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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| ‘They are now pocket videos, not home videos’: streaming and reconfiguration of video consumption in Nigeria | 2024 | International journal of cultural studies 27 (1): 82-98 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| ‘Terebi banare’: historicising Internet-distributed television and the ‘departure from television’ in Japan | 2024 | International journal of cultural studies 27 (1): 99-118 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Death to Chad and Stacey: incels and anti-fandom as group identity | 2024 | International journal of cultural studies 27 (3): 349-67 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The perils of producing revolutionary moderation: entertainment, style, and the 'Islamic Che' in Iran | 2024 | Journal of the Royal Anthropological Institute (New Series) 30 (1): 5-22 | H6 [JOURNAL-] | 1359-0987 | |||
| Publics, anthropologies, and public anthropologies | 2024 | American anthropologist 126 (1): 149-52 | *H6 [AMERICAN-] | 0002-7294 | |||
| ‘I could see myself doing something like that’: US women’s engagement with characters who experience abortion, adoption and surrogacy on Little Fires Everywhere | 2024 | Culture, health & sexuality 26 (6): 839-54 | H6/KGT [CULTURE-] | 1464-5351 | |||
| The magic is in the mix: a uses and gratifications approach to the cross-media use of food-related media content | 2024 | Food Culture and Society 27 (4): 1146-70 | H6/KF [FOOD-] | 1751-7443 | |||
| Beyond door policies: cultural production as a form of spatial regulation in Amsterdam nightclubs | 2024 | European journal of cultural studies 27 (1): 36-51 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The Good , The Bad and the Disney: employing princesses to examine Hungarian tweens' understanding of gender | 2024 | European journal of cultural studies 27 (2): 195-214 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The intimacy triple bind: structural inequalities and relational labour in the influencer industry | 2024 | European journal of cultural studies 27 (3): 424-40 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| Fandom meets artificial intelligence: rethinking participatory culture as human-community-machine interactions | 2024 | European journal of cultural studies 27 (4): 778-87 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The carnivalesque celebration of a slack laborer icon on a talent show: civic engagement, commercialization, and political control | 2024 | International journal of cultural studies 27 (6): 852-68 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Qualitative perspective on constucting public value in museums and contemporary art centers | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (1): 1-14 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| 'I cringe at the slave portions': how fans of Gone with the Wind negotiate anti-racist criticism | 2023 | International journal of cultural studies 26 (3): 257-73 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Shipping on the edge: negotiations of precariousness in a Chinese real-person shipping fandom community | 2023 | International journal of cultural studies 26 (3): 293-309 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Prosumer activism: the case of Britney Spears' Brazilian fandom | 2023 | Journal of consumer culture 23 (2): 428-43 | H6 [JOURNAL-] | 1469-5405 | |||
| Almost South–South solidarity: the frustration of K-pop fans (but not true fans) in South Africa | 2023 | International journal of cultural studies 26 (5): 518-35 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Traversing boundaries: contemporary Hindi cinema at international film festivals | 2023 | South Asian popular culture 21 (1): 89-103 | H6/KW [SOUTH-] | 1474-6689 | |||
| Shero worship: female stardom in Tamil cinema | 2023 | South Asian popular culture 21 (1): 123-37 | H6/KW [SOUTH-] | 1474-6689 | |||
| Gendered fandom in transcultural context-female-dominated paratexts and compromised fan culture | 2023 | Journal of consumer culture 23 (4): 1017-35 | H6 [JOURNAL-] | 1469-5405 | |||
| 'We can't participate like this at football, can we'? Exploring in-person performative prosumer fandom at live PDC darts events | 2023 | Journal of consumer culture 23 (4): 1036-53 | H6 [JOURNAL-] | 1469-5405 | |||
| Bharatanatyam and art activism in the networked digital space | 2023 | South Asia research 43 (3): 400-16 | H6/KWL [SOUTH-] | 0262-7280 | |||
| Attuning to opacity: interpreting "post-crisis" refusals on Abidjan's local airwaves | 2023 | Anthropological quarterly 96 (4): 683-710 | H6 [PRIMITIVE-] | 0003-5491 | |||
| Kollektivierungen des Publikums | 2023 | Paragrana: internationale Zeitschrift für historische Anthropologie 32 (2): 200-14 | H6/KF [PARAGRANA-] | 0938-0116 | |||
| The reception of COVID-19 denialist propaganda in Tanzania | 2023 | Journal of southern African studies 49 (4): 697-716 | H6/KY [JOURNAL-] | 1465-3893 | |||
| Changes in religious rituals in the context of the epidemic: a case study of live streaming during processions of the Johor ancient Chinese temple (2020-2021) | 2023 | Taiwan journal of anthropology 21 (2): 173-33 | H6/KWS [TAIWAN-] | 1727-1878 | |||
| Performing sacrificial texts and reenacting the 'imperial metaphor' in rituals of ancestor worship in Qimen County, Huizhou, China | 2023 | Asian ethnology 82 (2): 323-43 | H6/KWS [FOLKLORE-] | 1882-6865 | |||
| Danger, comfort, and silence at the home front: mediating soldiers' wives | 2023 | European journal of cultural studies 26 (5): 680-97 | H6/KF [EUROPEAN-] | 1367-5494 | |||
| The audience and the message: Nayombolmi's bark paintings from western Arnhem Land, Australia | 2023 | Aboriginal history 47 (): 3-36 | H6/KX [ABORIGINAL-] | 0314-8769 | |||
| The measure of a fan: social patterns of voracious sports following Canada | 2022 | Canadian review of sociology and anthropology 59 (1): 76-95 | H6/KUB [CANADIAN-] | 1755-6171 | |||
| 'Elf lives matter'? The racial dynamics of participatory politics in a predominantly white fandom | 2022 | International journal of cultural studies 25 (1): 14-29 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Las funciones del lector en la narrativa de Gonzalo Fernández de Oviedo | 2022 | Colonial Latin American review 31 (1): 57-73 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
| The house cannot be full: risk, anxiety and the politics of collective spectatorship in a pandemic | 2022 | International journal of cultural studies 25 (3-4): 384-403 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| Social media art and/or interactive art? Exhibitionist: PeeP Stream by Ye Funa and Bei Ou | 2022 | World art 12 (1): 49-66 | H6 [WORLD-] | 2150-0908 | |||
| Balancing categorical conventionality in music | 2022 | American journal of sociology 128 (1): 224-86 | H6/KF [AMERICAN-] | 0002-9602 | |||
| Chinese transnational fandoms: transgressing the distributive agency of assemblages in audiovisual media | 2022 | International journal of cultural studies 25 (6): 655-72 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The p’ansori experience in Europe | 2022 | The World of Music 11 (1): 109-32 | H6/KFY [WORLD-] | 0043-8774 | |||
| Constructing authentic spectatorship at an esports bar | 2022 | Journal of contemporary ethnography 51 (2): 257-88 | H6/KY [JOURNAL-] | 0891-2416 | |||
| The drive-in and the desegregation of cinemas in apartheid Cape Town | 2022 | Journal of southern African studies 48 (4): 921-37 | H6/KY [JOURNAL-] | 1465-3893 | |||
| Autonomy or loyalty? Community-within-community interactions of a local football fandom group | 2022 | Journal of consumer culture 22 (2): 437-55 | H6 [JOURNAL-] | 1469-5405 | |||
| Anthropology of the media: between communication and cultural studies. Folds, tensions and challenges | 2022 | Revista de antropología (São Paulo) 65 (3): 1-16 | H6/KUL [REVISTA-] | 0034-7701 | |||
| The drive-in and the desegregation of cinemas in apartheid Cape Town | 2022 | Journal of southern African studies 48 (5): 921-37 | H6/KY [JOURNAL-] | 1465-3893 | |||
| “Our collections belong to you, too”: an analysis of the exhibition Objects of Wonder of National Museum of Natural History | 2022 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (39): 111-27 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Reflections on anthrobombing: experiments in performing, publishing and becoming with (other) publics | 2022 | Public anthropologist 4 (1): 78-101 | 2589-1715 | ||||
| Schlager und Pop. Ethnografisch-kulturwissenschaftliche Perspektiven auf Annäherungen und Abstossungen | 2022 | Schweizerisches Archiv für Volkskunde (2): 89-107 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
| An alternative dynamics of research dissemination? The case of the g word tour | 2022 | Qualitative research 22 (2): 300-12 | H6 [QUALITATIVE-] | 1468-7941 | |||
| Classical, popular and media technologies: staging music in new geographies in post-independence southern India | 2022 | South Asian popular culture 20 (1): 15-29 | H6/KW [SOUTH-] | 1474-6689 | |||
| Dissonant voices: Bhupen Hazarika, cassette culture, and Assamese nationalism in the 1990s | 2022 | South Asian popular culture 20 (1): 31-45 | H6/KW [SOUTH-] | 1474-6689 | |||
| Aural sleaze in urban mohalla: loudness and the new digital sonotope of item numbers | 2022 | South Asian popular culture 20 (1): 47-60 | H6/KW [SOUTH-] | 1474-6689 | |||
| From global to neo-global: mapping the ‘tele’-visual geography of South Asia through a transnational lens | 2022 | South Asian popular culture 20 (2): 165-79 | H6/KW [SOUTH-] | 1474-6689 |
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