Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The pulse of tradition and forms of diplomacy. The National Academy of Fine Arts (Argentina) and the Documentos de Arte Colonial Sudamericano collection | 2024 | Boletín americanista (88): 205-29 | H6/KUL [BOLETIN-] | 0520-4100 | |||
The Ngäbe-Bugle zigzag pattern: a pre- and post-conquest exploration of art and culture | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 37-78 | H6/KFY [MEXICO-] | 0185-1276 | |||
The New Spain barroque festival: the study of ephemeral architectures through the Gazeta de de México at the dawn of the modern age | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 161-95 | H6/KFY [MEXICO-] | 0185-1276 | |||
Ecclesiae Filius: the courtyard of São Pedro as a historical and cultural heritage of 18th century Recife | 2024 | Ciência & Trópico 48 (2): 273-92 | H6/KUL [CIENCIA-] | 0304-2685 | |||
Preserving history and art in the Andes. The integral conservation of the Ayaviri Cathedral, valuable testimony of the architecture of the Peruvian highlands | 2023 | Allpanchis 50 (92): 331-46 | H6/KUL [ALLPANCHIS-] | 0252-8835 | |||
Imprinting exemplarity: a culture of print in Mexican nuns' portraits | 2022 | Colonial Latin American review 31 (1): 4-30 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
An unpublished iconographic description of the 18th century, regarding the main altarpiece of the Monastery of San Jerónimo de Granada | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (120): 315-38 | H6/KFY [MEXICO-] | 0185-1276 | |||
The caciques and their Incas | 2022 | Tribal art (104): 96-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
The heavens in the highlands: archaeoastronomical and topographical analysis of the churches of Nuestra Señora de La Paz, Bolivia | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 29-46 | H6/KE [BOLETIN-] | 0716-1530 | |||
The Quito Nativity, a polysemic iconography: Christianization, image and construction of the social body in the context of the Realm of New Granada. Seventeenth and eigteenth century | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (121): 43-89 | H6/KFY [MEXICO-] | 0185-1276 | |||
Atonement of Christ at the whipping-post: scents, chants and Novo-Hispanic paintings | 2022 | Anales del Instituto de Investigaciones Estéticas 44 (121): 91-120 | H6/KFY [MEXICO-] | 0185-1276 | |||
Trading and smuggling of New-Granadan emeralds in southern Italy: jewellery and symbologies in the modern age | 2022 | Fronteras de la Historia 27 (1): 328-58 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Engineering Brussels tapestry: development, uses and effects of the privilege system, 1600-1700 | 2022 | Textile history 53 (1): 32-55 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
The death of the king in the ancient Kingdom of Guatemala (1666-1793): the rhetoric of royal funerals | 2021 | Estudios de historia novohispana (64): 3-40 | H6/KUL [ESTUDIOS-] | 2448-6922 | |||
From ira to imagen: the Virgin of the Antigua as a ‘space for correlation’ in seventeenth-century Lima | 2021 | Colonial Latin American review 30 (2): 214-37 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Architects of their own humanity: race, devotion, and artistic agency in Afro-Brazilian confraternal churches in eighteenth-century Salvador and Ouro Preto | 2021 | Colonial Latin American review 30 (2): 238-71 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Portraiture and collective memory: new challenges around the study of nun portraits in New Spain | 2021 | Fronteras de la Historia 26 (1): 62-91 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
About eyes that still closed allow to see. The symbolic representation of the female monasticism of strict rules in the New Spain Baroque and its honor supplies | 2021 | Fronteras de la Historia 26 (1): 92-114 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
"The altarpieces are extremely shape": the collaterals of anthropomorphic columns in the colonial Yucatan | 2021 | Fronteras de la Historia 26 (1): 170-98 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
Capturing the quotidian: casta paintings and demographic trends in late colonial Mexico | 2020 | Colonial Latin American review 29 (2): 423-44 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
The main altarpiece of the Sacro Monte Abbey of Granada and its sculpture set by Domingo Cabrera (1746-1748). Dating, document and historical contextualization | 2020 | Anales del Instituto de Investigaciones Estéticas 42 (116): 93-128 | H6/KFY [MEXICO-] | 0185-1276 | |||
Re-signifying identity in an 18th century antiphonary from Coixtlahuaca | 2020 | Mexicon 42 (2): 26-9 | *H6/KUL [MEXICON-] | 0720-5988 | |||
The art of Pasto varnish in the collections of the Museo de América in Madrid | 2020 | Anales. Museo de América (Madrid) (28): 81-98 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Images and tradition through objects covered with Pasto varnish (barniz de Pasto). An approach to its interpretation | 2020 | Anales. Museo de América (Madrid) (28): 127-46 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Analysis of the materials of a chest decorated with barniz de Pasto from the collections of Museo de América in Madrid | 2020 | Anales. Museo de América (Madrid) (28): 170-9 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Museography in Cuzco: different museums, different narratives | 2019 | Chungará 51 (2): 271-90 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
Espacios locales y espacios trascendentales de la conversión: las Postrimerías de Carabuco y la producción performativa de epistemologías transculturales | 2019 | Colonial Latin American review 28 (1): 59-80 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
El rito bautismal y las imágenes pintadas en la iglesia de Curahuara de Carangas | 2019 | Colonial Latin American review 28 (1): 81-105 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Jerusalén celestial en los Andes: apropiación iconográfica y autorrepresentación en la pintura mural tardo-colonial | 2019 | Colonial Latin American review 28 (1): 106-27 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Entre destellos se desvanece una devoción: la imagen de oro de la Asunción, patrona de la catedral metropolitana de México | 2019 | Colonial Latin American review 28 (3): 312-35 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Grabados decorativos europeos y los retablos rococó del siglo XVIII en Trujillo (Perú) | 2019 | Allpanchis 46 (83-84): 223-49 | H6/KUL [ALLPANCHIS-] | 0252-8835 | |||
The patron saints of Malaga, Ciriaco and Paula, in a hitherto unknown painting by Pedro Lópex de Calderón | 2019 | Anales del Instituto de Investigaciones Estéticas 41 (114): 68-111 | H6/KFY [MEXICO-] | 0185-1276 | |||
The Eucharist in the altarpieces of New Spain: the case of the "collateral" of San Francisco Javier in Tepotzotlán | 2019 | Anales del Instituto de Investigaciones Estéticas 41 (114): 112-55 | H6/KFY [MEXICO-] | 0185-1276 | |||
El Señor de los Temblores: una imagen cusqueña | 2019 | Boletín de Lima 41 (196): 63-8 | *H6/KE [BOLETIN-] | 0253-0015 | |||
Between heaven and hell: confraternities of Indians in Cusco and the iconographic program of postrimerías (16th and 17th Centuries) | 2019 | Estudios Atacameños (61): 49-71 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
Among the poor, the poorest. For a review on the studies on the Chiquitania (eastern Bolivia) | 2018 | Revista de antropología (São Paulo) 61 (1): 298-328 | H6/KUL [REVISTA-] | 0034-7701 | |||
Murales de la Catedral de Cuernavaca de estilo Techialoyan | 2018 | Arqueología mexicana 26 (153): 16-17 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
Representation of Mestizaje in Guayasamín Huacayñán and the casta paintings | 2018 | Bulletin de la Société suisse des Américanistes (78): 69-82 | H6/KUB [SOCIETE SUISSE DES AMERICANISTES. Bulletin] | 0582-1592 | |||
Activating sacred objects in public space: Bernini's angels on the Ponte Sant'Angelo in early modern Rome | 2018 | Material religion 14 (3): 339-67 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Sacral architecture of the evangelists against the backdrop of the progress of the Reformation in the seventeenth and eighteenth century | 2018 | Konteksty 72 (3): 12-21, 336-7 | H6/KVM [POLSKA-] | 1230-6142 | |||
General considerations on the pictorial representations of the Virgen de Guadalupe (18th c.). Techniques and materials | 2018 | Anales. Museo de América (Madrid) (26): 119-32 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Vincenz Janke (1769-1838): a painter on the border of 'high' art and folk production | 2018 | Český Lid 105 (2): 219-40 | H6/KVL [CESKY-] | 0009-0794 | |||
Our lady of Gidle - the baroque concept of transcendence in folk art | 2017/2018 | Etnografia nowa 9/10 (): 580-99 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Preparing the foundation for stable gilding: Baroque craftsmen's empirical understanding of gesso gilding grounds | 2017 | Journal of archaeological science 79 (): 96-106 | H6/KE [JOURNAL-] | 0305-4403 | |||
Preparing the foundation for stable gilding: scientific evaluation of the durability of Baroque gesso gilding grounds | 2017 | Journal of archaeological science 79 (): 86-95 | H6/KE [JOURNAL-] | 0305-4403 | |||
The New Hispanic cloth of the XVII century and its use for the dating of three virreinal biombos or folding screens | 2017 | Anales. Museo de América (Madrid) (25): 94-108 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Sarmiento de Valladares: the end of the house of Habsburg in the New Spain | 2017 | Anales. Museo de América (Madrid) (25): 109-25 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Notes on the folding screen of the Viceroy's palace: possibilities around the patronage and representation | 2017 | Anales. Museo de América (Madrid) (25): 162-77 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
The biombo with the conquest of Mexico from the collection of the Duke of Alomodovar del Valle | 2017 | Anales. Museo de América (Madrid) (25): 206-21 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 |