Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
The art of Tongan Ngatu in National Museum of Scotland | 2022 | Journal of museum ethnography (35): 75-85 | *H6 [JOURNAL-] | 0954-7169 | |||
A wooden hand from Easter Island (Rapa Nui), part I | 2022 | Res 77-78 (): 303-17 | *H6 [RES-] | 2327-9621 | |||
Ainu attush robe | 2019 | Hali (200): 54-5 | *H6/KGG [HALI-] | 0142-0798 | |||
Conveying the mallet: barkcloth renewal and connectedness in Fred Mutebi's art practice | 2018 | Critical interventions: journal of African art history and visual culture 12 (3): 340-55 | H6/KFY [CRITICAL-] | 1930-1944 | |||
The ritual role of pre-Columbian paper. The Amate paper collection of the National Ethnographic Museum in Warsaw | 2017/2018 | Etnografia nowa 9/10 (): 430-65 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Writing so subtle... | 2013 | Hali (175): 82-89 | *H6/KGG [HALI-] | 0142-0798 | |||
Pongo symbolism in the geometric rock art of Uganda | 2011 | Antiquity 85 (330): 1209-24 | H6/KE [ANTIQUITY-] | 0003-598X | |||
African textiles | 2009 | Hali (160): 41, 43, 46-7, 49, 53, 55 | *H6/KGG [HALI-] | 0142-0798 | |||
Tuno, una técnica tradicional de procesar tela entra en el mercado moderno | 2008 | Yaxkin 24 (2): 126-47 | H6/KE [YAXKIN-] | 0254-7627 | |||
Intervention in natural resource use in Biriwiri, Zimbabwe | 2001 | Zambezia 28 (2): 133-46 | H6/KY [ZAMBEZIA-] | 0379-0622 |