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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| ‘Diversity’ as multidisciplinary keyword for the politics of cultural recommender systems in global digital media platforms | 2025 | International journal of cultural studies 28 (1): 307-15 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Pluralizing narratives about Indigenous peoples in the Northeast. Training and performance of students in the midst of the ethnographic exhibition The First Brazilians | 2025 | Boletín de antropología (Antioquia) 40 (69): 41-65 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Cultural policies during the Progressive cycle in Uruguay (2005-2020). Advances and contradictions in a time of change | 2024 | Iberoamericana 24 (85): 185-207 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Playing in the "third place": how games and play are transforming public libraries | 2024 | Space and culture 27 (2): 254-73 | H6 [SPACE-] | 1206-3312 | |||
| Decolonising archaeology in South Africa: two decades after the National Heritage Resources Act of 1999 | 2024 | Journal of social archaeology 24 (2): 171-96 | H6/KE [JOURNAL-] | 1469-6053 | |||
| Public cultural institutions in Mexico and precarisation of creative labour | 2024 | International journal of cultural studies 27 (3): 456-73 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Scenes of precarity: conditions, dynamics and challenges for the post-pandemic future of cultural labour in Argentina | 2024 | International journal of cultural studies 27 (3): 474-91 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Rethinking creative freelancers and structures of care in cultural policy and organisational practice: a case study of Dundee during the Covid-19 pandemic | 2024 | International journal of cultural studies 27 (3): 492-509 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Visual artists’ professional and social status: insights from post-socialist Serbia | 2024 | International journal of cultural studies 27 (3): 565-82 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Public archaeology and participatory cartographies: institutionalization and local resignifications of the archaeological heritage of Sígsig, Ecuador (2022-2024) | 2024 | Antipoda: revista de antropología y arqueología (56): 79-104 | H6/KUL [REVISTA-] | 0124-485X | |||
| From the ecocosmological to the cosmopolitical: an exploration of contemporary Oroquen shamanism in northeast China | 2024 | Shaman 32 (1-2): 93-124 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
| New culture for the new man: Quimantú Publishing House and the educational comic in Chile,1970-1973 | 2024 | Iberoamericana 24 (86): 19-37 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Musical activity, show business and post-colonial politics in socialist Maputo, or 'the multiple sides of a full circle' (1975-1994) | 2024 | Journal of Eastern African studies 18 (3): 408-30 | H6/KY [EASTERN-] | 1753-1063 | |||
| Yma Súmac and/or pastorita Huaracina? Limits and possibilities of the cultural policies of José María Arguedas | 2024 | Disparidades: revista de antropologia 79 (1): 1-1 | H6/KVE [REVISTA-] | 2659-6881 | |||
| A second breath. Cultural "reaffirmation" of the dance of the búzios among the Pankararu Indians, in the northeast region of Brazil | 2024 | Journal de la Société des Américanistes 110 (1): 93-122 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| The nation on the corners: the politics of street-naming in Lima during the second half of the nineteenth century | 2024 | Journal of Latin American studies 56 (2): 195-223 | *H6/KUL [JOURNAL-] | 0022-216X | |||
| Towards a critical anthropology of the (de)creative turn in heritage | 2024 | Anthropological theory 24 (4): 420-35 | H6 [ANTHROPOLOGICAL-] | 1463-4996 | |||
| Stuck inside: context, precarity and the effect of COVID-19 on Romanian performers | 2024 | European journal of cultural studies 27 (6): 1249-65 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| As much as necessary and as little as possible: the interplay of national and Soviet in a wedding performance at the 1960 folk art evening of the Estonian Folk Festival | 2024 | Folklore (Tartu) 94 (): 67-98 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
| Patuas in a Bengal village: in search of unity and coexistence | 2024 | South Asian anthropologist 24 (1): 75-80 | H6/KW [SOUTH-] | 0257-7348 | |||
| When culture is politics: black theaters and cultural politics in the late 20th and early 21th centuries | 2023 | Revista de antropología (São Paulo) 66 (): 1-17 | H6/KUL [REVISTA-] | 0034-7701 | |||
| Qualitative perspective on constucting public value in museums and contemporary art centers | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (1): 1-14 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| The national and the mestizo matters. A reading about the actions of José de Mesa and Teresa Gisbert in the cultural field of La Paz (1952-1956) | 2023 | Iberoamericana 23 (82): 193-216 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Street art commodification and (an)aesthetic policies on the outskirts of Lisbon | 2023 | Journal of contemporary ethnography 52 (2): 163-91 | H6/KY [JOURNAL-] | 0891-2416 | |||
| Between the legal and the illegal: archaeological collecting practices in the province of Buenos Aires (Argentina) | 2023 | Runa: archivo para la ciencias del hombre 44 (2): 85-103 | 0325-1217 | ||||
| Tourist narratives and the conformation of the Mexican national heritage through the analysis of the tourist guides of Morelos | 2023 | Anales de antropología 57 (2): 1-15 | H6/KUL [ANALES-] | 2448-6221 | |||
| Overlaps and accumulations: the anatomy of cultural non-participation in Finland, 2007-2018 | 2023 | Journal of consumer culture 23 (1): 122-45 | H6 [JOURNAL-] | 1469-5405 | |||
| ‘In heavy rotation’: uncovering the phonographic industry and the ‘NGOMA national label’ in socialist Mozambique (1978–1990) | 2023 | Ethnomusicology forum 32 (1): 73-96 | H6/KFYV [BRITISH-] | 1741-1912 | |||
| Curating the music city: the accommodation sector in Galsgow's music tourism ecology | 2023 | Tourist studies 23 (3): 227-46 | H6/KD [TOURIST-] | 1468-7976 | |||
| Access to arts consumption: the stratification of aesthetic life-chances | 2023 | Journal of consumer culture 23 (3): 672-91 | H6 [JOURNAL-] | 1469-5405 | |||
| Reclaiming heritage and citizenship: urban pre-colonial cultural heritage management and heritage grassroots organizations in Lima, Peru | 2023 | Journal of social archaeology 23 (3): 303-25 | H6/KE [JOURNAL-] | 1469-6053 | |||
| State of the art: restoration and reset at the Oklahoma State Capitol | 2023 | First American art magazine 38 (): 34-40 | H6/KUB [FIRST-] | 2333-5548 | |||
| Cultural spaces, public policies and personal trajectories in low-income neighborhoods. The case of the Casa de la Cultura, Villa 21-24, Barracas | 2023 | Cuadernos de antropologia social (58): 145-60 | H6/KF [CUADERNOS-] | 1850-275x | |||
| International touristic archaeology in Mexico: the making of a relationship (1968-1978) | 2023 | Anales de antropología 57 (2): 93-104 | H6/KUL [ANALES-] | 2448-6221 | |||
| Future-making in the European capitals of culture (Rijeka and Nova Gorica compared) | 2023 | Etnološka tribina 46 (53): 77-97 | H6/KVT [ETNOLOSKA-] | 0351-1944 | |||
| Funding arts and culture: everyday experiences and organisational portfolio precarity | 2023 | European journal of cultural studies 26 (3): 388-407 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Enduring inequalities: fifty years of gender equality talk in the media and cultural industries | 2023 | European journal of cultural studies 26 (3): 428-45 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Why there is still an illicit trade of cultural objects and what can we do about it | 2022 | Journal of field archaeology 47 (2): 117-30 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| Cultural policies in Galicia: handicraft accreditation | 2022 | Etnográfica: revista do Centro de Estudos de Antropologia Social 26 (1): 257-73 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
| #WeareHeritage. World heritage changes: from having to being heritage | 2022 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 17 (1): 1-20 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Social [critical] conservation in archaeology | 2022 | Chungará 54 (1): 165-79 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
| Exhibiting growth: producing state-market hybridity in China's museum industry | 2022 | Ethnos 87 (3): 560-83 | H6 [ETHNOS-] | 1469-588X | |||
| Museums in the age of platform giants: disconnected policies and practices | 2022 | International journal of cultural studies 25 (5): 536-53 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| History of the ownership and management of Tijeras Pueblo | 2022 | Kiva 88 (2): 164-79 | *H6/KE [KIVA-] | 2051-6177 | |||
| Informal empire: the process of exhibiting Latin American art under the good neighbor policy. The case of the MoMA collection, 1943 | 2022 | Boletín americanista (84): 171-93 | H6/KUL [BOLETIN-] | 0520-4100 | |||
| Hallyu through the grassroots | 2022 | The World of Music 11 (1): 133-56 | H6/KFY [WORLD-] | 0043-8774 | |||
| Lucky people: narratives on hope and artistic production in nowadays Brazil | 2022 | Revista de antropología (São Paulo) 65 (2): 1-34 | H6/KUL [REVISTA-] | 0034-7701 | |||
| Entretien avec Miriama Bono. Le musée de Tahiti et des îles – Te Fare Manaha | 2022 | Gradhiva: revue de anthropology et museologie (34): 147-61 | H6 [GRADHIVA-] | 0764-8928 | |||
| Jean Gabus, Kabul and the museum crusade | 2022 | Gradhiva: revue de anthropology et museologie (34): 56-73 | H6 [GRADHIVA-] | 0764-8928 | |||
| Political power and cultural history in the northeastern Soviet Union in the 1950s and 1960s | 2022 | Sibirica: journal of Siberian studies 21 (2): 91-114 | H6/KW [SIBIRICA-] | 1361-7362 |
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