Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Bad myth: Picturing intergenerational experiences of revolution and war in Ukraine before 2022 | 2023 | Konteksty 77 (4): 51-66, 282 | H6/KVM [POLSKA-] | 1230-6142 | |||
Influences from the interwar period on the photography of socialist realism in Croatia and Serbia | 2022 | Studia Ethnological Croatica 34 (): 85-101 | H6 [STUDIA-] | 1330-3627 | |||
The Venice Biennale and art in Belgrade in the 1950s. A contribution to the study of the artistic dialogue between Italy and Serbia | 2022 | Balcanica 53 (): 227-42 | H6/KVO [BALCANICA-] | 0350-7653 | |||
Time of voices in the wilderness: Selected remarks about the prophets and heretics of abstraction | 2021 | Konteksty 75 (3): 129-35, 244 | H6/KVM [POLSKA-] | 1230-6142 | |||
Bruno Schulz and the geography of the artistic milieus of his epoch: the relation between the place and visual-aid activity along the eastern border of Europe | 2019 | Konteksty 73 (1/2): 123-8, 578-9 | H6/KVM [POLSKA-] | 1230-6142 | |||
Word and image in the art of outsiders | 2018 | Konteksty 72 (4): 17-24, 39 | H6/KVM [POLSKA-] | 1230-6142 | |||
Last year in Marienbad as a ciné-roman | 2018 | Konteksty 72 (4): 60-7, 400 | H6/KVM [POLSKA-] | 1230-6142 | |||
La mariposa amarilla. The topoi of magical realism and the sources of Die Neidfarbe Gelb tradition | 2017/2018 | Etnografia nowa 9/10 (): 26-93 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Strategic elements in Banksy's activity | 2017/2018 | Etnografia nowa 9/10 (): 170-93 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
The achievements of communism. Revolutionary song in Latin America | 2017/2018 | Etnografia nowa 9/10 (): 510-41 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
On the Grey zone of art exhibition: Polish art brut artists and Adam Nidzgorski | 2017/2018 | Etnografia nowa 9/10 (): 672-81 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Avantgarde conservatism | 2017 | Konteksty 71 (4): 241-5 | H6/KVM [POLSKA-] | 1230-6142 | |||
Land art as a means to negotiate natural and cultural heritage in the United Arab Emirates | 2017 | Český Lid 104 (2): 213-30 | H6/KVL [CESKY-] | 0009-0794 | |||
Contemporary art practice in the Middle East - the case of the Cairo Townhouse Gallery | 2017 | Ethnologia slovaca et slavica 38 (): 39-58 | H6/KVL [ETHNOLOGIA-] | 1335-4116 | |||
Seeking refuge in folklore | 2016 | Konteksty 70 (3/4): 147-51, 597 | H6/KVM [POLSKA-] | 1230-6142 | |||
Mayan Tz'utujil indigenous art of Guatemala: origin and development of an artistic movement | 2016 | Glasnik slovenskega etnološkega Društva 56 (1/2): 27-36 | H6/KVP [SLOVENSKO ETNOLOSKO DRUSTVO. Glasnik] | 0351-2908 | |||
Bearded and winged poor bohemians, cafes fragrant aroma of absinthe. 'Total eclipse' on Montmartre Hill | 2015 | Literatura ludowa 59 (3): 3-18 | H6/KVM [LITERATURA-] | 0024-4708 | |||
'As novel as futuristic work'. Hungarian folk art exhibition in the United States in 1914 | 2015 | Néprajzi értesítő 97 (): 87-113 | H6/KVN [BUDAPEST. Magyar Nemezeti Muzeum. Neprajzi Tar. A Neprajzi Muzeum Ertesitoje-] | 0007-9699 | |||
East European artistic peripheries and the post-colonial theory | 2014 | Konteksty 68 (2): 262-72, 302 | H6/KVM [POLSKA-] | 1230-6142 | |||
Scandals at the turn of centuries | 2014 | Konteksty 68 (3/4): 313-19, 401 | H6/KVM [POLSKA-] | 1230-6142 | |||
From 'Woman with child' to 'Stranger': the feminist project of Nadežda Petrović | 2014 | Glasnik Etnografskog Instituta 62 (1): 147-61 | H6/KVP [SRPSKA-] | 2334-8259 | |||
In search of a painter's stroke. Female body boundaries in Zora Petrović's painting acts (1956/1957) | 2014 | Glasnik Etnografskog Instituta 62 (2): 155-69 | H6/KVP [SRPSKA-] | 2334-8259 | |||
The doomestic and sacral painting of Jozef Hanula | 2014 | Zborník slovenského národného Múzea v Martine 108 (55): 137-61 | H6/KVL [SLOVENSKE-] | 0139-5475 | |||
Visions of visual ethnography (interview with Prof. Dr. Naško Križnar) | 2014 | Slovenský národopis 62 (4): 547-54 | H6/KVL [SLOVENSKY-] | 1335-1303 | |||
Nature in (of) performance art | 2014 | Etnološka tribina 37 (44): 89-108 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Mark SHagal and Vitebsk: vicissitudes in relations | 2013 | Kul'tura i vremia 1 (): 130-45 | H6/KVY [KULTURA-] | ||||
Memories of Kazimir Malevich | 2013 | Kul'tura i vremia 2 (): 270-81 | H6/KVY [KULTURA-] | ||||
Konstantin Somov. The smile of a marquess and ancient sorrow | 2013 | Kul'tura i vremia 3 (): 118-61 | H6/KVY [KULTURA-] | ||||
On Vodou paintings in Haiti | 2012 | Konteksty 66 (1/2): 118-24, 368 | H6/KVM [POLSKA-] | 1230-6142 | |||
The Harlem renaissance: art within the context of racial ideology | 2012 | Konteksty 66 (1/2): 148-62, 368-9 | H6/KVM [POLSKA-] | 1230-6142 | |||
Colonising practices in the theory of art and aesthetics | 2012 | Etnografia nowa 4 (): 9-22 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Ksawery Piwocki as an art historian in the Stalinist era | 2012 | Etnografia nowa 4 (): 151-63 | H6/KVM [WARSAW. Panstwowe Muzeum Etnograficzne w Warszawie. Etnografia nowa] | 2080-8747 | |||
Oral legend and media narrative in the birth of the U.S. hippie subculture | 2012 | Ethnologia slovaca et slavica 35 (): 89-106 | H6/KVL [ETHNOLOGIA-] | 1335-4116 | |||
Introduction | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 4-29, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Looking for Africa in Carl Einstein's Negerplastik | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 30-55, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Primitive apocalypse. A political reading of Negerplastik | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 56-77, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Art, agency, and collectivity | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 78-99, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Carl Einstein's three moments | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 100-21, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Microcosm, and macrocosm or between the academy and the avant-garde | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 122-43, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Georges Braque and Carl Einstein's anthropology of the oneiric image | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 144-63, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
A burial in leaves: Bebuquin II, Carl Einstein's autobiography | 2011 | Gradhiva: revue de anthropology et museologie 14 (): 164-83, 257-9 | H6 [GRADHIVA-] | 0764-8928 | |||
Remembering the Black Arts movement | 2011 | Nka: journal of contemporary African art (29): 1-151 | H6/KY [NKA-] | 1075-7163 | |||
The Black Arts movement: testimonials/documents/conversations | 2011 | Nka: journal of contemporary African art (29): 1-144 | H6/KY [NKA-] | 1075-7163 | |||
What is art brut? | 2011 | Konteksty 65 (1): 141-52, 210 | H6/KVM [POLSKA-] | 1230-6142 | |||
Adam Nidzgorski - a contemporary Polish 'primitive artist'? | 2011 | Konteksty 65 (1): 153-62, 210 | H6/KVM [POLSKA-] | 1230-6142 | |||
Ethnographic termini: of moments and metaphors | 2011 | Visual anthropology review 27 (1): 75-7 | H6 [PROGRAM-] | 1053-7147 | |||
Pointless hut: about the exhibition 'Requiem for the hut. Jan Władysław Rączka. Biased, Photographs' | 2010 | Rocznik Muzeum Etnograficznego w Krakowie 16 (): 269-72 | H6/KVM [ROCZNIK-] | ||||
Whatever - this is what Dorka is like... In the footsteps of Doroty Lampart before of the exhibition of her paintings | 2010 | Rocznik Muzeum Etnograficznego w Krakowie 16 (): 319-36 | H6/KVM [ROCZNIK-] | ||||
Strange artists: about the concept of the exhibition 'A plucked patch of sky: painting of Dorota Lampart' | 2010 | Rocznik Muzeum Etnograficznego w Krakowie 16 (): 337-41 | H6/KVM [ROCZNIK-] | ||||
The velvet touch: fashion, furniture, and the fabric of the interior | 2009 | Fashion theory 13 (1): 51-82 | H6/KFY [FASHION-] | 1362-704X |