities in the Portuguese territory | 2021 | Etnográfica: revista do Centro de Estudos de Antropologia Social 25 (1): 211-30 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
| The rallying call to decolonize: Okwui Enwezor's legacy | 2021 | Nka: journal of contemporary African art (48): 24-39 | H6/KY [NKA-] | 1075-7163 | |||
| In the wake of Okwui Enwezor | 2021 | Nka: journal of contemporary African art (48): 14-22 | H6/KY [NKA-] | 1075-7163 | |||
| Mexico's interamerican biennals and the hemispheric Cold War | 2021 | Anales del Instituto de Investigaciones Estéticas 43 (119): 249-85 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Exhibitions and visual culture in Latin America,19th and 20th century. Introduction | 2021 | Iberoamericana 21 (77): 7-13 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| A poem about the decline of traditional fairs | 2021 | Ethnographia 132 (1): 140-43 | H6/KVN [ETHNOGRAPHIA-] | 0014-1798 | |||
| Notes on how to irritate a group of committed artists: politics of emotion at the Ghetto Biennale in Port-au-Prince | 2020 | Space and culture 23 (1): 61-76 | H6 [SPACE-] | 1206-3312 | |||
| Mestizo cuisines in Mexico and Peru. Keys to interpreting multiculturalism in Latin America | 2020 | Antipoda (39): 69-93 | H6/KUL [REVISTA-] | 0124-485X | |||
| Mestizo cuisines in Mexico and Peru. Keys to interpreting multiculturalism in Latin America | 2020 | Antipoda (39): 69-93 | H6/KUL [REVISTA-] | 0124-485X | |||
| Special issue introduction: historical and cultural perspectives of food on the fairgrounds | 2020 | Food Culture and Society 24 (2): 174-86 | H6/KGT [CULTURE-] | 1751-7443 | |||
| Beyond beefsteak and onions: engaging the foodscape at the 1876 Centennial Exposition | 2020 | Food Culture and Society 24 (2): 187-201 | H6/KGT [CULTURE-] | 1751-7443 | |||
| “Nothing corresponding to it in China”: Asian food at London’s International Health Exhibition, 1884 | 2020 | Food Culture and Society 24 (2): 202-26 | H6/KGT [CULTURE-] | 1751-7443 | |||
| Italian sagre: preserving and re-inventing cultural heritage and community through food festivals in Umbria, Italy | 2020 | Food Culture and Society 24 (2): 291-308 | H6/KGT [CULTURE-] | 1751-7443 | |||
| Chicken noodle night: conviviality, resilience, and food at the Vinland Fair | 2020 | Food Culture and Society 24 (2): 309-24 | H6/KGT [CULTURE-] | 1751-7443 | |||
| Zimbabwe's journey to the Venice Biennale from 2011 to 2019 | 2020 | African arts 53 (1): 1-3 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The Mostra di Arte Negra at the Venice Biennale in 1922 | 2020 | Tribal art (95): 86-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Exoticism and colonial education. The Guinean as a curiosity in the trade fairs of Valencia, 1942-1948 | 2020 | Disparidades: revista de antropologia 75 (1): 1-17 | H6/KVE [REVISTA-] | 2659-6881 | |||
| A milestone in the construction of the exhibits in National Museum of Ethnology, Japan: Japan World Exposition "Osaka 70 Expo" and its ethnographic collections | 2020 | Archivio per l'antropologia e la etnologia 150 (): 129-46 | H6 [ARCHIVIO-] | 0373-3009 | |||
| BACA 2020: Contemporary Native Art Biennale/Biennale d'art contemporain autochtone, fifth edition: Honoring Kinship | 2020 | First American art magazine 28 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 |