| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| John Lockwood Kipling's drawings of Indian artisans | 2026 | Asian textiles (94): 15-18 | H6/KGG [OXFORD-] | 1757-0670 | |||
| Risky, subversive, and deviant? A criminological analysis of guerrilla knitting | 2026 | Textile: the journal of cloth and culture 24 (2): 335-43 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Stab it, strangle it: media representations of knitters, and subversions of the stereotype to reflect inclusion and diversity | 2026 | Textile: the journal of cloth and culture 24 (2): 320-34 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| A guide to processing and sewing grass | 2026 | Inuit art quarterly 39 (1): 50-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
| In conversation with Jen Cable and Betsy Greer: what 'craftivism' means now | 2026 | Textile: the journal of cloth and culture 24 (2): 304-19 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Flora and fauna-based textile design with natural dyes: preserving Malay identity in Riau Songket | 2026 | Textile: the journal of cloth and culture 24 (1): 284-99 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Reweaving folkness: kilims and the affective reshaping of contemporary Balkan traditionality | 2026 | Textile: the journal of cloth and culture 24 (1): 251-67 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| The Kicking Party - felt-making in Kyrgyzstan | 2026 | Asian textiles (93): 17-21 | H6/KGG [OXFORD-] | 1757-0670 | |||
| Re-creating historic modern hand knitting: working with a community of practice | 2026 | Textile: the journal of cloth and culture 24 (1): 196-216 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| The revitalization of cultural heritage and tradidional crafts: lessons learned from a master thatcher | 2026 | Journal of ethnology and folkloristics 20 (1): 147-61 | H6/KVT [JOURNAL-] | 1736-6518 | |||
| Jajam: a traditional handwoven and handprinted floor covering | 2026 | Textile: the journal of cloth and culture 24 (1): 82-9 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Dyeing and washing textiles in medieval Kashmir: unraveling the artistic techniques and cultural significance | 2026 | Textile: the journal of cloth and culture 24 (1): 50-60 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Evidence of plant consumption and manipulation at the archaeological site of El Edén, Chinchiná, Colombia. A contribution of plant microremains analysis present in dental calculus | 2026 | Comechingonia: Revista de Arqueología 30 (1): 31-52 | 2250-7728 | ||||
| Ergasteria to emporia– production sites and crafts and their place in past societies | 2026 | Antiquity 100 (410): 567-75 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Tracing a source Liangchengzhen’s polished stone tools | 2026 | Journal of field archaeology 51 (2): 143-58 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| The agency of object: the doppa as a narrator for a dynamic Uyghur identity | 2026 | Central Asian survey 45 (1): 117-30 | *H6/KW [CENTRAL-] | 0263-4937 | |||
| Making continuity: how multiple production networks sustain Huimo as an intangible cultural heritage | 2026 | Tourist studies 26 (2): 241-67 | H6/KD [TOURIST-] | 1468-7976 | |||
| Knitting close to the edge | 2026 | Textile: the journal of cloth and culture 24 (2): 353-70 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Weaving place and identity: textile ecology, gender, and material culture among the Hill Karbi of Assam | 2026 | Textile: the journal of cloth and culture 24 (3): 912-24 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Framing heritage through slow design: a comparative study of Arraiolos stitch tapestry and Lawan Panja durries | 2026 | Textile: the journal of cloth and culture 24 (3): 893-911 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Will there be womanly times? Reflections on the work of Ellen Lesperance | 2026 | Textile: the journal of cloth and culture 24 (2): 344-52 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Silk fibers for fashion as drivers of regional development: a comparison between Italy and Thailand | 2026 | Textile: the journal of cloth and culture 24 (3): 701-13 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Ehram fabric doll design in the context of cultural sustainability: a cultural carrier from past to future | 2026 | Textile: the journal of cloth and culture 24 (3): 659-76 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Crafting wellbeing: exploring the link between textile craft and wellbeing | 2026 | Textile: the journal of cloth and culture 24 (3): 624-39 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Transforming a weaving village into a tourism hub for sustainable development: a qualitative study from India | 2026 | Textile: the journal of cloth and culture 24 (3): 562-80 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Cultural signification and craftsmanship of Gollabhama sarees | 2026 | Textile: the journal of cloth and culture 24 (3): 512-28 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| The feminine artistry of Banjara embroidery of Telangana | 2026 | Textile: the journal of cloth and culture 24 (3): 479-93 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Bagru printing: a sustainable practice | 2026 | Textile: the journal of cloth and culture 24 (3): 456-67 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Yarn over police brutality: race and the occupation of Rochester City Hall's steps during the Daniel Prude protest | 2026 | Textile: the journal of cloth and culture 24 (2): 395-405 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Knitting: the destructive yarn-bomb | 2026 | Textile: the journal of cloth and culture 24 (2): 385-94 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| The Big Rainbow Knit: revisiting craftivist practices through place-based making | 2026 | Textile: the journal of cloth and culture 24 (2): 371-84 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| In small things remembered: pinch pots and skill acquisition in burial evidence from pre-Roman northern Apulia | 2026 | Journal of social archaeology 26 (1): 3-27 | H6/KE [JOURNAL-] | 1469-6053 | |||
| The artisti legacy of Kashmiri carpets | 2026 | Textile: the journal of cloth and culture 24 (3): 494-511 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Authenticity and place-based knitwear: Fair Isle and Aran knitting in Shetland and the West of Ireland | 2025 | Textile: the journal of cloth and culture 23 (5): 1064-81 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| In conversation with Karie Westermann: 'Whose voices are loud? Whose voicese are being heard?' Challenging ideas about 'tradition' in knitting | 2025 | Textile: the journal of cloth and culture 23 (5): 1057-63 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Unraveling issues in contemporary knitting. Volume 1: Meaning, identity, community | 2025 | Textile: the journal of cloth and culture 23 (5): 1052-6 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Kouna (Schoenoplectus lacustris): documentation and development of sustainable handicraft from Manipur | 2025 | Textile: the journal of cloth and culture 23 (3-4): 971-82 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| The adaptive and responsive practice of making black dyes: a sensory ethnography of mud-dyeing practices in Amami Ōshima, southern Japan | 2025 | Textile: the journal of cloth and culture 23 (3-4): 946-70 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Impossible numbers: using the linguistics of labor-intensity to embroider a text-less postcrisis story | 2025 | Textile: the journal of cloth and culture 23 (3-4): 785-800 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Silent messages: the role of ığne oyası in Konya's Dürü tradition | 2025 | Textile: the journal of cloth and culture 23 (3-4): 766-84 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Bagru textiles: recontextualizing traditional craft as contemporary art | 2025 | Textile: the journal of cloth and culture 23 (3-4): 722-37 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| The path of felt: traditiona and transformation in Kazakh contemporary art | 2025 | Textile: the journal of cloth and culture 23 (3-4): 675-88 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Diffraction in textiles-based community craft groups | 2025 | Textile: the journal of cloth and culture 23 (3-4): 638-54 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| 'Authentic and what real Muslims wore': medieval textiles as a source of religious authenticity in contemporary knitting patterns | 2025 | Textile: the journal of cloth and culture 23 (5): 1082-100 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Lesbian knitting: from self-sufficiency to self-representation | 2025 | Textile: the journal of cloth and culture 23 (5): 1101-10 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Constructed masculinities: unpicking working-class masculinities through knitting | 2025 | Textile: the journal of cloth and culture 23 (5): 1111-18 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Ties that bind or exclude? Knitting and craft groups as contested spaces of inclusion and exclusion | 2025 | Textile: the journal of cloth and culture 23 (5): 1119-28 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Fabrications: using knitted artworks to challenge developers' narratives of regeneration and recognise Manschester's South Asian working class textiles businesses | 2025 | Textile: the journal of cloth and culture 23 (5): 1129-50 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Knitting algorithmic assemblages | 2025 | Textile: the journal of cloth and culture 23 (5): 1151-68 | H6/KGG [TEXTILE-] | 1475-9756 | |||
| Knit is a four-letter word | 2025 | Textile: the journal of cloth and culture 23 (5): 1169-77 | H6/KGG [TEXTILE-] | 1475-9756 |