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TitleDateReferenceAuthorsCall #ISSN
The audience and the message: Nayombolmi's bark paintings from western Arnhem Land, Australia 2023 Aboriginal history 47 (): 3-36
  • Jeffrey Lee
  • Joakim Goldhahn
  • Sally K. May
 H6/KX [ABORIGINAL-] 0314-8769
Majumbu ('Old Harry') and the Spencer-Cahill bark painting collection 2023 Australian archaeology 89 (1): 14-31
  • Alex Ressel
  • Andrea Jalandoni
  • Joakim Goldhahn
  • Kenneth Mangiru
  • Luke Taylor
  • Paul S. C. Taçon
  • Sally K. May
 *H6/KE [AUSTRALIAN-] 0312-2417
Extraordinary back-to-back human and animal figures in the art of western Arnhem Land, Australia: one of the world's largest assemblages 2022 Cambridge archaeological journal 32 (4): 707-20
  • Alex Ressel
  • Andrea Jalandoni
  • Daryl Wesley
  • Gabriel Maralngurra
  • Joakim Goldhahn
  • Liam M. Brady
  • Luke Taylor
  • Paul S.C. Taçon
  • Sally K. May
 H6/KE [CAMBRIDGE-] 0959-7743
Paddy Compass Namadbara and Baldwin Spencer: an artist’s recollection of the first commissioned Aboriginal bark paintings in Oenpelli, 1912 2021 Australian Aboriginal studies (2): 46-65
  • Gabriel Maralngurra
  • Joakim Goldhahn
  • Luke Taylor
  • Paul S.C. Taçon
  • Sally K. May
 H6/KX [AUSTRALIAN-] 0729-4352
Bark paintings as ambassadors, 1948-63, and the circle back to Aboriginal cultural agency 2021 Aboriginal history 45 (): 57-82
  • Amanda Harris
  • Matt Poll
 H6/KX [ABORIGINAL-] 0314-8769
Bark painting of Arnhem Land, Australia: the Western reception 1960-1990 2021 World art 11 (1): 1-39
  • Marie Geissler
 H6 [WORLD-] 2150-0908
The ritual role of pre-Columbian paper. The Amate paper collection of the National Ethnographic Museum in Warsaw 2017/2018 Etnografia nowa 9/10 (): 430-65
  • Erika Krzyczkowska-Roman
 H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] 2080-8747
From the baggage of Margaret Mead to that of La Korrigane: the curious story of a large biwat painting at the Musée du Quai Branly 2013 Tribal art (68): 122-7
  • Christian Coiffier
 *H6/KFY [WORLD-] 1354-2990
Australian indigenous art from the desert and the Kimberley 2012 Arts & cultures (): 197-211
  • Arnaud Morvan
 *H6/KFY [ARTS-] ONLY ISBN
Gender encompassment, and ritual: sago panel paintings of the Sawiyanoo of East Sepik province, Papua New Guinea 2012 Pacific arts 12 (1): 20-34
  • Philip Guddemi
 *H6/KFY [PACIFIC-] 1018-4252
Sago bark painting and the transformation of community identity on the Arafundi River, East Sepik Province, Papua New Guinea 2012 Pacific arts 12 (2): 5-23
  • Nancy Sullivan
 *H6/KFY [PACIFIC-] 1018-4252
Ancestors of the lake: art of Lake Sentani and Humboldt Bay 2011 Tribal art 60 (): 94-103
  • Virginia-Lee Webb
 *H6/KFY [WORLD-] 1354-2990
'Scenes hidden from our eyes' - Theodore Bevan's collection from the Gulf of Papua in the South Australia Museum 2010 The artefact 33 (): 30-48
  • Barry Craig
 H6/KE [ARTEFACT-] 0044-9075
Karel Kupka and the master painters of Arnhem Land. The biography of an Aboriginal art collection 2010 Gradhiva: revue de anthropology et museologie 12 (): 198-217
  • Jessica De Largy Healy
 H6 [GRADHIVA-] 0764-8928
Negotiating form in Kuninjku bark-paintings 2008 Australian Aboriginal studies (1): 56-66, [insert, figs. 5, 7, 9]
  • Luke Taylor
 H6/KX [AUSTRALIAN-] 0729-4352
'They may say tourist, may say truly painting': aesthetic evaluation and meaning of bark paintings in western Arnhem Land, northern Australia 2008 Journal of the Royal Anthropological Institute (New Series) 14 (4): 865-85
  • Luke Taylor
 H6 [JOURNAL-] 1359-0987
Port Keats painting: revolution and continuity 2008 Australian Aboriginal studies (1): 39-55, [insert, figs. 1, 2a-2b, 3-4]
  • Graeme K. Ward
  • Mark Crocombe
 H6/KX [AUSTRALIAN-] 0729-4352
So near, and yet so far 2005 Museums journal 105 (9): 14-15
  • Patrick Greene
 *H6 [MUSEUMS-] 0027-416X
Transitional traditions: 'Port Essington' bark-paintings and the European discovery of Aboriginal aesthetics 2004 Australian Aboriginal studies (2): 72-85
  • Paul S. C. Taçon
  • Susan M. Davies
 H6/KX [AUSTRALIAN-] 0729-4352
Masks of the upper Amazon 2004 Arts and cultures 5 (): 101-13
  • Helmut Schindler
Exhibiting Aboriginal industry: a story behind a 're-discovered' bark drawing from Victoria 2003 Aboriginal history 27 (): 39-58
  • Elizabeth Willis
 H6/KX [ABORIGINAL-] 0311-8769
L'étrange voyage d'une peinture du Sépik: de Kinakatem à Paris 2003 Journal de la Société des Océanistes 116 (1): 77-97
  • Christian Coiffier
 0300-953
Birchbark - ssípsis 2003 American Indian NMAI 4 (1): 20-1
  • Nance Ackerman
 1528-0640
Bark vessels from the region of Arkhangel'sk (Russia) 2000 Zhivaia Starina (NS) 3 (): 46-8
  • Vasilii Ivanovich Smirnov
 H6/KVY 'ZHIVAIA-' 0204-3432
Painting local meanings, domesticating money: Nahuatl bark cloth artists of Mexico 1996 Museum anthropology 20 (3): 11-25
  • Catharine L. Good
 H6 [MUSEUM-]
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