Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Visual narratives of care and reproduction in forced migration: women displaced from Venezuela to Brazil | 2025 | Bulletin of Latin American research 44 (1): 33-48 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Women and plants: relations of care and companionship in the upper Rio Negro | 2025 | Mundo Amazonico 16 (1): 1-14 | 2145-5082 | ||||
Archives in dialog. Contemporary re-readings of historical photographs on workers and popular types | 2024 | Iberoamericana 24 (85): 125-51 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Dressing up the monarch: authority and its representation in the Sulu Sultanate royal tradition (19th-21st century) | 2024 | Indonesia and the Malay world 52 (152): 76-96 | H6/KX [INDONESIA-] | 1469-8382 | |||
The first images of Korea in Spanish media: von Hesse-Warteg and Sanín Cano | 2024 | Visual anthropology 37 (2): 99-125 | *H6 [VISUAL-] | 1545-5920 | |||
Angelo Turconi, a passion for the Congo | 2024 | Tribal art (112): 98-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
Lights, scenery, and stereotypes. A reflection on the modes of representation of a Yucatecan type in México a través de los siglos | 2024 | Boletín americanista (88): 181-203 | H6/KUL [BOLETIN-] | 0520-4100 | |||
Visual evidence? Rethinking anthropological photography in republican China (1919-1949) | 2024 | History and anthropology 35 (3): 604-34 | H6 [HISTORY-] | 1477-2612 | |||
Concealment and care in deathcare during COVID | 2024 | Anthropological quarterly 97 (3): 539-56 | H6 [PRIMITIVE-] | 0003-5491 | |||
Frderick Starr: un extraño cruce de vocaciones | 2024 | Arqueología mexicana 30 (188): 18-19 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Tamoto Kenzō: photographs of the Ainu of Hokkaidō (1870-1889) | 2024 | Tribal art (114): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
The impact of American Indian black-&-white photography | 2024 | First American art magazine 44 (): 46-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Testimonies by Eduardo Galvão about the aviamento system in the Rio Negro: excerpts from documents from the Goeldi Museum Archive | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (): 1-42 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Q and A with Bad Indians on “The Belles of San Luis Rey” | 2024 | American Indian culture and research journal 47 (3): 47-57 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Kathleen Haddon: a woman with a camera | 2023 | Tribal art (107): 95-105 | *H6/KFY [WORLD-] | 1354-2990 | |||
Plurality of activisms: indigenous women's collectives in Olenek District (Sakha Republic) | 2023 | Sibirica: journal of Siberian studies 22 (1): 128-42 | H6/KW [SIBIRICA-] | 1361-7362 | |||
Of masks and men: Stéphan Gladieu's perspective | 2023 | Tribal art (108): 110-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
Olinda wants to sing: carnivalesque expressions of a city without carnival | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-16 | 2525-3123 | ||||
Omi erù e pòpò: an attempt at an audiovisual ethnography of the Yemoja festival at the Ilé Àse Papela Mariwo Sesu temple | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-19 | 2525-3123 | ||||
Images from French West Africa: the photography of Edmond Fortier | 2023 | Tribal art (109): 128-39 | *H6/KFY [WORLD-] | 1354-2990 | |||
‘A modest, but peculiar style’: self-fashioning, Atlantic commerce, and the culture of adornment on the urban Gold Coast | 2023 | Journal of African history 64 (2): 269-91 | *H6/KY [JOURNAL-] | 0021-8537 | |||
Remnants of the past, fragments of histories: memory, temporality and the city in the photographs of Ricardo Rangel (1950-1975) | 2023 | Anuário antropológico (Rio) 48 (2): 144-68 | H6 [ANUARIO-] | 2357-738X | |||
Evolution of Seminole attire 1800-1930 | 2023 | Whispering wind 50 (2): 7-13 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Des noces éblouissantes: ethnographie historique d'un mariage roma à Paris en 1939 | 2023 | Etudes tsiganes (Nouvelle Série) (23): 30-59 | H6 [ETUDES-] | 0014-2247 | |||
'Thinking too much'. Making visible the moral economy that sustains over-indebtedness in rural Cambodia | 2023 | Etnofoor 35 (1): 31-50 | *H6 [ETNOFOOR-] | 0921-5158 | |||
Contemporary parishara and hummingbird dances in the Rupununi Savannah, southwestern Guyana | 2023 | Archaeology and anthropology (Georgetown) 25 (): 98-141 | *H6/KUL [ARCHAEOLOGY-] | 0256-4353 | |||
"Rimpiango proprio che l'umidità m'abbia per sempre guastata una fotografia". Elio Modigliani, le fotografie dell'isola di Nias (1886-1889) e la colorazione automatica di immagini antropologiche. Spunti e ricerche | 2023 | Archivio per l'antropologia e la etnologia 153 (): 31-46 | H6 [ARCHIVIO-] | 0373-3009 | |||
Santos patronos de las ciudades del Perú | 2023 | Boletín de Lima 45 (213): 13-20 | *H6/KE [BOLETIN-] | 0253-0015 | |||
Uli: the colonial archive as decolonial cultural resource | 2023 | African arts 57 (3): 8-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
‘Ovizire · Somgu: from where do we speak?’: Artistic interventions in the Namibian colonial archive (2018–2020) | 2022 | Journal of southern African studies 48 (1): 81-102 | H6/KY [JOURNAL-] | 1465-3893 | |||
Making the visual record of New Guinea: William G. Lawes’s photographic encounters | 2022 | History and anthropology 33 (1): 104-22 | H6 [HISTORY-] | 1477-2612 | |||
The threads of an urban seam: retracing the paths of a work between home and street | 2022 | Cadernos de arte e antropologia 11 (1): 114-24 | |||||
“Seeing is believing”: Christianity, photography and propaganda. The case of the Salesian Mission of Mendez in Ecuadorian Amazonia (1920-1940) | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 215-47 | H6/KFY [MEXICO-] | 0185-1276 | |||
Photography, and Afro-Brazilian sacred: modulations of difference in Pierre Verger and his contemporaries | 2022 | Revista de antropología (São Paulo) 65 (1): 1-26 | H6/KUL [REVISTA-] | 0034-7701 | |||
Images of Syrian refugees in transit through minefields in Turkey, 2011–2015 | 2022 | Visual anthropology 35 (1): 5-36 | *H6 [VISUAL-] | 1545-5920 | |||
The net-pulling: cooperation, collectivity and mutual help in images | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-36 | 2525-3123 | ||||
Optcha! Is Roma a religion? An analysis of the activities, performance, and rituals of the Roma people in the city of Rio de Janeiro | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-20 | 2525-3123 | ||||
Yes Sinhô, photoethnography of the Ausente Quilombiola community | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-19 | 2525-3123 | ||||
Images of religion in a Mangueira carnival | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-24 | 2525-3123 | ||||
Ritual photography: an experience with the Huni Kuin people | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-11 | 2525-3123 | ||||
Afro-Bahian religious imagery: the Jarê of Lençóis | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-11 | 2525-3123 | ||||
Faith, life and death: imagery representations of a believing Spanish America | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-17 | 2525-3123 | ||||
The aesthetics of alienation in photographs of Chinese factory workers | 2022 | Anthropology and photography (15): 1-14 | 2397-1754 | ||||
E.B. Snell photographer: Southern Cheyenne women, 1880s | 2022 | Whispering wind 49 (3): 20-4 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
F.E. Williams, government anthropologist | 2022 | Tribal art (105): 110-19 | *H6/KFY [WORLD-] | 1354-2990 | |||
From the Philippines to the Atacama coasts. The case of the Changuita. Representation and iconographic migration in the photography of indigenous peoples | 2022 | Estudios Atacameños 68 (): 1-24 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
In the enchanted isles | 2022 | Tribal art (106): 104-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
An ever-extending biography: 'field photos' of the indigenous peoples in Taiwan from the 1950s to the 1960s in the Institute of Ethnology, Academia Sinica | 2022 | Taiwan journal of anthropology 20 (1): 115-66 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Crow hot dance, 1880s | 2022 | Whispering wind 49 (5): 19-21 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Art, anthropology and non-Han bodies: Pang Xunquin's paintings of Miao people in Guizhou province in the 1940s | 2022 | Visual anthropology 35 (4-5): 358-89 | *H6 [VISUAL-] | 1545-5920 |