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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Egúngún: reminiscence of colors, dance, and fun | 2025 | African arts 57 (4): 60-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Folk dances in metaphorical expressions in Türkiye | 2025 | Revista de etnografie şi folclor (NS) (1-2): 89-105 | H6/KVQ [REVISTA-] | 0034-8198 | |||
| "When I dance, I feel the earth under my feet": aesthetics and material culture in Swiss neo-spiritual dances | 2025 | Material religion 21 (1): 30-52 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Taki Onqoy o Ayra: culto de los Lucanas y Soras | 2025 | Ñawpa Pacha 45 (1): 1-19 | H6/KE [NAWPA-] | 0077-6297 | |||
| Music and dance beyond boundaries? Emphasizing Muslim-Jewish North African commonalities, avoiding politics | 2025 | European journal of cultural studies 28 (1): 17-39 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Recent investigations on the unique Maya wall paintings from Chajul (Guatemala) | 2025 | Estudios de cultura maya 65 (): 119-53 | H6/KUL [ESTUDIOS-] | 0185-2574 | |||
| The sensing eye: intimate vision in couple dancing | 2025 | Ethnography 26 (2): 217-33 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
| An immanent turn in Protestant spirituality: new spiritual practices in the Nordic Lutheran churches | 2025 | Temenos: Nordic journal of comparative religion 61 (2): 143-61 | 2342-7256 | ||||
| The dance of Mongolian horsemen. A history and anthropology of choreographic creativity and national identity in Mongolia | 2025 | Inner Asia 27 (2): 229-55 | H6/KW [INNER-] | 1464-8172 | |||
| Preserving traditional skills and dance forms as cultural treasures: reflections from Mayurbhnaj District of Odisha | 2025 | South Asian anthropologist 25 (1): 55-62 | H6/KW [SOUTH-] | 0257-7348 | |||
| Dance of Turko Tusuy: cultural heritage and syncretism in the festivities of the Colca Valley (Caylloma, Peru) | 2025 | International journal of anthropology 40 (3-4): 379-422 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
| Performing highland Maya identities: imaginaries and resistance of the convites | 2025 | Mexicon 47 (6): 132-42 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| Bodies in motion: dance, movement, gesture | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 7-14 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Can we find reason in dance? Embodied thought: exploring analogies between dance and speech articulation | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 16-41 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Dance syntax in practice: the San Felipe Dance Group performs the Cumbia Cienaguera | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 42-62 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| That which remains. The role of Fonadan notation in the establishment of the Mexican field of folkloric dance and its terminology | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 63-80 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Dancing over crossed swords: an ethnographic case study on competitive solo highland dancing | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 81-97 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Disability and dance. Possible theoretical approaches to analyse CandoCo's first guest performance in Hungary | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 119-34 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Pamporea: emergence of a new vernacular. Dance and identity performing with Aromanians (Vlachs) from Romania | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 99-118 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| On being available. Conversation with Silvia Călin | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 163-73 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| The devil's images: dance scenes in naïve paintings | 2025 | Martor: revue d'anthropologie du Musée du Paysan Roumain (30): 175-86 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Uses of creativity in the daily life of dancing mothers in Buenos Aires | 2024 | Revista colombiana de antropología 60 (1): 150-73 | H6/KUL [REVISTA-] | 0486-6525 | |||
| Doing ethnomethodological ethnography. Moving between autoethnography and the phenomenon in "hybrid studies" of taiji, ballet, and yoga | 2024 | Qualitative research 24 (1): 32-59 | H6 [QUALITATIVE-] | 1468-7941 | |||
| Cultural identity of Acorian migrants in Lima through the dance Los negritos de Acoria | 2024 | Antipoda: revista de antropología y arqueología (54): 87-109 | H6/KUL [REVISTA-] | 0124-485X | |||
| Aesthetic assemblages: relational aesthetics of the Israeli movement practice Gaga | 2024 | Material religion 20 (1): 73-99 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Performing indigeneity through the musical piece 'Miti Sunai' on Yonaguni Island, Okinawa | 2024 | Asian music 55 (1): 126-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| The crossover: integrating Indian sign language with mudras in an Indian classical dance performance creation | 2024 | Visual anthropology 37 (2): 146-65 | *H6 [VISUAL-] | 1545-5920 | |||
| Memorable dances from the days of war: a study of the form and meaning of Kurdish dances in north-east Iran | 2024 | Folklore 35 (1): 201-28 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| Photographing the Igbo funeral: the materiality of its performance | 2024 | Visual anthropology 37 (3): 237-64 | *H6 [VISUAL-] | 1545-5920 | |||
| Globalization and Islamic music (Asalatu) in Nigeria | 2024 | Journal of religion in Africa 54 (2): 193-208 | H6/KFO [JOURNAL-] | 0022-4200 | |||
| Pocodisco: the sonic performativity of grief, grievance, and joy in diaspora | 2024 | American anthropologist 126 (2): 271-81 | *H6 [AMERICAN-] | 0002-7294 | |||
| Toward a dialectical understanding of North Indian drumming traditions: musical labor, dance, and the folk/classical distinction in Banaras | 2024 | Asian music 55 (2): 40-74 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
| Live by the drum: reflection on a Greenland celebration of Inuit drumming, dance, and song | 2024 | Inuktitut (131-132): 62-5 | *H6/KUB [INUKTITUT-] | 0705-8527 | |||
| Musical activity, show business and post-colonial politics in socialist Maputo, or 'the multiple sides of a full circle' (1975-1994) | 2024 | Journal of Eastern African studies 18 (3): 408-30 | H6/KY [EASTERN-] | 1753-1063 | |||
| When the dancing went wrong, the evening went right: an argument for ageing and changing cultural practice | 2024 | European journal of cultural studies 27 (4): 597-612 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Plastic attunements: ambiguity, creativity and performing materiality in environmental dance in the UK | 2024 | Anthropology and art (9): 1-16 | 2397-1754 | ||||
| A second breath. Cultural "reaffirmation" of the dance of the búzios among the Pankararu Indians, in the northeast region of Brazil | 2024 | Journal de la Société des Américanistes 110 (1): 93-122 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| Dances with zigzags in Toro Muerto, Peru: geometric petroglyphs as (possible) embodiments of songs | 2024 | Cambridge archaeological journal 34 (4): 671-91 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Popular culture: weavings of resistance in the manifestation of Coco de Roda | 2024 | Ciência & Trópico 48 (2): 165-90 | H6/KUL [CIENCIA-] | 0304-2685 | |||
| The road back to performance: promise and precarity of tourism development for the lives of Siem Reap dancers | 2024 | Tourist studies 24 (4): 318-38 | H6/KD [TOURIST-] | 1468-7976 | |||
| Tracing the history of Banyuwangi's cultural heritage through the Gandrung Sewu performance | 2024 | International journal of anthropology 39 (3-4): 255-71 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
| Dance floors of Polish traditional dances: sensory anthropology as a research tool in dance studies | 2024 | Ethnologia fennica 51 (2): 112-40 | H6/KVT [ETHNOLOGIA-] | 0355-1776 | |||
| Navigating frictions: crip utopian performatives in integrated dance | 2024 | Etnofoor 36 (2): 109-30 | *H6 [ETNOFOOR-] | 0921-5158 | |||
| Robert Lehmann-Nitsche and his unplublisehd study on tango and African languages in Argentina, around 1900 | 2024 | Indiana 41 (2): 143-76 | H6/KUL [INDIANA-] | 0341-8642 | |||
| The art of disruption: decolonial potentiality in Fatou Cissé's La ville en mouv'ment | 2024 | African studies review 67 (3): 568-89 | *H6/KY [AFRICAN-] | 0002-0206 | |||
| Moderner Tanz in Deutschland. Seine Vermittlung und kreative Praxis als lebendiges Tanz-Erbe | 2024 | Paragrana: internationale Zeitschrift für historische Anthropologie 33 (2): 159-71 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| Notes on George Stow’s copy of the Mo’koma (dance of blood) depictions copied from Namahali Shelter, Maloti-Drakensberg | 2024 | Southern African humanities 37 (1): 33-56 | H6/KY [NATAL-] | 1681-5564 | |||
| Staging pleasures and excesses of modernity: clubs in Urdu social films | 2024 | South Asian popular culture 22 (4): 263-79 | H6/KW [SOUTH-] | 1474-6689 | |||
| Dance | 2024 | World archaeology 56 (4): 413-16 | H6/KE [WORLD-] | 1470-1375 | |||
| On the origins of dance | 2024 | World archaeology 56 (4): 417-26 | H6/KE [WORLD-] | 1470-1375 |
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