Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
Repairability as a condition of the world: Ernesto Oroza's archives of dis/repair | 2025 | Theory, culture and society 42 (1): 53-68 | H6 [THEORY-] | 0263-2764 | |||
Indigenous artistry, intricate narratives: considering a 17th-century relief of Santiago in Tlatelolco, Mexico City | 2025 | First American art magazine 45 (): 30-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Hodinöšyö:nih: continuity | innovation | resilience. Collaborating with a 17th-century ancestor | 2025 | First American art magazine 45 (): 36-40 | H6/KUB [FIRST-] | 2333-5548 | |||
Threads of kinship: bridging global Indigenous communities through art in Kyrgyzstan | 2025 | First American art magazine 45 (): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
Alison Bremner: Tlingit painter, collage artists and carver | 2025 | First American art magazine 45 (): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Carol Emarthle Douglas: Northern Arapaho/Seminole basket maker | 2025 | First American art magazine 45 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Chippewa Cree/Pawnee beadwork artist John Murie | 2025 | First American art magazine 45 (): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
Magdalene Odundo: rites of passage | 2025 | Tribal art (115): 110-15 | *H6/KFY [WORLD-] | 1354-2990 | |||
Yasumasa Morimura: through the looking glass | 2025 | Art Asia Pacific Magazine (142): 50-9 | H6/KFY [ART] | 1039-3625 | |||
Memory and its loss: Huhana Smith and Ciaran Banks collaborate at Toi MAHARA | 2025 | Art New Zealand (193): 62-5 | H6/KX [ART-] | 0110-1102 | |||
Israel Tangaroa Birch talks to Tina Ngata | 2024-25 | Art New Zealand (192): 56-63 | H6/KX [ART-] | 0110-1102 | |||
Picture the feminine: the art of Louise Fong | 2024-25 | Art New Zealand (192): 64-8 | H6/KX [ART-] | 0110-1102 | |||
Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
In memoriam Atta Kwami, September 14, 1956–October 6, 2021 | 2024 | African arts 57 (1): 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Tragedy of the nation in Ndidi Dike’s State of the Nation | 2024 | African arts 57 (1): 64-75 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
Watchful intimacies, botanical intricacies. Trevor Yeung | 2024 | Art Asia Pacific Magazine (137): 58-65 | H6/KFY [ART] | 1039-3625 | |||
Yuko Mohri. Electric smelly orchestra | 2024 | Art Asia Pacific Magazine (137): 66-73 | H6/KFY [ART] | 1039-3625 | |||
Liu Chuang, Hoda Afshar, Natascha Sadr Haghighian | 2024 | Art Asia Pacific Magazine (137): 74-9 | H6/KFY [ART] | 1039-3625 | |||
Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"Le terrain" de Roger Rousseau | 2024 | Techniques et culture (79): 158-67 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Vivant aux pieds d'argile | 2024 | Techniques et culture (79): 182-94 | *H6 [TECHNIQUES-] | 0248-6016 | |||
David Martin: Pokagon Potawatomi tattoo artist, painter and regalia maker | 2024 | First American art magazine (41): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Hopi-Tewa ceramic artist Rainy Naha | 2024 | First American art magazine (41): 60-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Looking back: Bob Haozous's Cultural Crossroads of the Americas | 2024 | First American art magazine (41): 28-31 | H6/KUB [FIRST-] | 2333-5548 | |||
Lubaina Himid: do you want an easy life? | 2024 | Nka: journal of contemporary African art (54): 7-23 | H6/KY [NKA-] | 1075-7163 | |||
Marco temporal: Indigenous art and activism in Brazil | 2024 | First American art magazine (41): 32-8 | H6/KUB [FIRST-] | 2333-5548 | |||
Reflections on imageries of seductive sublimity. New paintings of Kedebech Tekleab | 2024 | Nka: journal of contemporary African art (54): 24-32 | H6/KY [NKA-] | 1075-7163 | |||
Studio call, Michael Subotzky | 2024 | Nka: journal of contemporary African art (54): 102-18 | H6/KY [NKA-] | 1075-7163 | |||
Textures and seasons. The history and art of Hopi silver overlay | 2024 | First American art magazine (41): 20-6 | H6/KUB [FIRST-] | 2333-5548 | |||
Tohon O'Odham jeweler and sculptor James Fendenheim | 2024 | First American art magazine (41): 48-52 | H6/KUB [FIRST-] | 2333-5548 | |||
The travel of a thangka: crossing gender and cultural boundaries with Lutso's stories | 2024 | Journal of material culture 29 (1): 102-21 | H6/KF [JOURNAL-] | 1359-1835 | |||
Yup'ik visual storyteller Amber Webb | 2024 | First American art magazine (41): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
Messages in baskets: Peter J. Clair | 2024 | First American art magazine 42 (): 40-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Baniwa interdisciplinary artist Denilson Baniwa | 2024 | First American art magazine 42 (): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
Haida/Tlingit sculptor, printmaker, painter and jeweler Robert Davidson | 2024 | First American art magazine 42 (): 62-8 | H6/KUB [FIRST-] | 2333-5548 | |||
Ruth Blalock Jones: Shawnee/Delaware/Peoria painter, educator and printmaker | 2024 | First American art magazine 42 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Santa Clara Pueblo ceramic and bronze sculptor Roxanne Swentzell | 2024 | First American art magazine 42 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
Picture a black Captain Cook: Aotearoa artists at the 24th Biennale of Sydney | 2024 | Art New Zealand 190 (): 74-7 | H6/KX [ART-] | 0110-1102 | |||
Norman Lewis and African Negro Art | 2024 | Tribal art (112): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
With endless articulations: conserving biodiversity in the infinity mirror | 2024 | The Cambridge journal of anthropology 42 (1): 100-17 | H6 [CAMBRIDGE-] | 2047-7716 | |||
Visual artists’ professional and social status: insights from post-socialist Serbia | 2024 | International journal of cultural studies 27 (3): 565-82 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
The practices of artist-entrepreneurs located outside Canada's creative hubs viewed through the lens of the pragmatic sociology of critique | 2024 | Canadian review of sociology and anthropology 61 (3): 283-307 | H6/KUB [CANADIAN-] | 1755-6171 | |||
Diné painter Shonto Begay | 2024 | First American art magazine (43): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
Karma Henry: Owens Valley Paiute painter | 2024 | First American art magazine (43): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
Salisha Old Bull: Bitterroot Salish/Crow beadwork artist and painter | 2024 | First American art magazine (43): 68-75 | H6/KUB [FIRST-] | 2333-5548 |