Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
If the Djidji Ayôkwé drum could talk | 2025 | Tribal art (115): 40-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Reconstituting fragments | 2025 | African arts 58 (1): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Expanded range: projects on African material from Wellcome's Historical Medical Museum | 2025 | African arts 58 (1): 5-6 | H6/KFY [AFRICAN-] | 0001-9933 | |||
(Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
(Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Barbier-Mueller: art as a legacy | 2024 | Tribal art (111): 18-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
‘This stuff speaks to me’: settler materiality, identity and nationalism among collectors of Native American material culture | 2024 | History and anthropology 35 (2): 271-91 | H6 [HISTORY-] | 1477-2612 | |||
Collecting "Remembrance of these Isles": tracing the post-1800 history of Taíno cotton Cemí in the Dominican Republic and Italy | 2024 | Latin American antiquity 35 (1): 111-27 | *H6/KE [LATIN-] | 1045-6635 | |||
For want of thrushes, let's eat the ethnographer. From traditional hunting in the Ardennes to the cannibal museum | 2024 | Gradhiva: revue de anthropology et museologie (37): 31-46 | H6 [GRADHIVA-] | 0764-8928 | |||
Change and social (re)organization in traditional braided crafts from the Arapiuns River region, Santarém, Pará | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (1): 1-18 | H6/KUL [BOLETIM-] | 1981-8122 | |||
A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 | |||
An overview of the Tozhu Tyva Kham paraphernalia in the Museum of Cultural History, Oslo | 2024 | Shaman 32 (1-2): 1-33 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
Materializing the invisible: some preliminary notes on the study of shamanic artefacts | 2024 | Shaman 32 (1-2): 125-36 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
Shxwelí li te shxwelítemelh xíts'etáwtxw: the museum's confinement of Indigenous kin | 2024 | American anthropologist 126 (2): 233-47 | *H6 [AMERICAN-] | 0002-7294 | |||
Saqquitittiniq: bring them to light | 2024 | Inuit art quarterly 372 (): 28-37 | *H6/KFY [INUIT-] | 0831-6708 | |||
The sinking: speculative futures collective | 2024 | Etnofoor 36 (1): 53-72 | *H6 [ETNOFOOR-] | 0921-5158 | |||
A fresh look at the Museum of Anthropology, University of British Columbia, Vancouver | 2024 | Tribal art (113): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
Baz'art: art and trade among the Kongo | 2024 | Tribal art (113): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
Crocodile troughs and related artifacts from the Solomon Islands: the operative nature of image assemblage | 2024 | Tribal art (113): 86-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
Peter Weis on collecting and the art of the Cameroon grasslands | 2024 | Tribal art (113): 124-31 | *H6/KFY [WORLD-] | 1354-2990 | |||
Scope and value of Walter Morris Jr. legacy for the Mayan textile studies | 2024 | Estudios de cultura maya 64 (): 251-68 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
Dressing the part: producing ethnic minority textiles in the era of intangible cultural hertiage tourism | 2024 | Journal of ethnology and folkloristics 18 (2): 90-122 | H6/KVT [JOURNAL-] | 1736-6518 | |||
The spiritual significance of birds in Sámi tradition | 2024 | Journal of ethnology and folkloristics 18 (2): 49-74 | H6/KVT [JOURNAL-] | 1736-6518 | |||
Waiting to be reunited? Nanai and Udege cultural heritage in Stanisław Poniatowski’s 1914 collections from the Amur River Region | 2024 | Sibirica: journal of Siberian studies 23 (3): 57-94 | H6/KW [SIBIRICA-] | 1361-7362 | |||
Lost and found: two bladed gunstock clubs and Duke Paul Wilhelm of Württenberg | 2023 | Tribal art (107): 76-87 | *H6/KFY [WORLD-] | 1354-2990 | |||
On the journey to sainthood: father Damien and the representation of missionary work in nineteenth-century Hawai'i in a Belgian museum | 2023 | Material religion 19 (1): 1-33 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Polynesia comes to Brussels | 2023 | Tribal art (108): 56-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
Tshambwan hooks of the middle Sepik | 2023 | Tribal art (108): 70-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
Two Buye statues that disappeared from the Mostra d'Oltremare in 1940 | 2023 | Tribal art (108): 90-101 | *H6/KFY [WORLD-] | 1354-2990 | |||
The long view: leadership at a critical juncture for "African art" in America | 2023 | African arts 56 (1): 10-12 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"Knowledge" or "progress?" Do they have to be mutually exclusive? | 2023 | African arts 56 (1): 12-13 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
Artifacts from the perspective of Effutu masquerade performance, an aesthetic album | 2023 | African arts 56 (2): 48-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Materiality of magic in Estonian and Finnish museums | 2023 | Folklore (Tartu) 88 (): 7-36 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Souvenirs from North America: understanding and representing 'Indianness' in nineteeth-century Sweden | 2023 | History and anthropology 34 (3): 473-96 | H6 [HISTORY-] | 1477-2612 | |||
Revisiting 'images of other cultures': impact of the 1997 exhibition and beyond | 2023 | Bulletin of the National Museum of Ethnology (Osaka) 47 (3): 463-508 | H6 [OSAKA-] | 0385-180X | |||
Toward a long C-14 chronology of Rapa Nui wooden statuary and other Polynesian styles | 2023 | Tribal art (109): 94-111 | *H6/KFY [WORLD-] | 1354-2990 | |||
A century in the life of an ancient Dan mask | 2023 | Tribal art (109): 112-19 | *H6/KFY [WORLD-] | 1354-2990 | |||
The shared passion of Michel and Anne Vandenkerckhove | 2023 | Tribal art (109): 120-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
On two different personalities from old Rapa Nui: personal effects of 'ariki mau Nga'ara (?- ca. 1859) and 'prophetess' Maria Angata Veri Tahi (ca. 1853-1914) - part I: the pistol of Nga'ara | 2023 | Journal of Pacific history 58 (3): 280-306 | H6/KX [JOURNAL-] | 0022-3344 | |||
A note on the trajectories of the Republic of Benin’s "repatriated heritage" in the 21st century | 2023 | Cahiers d'études africaines (251-252): 615-30 | H6/KY [CAHIERS-] | 0008-0055 | |||
Agoojiée! Or Gu’s sabers. Economies of (non-)restitution (Benin) | 2023 | Cahiers d'études africaines (251-252): 631-58 | H6/KY [CAHIERS-] | 0008-0055 | |||
Restitute Dogon Art? Malian perspectives and Western imaginations | 2023 | Cahiers d'études africaines (251-252): 543-63 | H6/KY [CAHIERS-] | 0008-0055 | |||
Note on the repatriation of looted or illegally exported Cameroonian cultural goods. A strategy between complexity and precaution | 2023 | Cahiers d'études africaines (251-252): 599-613 | H6/KY [CAHIERS-] | 0008-0055 |