Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
If the Djidji Ayôkwé drum could talk | 2025 | Tribal art (115): 40-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
Presenting the arts of the Pacific: the Thomas Jaffe collection at the Yale Peabody Museum | 2025 | Tribal art (115): 62-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Reconstituting fragments | 2025 | African arts 58 (1): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Expanded range: projects on African material from Wellcome's Historical Medical Museum | 2025 | African arts 58 (1): 5-6 | H6/KFY [AFRICAN-] | 0001-9933 | |||
(Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
(Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Under the yoke of origin. The ethnographic halls of the National Museum of Anthropology, Mexico | 2025 | Boletín de antropología (Antioquia) 40 (69): 95-120 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Pluralizing narratives about Indigenous peoples in the Northeast. Training and performance of students in the midst of the ethnographic exhibition The First Brazilians | 2025 | Boletín de antropología (Antioquia) 40 (69): 41-65 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Museums and policy | 2025 | Practicing anthropology 47 (1): 18-19 | qH6 [PRACTICING-] | 0888-4552 | |||
Simon Ottenberg's contribution to Coast Salish arts | 2025 | African arts 58 (2): 16-17 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Things fall apart at the Seattle Art Museum | 2025 | African arts 58 (2): 30-8 | H6/KFY [AFRICAN-] | 0001-9933 | |||
More than a glow up: the development of the new AOA galleries at the MET | 2025 | Tribal art (116): 54-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Afrosonica soundscapes: an interview with Madeleine Leclair | 2025 | Tribal art (116): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Deconstructing colonialism, decolonizing the imagination. Portuguese colonialism in Africa: myths and realities | 2025 | Tribal art (116): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
A Lefem figure donated by Marc Ladreit de Lachaerrière: Musée du Quai Branly - Jacques Chirac | 2025 | Tribal art (116): 106-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
The creation of the Museo Arqueológico, Etnográfico e Histórico de Campeche, in 1941 | 2025 | Estudios de cultura maya 65 (): 155-87 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
The art of the Chiéjaus: materiality and agencies in ceremonial painted artifacts of the Yagan people of Tierra del Fuego | 2025 | Boletín del Museo chileno de Arte precolombino 30 (1): 98-119 | H6/KE [BOLETIN-] | 0716-1530 | |||
Colibríes en México | 2025 | Arqueología mexicana (120): 7-85 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Change in Bathurst and Melville Island art: Baldwin Spencer’s spears at Melbourne Museum, Victoria, Australia | 2025 | Australian Aboriginal studies (1): 124-44 | H6/KX [AUSTRALIAN-] | 0729-4352 | |||
Unpacking missionary collections | 2025 | Material religion 21 (3): 231-43 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Exhibiting the mission: display lives of the Utrecht Missionary Society collection | 2025 | Material religion 21 (3): 244-67 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Collecting Abeokuta: tracing the provenance of Egba material culture from the Church Missionary Society Yoruba Mission | 2025 | Material religion 21 (3): 268-89 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Faith, “fetish,” and the making of Kongo Christianity: missionary collecting and the shifting meanings of Kongo crucifixes in late colonial northern Angola | 2025 | Material religion 21 (3): 290-311 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Converted gods: lives and travels of Asante Abosom and Asuman figures | 2025 | Material religion 21 (3): 312-34 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Spirits in the museum | 2025 | Material religion 21 (3): 336 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Revealing missionary entanglements with religious objects: examples from the Museum of Religions, University of Marburg | 2025 | Material religion 21 (3): 337-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
There is always someone in the storage | 2025 | Material religion 21 (3): 337-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
The fate of African collections in European museums | 2025 | Material religion 21 (3): 342-4 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Colonial vision and decolonization of ethnography in museums | 2025 | Human evolution 40 (1-2): 99-134 | H6/HB [HUMAN-] | 0393-9375 | |||
Recherches artistiques sur les restes humains. Crânes et moulages dans les collections coloniales muséales | 2025 | Gradhiva: revue de anthropologie et museologie (39): 10-27 | H6 [GRADHIVA-] | 0764-8928 | |||
How to not exhibit a skull: The Who is ID8470? Project | 2025 | Gradhiva: revue de anthropologie et museologie (39): 28-51 | H6 [GRADHIVA-] | 0764-8928 | |||
Casting a long shadow. The human subject as museological object in the ethnographic cast of Bonangera | 2025 | Gradhiva: revue de anthropologie et museologie (39): 52-77 | H6 [GRADHIVA-] | 0764-8928 | |||
Cartoons and the science of races in the historian's notebook | 2025 | Gradhiva: revue de anthropologie et museologie (39): 78-95 | H6 [GRADHIVA-] | 0764-8928 | |||
Des morceaux de chair arrachés aux os de l’ennemi. Instruments pour musique fantôme | 2025 | Gradhiva: revue de anthropologie et museologie (39): 97-119 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Rosângela Rennó. Stratégies de réhumanisation | 2025 | Gradhiva: revue de anthropologie et museologie (39): 146-59 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Sammy Baloji. Resubjectiver les photographies des restes humains | 2025 | Gradhiva: revue de anthropologie et museologie (39): 160-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Entretien avec Delphine Zigoni. L’universalité du dessin | 2025 | Gradhiva: revue de anthropologie et museologie (39): 176-85 | H6 [GRADHIVA-] | 0764-8928 | |||
Treasures of Oceania in Mexico City | 2024 | Tribal art (111): 44-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Rethinking the collection: provenance research at the African Museum | 2024 | Tribal art (111): 50-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
Native baskets of Arizona at the Heard Museum | 2024 | Tribal art (111): 56-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
Austria’s post-colonial present: missing memorialization of colonial violence | 2024 | History and anthropology 35 (1): 90-110 | H6 [HISTORY-] | 1477-2612 | |||
For want of thrushes, let's eat the ethnographer. From traditional hunting in the Ardennes to the cannibal museum | 2024 | Gradhiva: revue de anthropology et museologie (37): 31-46 | H6 [GRADHIVA-] | 0764-8928 | |||
Archivari. Le tournant des années 1980 | 2024 | Gradhiva: revue de anthropology et museologie (37): 192-238 | H6 [GRADHIVA-] | 0764-8928 | |||
The Luf boat in the Humboldt Forum and the search for "Germany as the evil" | 2024 | Tribal art (112): 76-87 | *H6/KFY [WORLD-] | 1354-2990 | |||
A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 |