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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Educational poster and carved bird effigy | 2024 | Florida anthropologist 77 (1): 75-7 | H6/KUB [FLORIDA-] | 0015-3893 | |||
| A cross-cultural study of the life history of stone pipes in the plains | 2023 | Plains anthropologist 68 (265): 74-96 | H6/KUB [PLAINS-] | 0032-0447 | |||
| A wooden hand from Easter Island (Rapa Nui), part II. Rongorongo-like glyphs and tattoo patterns | 2023 | Res 79-80 (): 277-98 | *H6 [RES-] | 0277-1322 | |||
| Investigating Wiradjuri marara (carved trees or dendroglyphs) and dhabuganha (burials) in the Central Tablelands, southeastern Australia | 2023 | Australian archaeology 89 (3): 209-26 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
| Rethinking foreign influences on stone-carved tombs in early China | 2021 | World archaeology 53 (2): 200-23 | H6/KE [WORLD-] | 1470-1375 | |||
| Ivory carving in Yakutia: national identity and processes of acculturation | 2021 | Sibirica: journal of Siberian studies 20 (2): 76-101 | H6/KW [SIBIRICA-] | 1361-7362 | |||
| Rock 5 of Castello (Pospardo, Valcamonica), an extraordinary topographic composition from the 4th millennium BC | 2021 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (60): 63-74 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
| Matamorphoses in Zuni fetish carving: three artists expand an indigenous art form | 2021 | First American art magazine 29 (): 24-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Hopi carver: Ryan Gashweseoma | 2021 | First American art magazine 31 (Summer): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Teaching with and about the ivory art from Chukotka and the Bering Strait (research note) | 2021 | Etudes inuit 45 (1-2): 479-98 | *H6/KUB [ETUDES-] | 0701-1008 | |||
| A celebrated stone: the Inkas' carved monolith at Saywiti | 2020 | Res 73-74 (): 307-24 | *H6 [RES-] | 2327-9621 | |||
| Te Whare o Heretaunga: a journey of rediscovery | 2020 | Tuhinga (31): 42-55 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
| Carving a contemporary replica of the 1769 'Joseph Banks' panel using pre-steel tools: reviving a traditional Māori carving technique | 2020 | Journal of material culture 25 (1): 108-29 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Advancing archaeological research of the Mongolian Altai through the scientific study of deer stones: new discoveries from Buyant Valley | 2020 | Asian perspectives 59 (2): 453-77 | H6/KE [ASIAN-] | 0066-8435 | |||
| Lena Snow Amason: Alutiiq carver | 2020 | First American art magazine 27 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Una concha esgrafiada tolteca: apuntes tecnológicos e iconográficos | 2019 | Ancient Mesoamerica 30 (1): 59-73 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Californian desert ironwood carvings | 2019 | Whispering wind 47 (2): 12-13 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
| Carving postcolonial Kongo culture: Bakala Kalundi Daniel | 2019 | African arts 52 (3): 34-47 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Objects of ceremony, commerce, and art | 2019 | Native American art 23 (October): 60-5 | H6/KUB [NATIVE-] | 2469-6137 | |||
| Art historical research in Ghana: reflections on the state and direction of scholarship | 2019 | Critical interventions: journal of African art history and visual culture 13 (1): 75-96 | H6/KFY [CRITICAL-] | 1930-1944 | |||
| What Nuna provides: 10 contemporary carvers | 2019 | Inuit art quarterly 324 (): 40-51 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The art of rock relief in ancient Arabia: new evidence from the Jawf Province | 2018 | Antiquity 92 (361): 165-82 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| An iconographic exploration of the "rattlesnake" gorgets of eastern Tennessee | 2018 | Southeastern archaeology 37 (2): 138-48 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
| About the antiquity of 'Christ', in the vallée des Merveilles | 2018 | Préhistoires méditerranéennes N.S. 6 (): 1-19 | H6/KE [PREHISTOIRE-] | 1167-492X | |||
| The complex genius. Exploring the life and work of Hopi katsina carver James Kootshongsie | 2017 | Native American art February/March (): 72-7 | H6/KUB [NATIVE-] | 2469-6137 | |||
| Swift Creek paddle design and the imperative to be unique | 2017 | Southeastern archaeology 36 (2): 122-30 | H6/KE [SOUTHEASTERN-] | 0734-578X | |||
| Local production of a small rectangular limestone incense altar at Tell Halif, Israel: iconographic considerations | 2017 | Bulletin of the American Schools of Oriental Research (377): 49-67 | H6/KW [AMERICAN-] | 0003-097X | |||
| The examination on the arrangements of the zuan-zao on the tortoise plastrons of the oracle bones of the Bin Group unearthed from YH127 at Yinxu | 2017 | Kaogu Xuebao (1): 25-48 | H6/KE [KAOGU XUEBAO-] | 0453-2902 | |||
| New female statuette from Grimaldi caves | 2017 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (57): 99-103 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
| 'God-maker' in Lithuanian village of the end of the 19th - the first half of the 20th century: an artist and/or a craftsman | 2017 | Tautosakos Darbai (NS) 53 (): 94-112 | H6/KVT [TAUTOSAKOS-] | 1392-2831 | |||
| Alexander Barker's Sapi-Portuguese oliphant | 2016 | African arts 49 (1): 78-81 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Art and death in late neolithic Sardinia: the role of carvings and paintings in domos de janas rock-cut tombs | 2016 | Cambridge archaeological journal 26 (3): 429-69 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Secondary applications of rock art at coastal sites of Easter island (Rapa Nui) | 2015-2016 | Almogaren 46-47 (): 157-209 | H6/KE [ALMOGAREN-] | ||||
| Elaborately carved gates | 2015 | China's ethnic groups (2): 40-3 | H6/KWS [CHINA'S-] | 1672-3341 | |||
| Celebrating life and death in a Zapotec village | 2015 | First American art magazine 8 (): 46-51 | H6/KUB [FIRST-] | 2333-5548 | |||
| Argillite, faux-argillite and black plastic: the political economy of simulating a quintessential Haida substance | 2015 | Journal of material culture 20 (3): 299-312 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Analyticial surveys of Stonehenge and its environs, 2009-2013: part 2 - the stones | 2015 | Proceedings of the Prehistoric Society 81 (): 125-48 | H6/KE [PREHISTORIC-] | 0079-497X | |||
| Decorated headhunting trophies of Borneo: a forgotten ritual art | 2015 | Borneo research bulletin 46 (): 135-71 | H6/KX [BORNEO-] | 0006-7806 | |||
| Labrador Moravian missions and the Czech collectors of Inuit objects in the early twentieth century | 2015 | Annals of the Náprstek Museum 36 (1): 23-44 | H6/KVL [PRAGUE-] | 0231-844X | |||
| The beat of history | 2015 | Arts & cultures (): 114-27 | *H6/KFY [ARTS-] | ||||
| First sculpted human face in the Western Mediterranean early neolithic | 2014 | Cambridge archaeological journal 24 (1): 1-17 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Stylistic clusters and the Syrian/south Syrian tradition of first-millennium BCE levantine ivory carving: a machine learning approach | 2014 | Journal of archaeological science 44 (): 194-205 | H6/KE [JOURNAL-] | 0305-4403 | |||
| A proposed chronology for a rock art complex in northern Greece | 2014 | Time and mind: the journal of archaeology, consciousness and culture 7 (1): 71-87 | H6/KH [TIME-] | 1751-696X | |||
| Reaching for new heights: totem poles from southeastern Alaska | 2014 | First American art magazine 3 (Summer): 59-63 | H6/KUB [FIRST-] | ||||
| Comments on historical images of the moai Hoa Hakananai'a | 2014 | Rapa Nui journal 28 (1): 53-9 | *H6/KX [RAPA NUI-] | 1040-1385 | |||
| The changing 'life' of the buffalo/cow horns and new methods of adaptation by carvers/patrons in the Grassfields, Cameroon | 2014 | African studies 73 (1): 41-57 | H6/KY [BANTU-] | 0002-0184 | |||
| Growing images: generating 3D digital models to investigate archaeological Moriori carvings on live trees | 2014 | World archaeology 46 (1): 63-77 | H6/KE [WORLD-] | 0043-8243 | |||
| Early collections of Haida argillite carving in Scottish museums - A preliminary report | 2014 | Journal of museum ethnography (27): 137-51 | *H6 [JOURNAL-] | 0954-7169 | |||
| Materialization of story in Palau through the experience of carving and painting | 2014 | People and culture in Oceania 30 (): 41-56 | *H6/KX [MAN-] | 1349-5380 | |||
| Decorated Magdalenian upper part of a deer antler from the Santa Catalina site (Bizkaia, Spain). Technology and functionality | 2014 | Munibe 65 (): 25-36 | H6/KE [MUNIBE-] | 1132-2217 |
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