Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Chinese plates fit for an Acehnese queen | 2024 | Indonesia and the Malay world 52 (152): 127-49 | H6/KX [INDONESIA-] | 1469-8382 | |||
Cosmic calligraphy and character physiognomy 相字 in late imperial China | 2023 | Material religion 19 (4): 327-46 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Who wrote Renaissance art? Johan Neudörffer and the calligraphic revolution | 2022 | Res 77-78 (): 233-49 | *H6 [RES-] | 2327-9621 | |||
Bihzad's lost album | 2022 | Journal of the Royal Asiatic Society 32 (4): 912-31 | H6/KW [ROYAL-] | 1356-1863 | |||
Rickshaw decoration in Pakistan | 2021 | Baessler-Archiv (Neue Folge) 67 (): 7-23 | H6 [BAESSLER-] | 0005-3856 | |||
Notes on a folio from the Gulshan album in the collection of the Náprstek Museum, Prague | 2021 | Annals of the Náprstek Museum 42 (1): 49-65 | H6/KVL [PRAGUE-] | 0231-844X | |||
Of the use of calligraphy in Sino-Javanese communities (18th-early 21st centuries) | 2020 | Archipel (100): 143-73 | *H6/KX [ARCHIPEL-] | 0044-8613 | |||
Batik cloth decorated with Arabic calligraphy on display at Horniman Museum | 2020 | Asian textiles (75): 19-20 | H6/KGG [OXFORD-] | ||||
Traces of indigenous iconography: liturgical manuscripts of Mesoamerica (16th century) | 2020 | Boletín del Museo chileno de Arte precolombino 25 (2): 15-30 | H6/KE [BOLETIN-] | 0716-1530 | |||
Hidden from scholarly eyes for a century: an unknown Bāysunghurī manuscript sheds new light on his court and library | 2019 | Journal of the Royal Asiatic Society (Series 3) 29 (1): 51-73 | H6/KW [ROYAL-] | 1356-1863 | |||
Calligraphic practice by tacit knowledge between imagination and realization in garment-making | 2019 | Textile: the journal of cloth and culture 17 (4): 442-53 | H6/KGG [TEXTILE-] | 1475-9756 | |||
What is a "Moroccan Qur'an"? Book materiality, commodification and Islamic authority | 2019 | Cahiers d'études africaines 59 (4): 1119-54 | H6/KY [CAHIERS-] | 0008-0055 | |||
Words and images in the Muslim public space: placards announcing Sufi saints' festivals in the Pakistani Punjab | 2018/19 | Baessler-Archiv (Neue Folge) 65 (): 51-66 | H6 [BAESSLER-] | 0005-3856 | |||
Bodies of texts: women calligraphers and the elite vernacular culture in late Chosŏn Korea (1392-1910) | 2018 | Journal of Asian studies 77 (1): 59-81 | *H6/KW [JOURNAL-] | 0021-9118 | |||
Actes graphiques: gestes, espaces, postures | 2018 | L'Homme (227-228): 7-19 | H6 [HOMME-] | 0439-4216 | |||
The translucence of the transhistorical: the case of Korean Dansaekhwa | 2018 | World art 8 (1): 59-84 | H6 [WORLD-] | 2150-0908 | |||
Writing that isn't: pseudo-scripts in comparative view | 2018 | L'Homme (227-228): 21-47 | H6 [HOMME-] | 0439-4216 | |||
Pseudographies: the revelaed script of Emily Babcock | 2018 | L'Homme (227-228): 49-68 | H6 [HOMME-] | 0439-4216 | |||
Picasso the Muslim: or, how the Bilderverbot became modern (part 2) | 2018 | Res 69/70 (): 251-68 | *H6 [RES-] | 0277-1322 | |||
Some considerations about the transformations of principles of Chinese calligraphy in Western artists’ comprehension | 2018 | Bulletin des séances. Académie Royale des Sciences d’Outre-Mer (New Series) 64 (2): 183-98 | H6/KY [INSTITUT-] | 0001-4176 | |||
The gestion of space in painting and poetry | 2017 | Journal of folklore and literature 3 (): 319-32 | 1300-7491 | ||||
Was sagen die acht Gedichte über die acht Päonien? Ein Stellschirm mit Päonien-Darstellungen vom koreanischen Literatenmaler des 19. Jahrhunderts Heo Ryeon | 2017 | Mitteilungen aus dem Museum für Völkerkunde (Hamburg) 50 (): 356-68 | H6 [HAMBURG-] | ||||
Theory and method in Maya decipherment | 2017 | PARI journal 18 (2): 1-48 | H1/KUC [PRE-COLUMBIAN-] | 1531-5398 | |||
Seeing and hearing the book. A Moroccan edition of the Quran | 2017 | Gradhiva: revue de anthropology et museologie 26 (): 73-99, 235 | H6 [GRADHIVA-] | 0764-8928 | |||
The epistolary brush: letter writing and power in Chosŏn Korea | 2016 | Journal of Asian studies 75 (): 4 | *H6/KW [JOURNAL-] | 0021-9118 | |||
Tatami and wood: ink rubbings and the discussion of materiality in postwar Japanese calligraphy and art | 2016 | World art 6 (2): 269-91 | H6 [WORLD-] | 2150-0908 | |||
Diphrastic kennings on the Cascajal block and the emergence of Mesoamerican writing | 2015 | Cambridge archaeological journal 25 (3): 635-56 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
The dog-eared dictionary: human-animal alliance in Chinese civilization | 2015 | Journal of Asian studies 74 (3): 589-613 | *H6/KW [JOURNAL-] | 0021-9118 | |||
Nvshu: world's only writing system of women | 2015 | China's ethnic groups (6): 68-73 | H6/KWS [CHINA'S-] | 1672-3341 | |||
Qiu Zhijie as historian: media critique as a mode of critical historical research | 2015 | World art 15 (1): 39-61 | H6 [WORLD-] | 2150-0908 | |||
Writing in water, or, evanescence, enchantment and ethnography in a Chinese urban park | 2014 | Visual anthropology review 30 (1): 11-22 | H6 [PROGRAM-] | 1053-7147 | |||
Yelimane Fall: Senegalese calligraphy in action | 2014 | African arts 47 (2): 28-39 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Message on a teapot | 2014 | British Museum magazine (79): 50-2 | *H6 [BRITISH MUSEUM SOCIETY. Bulletin] | 0965-8297 | |||
The offensive depiction of Prophet Muhammad (SAW) in Western media and its consequences | 2014 | Journal of Islamic thought and civilisation 4 (1): 45-61 | 2520-0313 | ||||
The Almagest. Music, scores, calendars, maps, compass roses - lithographic inspirations | 2014 | Konteksty 68 (3/4): 265-72 | H6/KVM [POLSKA-] | 1230-6142 | |||
The beginnings of art collecting in China. From the Han dynasty (206 BC-220 AD) to the end of the Sui dynasty (581-618 AD) | 2013 | Etnografia nowa 5 (): 95-117 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Decorative Arabographic compositions in Bulgaria (sacred pictures-inscriptions) | 2012 | Bulgarski folklor 38 (3/4): 75-84 [inserts i-iv], 179-80 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
Words, words, words...exposing written words in the empire of writing: a glance at some museums in the People's Republic of China | 2012 | Journal of museum ethnography (25): 81-94 | *H6 [JOURNAL-] | 0954-7169 | |||
Silk embrodered garments as transformative processes: layering, inscribing and displaying Hausa material identities | 2011 | Journal of material culture 16 (4): 401-15 | H6/KF [JOURNAL-] | 1359-1835 | |||
History for Timbuktu: Aḥmad Bul'Arāf, archives, and the place of the past | 2011 | History in Africa 38 (): 401-16 | H6/KY [HISTORY-] | 0361-5413 | |||
24 examples of filial piety | 2011 | Tribus 60 (): 160-73 | H6 [TRIBUS-] | 0082-6413 | |||
A modern master of Islamic calligraphy and her peers | 2010 | Journal of Middle East women's studies 6 (1): 75-102 | *H6/KW [JOURNAL-] | 1552-5864 | |||
A three-dimensional ornament: about the artistic concept of the exhibition 'Islam. Orientation. Ornament' | 2010 | Rocznik Muzeum Etnograficznego w Krakowie 16 (): 317-18 | H6/KVM [ROCZNIK-] | ||||
The Cherokee syllabary from script to print | 2010 | Ethnohistory 57 (4): 625-49 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
Transformations of the line: traces, threads, and surfaces | 2010 | Textile: the journal of cloth and culture 8 (1): 10-35 | H6/KGG [TEXTILE-] | 1475-9756 | |||
Ethics, iconoclasm, and Qur'anic art in Indonesia | 2009 | Cultural anthropology 24 (4): 589-621 | H6 [CULTURAL-] | 0886-7356 | |||
Sammlung Preetorius Drucke aus dem Senfkorngarten und der Zehnbambushalle im Staatlichen Museum für Völkerkunde München | 2008 | Münchner Beiträge zur Völkerkunde 12 (): 109-54 | H6 [MUNCHNER BEITRAGE ZUR VOLKERKUNDE-] | 0936-837X | |||
The iconicity of Islamic calligraphy in Turkey | 2008 | Res 53-54 (): 211-24 | *H6 [RES-] | 0277-1322 | |||
The healing arts of the Malay mystic | 2008 | Visual anthropology review 24 (1): 29-46, [figs 4,6, 8-9 in appendix] | H6 [PROGRAM-] | 1053-7147 | |||
The Popol Wuj in Ayer MS 1515 is a holograph by Father Ximénez | 2007 | Latin American Indian literatures journal 23 (2): 112-41 | *H6/KUL [LATIN-] | 0888-5613 |