Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Kings and queens of Africa at the Musée du Louvre Abu Dhabi | 2025 | Tribal art (115): 52-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
Under the yoke of origin. The ethnographic halls of the National Museum of Anthropology, Mexico | 2025 | Boletín de antropología (Antioquia) 40 (69): 95-120 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Pluralizing narratives about Indigenous peoples in the Northeast. Training and performance of students in the midst of the ethnographic exhibition The First Brazilians | 2025 | Boletín de antropología (Antioquia) 40 (69): 41-65 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Archaeology in articulation with museums of the pampeana region of Argentina. Current challenges, and pending issues | 2024 | Boletín de antropología (Antioquia) 39 (68): 24-53 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Uurimusi Eesti ööelukultuurist | 2024 | Eesti Rahva Muuseumi aastaraamat 65 (1): 1-5 | H6/KVT [TARTU-] | 1406-0388 | |||
Museums and archaeology: feminism to change narratives | 2024 | Munibe 75 (): 233-40 | H6/KE [MUNIBE-] | 2172-4555 | |||
Expanded vitrines: museological sculptures and diasporic identity | 2023 | Nka: journal of contemporary African art (52): 68-83 | H6/KY [NKA-] | 1075-7163 | |||
Revisiting 'images of other cultures': impact of the 1997 exhibition and beyond | 2023 | Bulletin of the National Museum of Ethnology (Osaka) 47 (3): 463-508 | H6 [OSAKA-] | 0385-180X | |||
Inhabiting heritage through community participation: co-creating exhibitions with the people of Huaycan de Cieneguilla | 2023 | Boletin de arqueologia PUCP (32): 104-20 | H6/KE [BOLETIN DE ARQUEOLOGIA PUCP-] | 2304-4292 | |||
Lost in temporal translation: a visual and visitor-based evaluation of prehistory displays | 2023 | Antiquity 97 (393): 707-25 | H6/KE [ANTIQUITY-] | 0003-598X | |||
The statues are crying too. Critical reception of the exhibition Sur la route des chefferies du Cameroun, du visible à l’invisible | 2023 | Cahiers d'études africaines (251-252): 929-52 | H6/KY [CAHIERS-] | 0008-0055 | |||
Monaco topo, the Museum of Prehistoric Anthropology of Monaco and 3D technologies | 2023 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (62): 73-9 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
Social media art and/or interactive art? Exhibitionist: PeeP Stream by Ye Funa and Bei Ou | 2022 | World art 12 (1): 49-66 | H6 [WORLD-] | 2150-0908 | |||
Virtual connectedness in times of crisis: Chinese online art exhibitions during the COVID-19 pandemic | 2022 | World art 12 (1): 95-118 | H6 [WORLD-] | 2150-0908 | |||
Lightning symbol and snake dance: Aby Warburg and Pueblo art | 2022 | Tribal art (104): 62-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Echo and the ecumene. Grasping the Estonian National Museum | 2022 | Anthropological journal of European cultures 31 (1): 88-105 | *H6/KF [ANTHROPOLOGICAL-] | 1755-2923 | |||
Social museology in ethnic contexts: a reflecion on collaborative research with the Inga and Kamëntsá peoples of the Sibundoy Valley (Colombia) | 2022 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 17 (3): 1-23 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Exhibiting Bushman art in Switzerland. Revisiting the curatorial process of the exhibition 'Kuru. L'art d'un monde en mutation' | 2022 | Tsantsa 27 (): 16-39 | H6/KF [TSANTSA-] | 2673-5377 | |||
This is not a costume. (Re)centering community interpretations of dress in museum collections | 2022 | Museum anthropology review 16 (1-2): 62-114 | 1938-5145 | ||||
“Our collections belong to you, too”: an analysis of the exhibition Objects of Wonder of National Museum of Natural History | 2022 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (39): 111-27 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Grafische Rekonstruktionen als Forschungsinstrument in der Archäologie - Fünf reiternomadenzeitliche Gräber des 5. bis 10. Jahrhunderts | 2022 | Mitteilungen der anthropologischen Gesellschaft in Wien 151-152 (): 125-52 | H6 [ANTHROPOLOGISCHE GESELLSCHAFT IN WIEN. Mitteilungen-] | 0066-4693 | |||
John Mawurndjul's art in Paris | 2022 | Museum anthropology 45 (2): 164-79 | H6 [MUSEUM-] | 0892-8339 | |||
Acquisition and display ethics. A conversation | 2022 | Paideuma 68 (): 293-305 | H6 [PAIDEUMA-] | 0078-7809 | |||
Okwui Enwezor: and the art of curating | 2021 | Nka: journal of contemporary African art (48): 6-13 | H6/KY [NKA-] | 1075-7163 | |||
The communicational elements of Portuguese museums in evidence: results and reflections | 2021 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (36): 148-60 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
The tools women use: the Women's Gallery, Suffrage 125 and contemporary feminist museology | 2021 | Tuhinga (32): 5-17 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
Patrimonialization processes in the anthropological/archaeological exhibitions at Museo del Fin del Mundo (Tierra del Fuego, Argentina) | 2021 | Runa: archivo para la ciencias del hombre 42 (2): 43-62 | 0325-1217 | ||||
Skilling for dialogue exhibitions as arenas for the interchange of ideas and the materialization of negotiated interpretations | 2021 | Bulletin de la Société suisse des Américanistes (81): 33-43 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Learning to listen. From a Babylon of misunderstood voices to collaborations between ethnographic museums and Amazonian indigenous communities | 2021 | Bulletin de la Société suisse des Américanistes (81): 45-56 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
The Indonesian alcove at the American Museum of Natural History: art, culture areas, and the Mead-Bateson Bali Project | 2021 | Museum anthropology 44 (1-2): 11-23 | H6 [MUSEUM-] | 0892-8339 | |||
An educational rift: interpretations of the anthropocene in front of a diorama | 2021 | Suomen Museo/Finskt Museum 128 (): 146-53 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 | |||
Creativity and participatory practice: workshopping the redisplay of World Museum Liverpool's Benin collection | 2021 | Journal of museum ethnography (34): 19-34 | *H6 [JOURNAL-] | 0954-7169 | |||
Where next? For film in the museum: filmmaking as part of creative museum practice at Liverpool's World Museum | 2021 | Journal of museum ethnography (34): 35-53 | *H6 [JOURNAL-] | 0954-7169 | |||
Staging your cases: one artist's argument for more creative writing and performance in museums | 2021 | Journal of museum ethnography (34): 54-68 | *H6 [JOURNAL-] | 0954-7169 | |||
A sea of islands: masterpieces from Oceania | 2021 | Journal of museum ethnography (34): 69-89 | *H6 [JOURNAL-] | 0954-7169 | |||
Annotating colonialism. Recent exhibit interventions in historic cultural (mis)representation at the American Museum of Natural History | 2021 | Museum anthropology review 15 (1): 84-105 | 1938-5145 | ||||
Producing the "others"; the development of Kraevedenie in Chukotka | 2021 | Etudes inuit 45 (1-2): 147-70 | *H6/KUB [ETUDES-] | 0701-1008 | |||
Categories and boundaries in Sámi exhibitions | 2020 | Ethnic and racial studies 43 (12): 2140-57 | H6/KD [ETHNIC-] | 2099-2119 | |||
Contemporary independent curatorial practices as contested ground: tracing exhibition histories in Thailand from court, to state, to curating for the people | 2020 | World art 10 (2-3): 259-77 | H6 [WORLD-] | 2150-0908 | |||
Navigating for a place in the museum: stories of enounter and engagement between the old and the new from the highlands of Papua New Guinea | 2020 | The contemporary Pacific 32 (1): 48-71 | *H6/KX [CONTEMPORARY-] | 1043-898X | |||
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space | 2020 | Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
Curatorial practice in popular music museums: an emerging typology of structuring concepts | 2020 | European journal of cultural studies 23 (3): 434-53 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Heritage reinterpretation: shifting perspective in Franz Binder Museum of Universal Ethnography in Sibiu, Romania | 2020 | Revista de etnografie şi folclor (NS) (1-2): 226-42 | H6/KVQ [REVISTA-] | 0034-8198 | |||
Islamic heritage versus orthodoxy: figural painting, musical instruments and wine bowls at the Dutch National Museum of World Cultures | 2020 | Journal of material culture 26 (2): 178-200 | H6/KF [JOURNAL-] | 1359-1835 | |||
The representations of the Evenkis and the Evenki culture by a local community museum | 2020 | Sibirica: journal of Siberian studies 19 (2): 77-98 | H6/KW [SIBIRICA-] | 1361-7362 | |||
'The museum is dead, long live the museum!' (Contemporary art interventions in the field of museum) | 2020 | Bulgarska etnologiia 46 (3): 318-40 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Dynamics of museum interpretation | 2020 | Bulgarska etnologiia 46 (3): 341-66 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Learning about the Other: educational programmes at the Ethnographic Museum in Zagreb | 2020 | Bulgarska etnologiia 46 (4): 530-42 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
The museum and the encounter with the audience in the information age. Social media as a shared space for dialogue | 2020 | Bulgarska etnologiia 46 (4): 543-57 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
The face of resistance: the Communist past as an exhibition project. The case of Resisters exhibition | 2020 | Anuarul Institutului de Cercetări Socio-Umane Sibiu 27 (): 151-84 | H6/KVQ [ANUARUL-] |