Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Bioartisanal heritage and decolonial museal practices with the community of La Laguna: “Los Hijos del Agua” | 2025 | Boletín de antropología (Antioquia) 40 (69): 13-40 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
Treasures of Oceania in Mexico City | 2024 | Tribal art (111): 44-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Ice patches and obsidian quarries: integrating research through collaborative archaeology in Tahltan territory | 2024 | Journal of field archaeology 49 (1): 21-41 | *H6/KE [JOURNAL-] | 2042-4582 | |||
Collecting "Remembrance of these Isles": tracing the post-1800 history of Taíno cotton Cemí in the Dominican Republic and Italy | 2024 | Latin American antiquity 35 (1): 111-27 | *H6/KE [LATIN-] | 1045-6635 | |||
Curating time - Museum-things as counterclocks in a climate-challenged world | 2024 | Time and society 33 (1): 95-117 | H6 [TIME-] | 0961-463X | |||
Egypt in/and Africa exhibitions, questions and complexities in American art museums | 2024 | African arts 57 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The Taíno and Kalinago of the Antilles | 2024 | Tribal art (112): 48-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
Penetrating expressions: Kifwebe masks of the Songye and Luba | 2024 | Tribal art (112): 58-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
A fresh look at the Museum of Anthropology, University of British Columbia, Vancouver | 2024 | Tribal art (113): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
Baz'art: art and trade among the Kongo | 2024 | Tribal art (113): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
Alternative icons: rethinking symbols of power in 'The World of Stonehenge' | 2024 | Antiquity 98 (400): 1076-87 | H6/KE [ANTIQUITY-] | 0003-598X | |||
'Legion Life in the Roman Army' the British Museum exhibition | 2024 | Antiquity 98 (400): 1107-12 | H6/KE [ANTIQUITY-] | 0003-598X | |||
The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 | |||
The wandering sheep or how I set off to conduct fieldworks | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 186-95 | H6/KVQ [MARTOR-] | 2734-8350 | |||
Les archives sonores dahoméennes de l’Exposition coloniale de Paris (1931). Chronique d’un projet de recherche-création | 2024 | Gradhiva: revue de anthropology et museologie (38): 180-3 | H6 [GRADHIVA-] | 0764-8928 | |||
Narrative wisdom and African arts | 2024 | Tribal art (114): 50-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
The arts of Africa and Oceania at the nineteenth-century universal exposition in Paris | 2024 | Tribal art (114): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
Public monuments, palliative solutions? Political geographies of memory in Goa, India | 2024 | History and anthropology 35 (5): 1288-317 | H6 [HISTORY-] | 1477-2612 | |||
The representation and agency of artistic interventions in community in mainland China | 2024 | Space and culture 27 (4): 521-36 | H6 [SPACE-] | 1206-3312 | |||
Curating commonality: multimodal materialities of intercommunal Northern African heritage | 2024 | Material religion 20 (5): 324-38 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Princely prisons, state exhibitions, and Muslim industrial authority in colonial India | 2024 | Journal of the Royal Asiatic Society (Series 3) 34 (4): 799-820 | H6/KW [ROYAL-] | 1356-1863 | |||
Öö Eesti kultuuriloos | 2024 | Eesti Rahva Muuseumi aastaraamat 65 (1): 5-14 | H6/KVT [TARTU-] | 1406-0388 | |||
How to tell the story of life after dark in cities? | 2024 | Eesti Rahva Muuseumi aastaraamat 65 (1): 25-44 | H6/KVT [TARTU-] | 1406-0388 | |||
Peering into a dark hovel. The peasantry and aristocracy and their representations of each other | 2024 | Eesti Rahva Muuseumi aastaraamat 65 (1): 45-68 | H6/KVT [TARTU-] | 1406-0388 | |||
Who ruled the roost at night during the modernization era? | 2024 | Eesti Rahva Muuseumi aastaraamat 65 (1): 69-104 | H6/KVT [TARTU-] | 1406-0388 | |||
Toward new proximities: a conversation on photographic encounters between Southern Africa and Mexico | 2024 | Journal of southern African studies 50 (3): 431-46 | H6/KY [JOURNAL-] | 1465-3893 | |||
South Africa at the Tate: searching for a national school and a national identity | 2024 | Journal of southern African studies 50 (3): 447-68 | H6/KY [JOURNAL-] | 1465-3893 | |||
Images of ayahuasca. Visionary art from the Peruvian Amazon in circulation | 2024 | Terrain (80): 192-3 | H6 [TERRAIN-] | 0760-5668 | |||
Favour and the brave: Bev Moon's Fortune | 2023-2024 | Art New Zealand (188): 70-3 | H6/KX [ART-] | 0110-1102 | |||
Staging encounters with the end in pre-apocalyptic-post-3.11 Japan | 2023 | Ethnos 88 (1): 30-51 | H6 [ETHNOS-] | 1469-588X | |||
Thoughts on decolonial curatorship: the "Nhande Mbya Reko - Nosso Jeito de Ser Guarani" exhibition | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (1): | H6/KUL [BOLETIM-] | 1981-8122 | |||
Polynesia comes to Brussels | 2023 | Tribal art (108): 56-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Songlines: songs of the Australian desert tracks: a guided tour | 2023 | Tribal art (108): 64-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Two Buye statues that disappeared from the Mostra d'Oltremare in 1940 | 2023 | Tribal art (108): 90-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
Revisiting 'images of other cultures': impact of the 1997 exhibition and beyond | 2023 | Bulletin of the National Museum of Ethnology (Osaka) 47 (3): 463-508 | H6 [OSAKA-] | 0385-180X | |||
Trend analysis of the number of visitors occupying a special exhibition room to verify effects of numbers of visitors on exhibition room environments | 2023 | Bulletin of the National Museum of Ethnology (Osaka) 47 (4): 637-59 | H6 [OSAKA-] | 0385-180X | |||
Como una piedra que rueda: 45 años de difusión en el Templo Mayor | 2023 | Arqueología mexicana 29 (178): 88-90 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Developmental speculation: materializing the future in China's urban planning museums | 2023 | Anthropological quarterly 96 (2): 279-306 | H6 [PRIMITIVE-] | 0003-5491 | |||
Abject objects: disputed narratives in the Historical Museum of the Police in Colombia | 2023 | Mana 29 (2): 1-34 | H6/KUL [MANA-] | 1678-4944 | |||
Fiber: the shared code of art and design - On the 2021 Fiber Code Exhibition | 2023 | Textile: the journal of cloth and culture 21 (1): 274-85 | H6/KGG [TEXTILE-] | 1475-9756 | |||
'Eternal convivencia': from Madrid's Painters of Africa to the School of Tetouan | 2023 | World art 13 (1): 29-61 | H6 [WORLD-] | 2150-0908 | |||
Passages to the Orient (1993): re-assessing the role of the 'Orient' as 'Avant-garde' during the rise of globalisation | 2023 | World art 13 (1): 101-24 | H6 [WORLD-] | 2150-0908 | |||
Envisioning the Eastern Bloc: Nordpolitik, sport and the visual arts at the 1988 Seoul Olympic Games | 2023 | World art 13 (3): 349-77 | H6 [WORLD-] | 2150-0908 | |||
Making a mark: looking back on Pudlo Pudlat's monumental solo retrospective at the National Gallery of Canada | 2023 | Inuit art quarterly 36 (1): 52-7 | *H6/KFY [INUIT-] | 0831-6708 | |||
The Congo Museum (1898-1910): on collaboration, conflict, bureaucracy and immorality | 2023 | History and anthropology 34 (4): 650-72 | H6 [HISTORY-] | 1477-2612 | |||
Reimagining the Hans Himmelheber Archive of African Art | 2023 | Tribal art (109): 76-83 | *H6/KFY [WORLD-] | 1354-2990 |