Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The Syrian Archive Digital Memory Project: archiving as testimony, as evidence, as creative practice | 2024 | Visual anthropology 37 (1): 19-34 | *H6 [VISUAL-] | 1545-5920 | |||
Relocating video cultures | 2024 | International journal of cultural studies 27 (1): 3-8 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
A wondering archive: Super 8, music and temporality in Avanti popolo (Brazil, 2012) | 2024 | Iberoamericana 24 (85): 69-84 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Library music as a matter of time | 2024 | Time and society 33 (2): 212-33 | H6 [TIME-] | 0961-463X | |||
Collaborative sensemaking through photos: using photovoice to study gas pipeline development in Appalachia | 2024 | Qualitative research 24 (2): 367-90 | H6 [QUALITATIVE-] | 1468-7941 | |||
Audio research methods, attitudes, and accessibility theory: using audio vignettes to elicit attitudes towards sex work | 2024 | Qualitative research 24 (3): 647-68 | H6 [QUALITATIVE-] | 1468-7941 | |||
Indigenous Women’s Alliance in the city: agency and political participation through audiovisual creation | 2024 | Revista colombiana de antropología 60 (3): 1-28 | H6/KUL [REVISTA-] | 0486-6525 | |||
Fire's habit: elemental media and the politics of apprehension | 2024 | The Australian journal of anthropology 35 (1-2): 66-70 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Winimaku ara papa wiimatjaraku and other stories | 2024 | The Australian journal of anthropology 35 (1-2): 117-34 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
Ethno-speculation: ethnography in the subjective | 2024 | Cadernos de arte e antropologia 13 (): 44-53 | |||||
Transformations du cinéma guarani | 2024 | Gradhiva: revue de anthropology et museologie (38): 212-16 | H6 [GRADHIVA-] | 0764-8928 | |||
Enregistrements sur cylindre de cire du Sud-Cameroun, 1907-1909. Restitutions multiples et vie propre d’une publication d’archives sonores coloniales | 2024 | Gradhiva: revue de anthropology et museologie (38): 188-91 | H6 [GRADHIVA-] | 0764-8928 | |||
Archives sonores. Introduction | 2024 | Gradhiva: revue de anthropology et museologie (38): 170-4 | H6 [GRADHIVA-] | 0764-8928 | |||
Les défis du partage des archives sonores (coloniales) au Rwanda | 2024 | Gradhiva: revue de anthropology et museologie (38): 176-9 | H6 [GRADHIVA-] | 0764-8928 | |||
L’atelier « Voix de nos aïeux ». Les premiers enregistrements togolais en contexte colonial allemand | 2024 | Gradhiva: revue de anthropology et museologie (38): 184-7 | H6 [GRADHIVA-] | 0764-8928 | |||
Le legs d’un ethnologue en partage. Collection, films, photographies et archives de Bohumil Holas | 2024 | Gradhiva: revue de anthropology et museologie (38): 218-21 | H6 [GRADHIVA-] | 0764-8928 | |||
Wangechi Mutu's ecofeminist vision in The End of Eating Everything | 2024 | Nka: journal of contemporary African art (55): 36-43 | H6/KY [NKA-] | 1075-7163 | |||
Amateur film, cultural memory and the visual legacy of the 1920 Inter-Tribal Indian Ceremonial | 2023 | Visual anthropology 36 (3): 201-28 | *H6 [VISUAL-] | 1545-5920 | |||
Omi erù e pòpò: an attempt at an audiovisual ethnography of the Yemoja festival at the Ilé Àse Papela Mariwo Sesu temple | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-19 | 2525-3123 | ||||
“The sky is the limit. So I just hope, one day, I will reach my destiny:” hope, uncertainty, and disillusionment among LGBTQ + migrants in South Africa | 2023 | Ethnic and racial studies 46 (10): 2192-219 | H6/KD [ETHNIC-] | 1466-4356 | |||
Edmond Meany's linguistic suspitions | 2023 | Journal of northwest anthropology 57 (1): 114-20 | H6/KUB [NORTHWEST-] | 1538-2834 | |||
Ethics based on a Sámi perspective in the encounter with film and photography | 2023 | Rig (2): 68-85 | H6/KVT [RIG-] | 0035-5267 | |||
Listening to music videos on YouTube. Digital consumption practices and the environmental impact of streaming | 2023 | Journal of consumer culture 23 (3): 654-71 | H6 [JOURNAL-] | 1469-5405 | |||
Immersing in Mesopotamia: virtual reality site tours in the remote classroom | 2023 | Near Eastern Archaeology 86 (3): 240- | H6/KE [BIBLICAL-] | 0006-0895 | |||
Animating absurdity. Wong Ping | 2023 | Art Asia Pacific Magazine (134): 36-43 | H6/KFY [ART] | 1039-3625 | |||
Spectral ecology. Truong Cong Tung | 2023 | Art Asia Pacific Magazine (134): 44-9 | H6/KFY [ART] | 1039-3625 | |||
The intersection of video art and feminism in 1990s Hong Kong. In collaboration with the Asia Art Archive | 2023 | Art Asia Pacific Magazine (134): 50-7 | H6/KFY [ART] | 1039-3625 | |||
If Oskar Kolberg had had thephonograph… Or how to read the oldest archival notes of Polish traditional music through the prism of phonographic experience | 2023 | Folklore (Tartu) 91 (): 47-70 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Folklore activities of the Lithuanian Science Society: utopian goals or insightful ideas? | 2023 | Folklore (Tartu) 91 (): 95-110 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Archives and the bodily dimension of traditional dance knowledge | 2023 | Folklore (Tartu) 91 (): 165-76 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Udmurt folklore material in the Folklore Archives of the Estonian Literary Museum and its collectors: a brief review | 2023 | Folklore (Tartu) 91 (): 209-14 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Window on the nostalgia box: television and the ambient aesthetics of karaoke in 1980s Japan | 2023 | Journal of visual culture 22 (2): 222-42 | H6/KF [JOURNAL-] | 1470-4129 | |||
Conventionalised imagination and cultural invention: images of the Awá-Guajá, Tupi-Guarani in Maranhão | 2023 | Cadernos de arte e antropologia 12 (): 10-29 | |||||
Epistemological cartography of audiovisual anthropology: analysis, use and production models | 2023 | Disparidades: revista de antropologia 78 (2): 1-33 | H6/KVE [REVISTA-] | 2659-6881 | |||
Image and anthropology in motion: topics and challenges from the expanded view of Arnd Schneider | 2023 | Disparidades: revista de antropologia 78 (2): 1-9 | H6/KVE [REVISTA-] | 2659-6881 | |||
Embodying place | 2023 | Visual anthropology review 39 (2): 326-49 | H6 [PROGRAM-] | 1053-7147 | |||
Drones, photogrammetry and geographic information systems. Some contributions to the archaeology of industrial contexts | 2023 | Comechingonia: Revista de Arqueología 27 (1): 35-50 | 2250-7728 | ||||
The Phonogram Archive of the Romanian Language (AFLR) - witness and source of dialectology | 2023 | Anuarul Institutului de Etnografie şi Folclor ‘Constantin Brăiloiu’ (Serie Nouă) 34 (): 29-38 | H6/KVQ [ANUARUL-] | 1220-5230 | |||
Area-optimized, rapid UAV-borne recording of Medieval heritage in Central Asia | 2022 | Journal of field archaeology 47 (2): 90-104 | *H6/KE [JOURNAL-] | 2042-4582 | |||
Favela virtual tour: tourism mobility in favelas in the context of the COVID-19 pandemic | 2022 | Cadernos de arte e antropologia 11 (1): 97-113 | |||||
Epistemology of Eshu and audiovisibility in the 2020 pandemic: writexperience and gestures in images on digital platforms | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-22 | 2525-3123 | ||||
Unveiling a performance ritual in the Goeku: photo narratives, narrated photographs | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-27 | 2525-3123 | ||||
Rewinding the tape: archeology of videotape in villages | 2022 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 7 (1): 1-17 | 2525-3123 | ||||
Sound recorders in the basin of the Vaupés river: epistemological synergies for the study of listening points technological and ethnographic in the northeast Amazonian of Colombia | 2022 | Boletín de antropología (Antioquia) 36 (62): 12-37 | H6/KUL [BOLETIN-] | 0120-2510 | |||
Chinese transnational fandoms: transgressing the distributive agency of assemblages in audiovisual media | 2022 | International journal of cultural studies 25 (6): 655-72 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
Ethnography and cinema in anthropological research. Reflections from the Transgang Project | 2022 | Disparidades: revista de antropologia 77 (1): 1-14 | H6/KVE [REVISTA-] | 2659-6881 | |||
Non-/human infrastructures and digital gifts: the cables, waves and brokers of Solomon Islands Internet | 2022 | Ethnos 87 (5): 851-73 | H6 [ETHNOS-] | 1469-588X | |||
'Live has an atmosphere of its own': azadari, ethical orientation, and tuned presence in Shi'i media praxis | 2022 | Journal of the Royal Anthropological Institute (New Series) 28 (2): 651-75 | H6 [JOURNAL-] | 1359-0987 | |||
Cufflinks, photos and YouTube: the benefit of third objects prompts when researching race and discrimination in elite higher education | 2022 | Qualitative research 22 (1): 3-23 | H6 [QUALITATIVE-] | 1468-7941 | |||
Memory, place, and mobility: Kinchela Boys Home Aboriginal Corporation's mobile education centre as a site of conscience | 2022 | Space and culture 35 (2): 184-91 | H6 [SPACE-] | 1206-3312 |