| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The legal and initiatory journey of a Lega Bwami secret society mask | 2026 | Tribal art (119): 42-4 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Hawai'i: a kingdom crossing oceans | 2026 | Tribal art (119): 46-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
| African art at the new Princeton University Art Museum | 2026 | Tribal art (119): 58-65 | *H6/KFY [WORLD-] | 1354-2990 | |||
| African art at the Valentine Gallery: reconstructing two forgotten exhibitions of the 1930s | 2026 | Tribal art (119): 66-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Bearing Paul Guillaume's seal: the autobiographical object | 2026 | Tribal art (119): 84-91 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Mike Glad: the evolution of a tribal art collector | 2026 | Tribal art (119): 92-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Tabar Island Malagan head: gift of Marc Ladreit de Lacharrière. Musée du Quai Branly - Jacques Chirac | 2026 | Tribal art (119): 100-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| New beginnings at LACMA: a twenty-first century vision | 2026 | Tribal art (120): 42-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Maison Gacha: straddling cultural heritage and contemporary creation | 2026 | Tribal art (120): 50-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The spirit of the times: 1913-1923, Paris celebraes the arts of Africa and Oceania | 2026 | Tribal art (120): 54-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The firewood Fang figure of Paul Gebauer | 2026 | Tribal art (120): 84-91 | *H6/KFY [WORLD-] | 1354-2990 | |||
| An important Biwat figure at the de Young Museum in San Francisco | 2026 | Tribal art (120): 100-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| What could be an anthropological archive of the National Museum in the 21st century? Reflections after the fire at the institution on September 2, 2018, based on a trajectory of research and curatorship | 2026 | Boletín de antropología (Antioquia) 41 (71): 1-23 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Early modern raffia textiles from West Central Africa: reconsidering technical variety and material literacies of European commentators | 2026 | African arts 59 (2): 64-77 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Nuts and bolts: appraisals for estate planning, donations, deductions and more | 2026 | First American art magazine 50 (): 42-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Conservation of anthropological collections in twenty-first century Argentina: introduction to the archaeological and ethnographic conservation dossier | 2026 | Anales de arqueología y etnología 81 (1): 14-16 | H6/KUL [MENDOZA. Universidad Nacional de Cuyo. Instituto de Etnografia Americana. Anales] | 2591-3093 | |||
| Africa legacy: above all, showing the artworks. Interview with Didier Claes | 2026 | Tribal art (121): 82-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The making of a masterpiece: the story of the "monumental Nkishi" and its exhibitions | 2026 | Tribal art (121): 90-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Mfumte: sculpture from the Donga River valley | 2026 | Tribal art (121): 96-119 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The Pierre and Denise Lévy donation to Troyes. From the avant-garde to the Episcopal palace: the story of a collection | 2026 | Tribal art (121): 120-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The Southwestern collections of E. St. Vráz (1900) in the Náprstek Museum | 2026 | Annals of the Náprstek Museum 47 (1): 5-33 | H6/KVL [PRAGUE-] | 0231-844X | |||
| Art in the public trust: curating African art in American museums | 2026 | African arts 59 (3): 9-13 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| If the Djidji Ayôkwé drum could talk | 2025 | Tribal art (115): 40-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Reconstituting fragments | 2025 | African arts 58 (1): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Expanded range: projects on African material from Wellcome's Historical Medical Museum | 2025 | African arts 58 (1): 5-6 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| "Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| More than a glow up: the development of the new AOA galleries at the MET | 2025 | Tribal art (116): 54-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Deconstructing colonialism, decolonizing the imagination. Portuguese colonialism in Africa: myths and realities | 2025 | Tribal art (116): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Max Itzikowitz: a taste for discovery | 2025 | Tribal art (116): 98-105 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Lefem figure donated by Marc Ladreit de Lachaerrière: Musée du Quai Branly - Jacques Chirac | 2025 | Tribal art (116): 106-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Change in Bathurst and Melville Island art: Baldwin Spencer’s spears at Melbourne Museum, Victoria, Australia | 2025 | Australian Aboriginal studies (1): 124-44 | H6/KX [AUSTRALIAN-] | 0729-4352 | |||
| Unpacking missionary collections | 2025 | Material religion 21 (3): 231-43 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Exhibiting the mission: display lives of the Utrecht Missionary Society collection | 2025 | Material religion 21 (3): 244-67 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Collecting Abeokuta: tracing the provenance of Egba material culture from the Church Missionary Society Yoruba Mission | 2025 | Material religion 21 (3): 268-89 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Faith, “fetish,” and the making of Kongo Christianity: missionary collecting and the shifting meanings of Kongo crucifixes in late colonial northern Angola | 2025 | Material religion 21 (3): 290-311 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Converted gods: lives and travels of Asante Abosom and Asuman figures | 2025 | Material religion 21 (3): 312-34 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Spirits in the museum | 2025 | Material religion 21 (3): 336 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Revealing missionary entanglements with religious objects: examples from the Museum of Religions, University of Marburg | 2025 | Material religion 21 (3): 337-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| There is always someone in the storage | 2025 | Material religion 21 (3): 337-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| The fate of African collections in European museums | 2025 | Material religion 21 (3): 342-4 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Africa | 2025 | Tribal art (117): 74-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Oceania | 2025 | Tribal art (117): 84-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| New York's Haus Tambaran: a conversation with Maureeen Zarember | 2025 | Tribal art (117): 116-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Lulua maternity | 2025 | Tribal art (117): 124-7 | *H6/KFY [WORLD-] | 1354-2990 |