| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The legal and initiatory journey of a Lega Bwami secret society mask | 2026 | Tribal art (119): 42-4 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Hawai'i: a kingdom crossing oceans | 2026 | Tribal art (119): 46-57 | *H6/KFY [WORLD-] | 1354-2990 | |||
| African art at the new Princeton University Art Museum | 2026 | Tribal art (119): 58-65 | *H6/KFY [WORLD-] | 1354-2990 | |||
| African art at the Valentine Gallery: reconstructing two forgotten exhibitions of the 1930s | 2026 | Tribal art (119): 66-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Bearing Paul Guillaume's seal: the autobiographical object | 2026 | Tribal art (119): 84-91 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Mike Glad: the evolution of a tribal art collector | 2026 | Tribal art (119): 92-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Tabar Island Malagan head: gift of Marc Ladreit de Lacharrière. Musée du Quai Branly - Jacques Chirac | 2026 | Tribal art (119): 100-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| If the Djidji Ayôkwé drum could talk | 2025 | Tribal art (115): 40-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Reconstituting fragments | 2025 | African arts 58 (1): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Expanded range: projects on African material from Wellcome's Historical Medical Museum | 2025 | African arts 58 (1): 5-6 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| (Re)collecting and (re)connecting dispersed material culture from Lesotho and the wider region: a proposed project | 2025 | African arts 58 (1): 6-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| "Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| More than a glow up: the development of the new AOA galleries at the MET | 2025 | Tribal art (116): 54-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Deconstructing colonialism, decolonizing the imagination. Portuguese colonialism in Africa: myths and realities | 2025 | Tribal art (116): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Max Itzikowitz: a taste for discovery | 2025 | Tribal art (116): 98-105 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Lefem figure donated by Marc Ladreit de Lachaerrière: Musée du Quai Branly - Jacques Chirac | 2025 | Tribal art (116): 106-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Change in Bathurst and Melville Island art: Baldwin Spencer’s spears at Melbourne Museum, Victoria, Australia | 2025 | Australian Aboriginal studies (1): 124-44 | H6/KX [AUSTRALIAN-] | 0729-4352 | |||
| Unpacking missionary collections | 2025 | Material religion 21 (3): 231-43 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Exhibiting the mission: display lives of the Utrecht Missionary Society collection | 2025 | Material religion 21 (3): 244-67 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Collecting Abeokuta: tracing the provenance of Egba material culture from the Church Missionary Society Yoruba Mission | 2025 | Material religion 21 (3): 268-89 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Faith, “fetish,” and the making of Kongo Christianity: missionary collecting and the shifting meanings of Kongo crucifixes in late colonial northern Angola | 2025 | Material religion 21 (3): 290-311 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Converted gods: lives and travels of Asante Abosom and Asuman figures | 2025 | Material religion 21 (3): 312-34 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Spirits in the museum | 2025 | Material religion 21 (3): 336 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Revealing missionary entanglements with religious objects: examples from the Museum of Religions, University of Marburg | 2025 | Material religion 21 (3): 337-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| There is always someone in the storage | 2025 | Material religion 21 (3): 337-9 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| The fate of African collections in European museums | 2025 | Material religion 21 (3): 342-4 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Africa | 2025 | Tribal art (117): 74-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Oceania | 2025 | Tribal art (117): 84-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| New York's Haus Tambaran: a conversation with Maureeen Zarember | 2025 | Tribal art (117): 116-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Lulua maternity | 2025 | Tribal art (117): 124-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Arts of Oceania at the Met: theatres of power, constellations of connections | 2025 | Art New Zealand (195): 86-92 | H6/KX [ART-] | 0110-1102 | |||
| African objects and restitution in the thought of Achille Mbembe | 2025 | Nka: journal of contemporary African art (57): 20-31 | H6/KY [NKA-] | 1075-7163 | |||
| Surinamese Maroon and Indigenous knowledge in the creation of natural and ethnographic collections housed in the Netherlands | 2025 | New West Indian guide 99 (3-4): 287-324 | H6/KUL [NWIG-] | 0028-9930 | |||
| Livika and the songs of the kingdom of the dead | 2025 | Tribal art (118): 64-79 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A Micronesian enigma: a precious gift from Douglas Newton | 2025 | Tribal art (118): 80-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Reconstructing the history of Native American items from French colonial Louisiana in French collections (18th to 21st centuries) | 2025 | Gradhiva: revue de anthropologie et museologie (40): 46-69, 246 | H6 [GRADHIVA-] | 0764-8928 | |||
| ancestral objects, homelands, and stories: a Miami perspective | 2025 | Gradhiva: revue de anthropologie et museologie (40): 70-89, 247 | H6 [GRADHIVA-] | 0764-8928 | |||
| "Matachées": painted hides, Indigenous nations, and colonial encounters in the Mississippi Valley | 2025 | Gradhiva: revue de anthropologie et museologie (40): 112-35, 247 | H6 [GRADHIVA-] | 0764-8928 | |||
| Cultural revitalization in our communities today | 2025 | Gradhiva: revue de anthropologie et museologie (40): 136-55; 248 | H6 [GRADHIVA-] | 0764-8928 | |||
| Avec Joseph T. Byrd "parures d'historie": souvenirs d'une rencontre en territoire quapaw | 2025 | Gradhiva: revue de anthropologie et museologie (40): 158-67 | H6 [GRADHIVA-] | 0764-8928 | |||
| Faire entendre la voix des peuples autochtones à l'American Museum of Natural History | 2025 | Gradhiva: revue de anthropologie et museologie (40): 238-44 | H6 [GRADHIVA-] | 0764-8928 | |||
| De Karukinka-Usin a Europa: las colecciones etnográficas transportadas por Martin Gusinde y sus implicaciones ontológicas sobre las agencias fueguinas | 2025 | Latin American antiquity 36 (3): 616-34 | *H6/KE [LATIN-] | 1045-6635 | |||
| Bapera: the Bororo encyclopedia and the encounter between Salesian missionaries and Boe Indigenous people | 2025 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (45): 106-25 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Two rare North American pipes donated by Baron of Senftenberg | 2025 | Annals of the Náprstek Museum 46 (1): 69-98 | H6/KVL [PRAGUE-] | 0231-844X | |||
| Barbier-Mueller: art as a legacy | 2024 | Tribal art (111): 18-21 | *H6/KFY [WORLD-] | 1354-2990 |