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TitleDateReferenceAuthorsCall #ISSN
Chippewa Cree/Pawnee beadwork artist John Murie 2025 First American art magazine 45 (): 66-71
  • America Meredith
 H6/KUB [FIRST-] 2333-5548
The movement and stillness of weaving: how Emberá Dobidá women imagine and experience urbanization in Medellín, Colombia 2024 Journal of anthropological research 80 (2): 177-205
  • Agathe Faure
 H6 [SOUTHWESTERN-] 0091-7710
Salisha Old Bull: Bitterroot Salish/Crow beadwork artist and painter 2024 First American art magazine (43): 68-75
  • Staci Golar
 H6/KUB [FIRST-] 2333-5548
Floral beadwork of the Menominee Nation 2023 Whispering wind 49 (6): 6-11
  • Frank Kodras
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
An important early style of Iroquois multi-lobe pincushions 2023 Whispering wind 50 (1): 7-11
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
The beaded and associated adornments of the Maasai 2023 Beads 35 (): 3-17
  • Michael Oehrl
 *H6 [BEADS-]
19th century Cheyenne moccasins with "Buffalo track" vamp design 2023 Whispering wind 50 (3): 16-17
  • Mikw Kostelnik
 *H6/KUB [WHISPERING-] 0300-6565
Haudenosaunee beadwork: memories for sale 2022 Bead forum (80): 1-5
  • Karlis Karklins
 H6/KGSB [BEAD-] 0829-8727
Chinese cloisonné dragon beads used as Obidome 2022 Bead forum (80): 7-9
  • Chris Prussing
 H6/KGSB [BEAD-] 0829-8727
Enigmatic variations: an early stylistic influence on the development of Mohawk floral beadwork 2022 Whispering wind 49 (3): 6-11
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Subarctic Kutchin tobacco beaded bag - circa 1880-1890 2022 Whispering wind 49 (3): 19
  • Max Defacq
 *H6/KUB [WHISPERING-] 0300-6565
Evoking the Aso': Dayak beaded baby carryer panels with dragon-dog motifs 2022 Beads 34 (): 3-21
  • Valerie Hector
 *H6 [BEADS-]
Crow men's cuffs 2022 Whispering wind 49 (4): 22-4
  • Jim Johnston
 *H6/KUB [WHISPERING-] 0300-6565
Umbilical amulets 2022 Whispering wind 49 (5): 6-9
  • Louis Garcia
 *H6/KUB [WHISPERING-] 0300-6565
Oglala Lakota beadwork and quillwork artist Emil Her Many Horses 2022 First American art magazine (35): 70-5
  • Andrea L. Ferber
 H6/KUB [FIRST-] 2333-5548
Stepped diamond motifs on Apache drawstring bags 2021 Whispering wind 48 (5): 12-13
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
The Cheyenne star design 2021 Whispering wind 48 (5): 22-3
  • Gary Scholl
 *H6/KUB [WHISPERING-] 0300-6565
Early 19th century women's Creek center seam pucker toe moccasins 2021 Whispering wind 48 (6): 6-14
  • M.E. Pete Thompson
  • Michael Kostelnik
 *H6/KUB [WHISPERING-] 0300-6565
Double Woman motif in Sioux design: a brief history of quillwork and beading among the Sioux 2021 Whispering wind 48 (6): 31-3
  • Allen Chronister
 *H6/KUB [WHISPERING-] 0300-6565
White roots of peace: early Oneida souvenir beadwork 2021 Whispering wind 49 (1): 6-14
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Kiowa beadwork artist: Teri Greeves 2021 First American art magazine 29 (): 54-9
  • Staci Golar
 H6/KUB [FIRST-] 2333-5548
Creating a zoom community: Haudenosaunee (Iroquois) beaders inspire each other to make art during the pandemic 2021 Practicing anthropology 43 (3): 13-15
  • Callie Konwanonhsiyohstha Hill
  • Deb Howard
  • Gwen Saul
  • Stefanie Sikorowski
 qH6 [PRACTICING-] 0888-4552
Fancy flower patterns of the James Bay Cree 2020 Whispering wind 48 (1): 6-13
  • Frank Kodras
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Apsáalooke (Crow) belt pouches 2020 Whispering wind 48 (3): 6-7
  • Timothy P. McCleary
 *H6/KUB [WHISPERING-] 0300-6565
The heart motif in Native American beadwork 2020 Whispering wind 48 (4): 6-9
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Material culture in Southern Ndebele identity making in post-apartheid South Africa 2020 Anthropology Southern Africa 43 (4): 218-32
  • Sifiso Ndlovu
 *H6 [SOUTH-] 2332-3256
Gifts from the dawn land: 19th century Wabanaki souvenir beadwork (part 1) 2019 Whispering wind 46 (6): 6-10
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
19th century Southern Cheyenne style moccasins 2019 Whispering wind 46 (6): 18-20
  • Michael Kostelnik
 *H6/KUB [WHISPERING-] 0300-6565
Gifts from the dawn land: 19th century Wabanaki souvenir beadwork. Part 2 2019 Whispering wind 47 (1): 6-15
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
A quilled and beaded picture frame 2019 Whispering wind 47 (1): 21-3
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Plains art before 1860 2019 Whispering wind 47 (1): 26-7
  • John Molloy
 *H6/KUB [WHISPERING-] 0300-6565
Beaded bags from Columbia River plateau 2019 Whispering wind 47 (2): 14-15
  • John Molloy
 *H6/KUB [WHISPERING-] 0300-6565
Beaded aprons of the coastal peoples of the Guianas 2019 Beads 31 (): 21-38
  • Michael Oehrl
 *H6 [BEADS-]
Rambling in search of an exhibition: Beadwork adorns the world 2019 Museum anthropology review 13 (1-2): 69-95
  • Marsha Bol
 1938-5145
The isimodeni style: traditional beadwork, Zulu trinket or South African sartorial tradition on Durban’s Golden Mile? 2019 Anthropology Southern Africa 42 (2): 127-48
  • Rowan C. Gatfield
 *H6 [SOUTH-] 2332-3256
Preliminary notes on Ndebele beadwork in the study collection of the Ethnologisches Museum Berlin in Dahlem 2018/19 Baessler-Archiv (Neue Folge) 65 (): 19-34
  • Craniv A. Boyd
 H6 [BAESSLER-] 0005-3856
Dining with kings: ceremony and hospitality in the Cameroon grassfields 2018 Tribal art 87 (): 90-7
  • Erica P. Jones
 *H6/KFY [WORLD-] 1354-2990
Gifts of sun and stars: early styles of Mohawk souvenir beadwork (part one) 2018 Whispering wind 46 (1): 6-14
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Native American beaded gloves: ongoing decorative tradition! 2018 Whispering wind 46 (1): 18-21
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Early styles of Mohawk souvenir beadwork 2018 Whispering wind 46 (2): 18-25
  • Richard Green
 *H6/KUB [WHISPERING-] 0300-6565
Beaded shop signs in Republican Beijing (1912-1949) 2018 Bead forum (72): 1-4
  • Valerie Hector
 H6/KGSB [BEAD-] 0829-8727
Beads on a thread: reflections on beading as performance, process, material, and method in the Arctic 2018 First American art magazine 19 (): 42-7
  • David Winfield Norman
 H6/KUB [FIRST-] 2333-5548
From porcupines to Murano glass: the evolution of an indigenous art form on the northern plains 2018 Native American art (15): 60-7
  • Cathy A. Smith
 H6/KUB [NATIVE-] 2469-6137
A bag worth a pony: an introduction to Ojibwe bandolier bags 2018 Native American art (15): 74-9
  • Marcia G. Anderson
 H6/KUB [NATIVE-] 2469-6137
Finery for the forearm: plains and plateau beaded gauntlets 2018 Native American art (15): 80-5
  • Steven L. Grafe
 H6/KUB [NATIVE-] 2469-6137
Beading cultures: eight master and emerging bead artists share their latest projects and art 2018 Native American art (15): 88-93
  • Debra Utacia Krol
 H6/KUB [NATIVE-] 2469-6137
From porcupine to Murano glass: the evolution of an indigenous art from the northern Plains 2018 Native American art June/July (): 60-7
  • Cathy A. Smith
 H6/KUB [NATIVE-] 2469-6137
Stepping out with beaded beauty: the Museum of Indian Arts and Culture showcases beaded moccasins 2018 Native American art June/July (): 68-73
  • Maxine McBrinn
 H6/KUB [NATIVE-] 2469-6137
A bag worth a pony: an introduction to Ojibwe bandolier bags 2018 Native American art June/July (): 74-9
  • Marcia G. Anderson
 H6/KUB [NATIVE-] 2469-6137
Finery for the forearm 2018 Native American art June/July (): 80-5
  • Steven L. Grafe
 H6/KUB [NATIVE-] 2469-6137
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