Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Gendering the history of cinemagoing in Izmir, Turkey: middle-class women's experiences of cinema in the 1960s and 1970s | 2022 | European journal of cultural studies 25 (2): 606-21 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The drive-in and the desegregation of cinemas in apartheid Cape Town | 2022 | Journal of southern African studies 48 (5): 921-37 | H6/KY [JOURNAL-] | 1465-3893 | |||
The drive-in and the desegregation of cinemas in apartheid Cape Town | 2022 | Journal of southern African studies 48 (4): 921-37 | H6/KY [JOURNAL-] | 1465-3893 | |||
Putos, liberales y arrechos: ethnographic thoughts on homoerotic desire between men in a porn video in Pereira, Colombia | 2021 | Revista colombiana de antropología 57 (1): 163-87 | H6/KUL [REVISTA-] | 0486-6525 | |||
Open-air cinemas of Istanbul from the 1950s to today | 2021 | Space and culture 24 (1): 128-43 | H6 [SPACE-] | 1206-3312 | |||
Space, screen and the Indian multiplex film | 2021 | South Asian popular culture 19 (1): 63-5 | H6/KW [SOUTH-] | 1474-6689 | |||
Islam and visual culture: sharia implementation and cinema as visual management in Nigeria | 2020 | African studies review 63 (4): 719-42 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Adapting to new media: a case study on exhibition and publicity practices of a rural single screen theatre in the digital era | 2020 | South Asian popular culture 18 (2): 163-76 | H6/KW [SOUTH-] | 1474-6689 | |||
The kaččā and the pakkā: disenchanting the film event in Pakistan | 2020 | Comparative studies in society and history 62 (2): 262-95 | H6/KF [COMPARATIVE-] | 0010-4175 | |||
‘Architectures of happiness’: designing the Malltiplex in India | 2018 | South Asian popular culture 16 (2-3): 153-69 | H6/KW [SOUTH-] | 1474-6689 | |||
An ethnographic experiences and stories from a spectator research | 2018 | Journal of folklore and literature 3 (): 13-34 | 1300-7491 | ||||
Cinema itself: cinephobia, filmic anxieties, and ontologies of the moving image in Pakistan | 2018 | Visual anthropology 31 (3): 253-67 | *H6 [VISUAL-] | 0894-9468 | |||
Tropical civilization in danger: cinema, the elite and the middle classes in the Carioca Belle Époque | 2018 | Mana 24 (1): 72-101 | H6/KUL [MANA-] | 0104-9313 | |||
Who owns "place of people" cinema? Glocalizing "Taiwan new cinema" in the neoliberal era | 2017 | Space and culture 20 (1): 107-17 | H6 [SPACE-] | 1206-3312 | |||
Projecting films to spirits: on shrines as conjunctural space and the ritual economy of outdoor cinema in Bangkok | 2017 | Visual anthropology review 33 (2): 152-63 | H6 [PROGRAM-] | 1053-7147 | |||
The politics of Russian-language film showings in post-Soviet Georgia | 2017 | Polar: political and legal anthropology review 40 (1): 137-57 | H6/KF [APLA-] | 1081-6976 | |||
The emergence of a modern audience for cinema in colonial Java | 2017 | Bijdragen tot de taal-, land- en volkenkunde 173 (4): 475-502 | H6/KX [BIJDRAGEN-] | 0006-2294 | |||
Going to the exclusive show: exhibition strategies and moviegoing memories of Disney's animated feature films in Ghent (1937-1982) | 2016 | European journal of cultural studies 19 (4): 403-18 | H6/KF [EUROPEAN-] | 1367-5494 | |||
The earliest film shows in Sofia (1896-1900). The information about them in the periodicals - evidence of life in the capital in the late 19th century | 2016 | Bulgarska etnologiia 42 (1): 122-41 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
'What does it look like?': on the use of intermediary images in Egyptian film production | 2016 | Visual anthropology review 32 (2): 167-79 | H6 [PROGRAM-] | 1053-7147 | |||
An encounter of documentary with dance in 3D: intermediality in Wim Wenders’ Pina documentary | 2016 | Journal of folklore and literature 2 (): 157-66 | 1300-7491 | ||||
Cinema in Bulgaria. The beginning (1896-1898) | 2015 | Bulgarska etnologiia 41 (4): 475-94 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
Nestlés Fip-Fop Club. Nichtkommerzielles Kinderkino in der Schweiz, 1936-1959 | 2015 | Schweizerisches Archiv für Volkskunde 111 (2): 225-46 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
Cinema in pre-industrial societies: the Balkans in the interwar period | 2015 | Bulgarska etnologiia 41 (4): 453-74 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
'Ma' and a political theology of Hindi cinema | 2014 | Theory, culture and society 31 (7-8): 343-6 | H6 [THEORY-] | 0263-2764 | |||
Transnational culture in East Asia and the logic of assemblage | 2013 | Asian journal of social science 41 (5): 453-70 | H6/KW [ASIAN-] | 1568-4849 | |||
Combining an archaeomagnetic and radiocarbon study: dating of medieval fireplaces at the Mühlegasse, Zürich | 2012 | Journal of archaeological science 39 (7): 2153-66 | H6/KE [JOURNAL-] | 0305-4403 | |||
Embodying the map: tourism practices in Berlin | 2012 | Tourist studies 12 (1): 28-51 | H6/KD [TOURIST-] | 1468-7976 | |||
'A church in a cinema hall?' Pentecostal appropriation of public space in Nigeria | 2012 | Journal of religion in Africa 42 (2): 145-71 | H6/KFO [JOURNAL-] | 0022-4200 | |||
Yto Barrada. Tangier's changing cosmopolitanism | 2011 | Nka: journal of contemporary African art (28): 130-9 | H6/KY [NKA-] | 1075-7163 | |||
Leonidas Žilevičius (1.6.1929-8.9.2011) | 2011 | Lietuvos istorijos metraštis 2 (): 191-4 | H6/KVT [LIETUVOS-] | 0202-3342 | |||
From cinema hall to multiplex: a public history | 2011 | South Asian popular culture 9 (2): 147-60 | H6/KW [SOUTH-] | 1474-6689 | |||
Absolutism and air-conditioning in early twentieth-century Bangkok cinemas | 2011 | Senses and society 6 (2): 216-21 | H6 [SENSES-] | 1745-8927 | |||
Cinema halls, locality and urban life | 2010 | Ethnography 11 (1): 189-205 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
Comedy of power, power of comedy: strategic transformations in African cinemas | 2010 | Journal of African cultural studies 22 (1): 25-40 | *H6/KY [JOURNAL-] | 1369-6815 | |||
Architectures of memory: image, sound, stone | 2009 | South Asian popular culture 7 (1): 55-64 | H6/KW [SOUTH-] | 1474-6689 | |||
Gender, neoliberalism and contemporary Asian cinemas | 2009 | Visual anthropology 22 (2-3): 91-4 | *H6 [VISUAL-] | 0894-9468 | |||
A Moist heart: love, politics and China's neoliberal transition in the films of Jia Zhangke | 2009 | Visual anthropology 22 (2-3): 95-107 | *H6 [VISUAL-] | 0894-9468 | |||
The neoliberal world order and patriarchal power: a discursive study of Korean cinema and international co-production | 2009 | Visual anthropology 22 (2-3): 200-10 | *H6 [VISUAL-] | 0894-9468 | |||
Dog eat dog: neo-imperialism in Kim Ki-duk's Address Unknown | 2009 | Visual anthropology 22 (2-3): 182-99 | *H6 [VISUAL-] | 0894-9468 | |||
Questions for a women's cinema: fact, fiction and memory in the films of Naomi Kawase | 2009 | Visual anthropology 22 (2-3): 167-81 | *H6 [VISUAL-] | 0894-9468 | |||
There once was a maiden and a middle class: the making of a neoliberal thriller | 2009 | Visual anthropology 22 (2-3): 155-66 | *H6 [VISUAL-] | 0894-9468 | |||
Renovated: gender and cinema in contemporary Vietnam | 2009 | Visual anthropology 22 (2-3): 141-54 | *H6 [VISUAL-] | 0894-9468 | |||
Gender politics and neoliberalism in China: Ann Hui's The postmodern life of my aunt | 2009 | Visual anthropology 22 (2-3): 123-40 | *H6 [VISUAL-] | 0894-9468 | |||
The Road to the past: socialist nostalgia in postsocialist China | 2009 | Visual anthropology 22 (2-3): 108-22 | *H6 [VISUAL-] | 0894-9468 | |||
Space of the movie theatre | 2006 | Glasnik slovenskega etnološkega Društva 46 (3/4): 91-9, 128 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
Democratizing cinema and censorship in Tanzania, 1920-1980 | 2005 | International journal of African historical studies 38 (3): 481-511 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Los no-lugares del amor en la ciudad. Una aproximación etnográfica a las salas X de Medellín | 2004 | Boletín de antropología (Antioquia) 18 (35): 116-31 | H6/KUL [BOLETIN-] | 0120-2510 | |||
The migration of images : the history of art and film documentaries | 2003 | L'Homme 165 (): 249-66 | H6 [HOMME-] | 0439-4216 | |||
Post-Fordism, monopoly capitalism, and Hollywood's media industrial complex | 2003 | International journal of cultural studies 6 (1): 82-103 | 1367-8779 |