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TitleDateReferenceAuthorsCall #ISSN
Fuinn air an inntinn: a case study in the composition of eighteenth-century Gaelic song 2022 Scottish studies 39 (): 28-56
  • Ellen L. Beard
 H6/KVC [SCOTTISH-]
François Rouschitzki’s “Musique Orientale” (1834) as a source for the creation of urban music in Moldova 2022 Revista de etnografie şi folclor (NS) 1-2 (): 147-60
  • Walter Zev Feldman
 H6/KVQ [REVISTA-] 0034-8198
Intercultural creativity in the Nigerian-Igbo art music of Okechukwu Ndubuisi 2022 Ethnomusicology forum 31 (2): 212-35
  • Sunday Ofuani
 H6/KFYV [BRITISH-] 1741-1912
'Give us a voice!': voice, envoicement, and the politics of 'world music' at WOMAD 2022 Ethnomusicology forum 31 (2): 236-59
  • James Nissen
 H6/KFYV [BRITISH-] 1741-1912
Trek to Everest base camp: (re) composing a sound-trek and (re) experiencing as soundscape remix 2021 Cadernos de arte e antropologia 10 (2): 71-94
  • Guillermo de Llera Blanes
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis 2020 Ethnomusicology 64 (1): 141-66
  • J. Tyler Fritts
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis 2020 Ethnomusicology 64 (1): 141-66
  • J. Tyler Fritts
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
A heuristic theory of metrical transformation and tune metamorphosis: tracking creativity in traditional Cantonese opera 2020 Ethnomusicology 64 (1): 110-40
  • Bell Yung
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Lyric formulas as traditional compositional processes in the folk blues: a case study of Furry Lewis 2020 Ethnomusicology 64 (1): 141-66
  • J. Tyler Fritts
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
From the horse's mouth: musical 'originality' in freestyle dressage 2020 Ethnomusicology forum 29 (2): 145-65
  • Jack Harrison
 H6/KFYV [BRITISH-] 1741-1912
'Timbeando en Nueva York': Cuban Timba takes root abroad 2019 Ethnomusicology 63 (1): 105-36
  • Sarah Town
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Prefiguring as an indigenous narrative tool in Nigerian cinema: an ethnomusicological reading 2019 Ethnomusicology 63 (2): 159-83
  • Emaeyak Peter Sylvanus
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Prefiguring as an indigenous narrative tool in Nigerian cinema: an ethnomusicological reading 2019 Ethnomusicology 63 (2): 159-83
  • Emaeyak Peter Sylvanus
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Reviving the Mukhammas and Thaqīl: collaborative composition on long metric cycles across the Iranian-Tajik divide 2018 The World of Music 7 (1-2): 179-202
  • Saeid Kordmafi
 H6/KFY [WORLD-] 0043-8774
An emerging musical voice at Grahamstown Anglican cathedral: experiments in localisation 2018 Culture and religion 19 (3): 273-97
  • Andrew-John Bethke
 H6/KFO [SCOTTISH-] 1475-5610
Textual migration in Ebenezer Obey's juju music 2018 African studies 77 (1): 67-86
  • Adebayo Mosobalaje
 H6/KY [BANTU-] 0002-0184
'Producing' contemporary music in Tashkent 2017 L'Homme (221): 115-45
  • Lucille Lisack
 H6 [HOMME-] 0439-4216
Writing against loss: Kurdish women, subaltern authorship, and the politics of voice in contemporary Turkey 2017 Journal of the Royal Anthropological Institute (New Series) 23 (3): 543-61
  • Marlene Schäfers
 H6 [JOURNAL-] 1359-0987
Foreword: aesthetics of interculturality in East Asian contemporary music 2017 The World of Music 6 (1): 7-20
  • Hilary Vanessa Finchum-Sung
 H6/KFY [WORLD-] 0043-8774
Artistic habitus in an intercultural world: a tale of two artists 2017 The World of Music 6 (1): 21-40
  • Hilary Vanessa Finchum-Sung
 H6/KFY [WORLD-] 0043-8774
Technologies of tradition in post-war musical avant-gardism: a theoretical reflection 2017 The World of Music 6 (1): 41-58
  • Chien-Chang Yang
 H6/KFY [WORLD-] 0043-8774
World music history and interculturality: toward recontextualizing post-war Japanese avant-garde music 2017 The World of Music 6 (1): 59-71
  • Fuyuko Fukunaka
 H6/KFY [WORLD-] 0043-8774
National cultural memory in late-twentieth-century East Asian composition: Isang Yun, Hosokawa Toshio and Zhu Jian'er 2017 The World of Music 6 (1): 73-101
  • Hyejin Yi
 H6/KFY [WORLD-] 0043-8774
Intercultural aesthetics in the contemporary Korean composition of Hae-Sung Lee 2017 The World of Music 6 (1): 103-22
  • Hee Sook Oh
 H6/KFY [WORLD-] 0043-8774
A.R. Rahman and the aesthetic transformation of Indian film scores 2017 South Asian popular culture 15 (2-3): 155-71
  • Jayson Beaster-Jones
 H6/KW [SOUTH-] 1474-6689
Native Seattle in the concert hall: an ethnography of two symphonies 2016 Ethnomusicology 60 (1): 148-69
  • Laurel Sercombe
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
On the recent diversification of Bāul-Fakir musical repertoire in West Bengal: spiritual music in a crowded marketplace 2016 Asian music 47 (2): 4-47
  • Benjamin Krakauer
 *H6/KFYV [ASIAN-] 0044-9202
I was cool when my country wasn't: 'Mao' and 'Deng' making transnational music in the Golden Triangle 2016 Asian music 47 (2): 114-37
  • Jane M. Ferguson
 *H6/KFYV [ASIAN-] 0044-9202
Appropriate sounds and words in the light of ecological psychology 2015 Papers on anthropology 24 (2): 129-37
  • Ol'ga D. Volchek
 H6/HB [PAPERS-] 1406-0140
Venerable traditions, modern manifestations: understanding Mayuzumi's Bunraku for cello 2014 Asian music 45 (1): 98-131
  • Lisa M. Cook
 *H6/KFYV [ASIAN-] 0044-9202
Review essay: two studies on Chou Wen-Chung 2014 Asian music 45 (1): 145-54
  • John Winzenburg
 *H6/KFYV [ASIAN-] 0044-9202
The process of musical translation: composing a Maltese festa band march from Libyan Ma'lūf music 2013 Ethnomusicology 57 (1): 1-33
  • Philip Ciantar
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Connecting histories: liturgical songs as classical compositions in Hindustānī music 2013 Ethnomusicology 57 (2): 207-35
  • Meilu Ho
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
The power of music: issues of agency and social practice 2013 Social analysis 57 (2): 21-40
  • Norman Long
 H6/KF [SOCIAL-] 0155-977X
Role-playing toward a virtual musical democracy in The Lord of Rings online 2012 Ethnomusicology 56 (1): 31-62
  • William Cheng
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Does language determine music in tone languages? 2012 Ethnomusicology 56 (2): 266-78
  • Murray Schellenberg
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
''Banished to the barn' - John Doherty and Bonnie Kate'' 2011 Ulster folklife 54 (): 27-44
  • Conor Thomas Caldwell
 H6/KVC [ULSTER-] 0082-7347
Composition, authorship, and ownership in flamenco, past and present 2010 Ethnomusicology 54 (1): 106-35
  • Peter Manuel
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
The blues formula: a response to Taft 2010 Journal of American folklore 123 (488): 218-21
  • David Evans
 H6/KF [JOURNAL-] 0021-8751
Of one family? Improvisation, variation, and composition in Balinese gendér wayang 2010 Ethnomusicology 54 (2): 224-56
  • Nicholas Gray
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
A stage in the development of Central Javanese gamelan music. The introduction of notation and some of its consequences 2010 Indonesia and the Malay world 38 (111): 273-88
  • Noriko Ishida
 H6/KX [INDONESIA-] 1363-9811
Pentatony as a vehicle of identity in Hungarian music 2010 Acta ethnographica Hungarica 55 (1): 1-10
  • Katalin Paksa
 H6/KVN [ACTA-] 1216-9803
Filí agus Amhránaithe, Foinn agus Focail: Maidean Álainn Ghréine agus Ionad an Cheoil i dTraidisiún na nAmhrán 2009 Béascna: journal of folklore and ethnology 5 (): 37-57
  • Tríona Ní Shíocháin
 H6/KVC [BEASCNA-] 1649-2137
The essential idea of the blues formula: a response to David Evans 2009 Journal of American folklore 122 (483): 75-80
  • Michael Taft
 H6/KF [JOURNAL-] 0021-8751
The influence of conservatory folk music programmes: the Sibelius Academy in comparative context 2009 Ethnomusicology forum 18 (2): 207-41
  • Juniper Hill
 H6/KFYV [BRITISH-] 1741-1912
Radical tradition: Balinese musik kontemporer 2009 Ethnomusicology 53 (1): 115-41
  • Andrew Clay McGraw
 H6/KFYV [ETHNOMUSICOLOGY-] 0014-1836
Levi-Strauss and the opera 2009 Ethno-anthropological problems journal 4 (2): 101-20
  • Vlado Kotnik
 H6/KVP [ETNOANTROPOLOSKI-] 0353-1589
The accordion and ethnic whiteness: toward a new critical organology 2008 The World of Music (3): 101-18
  • Maria Sonevytsky
 H6/KFY [WORLD-] 0043-8774
Rhyme and reason in the Riau archipelago 2007/2008 Cambridge anthropology 27 (3): 19-35
  • Nicholas Long
 H6 [CAMBRIDGE-] 0305-7674
The Naghma-ye Chārtuk of Afghanistan: a new perspective on the origin of a solo instrumental genre 2007 Asian music 38 (2): 97-114
  • Ahmad Sarmast
 *H6/KFYV [ASIAN-] 0044-9202
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