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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| In memoriam Atta Kwami, September 14, 1956–October 6, 2021 | 2024 | African arts 57 (1): 4-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Tragedy of the nation in Ndidi Dike’s State of the Nation | 2024 | African arts 57 (1): 64-75 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
| In defense of Fabián Cháirez’s La Revolución: contemporary art as a possibility of queer resistance | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 197-224 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Watchful intimacies, botanical intricacies. Trevor Yeung | 2024 | Art Asia Pacific Magazine (137): 58-65 | H6/KFY [ART] | 1039-3625 | |||
| Yuko Mohri. Electric smelly orchestra | 2024 | Art Asia Pacific Magazine (137): 66-73 | H6/KFY [ART] | 1039-3625 | |||
| Liu Chuang, Hoda Afshar, Natascha Sadr Haghighian | 2024 | Art Asia Pacific Magazine (137): 74-9 | H6/KFY [ART] | 1039-3625 | |||
| Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| "Le terrain" de Roger Rousseau | 2024 | Techniques et culture (79): 158-67 | *H6 [TECHNIQUES-] | 0248-6016 | |||
| Vivant aux pieds d'argile | 2024 | Techniques et culture (79): 182-94 | *H6 [TECHNIQUES-] | 0248-6016 | |||
| David Martin: Pokagon Potawatomi tattoo artist, painter and regalia maker | 2024 | First American art magazine (41): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Hopi-Tewa ceramic artist Rainy Naha | 2024 | First American art magazine (41): 60-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Looking back: Bob Haozous's Cultural Crossroads of the Americas | 2024 | First American art magazine (41): 28-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Lubaina Himid: do you want an easy life? | 2024 | Nka: journal of contemporary African art (54): 7-23 | H6/KY [NKA-] | 1075-7163 | |||
| Marco temporal: Indigenous art and activism in Brazil | 2024 | First American art magazine (41): 32-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Reflections on imageries of seductive sublimity. New paintings of Kedebech Tekleab | 2024 | Nka: journal of contemporary African art (54): 24-32 | H6/KY [NKA-] | 1075-7163 | |||
| Studio call, Michael Subotzky | 2024 | Nka: journal of contemporary African art (54): 102-18 | H6/KY [NKA-] | 1075-7163 | |||
| Textures and seasons. The history and art of Hopi silver overlay | 2024 | First American art magazine (41): 20-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| Tohon O'Odham jeweler and sculptor James Fendenheim | 2024 | First American art magazine (41): 48-52 | H6/KUB [FIRST-] | 2333-5548 | |||
| The travel of a thangka: crossing gender and cultural boundaries with Lutso's stories | 2024 | Journal of material culture 29 (1): 102-21 | H6/KF [JOURNAL-] | 1359-1835 | |||
| Yup'ik visual storyteller Amber Webb | 2024 | First American art magazine (41): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
| Messages in baskets: Peter J. Clair | 2024 | First American art magazine 42 (): 40-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Baniwa interdisciplinary artist Denilson Baniwa | 2024 | First American art magazine 42 (): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Haida/Tlingit sculptor, printmaker, painter and jeweler Robert Davidson | 2024 | First American art magazine 42 (): 62-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Ruth Blalock Jones: Shawnee/Delaware/Peoria painter, educator and printmaker | 2024 | First American art magazine 42 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
| Santa Clara Pueblo ceramic and bronze sculptor Roxanne Swentzell | 2024 | First American art magazine 42 (): 76-81 | H6/KUB [FIRST-] | 2333-5548 | |||
| Picture a black Captain Cook: Aotearoa artists at the 24th Biennale of Sydney | 2024 | Art New Zealand 190 (): 74-7 | H6/KX [ART-] | 0110-1102 | |||
| Norman Lewis and African Negro Art | 2024 | Tribal art (112): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
| With endless articulations: conserving biodiversity in the infinity mirror | 2024 | The Cambridge journal of anthropology 42 (1): 100-17 | H6 [CAMBRIDGE-] | 2047-7716 | |||
| Visual artists’ professional and social status: insights from post-socialist Serbia | 2024 | International journal of cultural studies 27 (3): 565-82 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
| The practices of artist-entrepreneurs located outside Canada's creative hubs viewed through the lens of the pragmatic sociology of critique | 2024 | Canadian review of sociology and anthropology 61 (3): 283-307 | H6/KUB [CANADIAN-] | 1755-6171 | |||
| Diné painter Shonto Begay | 2024 | First American art magazine (43): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
| Karma Henry: Owens Valley Paiute painter | 2024 | First American art magazine (43): 62-7 | H6/KUB [FIRST-] | 2333-5548 | |||
| Salisha Old Bull: Bitterroot Salish/Crow beadwork artist and painter | 2024 | First American art magazine (43): 68-75 | H6/KUB [FIRST-] | 2333-5548 | |||
| Navajo/Hopi jeweler, musician and woodworker JJ Otero | 2024 | First American art magazine (43): 74-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Norval Morrisseau's Astral Guide I and II | 2024 | First American art magazine (43): 102-4 | H6/KUB [FIRST-] | 2333-5548 | |||
| Acteon's tears reversed | 2024 | Focaal (99): 111-19 | H6/KF [FOCAAL-] | 0920-1297 | |||
| Roberto Burle Marx and the defense of the Brazilian landscape in the Federal Council of Culture | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (2): 1-14 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| André Breton, Giorgio de Chirico, and the Uli | 2024 | Tribal art (113): 102-13 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Messy episodes: Indigenous countersigns in Ludwig Choris's diary and ethnographic portraits of Aleut, Kamchadal and Chukchi (1822) | 2024 | History and anthropology 35 (4): 995-1015 | H6 [HISTORY-] | 1477-2612 | |||
| Commanding sculpture: Fred Graham at Te Uru | 2024 | Art New Zealand (91): 54-7 | H6/KX [ART-] | 0110-1102 | |||
| Life at the loom: Margery Blackman at DPAG | 2024 | Art New Zealand (91): 62-5 | H6/KX [ART-] | 0110-1102 | |||
| Life, abiding and transpiring: Fibrous soul at the Govett-Brewster | 2024 | Art New Zealand (91): 72-5 | H6/KX [ART-] | 0110-1102 | |||
| Foreign agents: Aotearoa artists in Venice | 2024 | Art New Zealand (91): 80-3 | H6/KX [ART-] | 0110-1102 Europe | |||
| Contradictions of culture and oppression: portraits of planters in power and of Black West Indians in eighteenth century Jamaican art | 2024 | New West Indian guide 98 (3-4): 237-76 | H6/KUL [NWIG-] | 0028-9930 | |||
| The presence of this void. Kang Seung Lee | 2024 | Art Asia Pacific Magazine (138): 44-51 | H6/KFY [ART] | 1039-3625 | |||
| Manal Aldowayan. Immortal traces | 2024 | Art Asia Pacific Magazine (138): 52-9 | H6/KFY [ART] | 1039-3625 | |||
| Embracing unknowns. Philippe Parreno | 2024 | Art Asia Pacific Magazine (138): 60-7 | H6/KFY [ART] | 1039-3625 |
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