Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Global visions for a metaverse | 2024 | International journal of cultural studies 27 (1): 1-7 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (1): 1-23 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Platform capitalisms and platform cultures | 2024 | International journal of cultural studies 27 (1): 1-9 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Ambivalence and informality: COVID-19 and unmasked precarity in Nollywood | 2024 | International journal of cultural studies 27 (1): 1-18 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Four concepts to think from the South | 2024 | International journal of cultural studies 27 (2): 143-54 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Cultures of reading: then and now | 2024 | International journal of cultural studies 27 (2): 155-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Illicit media, reflexivity and sociocultural change in North Korea | 2024 | International journal of cultural studies 27 (2): 165-80 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Beyond peace: media encounters between Israeli Jews and Palestinians as a new potential for connection in the face of violent conflict | 2024 | International journal of cultural studies 27 (2): 181-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The vacillating imagination of 'us' in Black Panther (2018) | 2024 | International journal of cultural studies 27 (2): 199-216 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Representations of mental problems in content published by female social media influencers | 2024 | International journal of cultural studies 27 (2): 217-33 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Soft nationalism and China: a case study of nationalism in short videos by US-Chinese rapper MC Jin | 2024 | International journal of cultural studies 27 (2): 234-50 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
'When it comes to the true crime community, Taylor is a legend': social and symbolic capital among murderabilia fans | 2024 | International journal of cultural studies 27 (2): 251-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
House-sharing as a staged and mediated practice: representing self and home in Melbourne share-houses | 2024 | International journal of cultural studies 27 (2): 268-87 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Relocating video cultures | 2024 | International journal of cultural studies 27 (1): 3-8 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Disrupting Brazilian television: streaming and the decline of Globo's hegemony in video cultures | 2024 | International journal of cultural studies 27 (1): 9-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Not just Netflix: interventions of Korea's domestic streamers | 2024 | International journal of cultural studies 27 (1): 28-46 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Breaking the chains of television: streaming and the 'Netflix effect' in Turkey | 2024 | International journal of cultural studies 27 (1): 47-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Streaming and India's film-centred video culture: linguistic and formal diversity | 2024 | International journal of cultural studies 27 (1): 65-81 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘They are now pocket videos, not home videos’: streaming and reconfiguration of video consumption in Nigeria | 2024 | International journal of cultural studies 27 (1): 82-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
‘Terebi banare’: historicising Internet-distributed television and the ‘departure from television’ in Japan | 2024 | International journal of cultural studies 27 (1): 99-118 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Beyond Netflix: ownership and content strategies among non-US-based video streaming services | 2024 | International journal of cultural studies 27 (1): 119-40 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Revisiting Fanon’s reading of national consciousness through Adichie’s Half of a Yellow Sun | 2024 | Cahiers d'études africaines (253): 203-20 | H6/KY [CAHIERS-] | ||||
Between conspicuous and conscious consumption: the sustainability paradox in the intermediary promotional work of an online lifestyle site | 2024 | Journal of consumer culture 24 (1): 3-23 | H6 [JOURNAL-] | 1469-5405 | |||
Being social for whom? Issues of monetization, exploitation, and alienation in mobilie social games | 2024 | Journal of consumer culture 24 (1): 82-99 | H6 [JOURNAL-] | 1469-5405 | |||
Breaking through banal consumerism? Representations of postconsumerist perspectives in mainstream press media | 2024 | Journal of consumer culture 24 (1): 155-74 | H6 [JOURNAL-] | 1469-5405 | |||
Classical tradition in the celebrations of the Centenary of the Republic of Chile (1910) | 2024 | Iberoamericana 24 (85): 155-83 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Black extras and actors in Francoist cinema | 2024 | Ethnic and racial studies 47 (7): 1420-37 | H6/KD [ETHNIC-] | 1466-4356 | |||
Racial rhetoric in black and white: situational whiteness in Francoist Spanish Guinea through Misión blanca | 2024 | Ethnic and racial studies 47 (7): 1478-94 | H6/KD [ETHNIC-] | 1466-4356 | |||
“It is only bad priests and outlaws who thrive nowadays”. The Catholic Church, the colonial authorities, and elite rumor networks in the 1820s Lesser Antilles | 2024 | New West Indian guide 98 (1-2): 59-91 | H6/KUL [NWIG-] | 0028-9930 | |||
Representations of gender in Estonian graffiti and street art | 2024 | Folklore (Tartu) 92 (): 7-48 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Decolonizing bodies and the ethics of care: on the significance of embodied vulnerability as the future of cultural studies | 2024 | International journal of cultural studies 27 (3): 291-301 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Memetic commenting: Armenian curses and the Twitter theatre of Trump's deselection | 2024 | International journal of cultural studies 27 (3): 302-22 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Multimodal online dissident culture in Instagram: a critique of the Turkish economy | 2024 | International journal of cultural studies 27 (3): 323-48 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Death to Chad and Stacey: incels and anti-fandom as group identity | 2024 | International journal of cultural studies 27 (3): 349-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Mapping globalised Chinese webnovels: genre blending, cultural hybridity, and the complexity of transcultural storytelling | 2024 | International journal of cultural studies 27 (3): 368-86 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Digital labor in the state-led/capitalist complex: state labor and playful workaholics in the Chinese digital space | 2024 | International journal of cultural studies 27 (3): 387-404 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Art rocks: atmospheres of connection and everyday creativity in hybrid public space | 2024 | International journal of cultural studies 27 (3): 405-27 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
#MournHub and @GrieveWatch: mediating monarchy and mourning in the digital age | 2024 | International journal of cultural studies 27 (3): 428-43 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Toward a phenomenological understanding of internet-mediated meme-ing as a lived experience in social distancing via authoethnography | 2024 | Journal of contemporary ethnography 53 (2): 181-211 | H6/KY [JOURNAL-] | 0891-2416 | |||
'Samin Nosrat’s Salt, Fat, Acid, Heat: cooking on TV gets a decolonial makeover’ | 2024 | Food Culture and Society 27 (2): 326-41 | H6/KF [FOOD-] | 1751-7443 | |||
Stuart Hall and the introduction of Althusser in cultural studies: a thinker of difference | 2024 | Theory, culture and society 41 (3): 105-22 | H6 [THEORY-] | 0263-2764 | |||
Family, power, and nationalism | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Family, power, and nationalism. Children in post-independence Indonesian cinema | 2024 | Bijdragen tot de taal-, land- en volkenkunde 180 (1): 36-61 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Theorizing "new ethnicities" in diasporic Europe: Jews, Muslims, and Stuart Hall | 2024 | Ethnic and racial studies 47 (9): 1858-79 | H6/KD [ETHNIC-] | 1466-4356 | |||
‘I could see myself doing something like that’: US women’s engagement with characters who experience abortion, adoption and surrogacy on Little Fires Everywhere | 2024 | Culture, health & sexuality 26 (6): 839-54 | H6/KGT [CULTURE-] | 1464-5351 | |||
The ambivalence of Blackness in early twentieth-century Argentinian comics: “Página del Dólar” | 2024 | Ethnic and racial studies 47 (10): 2153-73 | H6/KD [ETHNIC-] | 1466-4356 | |||
Camaleón cultural: la construcción discursiva, musical y performativa "chola" en la artista peruana Ruby Palomino | 2024 | Studies in Latin American popular culture 42 (): 75-96 | *H6/KUL [STUDIES-] | 0730-9139 | |||
"The many faces and shades of blackness": race, class, and geography in early twenty-first-century telenovela representations | 2024 | Studies in Latin American popular culture 42 (): 97-123 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Tensiones raciales y visuales en el trópico colombiano: discografías de orquestras sabaneras Pedro Laza y sus playeros y La Sonora Cordobesa | 2024 | Studies in Latin American popular culture 42 (): 145-71 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Soundscapes of tango: criollismo, the dissonances of modernity, and Peronism | 2024 | Studies in Latin American popular culture 42 (): 172-98 | *H6/KUL [STUDIES-] | 0730-9139 |