| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The spiral and the crossroads: the dual universalisms of Senegal's first art museum | 2025 | African arts 57 (4): 44-59 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Kings and queens of Africa at the Musée du Louvre Abu Dhabi | 2025 | Tribal art (115): 52-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| More than a glow up: the development of the new AOA galleries at the MET | 2025 | Tribal art (116): 54-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Zhunti and Juntei: a study of the Zhunti Mantra sheet at the Museum of Fine Arts in Boston | 2025 | Material religion 21 (2): 121-36 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Introduction: on Buddhist exhibitions and museums in Asia | 2025 | Material religion 21 (2): 211 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Revival and revolution: neo-Buddhists in National Museum, New Delhi | 2025 | Material religion 21 (2): 212-14 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| The hyperreal sacred: exploring Buddhist museums in Taiwan | 2025 | Material religion 21 (2): 215-17 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Theodicy of privilege and the development of a colossal Buddhist statue and art museum in post-handover Hong Kong | 2025 | Material religion 21 (2): 221-4 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Perspectives on the new Michael C. Rockefeller Wing at the Metropolitan Museum of Art | 2025 | Tribal art (117): 70-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Africa | 2025 | Tribal art (117): 74-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Oceania | 2025 | Tribal art (117): 84-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The ancient Americas | 2025 | Tribal art (117): 96-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
| “The return of the Indian raid” in the History Archive of San Luis province (Argentina) | 2025 | Revista Tefros 23 (2): 121-40 | 1669-726X | ||||
| Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
| South Africa at the Tate: searching for a national school and a national identity | 2024 | Journal of southern African studies 50 (3): 447-68 | H6/KY [JOURNAL-] | 1465-3893 | |||
| Kuniyoshi’s triptychs in the collection of the Náprstek Museum | 2024 | Annals of the Náprstek Museum 45 (2): 67-104 | H6/KVL [PRAGUE-] | 0231-844X | |||
| The flip-flop toys of Saarenald T.S. Yaawaisan in the Bryn Mawr art and artifact collections | 2023 | African arts 56 (1): 20-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Looking back at the 1990s. A better tomorrow for art museums in Hong Kong | 2023 | Art Asia Pacific Magazine (132): 60-7 | H6/KFY [ART] | 1039-3625 | |||
| Framing the 'hanging garden' of Seoul - querying heritage transculturally. Jung Yeondoo re-stages (art) history in South Korea in 2009 | 2023 | World art 13 (3): 271-83 | H6 [WORLD-] | 2150-0908 | |||
| Lost and found: the Ilkhanid tiles of the Pir-i Bakran mausoleum (Linjan, Isfahan) | 2023 | Iran 61 (2): 235-54 | H6/KWJ [IRAN-] | 0578-6967 | |||
| Aso Oke at the Saint Louis Art Museum | 2023 | Tribal art (110): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The digital catalogue raisonné: new perspectives for studying the works of an artist | 2023 | Suomen Museo/Finskt Museum 130 (): 46-73 | H6/KE [SUOMEN MUINAISMUISTOYHDISTYS. Suomen Museo-] | 0355-1806 0355-1814 | |||
| Galleries' roles in the Native art world: educating and advocating for indigenous artists | 2023 | First American art magazine 37 (): 18-26 | H6/KUB [FIRST-] | 2333-5548 | |||
| Guerrilla Girls and MASP: questioning gender inequality in museums | 2023 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (41): 215-26 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
| Native artists lead the way at the Center for Native Futures | 2023 | First American art magazine (40): 34-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Eskenazi Museum of Art | 2022 | First American art magazine 34 (): 70-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| Informal empire: the process of exhibiting Latin American art under the good neighbor policy. The case of the MoMA collection, 1943 | 2022 | Boletín americanista (84): 171-93 | H6/KUL [BOLETIN-] | 0520-4100 | |||
| An Afro-Malatestian oliphant at the Met in New York: definitely a historical forgery, but perhaps an authentic gift of friendship or love | 2022 | Tribal art (105): 96-103 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Speaking freely and establishing a postcolonial modern art museum? Integration of the Museum of Modern Art of Algiers | 2022 | Gradhiva: revue de anthropology et museologie (34): 112-29 | H6 [GRADHIVA-] | 0764-8928 | |||
| Introduction. Studies in museum ethnography in honr of Daniel C. Swan | 2022 | Museum anthropology review 16 (1-2): 1-10 | 1938-5145 | ||||
| 'On behalf of the family'. A pole raising ceremony at the Denver Art Museum | 2022 | Museum anthropology review 16 (1-2): 115-34 | 1938-5145 | ||||
| American religion at the Met Cloisters | 2022 | Material religion 18 (4): 459-84 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Qamajuq and ceremony: welcoming the art and spiritually caring for it in the proper way | 2022 | Inuit art quarterly 35 (5): 6-13 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Iniksaq: space making | 2022 | Inuit art quarterly 35 (5): 26-33 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Reflecting on the journey to Qaumajuq and beyond | 2022 | Inuit art quarterly 35 (5): 34-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| When stories shape the building: designing Qaumajuq | 2022 | Inuit art quarterly 35 (5): 40-7 | *H6/KFY [INUIT-] | 0831-6708 | |||
| The long road to Qaumajuq | 2022 | Inuit art quarterly 35 (5): 58-63 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Influences from the interwar period on the photography of socialist realism in Croatia and Serbia | 2022 | Studia Ethnological Croatica 34 (): 85-101 | H6 [STUDIA-] | 1330-3627 | |||
| Early writings on photography in Croatia: main aspects of the discourse about the 'New Daughter of the Sun in the Circle of Muses' | 2022 | Studia Ethnological Croatica 34 (): 137-66 | H6 [STUDIA-] | 1330-3627 | |||
| Who’s looking at me? Who am I/are we loking at? | 2022 | Studia Ethnological Croatica 34 (): 167-90 | H6 [STUDIA-] | 1330-3627 | |||
| Exile, violence and homeland in the fine art of the post-war community of Slovenes in Argentina | 2022 | Etnolog (New Series) 32 (): 71-87 | H6/KVP [ETNOLOG-] | 0354-0316 | |||
| Ukrainian Museums after 24 February 2022 | 2022 | Wiadomości archeologiczne 73 (): 301-5 | H6/KE [WIADOMOSCI-] | 0043-5082 | |||
| Susan Mulling Vogel: disturbing expectations | 2021 | African arts 54 (1): 14-28 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| N'Goné fall | 2021 | African arts 54 (1): 60-71 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Bisi Silva interviewed by Temitayo Ogunbiyi | 2021 | African arts 54 (1): 72-81 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Arts of global Africa: a curatorial [re]vision of a museum's legacy | 2021 | African arts 54 (1): 82-93 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Touria El Glaoui | 2021 | African arts 54 (1): 94-101 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Recent and radical: excess, absence, and erasure in the Museum of Recent Art | 2021 | Martor: revue d'anthropologie du Musée du Paysan Roumain (26): 93-113 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| The abolition of museums of African art | 2021 | African arts 54 (4): 5-7 | H6/KFY [AFRICAN-] | 0001-9933 |