Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The flip-flop toys of Saarenald T.S. Yaawaisan in the Bryn Mawr art and artifact collections | 2023 | African arts 56 (1): 20-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Looking back at the 1990s. A better tomorrow for art museums in Hong Kong | 2023 | Art Asia Pacific Magazine (132): 60-7 | H6/KFY [ART] | 1039-3625 | |||
Framing the 'hanging garden' of Seoul - querying heritage transculturally. Jung Yeondoo re-stages (art) history in South Korea in 2009 | 2023 | World art 13 (3): 271-83 | H6 [WORLD-] | 2150-0908 | |||
Lost and found: the Ilkhanid tiles of the Pir-i Bakran mausoleum (Linjan, Isfahan) | 2023 | Iran 61 (2): 235-54 | H6/KWJ [IRAN-] | 0578-6967 | |||
Aso Oke at the Saint Louis Art Museum | 2023 | Tribal art (110): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
The digital catalogue raisonné: new perspectives for studying the works of an artist | 2023 | Suomen Museo/Finskt Museum 130 (): 46-73 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
Galleries' roles in the Native art world: educating and advocating for indigenous artists | 2023 | First American art magazine 37 (): 18-26 | H6/KUB [FIRST-] | 2333-5548 | |||
Guerrilla Girls and MASP: questioning gender inequality in museums | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 215-26 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Native artists lead the way at the Center for Native Futures | 2023 | First American art magazine (40): 34-9 | H6/KUB [FIRST-] | 2333-5548 | |||
Eskenazi Museum of Art | 2022 | First American art magazine 34 (): 70-3 | H6/KUB [FIRST-] | 2333-5548 | |||
Informal empire: the process of exhibiting Latin American art under the good neighbor policy. The case of the MoMA collection, 1943 | 2022 | Boletín americanista (84): 171-93 | H6/KUL [BOLETIN-] | 0520-4100 | |||
An Afro-Malatestian oliphant at the Met in New York: definitely a historical forgery, but perhaps an authentic gift of friendship or love | 2022 | Tribal art (105): 96-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
Speaking freely and establishing a postcolonial modern art museum? Integration of the Museum of Modern Art of Algiers | 2022 | Gradhiva: revue de anthropology et museologie (34): 112-29 | H6 [GRADHIVA-] | 0764-8928 | |||
Introduction. Studies in museum ethnography in honr of Daniel C. Swan | 2022 | Museum anthropology review 16 (1-2): 1-10 | 1938-5145 | ||||
'On behalf of the family'. A pole raising ceremony at the Denver Art Museum | 2022 | Museum anthropology review 16 (1-2): 115-34 | 1938-5145 | ||||
American religion at the Met Cloisters | 2022 | Material religion 18 (4): 459-84 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Qamajuq and ceremony: welcoming the art and spiritually caring for it in the proper way | 2022 | Inuit art quarterly 35 (5): 6-13 | *H6/KFY [INUIT-] | 0831-6708 | |||
Iniksaq: space making | 2022 | Inuit art quarterly 35 (5): 26-33 | *H6/KFY [INUIT-] | 0831-6708 | |||
Reflecting on the journey to Qaumajuq and beyond | 2022 | Inuit art quarterly 35 (5): 34-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
When stories shape the building: designing Qaumajuq | 2022 | Inuit art quarterly 35 (5): 40-7 | *H6/KFY [INUIT-] | 0831-6708 | |||
The long road to Qaumajuq | 2022 | Inuit art quarterly 35 (5): 58-63 | *H6/KFY [INUIT-] | 0831-6708 | |||
Influences from the interwar period on the photography of socialist realism in Croatia and Serbia | 2022 | Studia Ethnological Croatica 34 (): 85-101 | H6 [STUDIA-] | 1330-3627 | |||
Early writings on photography in Croatia: main aspects of the discourse about the 'New Daughter of the Sun in the Circle of Muses' | 2022 | Studia Ethnological Croatica 34 (): 137-66 | H6 [STUDIA-] | 1330-3627 | |||
Who’s looking at me? Who am I/are we loking at? | 2022 | Studia Ethnological Croatica 34 (): 167-90 | H6 [STUDIA-] | 1330-3627 | |||
Exile, violence and homeland in the fine art of the post-war community of Slovenes in Argentina | 2022 | Etnolog (New Series) 32 (): 71-87 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
Ukrainian Museums after 24 February 2022 | 2022 | Wiadomości archeologiczne 73 (): 301-5 | H6/KE [WIADOMOSCI-] | 0043-5082 | |||
Susan Mulling Vogel: disturbing expectations | 2021 | African arts 54 (1): 14-28 | H6/KFY [AFRICAN-] | 0001-9933 | |||
N'Goné fall | 2021 | African arts 54 (1): 60-71 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Bisi Silva interviewed by Temitayo Ogunbiyi | 2021 | African arts 54 (1): 72-81 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Arts of global Africa: a curatorial [re]vision of a museum's legacy | 2021 | African arts 54 (1): 82-93 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Touria El Glaoui | 2021 | African arts 54 (1): 94-101 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Recent and radical: excess, absence, and erasure in the Museum of Recent Art | 2021 | Martor: revue d'anthropologie du Musée du Paysan Roumain (26): 93-113 | H6/KVQ [MARTOR-] | 2734-8350 | |||
The abolition of museums of African art | 2021 | African arts 54 (4): 5-7 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Interaction between cultural heritage and creativity: how fashion designers rediscover cultural heritage as contemporary design | 2021 | Bulgarski folklor 47 (4): 416-25 | H6/KVR [BULGARSKI-] | 0323-9861 | |||
The Museum of Modern Art and the history of modernism | 2020 | Nka: journal of contemporary African art (46): 100-14 | H6/KY [NKA-] | 1075-7163 | |||
A new vision: modern Japanese prints from the Heriot collection | 2020 | Tuhinga (31): 91-112 | H6/KX [NEW ZEALAND-] | 1173-4337 | |||
Public art replacement on the Mapocho River: erasure, renewal and conflict of cultural value in Santiago del Chile | 2020 | Space and culture 23 (2): 149-63 | H6 [SPACE-] | 1206-3312 | |||
Being present: John Vea at Sydney's 4A Centre for Contemporary Asian Art | 2020 | Art New Zealand (173): 60-3 | H6/KX [ART-] | 0110-1102 | |||
Making memories: Puhoro o Mua, Puhoro ki Tua and the gathering | 2020 | Art New Zealand (173): 64-7 | H6/KX [ART-] | 0110-1102 | |||
Participatory space and the spectatorship in the museum. A problem and answer about the use of today's exhibition space | 2020 | Anales del Instituto de Investigaciones Estéticas 42 (116): 29-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
Contemporary art and the disciplining of novelty in the UAE | 2020 | Museum anthropology 43 (2): 79-93 | H6 [MUSEUM-] | 0892-8339 | |||
One small corner of the Viceroyalty in South Kensington: barniz de Pasto at the Victoria and Albert Museum, London | 2020 | Anales. Museo de América (Madrid) (28): 147-56 | H6/KUL [MUSEO DE AMERICA. Anales] | 1133-8741 | |||
Interpretation of dance in the museum space | 2020 | Bulgarska etnologiia 46 (3): 405-24 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
The museum and the encounter with the audience in the information age. Social media as a shared space for dialogue | 2020 | Bulgarska etnologiia 46 (4): 543-57 | H6/KVR [BULGARSKA-] | 1310-5213 | |||
In memoriam: Dinko Davidov (1930–2019) | 2020 | Balcanica 51 (): 283-5 | H6/KVO [BALCANICA-] | 0350-7653 | |||
Curatorial networks and museum culture: objects of evidence in museums of African art | 202 | Museum anthropology 43 (1): 14-28 | H6 [MUSEUM-] | 0892-8339 | |||
Better to lose your head than use it: working with ethnographic fiction and a new evidential paradigm at minimalist Donald Judd's The Chinati Foundation | 202 | Museum anthropology 43 (1): 60-76 | H6 [MUSEUM-] | 0892-8339 | |||
Printed textiles from Kinnigait studios. Textile Museum of Canada | 202 | Inuit art quarterly 33 (1): 60-2 | *H6/KFY [INUIT-] | 0831-6708 | |||
African arts at the Princeton University Art Museum | 2019 | African arts 52 (1): 72-89 | H6/KFY [AFRICAN-] | 0001-9933 |