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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The far and extreme right in documentaries: euphemisation, exceptionalisation, and humanisation | 2025 | Ethnic and racial studies 48 (3): 447-71 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Film cultures of conquest and domesticity: the family films of Silvino Santos and Agesilau de Araújo (1927-1929) | 2025 | History and anthropology 36 (2): 260-84 | H6 [HISTORY-] | 1477-2612 | |||
| Before social death: cultural rule and ethnic expression in 1980s Xinjiang | 2024 | Ethnic and racial studies 47 (1): 24-44 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Dictator portraits: interventions on the archive in documentaries about Augusto Pinochet | 2024 | Iberoamericana 24 (85): 51-67 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Romantic narratives on nature and environment in meat-focused food documentaries | 2024 | Food Culture and Society 27 (3): 889-906 | H6/KF [FOOD-] | 1751-7443 | |||
| Beyond triage work: a conversation on representation and ethics in film | 2024 | Inuit art quarterly 371 (): 28-33 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Qikiqtaaluk, Baffin Island 1913-14 | 2024 | Inuit art quarterly 371 (): 34-45 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Filming home: Isuma's media world and the making of Arctic cultural sovereignty | 2024 | Inuit art quarterly 371 (): 47-55 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Interactive documentary and technological devices as communication and awareness-raising strategies on social and political issues | 2024 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 9 (1): 1-17 | 2525-3123 | ||||
| The future of knowledge sharing: why #AncientApocalypse and #HomoNaledi are smashing it and we're not | 2024 | Australian archaeology 90 (1): 112-13 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
| Identity construction and collusion in documentary of the Gaelic-speaking community: a filmmaker's perspective | 2024 | European journal of cultural studies 27 (4): 540-57 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Visual encounters: transforming the 'Watching' narrative of a UK's marginalized overseas Chinese in 'The People Watching' | 2024 | Cadernos de arte e antropologia 13 (): 70-84 | |||||
| The ethics of representing perpetrators in documentaries on genocide | 2024 | European journal of cultural studies 27 (5): 928-46 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The work of documentary relationships | 2024 | European journal of cultural studies 27 (5): 1056-73 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The desert as junkyard: the perils and proximity in the documentary Deadly Metal and two novels concerning the Cobalt 60 accident in Ciudad Juarez | 2023 | Studies in Latin American popular culture 41 (): 109-29 | *H6/KUL [STUDIES-] | 0730-9139 | |||
| Ossie Michelin Evan's Drum | 2023 | Inuit art quarterly 36 (1): 20-1 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The media operations of postcolonial mobility regimes: the cases of Filmstichting West Indië and Vereniging Ons Suriname in 1940s and 1950s Netherlands | 2023 | International journal of cultural studies 26 (6): 672-96 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Conversation with Nora Philippe about the documentary film restitution? Africa’s fight for its art | 2023 | Cahiers d'études africaines (251-252): 511-26 | H6/KY [CAHIERS-] | 0008-0055 | |||
| 'An Gorta Mor (the great hunger): passage to India' - exploring genealogy and roots tourism through documentary filmmaking | 2023 | Tourist studies 23 (4): 315-34 | H6/KD [TOURIST-] | 1468-7976 | |||
| Immigrant farmworker youth's right to aspire: a review of two films | 2023 | American anthropologist 125 (2): 449-50 | *H6 [AMERICAN-] | 0002-7294 | |||
| Medialität des (Ge)Wissens. Dokumentarische Filme und alltäglicher Konsum | 2023 | Schweizerisches Archiv für Volkskunde (2): 27-44 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
| Online video-portraits of factory workers depicting temporary housing in Poland's special economic zones (SEZs) | 2023 | Journal des anthropologues (174-175): 75-92 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
| Living with the gods. The power of visual anthropology. Selected excerpts | 2023 | Journal des anthropologues (174-175): 185-97 | H6/KF [ASSOCIATION-] | 1156-0428 | |||
| The interconnection between the global and the local: case study of the indigenous Baka community of Nomedjoh, Cameroon | 2023 | Anthropology Southern Africa 46 (4): 253-68 | *H6 [SOUTH-] | 2332-3256 | |||
| Conventionalised imagination and cultural invention: images of the Awá-Guajá, Tupi-Guarani in Maranhão | 2023 | Cadernos de arte e antropologia 12 (): 10-29 | |||||
| Cosmic differences resound in a new science, Karoo and astronomy film | 2023 | Digging stick 40 (2): 5-7 | H6/KE [SOUTH-] | 1013-7521 | |||
| Epistemological cartography of audiovisual anthropology: analysis, use and production models | 2023 | Disparidades: revista de antropologia 78 (2): 1-33 | H6/KVE [REVISTA-] | 2659-6881 | |||
| Ecological emergency in El Salto and cosmopolitical aesthetics in Eugenio Polgovsky's Resurrección (2016) | 2023 | Bulletin of Latin American research 43 (1): 76-90 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
| Producing indigenous media: protocols, circulation, and the politics of accountability | 2023 | Visual anthropology review 39 (1): 128-43 | H6 [PROGRAM-] | 1053-7147 | |||
| Embodying place | 2023 | Visual anthropology review 39 (2): 326-49 | H6 [PROGRAM-] | 1053-7147 | |||
| Prestwich Street: a reflection on the potential uses of narrativity in the management, preservation and curation of materiality, memory and space in South Africa | 2023 | Southern African humanities 36 (): 335-55 | H6/KY [NATAL-] | 1681-5564 | |||
| Beyond the wound and oblivion: the Voz Memoriosa and its narrative in two Radio Ucamara documentaries | 2022 | Antipoda: revista de antropología y arqueología (46): 99-122 | H6/KUL [REVISTA-] | 0124-485X | |||
| Two brothers: devotion and Bahian identity in the Caruru of Saints Cosmas and Damian | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-21 | 2525-3123 | ||||
| Rewinding the tape: archeology of videotape in villages | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-17 | 2525-3123 | ||||
| “We felt that the country was in the stage of a rough cut…”: vernacular documentation, political affects and the ideological functions of catharsis in Ukraine | 2022 | Visual anthropology 35 (2): 95-119 | *H6 [VISUAL-] | 1545-5920 | |||
| Association for Social Anthropology in Oceania 2021 Conference Distinguished Lecture: Contemporary Filmmaking in Oceania | 2022 | Oceania 92 (2): 172-94 | H6/KX [OCEANIA-] | 0029-8077 | |||
| The border as "other space" | 2022 | International journal of cultural studies 25 (6): 635-54 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Ethnography and cinema in anthropological research. Reflections from the Transgang Project | 2022 | Disparidades: revista de antropologia 77 (1): 1-14 | H6/KVE [REVISTA-] | 2659-6881 | |||
| Film-mediated body expression and personal narrative: oral testimonies of Macedonian women facing violence in the Greek Civil War | 2022 | Martor: revue d'anthropologie du Musée du Paysan Roumain (27): 95-105 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Disaster, subjecthood, and empathic listening | 2022 | Etnološka tribina 45 (52): 55-8 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
| Familiar = Unfamiliar / Unfamiliar = Familiar? Singing as a wandering traveller, or on transfer, limits, experiencing, and identity from the Polish-Bulgarian perspective | 2022 | Konteksty 76 (1/2): 388-96, 435 | H6/KVM [POLSKA-] | 1230-6142 | |||
| Mangliu on film: Wu Wenguang and the Beijing blind floaters | 2022 | World art 12 (2): 147-66 | H6 [WORLD-] | 2150-0908 | |||
| "Between respect and impertinence": cross-cultural engagement with Sardinian Cantu A Tenore | 2022 | Journal of folklore research 59 (3): 39-86 | H6/KF [INDIANA-] | 0737-7037 | |||
| A conversation with Nora de Izcue: Runan Caycu, new Latin American cinema, and the Peruvian documentary tradition | 2022 | Visual anthropology review 38 (1): 142-62 | H6 [PROGRAM-] | 1053-7147 | |||
| Collaborations across cinematic objects: a conversation between Pong and Sensory Ethnography Lab, mediated by the Graduate Research Training Group 'Documentary practices: excess and privation' | 2022 | Visual anthropology review 38 (2): 298-319 | H6 [PROGRAM-] | 1053-7147 | |||
| Between filmmaking practices and tourist practices: an ethnographic look on the production of Portuguese tourism films in the 1960s | 2021 | Etnográfica: revista do Centro de Estudos de Antropologia Social 25 (1): 193-210 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
| The Eye of Africa | 2021 | Visual anthropology 34 (2): 178-80 | *H6 [VISUAL-] | 1545-5920 | |||
| Headphones, hearing the city: towards and audio-visual representation of the local musicking | 2021 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 6 (1): 1-22 | 2525-3123 | ||||
| Authenticity and anthropophagy in Kayapó film production | 2021 | Current anthropology 62 (3): 309-32 | H6 [CURRENT-] | 1537-5382 | |||
| In the wings of the pandemic: an interview with Silvio Tendler | 2021 | Cadernos de arte e antropologia 10 (2): 95-109 |
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