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TitleDateReferenceAuthorsCall #ISSN
Forensic traceable liquid for deterring trafficking in cultural property: pilot implementation in Iraq 2024 Journal of field archaeology 49 (1): 59-73
  • Alesia Koush
 *H6/KE [JOURNAL-] 2042-4582
Dakar's Salon confrontation of 1966 2024 Nka: journal of contemporary African art (54): 80-101
  • Daniel Horn
 H6/KY [NKA-] 1075-7163
The travel of a thangka: crossing gender and cultural boundaries with Lutso's stories 2024 Journal of material culture 29 (1): 102-21
  • Ming Xue
 H6/KF [JOURNAL-] 1359-1835
Picture a black Captain Cook: Aotearoa artists at the 24th Biennale of Sydney 2024 Art New Zealand 190 (): 74-7
  • Jon Bywater
 H6/KX [ART-] 0110-1102
A portrait of Jean Roudillon in his own words 2024 Tribal art (112): 88-97
  • Elena Martínez Jacquet interv
  • Jean Roudillon
 *H6/KFY [WORLD-] 1354-2990
The practices of artist-entrepreneurs located outside Canada's creative hubs viewed through the lens of the pragmatic sociology of critique 2024 Canadian review of sociology and anthropology 61 (3): 283-307
  • Jacques-Bernard Gauthier
  • Julie Bérubé
 H6/KUB [CANADIAN-] 1755-6171
Foreigners everywhere: Indigeneity at the 60th Venice Biennale 2024 First American art magazine (43): 24-33
  • Andrea L. Ferber
 H6/KUB [FIRST-] 2333-5548
Katsina carving in the art world. Reflecting on a century of evolving styles and techniques 2024 First American art magazine (43): 34-9
  • Mark Bahti
 H6/KUB [FIRST-] 2333-5548
Foreign agents: Aotearoa artists in Venice 2024 Art New Zealand (91): 80-3
  • Jon Bywater
 H6/KX [ART-] 0110-1102 Europe
High art on a mug: art merchandise in China's contemporary art market 2024 European journal of cultural studies 27 (4): 629-47
  • Svetlana Kharchenkova
 H6/KF [EUROPEAN-] 1367-5494
The path to Venice: originators and leaders bring Native American art to Biennale 2024 First American art magazine 44 (): 40-5
  • Patsy Phillips
 H6/KUB [FIRST-] 2333-5548
Africa in Venice 2024 Nka: journal of contemporary African art (55): 4-5
  • Chika Okeke-Agulu
 H6/KY [NKA-] 1075-7163
Foreigners in Venice: reflections on Black diaspora art at La Biennale di Venezia 2024 2024 Nka: journal of contemporary African art (55): 62-75
  • Anna Arabindan-Kesson
 H6/KY [NKA-] 1075-7163
Visibility and the politics of representation at the 60th Venice Biennale 2024 Nka: journal of contemporary African art (55): 76-87
  • Christa Clarke
 H6/KY [NKA-] 1075-7163
Exploding the canon: Modernism from Africa at the 60th Venice Biennale 2024 Nka: journal of contemporary African art (55): 88-102
  • Perrin M. Lathrop
 H6/KY [NKA-] 1075-7163
All the world's histories at the 59th Venice Biennale 2023 Nka: journal of contemporary African art (52): 120-35
  • Selene Wendt
 H6/KY [NKA-] 1075-7163
Twenty years of the California Indian Market 2023 News from native California 36 (3): 22-9
  • Terria Smith
 *H6/KUB [NEWS-] 1040-5437
The illicit trade in antiquities is not the world’s third largest illicit trade: a critical evaluation of a factoid 2023 Antiquity 97 (394): 991-1003
  • Donna Yates
  • Neil Brodie
 H6/KE [ANTIQUITY-] 0003-598X
Galleries' roles in the Native art world: educating and advocating for indigenous artists 2023 First American art magazine 37 (): 18-26
  • Chadd Scott
 H6/KUB [FIRST-] 2333-5548
Counterpublic 2023: a mound city triennial 2023 First American art magazine 39 (): 60-6
  • Andrea L. Ferber
 H6/KUB [FIRST-] 2333-5548
The audience and the message: Nayombolmi's bark paintings from western Arnhem Land, Australia 2023 Aboriginal history 47 (): 3-36
  • Jeffrey Lee
  • Joakim Goldhahn
  • Sally K. May
 H6/KX [ABORIGINAL-] 0314-8769
Why there is still an illicit trade of cultural objects and what can we do about it 2022 Journal of field archaeology 47 (2): 117-30
  • Donna Yates
  • Emiline Smith
  • Isber Sabrine
  • Morag M. Kersel
  • Neil Brodie
  • Simon Mackenzie
 *H6/KE [JOURNAL-] 2042-4582
Un trono dividido: el origen y movimientos de la banca jeroglífica 1 de Ixtutz, Guatemala 2022 Latin American antiquity 33 (2): 262-78
  • David Stuart
  • Katharine Lukach
  • Mara Antonieta Reyes
  • Megan O'Neil
  • Nicholas Carter
  • Stephen Houston
 *H6/KE [LATIN-] 1045-6635
Launched: Whangarei's Wairau Māori Art Gallery 2022 Art New Zealand (182): 76-9
  • Maïa Abraham
 H6/KX [ART-] 0110-1102
Apparitions: exposure of Inuit art at Expo '67 2022 Inuit art quarterly 35 (1): 50-2
  • Emily Laurent Henderson
 *H6/KFY [INUIT-] 0831-6708
Big money: the right to profit from resold artwork 2022 Inuktitut (130): 20-3
  • Emily Laurent Henderson
 *H6/KUB [INUKTITUT-] 0705-8527
The rallying call to decolonize: Okwui Enwezor's legacy 2021 Nka: journal of contemporary African art (48): 24-39
  • Monique Kerman
 H6/KY [NKA-] 1075-7163
In the wake of Okwui Enwezor 2021 Nka: journal of contemporary African art (48): 14-22
  • Natasha Becker
 H6/KY [NKA-] 1075-7163
Abdelkader Lagtaâ and his conceptual exercises in Poland, 1972–74 2021 Nka: journal of contemporary African art (48): 40-52
  • Przemysław Strożek
 H6/KY [NKA-] 1075-7163
Okwui Enwezor's exhibition making as a practice of hospitality 2021 Nka: journal of contemporary African art (48): 54-69
  • Suzette Min
 H6/KY [NKA-] 1075-7163
Enwezor's model and Copenhagen's Center for Art on Migration Politics 2021 Nka: journal of contemporary African art (48): 70-95
  • Anne Ring Petersen
  • Sabine Dahl Nielsen
 H6/KY [NKA-] 1075-7163
Ethnic envy and other aggressions in the contemporary "global" art complex 2021 Nka: journal of contemporary African art (48): 96-110
  • Amelia Jones
 H6/KY [NKA-] 1075-7163
Cherry River: where the rivers meet 2021 Nka: journal of contemporary African art (48): 112-30
  • Mary Ellen Strom
  • Shane Doyle
 H6/KY [NKA-] 1075-7163
Laughing with, laughing at: humor and revolution in the 2019 Venice pavillions of Chile and Egypt 2021 The Cambridge journal of anthropology 39 (2): 39-58
  • Alkisti Efthymiou
  • Chrisolua Lionis
 H6 [CAMBRIDGE-] 2047-7716
Mexico's interamerican biennals and the hemispheric Cold War 2021 Anales del Instituto de Investigaciones Estéticas 43 (119): 249-85
  • Fabiola Martínez Rodrigues
 H6/KFY [MEXICO-] 0185-1276
The contemporary art world, Africa, and the women who brought about change 2021 African arts 54 (1): 1-5
  • Karen E. Milbourne
 H6/KFY [AFRICAN-] 0001-9933
Dream no small dream 2021 African arts 54 (1): 30-5
  • Chili Hawes
 H6/KFY [AFRICAN-] 0001-9933
Shifting landscapes 2021 African arts 54 (1): 36-47
  • Elisabeth Lalouschek
 H6/KFY [AFRICAN-] 0001-9933
Supporting new futures in the arts: from the Prince Claus Fund and back 2021 African arts 54 (1): 48-59
  • Els van der Plas
 H6/KFY [AFRICAN-] 0001-9933
N'Goné fall 2021 African arts 54 (1): 60-71
  • N'Goné Fall
  • Nontobeko Ntombela interv
 H6/KFY [AFRICAN-] 0001-9933
Bisi Silva interviewed by Temitayo Ogunbiyi 2021 African arts 54 (1): 72-81
  • Bisi Silva
  • Temitayo Ogunbiyi interv
 H6/KFY [AFRICAN-] 0001-9933
Because the movement, it's never done 2021 Journal of American folklore 134 (534): 492-500
  • Kathi King
  • Natalie Battles
 H6/KF [JOURNAL-] 0021-8751
Artistic movements: visual arts and cross-border exchange on the Central African Copperbelt 2021 Journal of southern African studies 47 (6): 951-72
  • Enid Guene
 H6/KY [JOURNAL-] 1465-3893
Interpretation, topography and chronology of the Greco-Catholic medals of the 17th-18th centuries (according to archaeological research and analysis of private collections) 2021 Vestsi Akademii Navuk Belarusi 1 (): 41-57
  • Aliaksandr A. Kunash
 H6/KVY [AKADEMIYA NAVUK BYELARUSKAY SSR. Vestsi seryya hramadskikh navuk] 0321-1649
Exhibitions and visual culture in Latin America,19th and 20th century. Introduction 2021 Iberoamericana 21 (77): 7-13
  • Christiane Hoth de Olano
  • Sven Schuster
 H6/KUL [IBEROAMERICANA-] 1577-3388
Bark paintings as ambassadors, 1948-63, and the circle back to Aboriginal cultural agency 2021 Aboriginal history 45 (): 57-82
  • Amanda Harris
  • Matt Poll
 H6/KX [ABORIGINAL-] 0314-8769
Lagos art world: the emergence of an artistic hub on the global art periphery 2020 African studies review 63 (1): 170-96
  • Jess Castellote
  • Tobenna Okwuosa
 *H6/KY [AFRICAN-] 0002-0206
Zimbabwe's journey to the Venice Biennale from 2011 to 2019 2020 African arts 53 (1): 1-3
  • Raphael Chikukwa
 H6/KFY [AFRICAN-] 0001-9933
The Mostra di Arte Negra at the Venice Biennale in 1922 2020 Tribal art (95): 86-101
  • Deborah Dainese
  • Gigi Pezzoli
 *H6/KFY [WORLD-] 1354-2990
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space 2020 Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59
  • Ioannis Mouratidis
 H6/KFY [MEXICO-] 0185-1276
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