Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Stamp seals as jewelry: identifying body ornaments through seal impressions | 2024 | Near Eastern Archaeology 87 (1): 20-5 | H6/KE [BIBLICAL-] | 0006-0895 | |||
Terminal Classic conch-shell gorgets from the Maya region and central Mexico | 2024 | Ancient Mesoamerica 35 (1): 193-207 | *H6/KE [ANCIENT-] | 0956-5361 | |||
A social network analysis of traditional labrets and horizontal relationships in the Salish Sea region of Northwestern North America | 2024 | American antiquity 89 (2): 202-20 | *H6/KE [AMERICAN-] | 0002-7316 | |||
Pre-Columbian tattooing methods on the Peruvian central coast | 2024 | Andean past 14 (14): 355-66 | *H6/KE [ANDEAN-] | 1055-8756 | |||
A multi-analytical charcterization of minerals on Hohokam palettes | 2024 | Kiva 90 (4): 493-514 | *H6/KE [KIVA-] | 2051-6177 | |||
They are just for making nyángá: ethnosemiotic significance of waist beads among young women in Nigeria | 2024 | African studies 83 (1): 21-39 | H6/KY [BANTU-] | 0002-0184 | |||
Indigenous corporeality and aesthetics in the "Festa de Menina-Moça": territoriality, cosmopolitics and alterity among the Tenetehar-Tembé | 2023 | Antipoda: revista de antropología y arqueología (53): 107-34 | H6/KUL [REVISTA-] | 0124-485X | |||
Yendegaia Rockshelter, the first rock art site on Tierra del Fuego Island and social interaction in southern Patagonia (South America) | 2023 | Latin American antiquity 34 (3): 532-49 | *H6/KE [LATIN-] | 1045-6635 | |||
The anthropomorphic vase with a chin-mark and other symbols between the end of the 7th and 6th millennium: origin, diffusion and interpretations | 2023 | Origini 47 (): 69-96 | H6/KE [ORIGINI-] | 0034-6805 | |||
Uli: the colonial archive as decolonial cultural resource | 2023 | African arts 57 (3): 8-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Ways of making the body on the stilt villages: an archaeological study of the figurines in Maranhão | 2022 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 17 (1): 1-30 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Social identity and dental modification at the Postclassic Maya urban centre of Mayapan | 2022 | Cambridge archaeological journal 32 (1): 117-35 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
Cosmos-cosmetics: dancing brushes | 2022 | Arts & cultures (22): 200-9 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Objects of bodily use from the Formative Period in the southern Calchaquí valleys | 2022 | Estudios Atacameños 68 (): 1-37 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
Body aesthetics: contextualizing the tattooing culture of the Konyak Naga | 2022 | Journal of the Indian Anthropological Society 57 (1): 61-77 | H6/KWL [INDIAN-] | 0019-4387 | |||
The life and death of Native American polished stone ornaments in New York State | 2022 | Archaeology of eastern North America 50 (): 165-94 | *H6/KE [ARCHEOLOGY-] | 0360-1021 | |||
Lost treasures: Taiwan's Atayal facial tattoos | 2021 | Cultural Survival quarterly 44 (2): 4-5 | H6/KD [CULTURAL-] | 0740-3291 | |||
Mehandi in the marketplace: tradition, training, and innovation in the henna artistry of contemporary Jaipur, India | 2020 | Museum anthropology review 14 (1-2): 18-107 | 1938-5145 | ||||
The captive eye. Ornamentation and Marquesan tattoos in the work of Miguel Covarrubias | 2020 | Anales del Instituto de Investigaciones Estéticas (116): 133-54 | H6/KFY [MEXICO-] | 0185-1276 | |||
Clay bodies, people's bodies: metaphors in iconography of polychrome funerary urns | 2020 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 15 (3): 1-22 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Idealized bodies. Decorations and postures in Pre-Hispanic ceramic figurines from Cauca Medio, Colombia | 2020 | Boletín de antropología (Antioquia) 35 (60): 171-90 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Gender and northern Eastern Cape San rock art | 2020 | Digging stick 37 (3): 1-7 | H6/KE [SOUTH-] | 1013-7521 | |||
Learning to see in western Amazonia: how does form reveal relation? | 2019 | Social analysis 63 (2): 24-44 | H6/KF [SOCIAL-] | 0155-977X | |||
The truth about Ovambo women's copper ankle rings | 2019 | South African archaeological bulletin 74 (209): 16-24 | H6/KE [SOUTH-] | 0038-1969 | |||
Rambling in search of an exhibition: Beadwork adorns the world | 2019 | Museum anthropology review 13 (1-2): 69-95 | 1938-5145 | ||||
Matter and form of the Mayan gods of the Classic Period | 2019 | Revista española de antropología americana 49 (): 151-72 | H6/KUL [MADRID-] | 0556-6533 | |||
Aboriginal breastplates: objects and images of the colonial frontier | 2019 | The artefact 42 (): 28-42 | H6/KE [ARTEFACT-] | 0044-9075 | |||
Interdisciplinary explorations of the Mesoamerican past | 2019 | Antiquity 93 (372): 1680-2 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Shell beads and tembetás from prehispanic hunter-gatherers of low Paraná wetland | 2019 | Comechingonia: Revista de Arqueología 23 (1): 87-113 | 2250-7728 | ||||
The case of the recurring Woodabe: visual obsessions in globalizing markets | 2018 | African arts 51 (1): 24-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Chaco facial designs | 2018 | Archaeology Southwest 32 (2/3): 40 | H6/KE [ARCHAEOLOGY-] | 1523-0546 | |||
Pintura corporal prehispanica | 2018 | Boletín de Lima 40 (193): 7-14 | *H6/KE [BOLETIN-] | 0253-0015 | |||
The feminine body as a sacred territory. An interpretation of rituality on the skin among the indigenous Huastec women from eastern Mexico | 2018 | Estudios Atacameños (59): 59-78 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
'This painting becomes his body for life': transforming relations in Yolŋu initiation and funeral rituals | 2017 | Anthropological forum 27 (1): 18-33 | H6/KX [ANTHROPOLOGICAL-] | 0066-4677 | |||
Dressing the person: clothing and identity in the Casas Grandes world | 2017 | American antiquity 82 (2): 262-87 | *H6/KE [AMERICAN-] | 0002-7316 | |||
Social differentiation among the Recuay: an iconographic study | 2017 | Indiana 34 (1): 31-59 | H6/KUL [INDIANA-] | 0341-8642 | |||
Subcultural boundary maintenance in a virtual community for body modification enthusiasts | 2017 | International journal of cultural studies 20 (4): 361-76 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Gaining ethnoarchaeological insight into prehistoric southern African pigment mining practices | 2017 | Journal of anthropological archaeology 48 (): 114-33 | *H6/KE [JOURNAL-] | 0278-4165 | |||
Aitutaki patterns of searching for our future in the discoveries of our past | 2017 | Pacific arts 16 (2): 5-19 | *H6/KFY [PACIFIC-] | 1018-4252 | |||
The dancers who became transformed into wood: the mai masks of the Iatmul, Papua New Guinea | 2017 | Oceania 87 (3): 234-60 | H6/KX [OCEANIA-] | 0029-8077 | |||
Recontextualizing bodily ornaments from north-central Venezuela (AD 900-1500): the Alfredo Jahn collection at the Ethnologisches Museum Berlin | 2017 | Baessler-Archiv (Neue Folge) 64 (): 87-112 | H6 [BAESSLER-] | 0005-3856 | |||
On body languages: a transversal study on the symbolic treatment of the body among Venezuelan Amerindians | 2016 | Revista española de antropología americana 46 (): 71-95 | H6/KUL [MADRID-] | 0556-6533 | |||
The Wauja snake-basket: myth and the conceptual imagination of material culture in Amazonia | 2016 | Mundo Amazonico 7 (1-2): 115-36 | |||||
Body ornaments from the Carajás region: stone bead production in a regional perspective | 2016 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 11 (2): 481-503 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Bindi-flying the self: cultural identity among diasporic South Asians | 2015 | South Asia research 35 (1): 103-18 | H6/KWL [SOUTH-] | 0262-7280 | |||
The healing arts of body painting: lessons learnt from medical anthropology | 2015 | Journal of the Anthropological Society of Oxford (NS) 7 (3): 270-85 | H6/KF [OXFORD-] | 2040-1876 | |||
Ethnographic and experimental perspectives on the efficacy of ochre as a mosquito repellent | 2015 | South African archaeological bulletin 70 (201): 64-75 | H6/KE [SOUTH-] | 0038-1969 | |||
Carteira da alteridade: transformações Mamaindê (Nambiquara) | 2015 | Mana 21 (3): 553-85 | H6/KUL [MANA-] | 0104-9313 | |||
Dolmens near Stanitsa TSarskaia: red pigments as the product of production and consumption | 2015 | Rossiiskaia arkheologiia 4 (): 34-49 | H6/KVY [SOVETSKAYA-] | 0869-6063 | |||
The materiality of color in the body ornamentation of Aztec gods | 2014/2015 | Res 65/66 (): 72-88 | *H6 [RES-] | 0277-1322 |