| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The comedy of bullfighting in the United States of America | 2025 | Studies in Latin American popular culture 43 (): 170-99 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Intrinsic beauty: celebrating the art of textiles | 2025 | Textiles Asia 17 (1): 3-14 | H1/KGG [TEXTILES ASIA. Newsletter-] | 2225-0190 | |||
| By the community. Maureen Lander and others at Govett-Brewster | 2025 | Art New Zealand (196): 66-71 | H6/KX [ART-] | 0110-1102 | |||
| Afrosonica soundscapes: an interview with Madeleine Leclair | 2025 | Tribal art (116): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Deconstructing colonialism, decolonizing the imagination. Portuguese colonialism in Africa: myths and realities | 2025 | Tribal art (116): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Momínm Wadaahá (water wellness) | 2025 | News from native California 38 (3): | *H6/KUB [NEWS-] | 1040-5437 | |||
| Introduction: on Buddhist exhibitions and museums in Asia | 2025 | Material religion 21 (2): 211 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Revival and revolution: neo-Buddhists in National Museum, New Delhi | 2025 | Material religion 21 (2): 212-14 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Theodicy of privilege and the development of a colossal Buddhist statue and art museum in post-handover Hong Kong | 2025 | Material religion 21 (2): 221-4 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Exhibiting the mission: display lives of the Utrecht Missionary Society collection | 2025 | Material religion 21 (3): 244-67 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Foreigners Everywhere: the 60th Venice Biennale curated by Adriano Pedrosa. Venice, Italy: April 20-November 24, 2024 | 2025 | African arts 58 (4): 80-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Des morceaux de chair arrachés aux os de l’ennemi. Instruments pour musique fantôme | 2025 | Gradhiva: revue de anthropologie et museologie (39): 97-119 | H6 [GRADHIVA-] | 0764-8928 | |||
| To curate a region | 2025 | Art Asia Pacific Magazine (146): 48-55 | H6/KFY [ART] | 1039-3625 | |||
| Menetetyistä ruumiinosista merkityksellisiksi museoesineiksi: 1600-luvun mekaanisen käsiproteesin moniaikaisia eettisiä näkökulmia | 2025 | Suomen Museo/Finskt Museum 132 (): 167-83 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
| Bioartisanal heritage and decolonial museal practices with the community of La Laguna: “Los Hijos del Agua” | 2025 | Boletín de antropología (Antioquia) 40 (69): 13-40 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Lenin suomalaisessa kulttuuriympäristössä: Tampereen Lenin-museon pysyvät näyttelyt vuosina 1946–1991 | 2025 | Suomen Museo/Finskt Museum 132 (): 67-90 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
| Black figuration and Pan-Africanism in two US exhibitions | 2025 | Nka: journal of contemporary African art (57): 33-45 | H6/KY [NKA-] | 1075-7163 | |||
| Africa Fashion in focus: three objects from the exhibition | 2025 | Fashion theory 29 (3): 301-25 | H6/KFY [FASHION-] | 1362-704X | |||
| Fashioning global Africa: Independence to now | 2025 | Fashion theory 29 (3): 281-9 | H6/KFY [FASHION-] | 1362-704X | |||
| West Africa: word, symbol, song – the place of the Sunjata Story in the British Library’s exhibition | 2025 | The World of Music 14 (1): 77-102 | H6/KFY [WORLD-] | 0043-8774 | |||
| Time and microbes, tides and bodies: on fermentation as artistic practice and culinary cruising | 2025 | Food Culture and Society 28 (2): 346-63 | H6/KF [FOOD-] | 1751-7443 | |||
| A universal story: conversations with Richard Potts about human evolution heritage | 2025 | Antipoda: revista de antropología y arqueología (58): 231-49 | H6/KUL [REVISTA-] | 0124-485X | |||
| When museums are battlegrounds in the culture wars | 2025 | Human organization 84 (4): 367-9 | H6/KF [APPLIED-] | 0018-7259 | |||
| The year of the Bronze Age in France | 2025 | Antiquity 99 (408): 1691-1701 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Another land. Jasmine Togo-Brisby's survey at Pātaka | 2025 | Art New Zealand (196): 72-5 | H6/KX [ART-] | 0110-1102 | |||
| If this building could sing. Composing motion & deep listening at the Len Lye Centre | 2025 | Art New Zealand (196): 80-3 | H6/KX [ART-] | 0110-1102 | |||
| Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Treasures of Oceania in Mexico City | 2024 | Tribal art (111): 44-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Ice patches and obsidian quarries: integrating research through collaborative archaeology in Tahltan territory | 2024 | Journal of field archaeology 49 (1): 21-41 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| Collecting "Remembrance of these Isles": tracing the post-1800 history of Taíno cotton Cemí in the Dominican Republic and Italy | 2024 | Latin American antiquity 35 (1): 111-27 | *H6/KE [LATIN-] | 1045-6635 | |||
| Curating time - Museum-things as counterclocks in a climate-challenged world | 2024 | Time and society 33 (1): 95-117 | H6 [TIME-] | 0961-463X | |||
| Egypt in/and Africa exhibitions, questions and complexities in American art museums | 2024 | African arts 57 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The Taíno and Kalinago of the Antilles | 2024 | Tribal art (112): 48-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Penetrating expressions: Kifwebe masks of the Songye and Luba | 2024 | Tribal art (112): 58-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A fresh look at the Museum of Anthropology, University of British Columbia, Vancouver | 2024 | Tribal art (113): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Baz'art: art and trade among the Kongo | 2024 | Tribal art (113): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Alternative icons: rethinking symbols of power in 'The World of Stonehenge' | 2024 | Antiquity 98 (400): 1076-87 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| 'Legion Life in the Roman Army' the British Museum exhibition | 2024 | Antiquity 98 (400): 1107-12 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| The concealment of erotic images in art history: an inquiry inspired by cave paintings at the Brazilian archaeological site of Serra da Capivara | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 9-36 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The wandering sheep or how I set off to conduct fieldworks | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 186-95 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Les archives sonores dahoméennes de l’Exposition coloniale de Paris (1931). Chronique d’un projet de recherche-création | 2024 | Gradhiva: revue de anthropology et museologie (38): 180-3 | H6 [GRADHIVA-] | 0764-8928 | |||
| Narrative wisdom and African arts | 2024 | Tribal art (114): 50-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The arts of Africa and Oceania at the nineteenth-century universal exposition in Paris | 2024 | Tribal art (114): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Public monuments, palliative solutions? Political geographies of memory in Goa, India | 2024 | History and anthropology 35 (5): 1288-317 | H6 [HISTORY-] | 1477-2612 | |||
| The representation and agency of artistic interventions in community in mainland China | 2024 | Space and culture 27 (4): 521-36 | H6 [SPACE-] | 1206-3312 | |||
| Curating commonality: multimodal materialities of intercommunal Northern African heritage | 2024 | Material religion 20 (5): 324-38 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Princely prisons, state exhibitions, and Muslim industrial authority in colonial India | 2024 | Journal of the Royal Asiatic Society (Series 3) 34 (4): 799-820 | H6/KW [ROYAL-] | 1356-1863 |