Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Valorization of food products in a knowledge-based economy: analysis of the PDO “Sierra Mágina” olive oil cooperatives | 2025 | Food Culture and Society 28 (1): 1-19 | H6/KF [FOOD-] | 1751-7443 | |||
Paying public domain and the Albanian protection of folklore | 2024 | Folklore (Tartu) 93 (): 49-62 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Artificial intelligence and the question of creativity: art, data and the sociocultural archive of AI-imaginations | 2024 | European journal of cultural studies 27 (4): 788-95 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Owners of their faces: privacy, copyright, and Africa's portrait photography | 2024 | Res 81-82 (): 245-56 | *H6 [RES-] | 0277-1322 | |||
Neşet Ertaş and the ontologies of Turkey's folk music | 2023 | Asian music 54 (1): 28-59 | *H6/KFYV [ASIAN-] | 0044-9202 | |||
Common sense in reinterpreting the traditional Romanian costume | 2022 | Annuaire roumain d'anthropologie 59 (): 87-99 | H6/HB [ANNUAIRE-] | 0039-3886 | |||
Importance of trademarks in patent protection: Natura's case | 2022 | Ciência & Trópico 46 (2): 63-86 | H6/KUL [CIENCIA-] | 0304-2685 | |||
Can social media data be freely used? Participants' ethical perceptions toward using their social media data in research | 2022 | Social science information 61 (2-3): 297-317 | H6/KF [SOCIAL-] | 0539-0184 | |||
Five dollars for plagiarism: The affair of photographer Milan Pavić’s copyright infringement (1938 – 1948) | 2022 | Studia Ethnological Croatica 34 (): 45-66 | H6 [STUDIA-] | 1330-3627 | |||
Twists and turns in the 360 deal: spinning the risks and rewards of artist-label relations in the streaming era | 2022 | European journal of cultural studies 25 (2): 463-78 | H6/KF [EUROPEAN-] | 1367-5494 | |||
Whose dance is it anyway?: Property, copyright and the commons | 2021 | Theory, culture and society 38 (1): 101-26 | H6 [THEORY-] | 0263-2764 | |||
The Indian-on-Indian art plague: intertribal cultural misappropriation | 2020 | First American art magazine 27 (): 48-51 | H6/KUB [FIRST-] | 2333-5548 | |||
Stolen designs? Researching indigenous activism in Panama, Guatemala and the web 2.0 | 2020 | Revista española de antropología americana 50 (): 241-52 | H6/KUL [MADRID-] | 0556-6533 | |||
Bird is the word: the past and present status of song series in Native southern California | 2020 | Journal of California and Great Basin anthropology 40 (2): 224-39 | H6/KUB [JOURNAL-] | 0191-3557 | |||
Creating, authoring and owning the shared. Challenging commons in cultural studies | 2020 | Ethnologia fennica 47 (1): 1-5 | H6/KVT [ETHNOLOGIA-] | 0355-1776 | |||
Silencing the Other’s voice? On cultural appropriation and the alleged Finnishness of Kalevalaic Runo singing | 2020 | Ethnologia fennica 47 (1): 6-32 | H6/KVT [ETHNOLOGIA-] | 0355-1776 | |||
Repackaging tradition in Tahiti? Mono'i and labels of origin in French Polynesia | 2018 | The contemporary Pacific 30 (1): 70-106 | *H6/KX [CONTEMPORARY-] | 1043-898X | |||
Pat Boone's last laugh: cover versions and the performance of knowledge | 2018 | International journal of cultural studies 21 (4): 440-54 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Skin, paper, tiles: a cross-cultural history of Kadiwéu art | 2018 | Journal of material culture 23 (3): 344-67 | H6/KF [JOURNAL-] | 1359-1835 | |||
Data management in anthropology: the next phase in ethics governance? | 2018 | Social anthropology 26 (3): 391-413 | H6/KF [SOCIAL-] | 0964-0282 | |||
Misusing church brands: problems with the ownership and management of denominational brand imagery in the United Methodist Church | 2018 | Culture and religion 19 (2): 201-16 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Holy piracy: Kopimism, the sacralisation of information, and the legitimate power of religion | 2018 | Culture and religion 19 (3): 329-44 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
The “ethnic thing” is fashionable. Performativity, criticism and agency around the Indoamerican discourse in Vogue (2000-2017) | 2018 | Runa 39 (2): 91-116 | |||||
Mbyá Guaraní musical practices in the Missions [Misiones Province, Argentina]: problems regarding the recording, broadcasting and marketing rights | 2018 | Thule (45): 73-87 | H6/KUL [THULE-] | 1126-8611 | |||
Museum exhibitions and copyright | 2018 | Ethno-anthropological problems journal 13 (4): 1185-205 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Out of print. The orphans of mass digitization | 2017 | Current anthropology (Supplement) 58 (15): S149-S159 | H6 [CURRENT-] | 0011-3204 | |||
Writing against loss: Kurdish women, subaltern authorship, and the politics of voice in contemporary Turkey | 2017 | Journal of the Royal Anthropological Institute (New Series) 23 (3): 543-61 | H6 [JOURNAL-] | 1359-0987 | |||
The commercial street photographer: the right to the street and the droit à l'image in post-1945 France | 2017 | Journal of visual culture 16 (2): 225-52 | H6/KF [JOURNAL-] | 1470-4129 | |||
Copying, copyright and originality: imitation, transformation and popular musicians | 2017 | European journal of cultural studies 20 (4): 363-80 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The art of Paolo Cirio: exposing new myths of bog data structures | 2017 | Theory, culture and society 34 (7-8): 197-214 | H6 [THEORY-] | 0263-2764 | |||
The cloud, online piracy and global copyright governance | 2017 | International journal of cultural studies 20 (3): 270-86 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The painter of dematerialization | 2016 | Journal of visual culture 15 (2): 250-72 | H6/KF [JOURNAL-] | 1470-4129 | |||
Intellectual property, piracy, and counterfeiting | 2016 | Annual review of anthropology 45 (): 17-31 | H1 [BIENNIAL-] | 0084-6570 | |||
An appraisal of the quality of Botswana’s institutions in supporting the privatisation programme | 2016 | Botswana notes and records 47 (): 92-102 | *H6/KY [BOTSWANA-] | 0525-5090 | |||
Ethics in visual anthropology | 2016 | Glasnik slovenskega etnološkega Društva 56 (3/4): 104-15 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
Copyright law and the changing economic value of popular music in India | 2015 | Ethnomusicology 59 (2): 262-87 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
"Suitable" forage resources. Public debate and local cheeses in the Cevennes and the Vercors | 2015 | Techniques et culture 63 (1): 110-29 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Animating creative selves: pen names as property in the careers of Canadian and American romance writers | 2015 | American ethnologist 45 (1): 112-23 | H6 [AMERICAN-] | 0094-0496 | |||
New challenges in copyright law: social media | 2015 | Journal of folklore and literature 3 (): 389-410 | 1300-7491 | ||||
Indigenous objects for the market: production, exchange, trade and its transformations. Ka’apor and Mebêngôkre-Kayapó experiences | 2015 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 10 (3): 659-80 | H6/KUL [BOLETIM-] | 1981-8122 | |||
The micro-movie wave in a globalising China: adaptation, formalisation and commercialisation | 2014 | International journal of cultural studies 17 (5): 453-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
China's 'fake' Apple store: branded space, intellectual property and the global culture industry | 2014 | Theory, culture and society 31 (4): 71-96 | H6 [THEORY-] | 0263-2764 | |||
Copyright violations, 'inspirations' and adaptation in Indian films: a case for cinema as visual anthropology? | 2014 | The Anthropologist 18 (1): 211-16 | H6/HB [ANTHROPOLOGIST-] | 0972-0073 | |||
Opening up copyright | 2014 | Anthropology today 30 (5): 1-2 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
The dafield book and the entanglements of digitization | 2014 | Anthropology today 30 (5): 3-6 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
The place of 'culture' in the access to knowledge movement: comparing creative commons and yogic theories of knowledge transfer | 2014 | Anthropology today 30 (5): 7-10 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
Cannibalizing copyright? Vernacularizing open intellectual property in Brazil | 2014 | Anthropology today 30 (5): 11-14 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
Law versus lore: copyright and conflicting claims about culture and property in Indonesia | 2014 | Anthropology today 30 (5): 15-19 | H6 [ANTHROPOLOGY-] | 0268-540X | |||
Books, bodies and bronzes: comparing sites of global citizenship creation | 2014 | Ethnic and racial studies 37 (12): 2149-57 | H6/KD [ETHNIC-] | 0141-9870 | |||
Pirate cosmopolitics and the transnational consciousness of the entertainment industry | 2014 | Ethnic and racial studies 37 (12): 2226-42 | H6/KD [ETHNIC-] | 0141-9870 |