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TitleDateReferenceAuthorsCall #ISSN
Kupesi in her DNA: the barkcloth art of Tui Emma Gillies 2024-25 Art New Zealand (192): 69-73
  • Billie Lythberg
H6/KX [ART-] 0110-1102
The art of Tongan Ngatu in National Museum of Scotland 2022 Journal of museum ethnography (35): 75-85
  • Billie Lythberg
  • Tui Emma Gillies
*H6 [JOURNAL-] 0954-7169
A wooden hand from Easter Island (Rapa Nui), part I 2022 Res 77-78 (): 303-17
  • Robert M. Schoch
  • Tomi S. Melka
*H6 [RES-] 2327-9621
Ainu attush robe 2019 Hali (200): 54-5
  • Thomas Murray
  • Virginia Soenksen
*H6/KGG [HALI-] 0142-0798
Conveying the mallet: barkcloth renewal and connectedness in Fred Mutebi's art practice 2018 Critical interventions: journal of African art history and visual culture 12 (3): 340-55
  • Margaret Nagawa
H6/KFY [CRITICAL-] 1930-1944
The ritual role of pre-Columbian paper. The Amate paper collection of the National Ethnographic Museum in Warsaw 2017/2018 Etnografia nowa 9/10 (): 430-65
  • Erika Krzyczkowska-Roman
H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] 2080-8747
Writing so subtle... 2013 Hali (175): 82-89
  • Michael Thieme
*H6/KGG [HALI-] 0142-0798
Pongo symbolism in the geometric rock art of Uganda 2011 Antiquity 85 (330): 1209-24
  • Catherine Namono
H6/KE [ANTIQUITY-] 0003-598X
African textiles 2009 Hali (160): 41, 43, 46-7, 49, 53, 55
  • Joe Loux
  • Katie Suckling
*H6/KGG [HALI-] 0142-0798
Tuno, una técnica tradicional de procesar tela entra en el mercado moderno 2008 Yaxkin 24 (2): 126-47
  • Christine Woda
  • Lilian Zeller
H6/KE [YAXKIN-] 0254-7627
Intervention in natural resource use in Biriwiri, Zimbabwe 2001 Zambezia 28 (2): 133-46
  • M.F.C. Bourdillon
  • Paradzayi P. Bongo
H6/KY [ZAMBEZIA-] 0379-0622
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