Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
The invention of a hybrid ethnic art: the case of the visionary shamanic paintings of the Shipibo collective Barin Bababo (Peruvian Amazon) | 2024 | Mundo Amazonico 15 (1): e104761 | 2145-5082 | ||||
Native baskets of Arizona at the Heard Museum | 2024 | Tribal art (111): 56-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
Ice patches and obsidian quarries: integrating research through collaborative archaeology in Tahltan territory | 2024 | Journal of field archaeology 49 (1): 21-41 | *H6/KE [JOURNAL-] | 2042-4582 | |||
Walls of resistance: underground memories and political violence in Colombia | 2024 | History and anthropology 35 (1): 68-89 | H6 [HISTORY-] | 1477-2612 | |||
Valdivia phase 3: transformation of female figurines, acceleration of gender inequality and notes on diversity | 2024 | Revista española de antropología americana 54 (1): 11-25 | H6/KUL [MADRID-] | 0556-6533 | |||
“Para que no esté t' ojra...”. An outline of the custom of painting the walls of corrals in the Puna of Jujuy | 2024 | Revista española de antropología americana 54 (1): 115-28 | H6/KUL [MADRID-] | 0556-6533 | |||
On the creation and articulation of forms in the abstract rock art of Durango. The case of signs made by pressing with the hands | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 35-90 | H6/KFY [MEXICO-] | 0185-1276 | |||
Egypt in/and Africa exhibitions, questions and complexities in American art museums | 2024 | African arts 57 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"Le terrain" de Roger Rousseau | 2024 | Techniques et culture (79): 158-67 | *H6 [TECHNIQUES-] | 0248-6016 | |||
Rituality and rock art in the Villicum mountain range (San Juan). The case of Quebrada la Pola site | 2024 | Comechingonia: Revista de Arqueología 28 (1): 47-69 | 2250-7728 | ||||
Becoming traditional: contemporary San art and the production of (non-) knowledge | 2024 | Ethnography 25 (2): 187-207 | H6/KF [ETHNOGRAPHY-] | 1466-1381 | |||
Robert Smithson and Nancy Holt. Art as a relationship between nature and culture from the viewpoint of geography | 2024 | International journal of anthropology 39 (1-2): 1-13 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Messy episodes: Indigenous countersigns in Ludwig Choris's diary and ethnographic portraits of Aleut, Kamchadal and Chukchi (1822) | 2024 | History and anthropology 35 (4): 995-1015 | H6 [HISTORY-] | 1477-2612 | |||
The ethnographic turn in art? Practice and theory in socially engaged art | 2024 | Taiwan journal of anthropology 22 (1): 165-208 | H6/KWS [TAIWAN-] | 1727-1878 | |||
Wik Cha'prah - Cha tru chath: Wik blood speaks to you | 2024 | The Australian journal of anthropology 35 (1-2): 90-7 | H6/KF [AUSTRALIAN-] | 1757-6547 | |||
The Ngäbe-Bugle zigzag pattern: a pre- and post-conquest exploration of art and culture | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 37-78 | H6/KFY [MEXICO-] | 0185-1276 | |||
The Dhayemlaab and the sun-fire: an approach to the mnemonic operativity of the plastic and figurative components of the sacred garment of the Teenek women | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (125): 79-118 | H6/KFY [MEXICO-] | 0185-1276 | |||
Plastic attunements: ambiguity, creativity and performing materiality in environmental dance in the UK | 2024 | Anthropology and art (9): 1-16 | 2397-1754 | ||||
Implications of rock art aesthetics in Olmec sculpture | 2024 | Latin American antiquity 35 (2): 521-41 | *H6/KE [LATIN-] | 1045-6635 | |||
Indigenous human images from the Maritime Peninsula: pre-conntact to 1850 | 2024 | Northeast anthropology 93-94 (): 149-75 | H6/KUB [MAN IN THE NORTHEAST-] | 1068-9982 | |||
Ganóko: los gigantes de la Sierra Tarahumara | 2024 | Arqueología mexicana 30 (188): 56-61 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
The art of the Paulestinos: wheatpaste art and reflections on exile | 2024 | Cadernos de arte e antropologia 13 (): 103-24 | |||||
Daring to be awkward affect sensors: ethnographic storytelling beyond judgement | 2024 | Cadernos de arte e antropologia 13 (): 3-7 | |||||
Can Solange Gonçalves speak? The art and madness of a surviving artivist | 2024 | Cadernos de arte e antropologia 13 (): 89-102 | |||||
Josef Albers in Mexico. The Bauhaus in search of its Pre-Hispanic origins | 2024 | Iberoamericana 24 (87): 35-59 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Pre-Columbian art, on the horizon of modernity: presences and discourses in museums devoted to Latin American artists | 2024 | Iberoamericana 24 (87): 61-80 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Sign, color, spirit: Americanist ancestralist suggestions | 2024 | Iberoamericana 24 (87): 81-103 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Native horizons in contemporary American art. Introduction | 2024 | Iberoamericana 24 (87): 7-10 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Original territorialities. The notion of territory as a discursive strategy in contemporary art | 2024 | Iberoamericana 24 (87): 105-27 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Ancient Peru as a cultural and modern identity in the Peruvian arts in the first half of the 20th century | 2024 | Iberoamericana 24 (87): 11-34 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
The vibrant energy of ancestry in a wild boar’s tusks: hunting, artifacts made from animals and Indigenous peoples in Brazil | 2024 | Revista do Museu de Arqueologia e Etnologia (São Paulo) 42 (): 143-63 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Anthropology of art, anthropology - history, dilemmas, possibilities | 2024 | Etnográfica: revista do Centro de Estudos de Antropologia Social 28 (3): 853-70 | H6 [ETNOGRAFICA-] | 0873-6561 | |||
Memento mori | 2023 | Tribal art (107): | *H6/KFY [WORLD-] | 1354-2990 | |||
Pathways of art: how objects get to the museum | 2023 | Tribal art (107): 60-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
Anthropomorphic bronze castings with enigmatic tattoos from the Kulai culture of Siberia | 2023 | Tribal art (107): 68-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
Antecendents, continuities, and experimental stages in a design system: a symmetry analysis of geometric designs of the Mimbres tradition | 2023 | Kiva 89 (1): 26-50 | *H6/KE [KIVA-] | 2051-6177 | |||
Naturalistic parrots, stylized birds of prey: visual symbolism of the human-animal relationship in pre-Hispanic ceramic art of the Paraná River lowlands, South America | 2023 | Cambridge archaeological journal 33 (2): 193-215 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
The long view: leadership at a critical juncture for "African art" in America | 2023 | African arts 56 (1): 10-12 | H6/KFY [AFRICAN-] | 0001-9933 | |||
"Knowledge" or "progress?" Do they have to be mutually exclusive? | 2023 | African arts 56 (1): 12-13 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Between images and processes of making see: research on the Mebengokré-Xikrin figurative drawings from the Lux Vidal collection | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-28 | 2525-3123 | ||||
Women and arts: spiritual force and ancestral African wisdom | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (2): 1-18 | H6/KUL [BOLETIM-] | 1981-8122 | |||
Revisiting 'images of other cultures': impact of the 1997 exhibition and beyond | 2023 | Bulletin of the National Museum of Ethnology (Osaka) 47 (3): 463-508 | H6 [OSAKA-] | 0385-180X | |||
Altered states of consciousness in the post Paleolithic art of the Iberian Peninsula: rituals of ecstasy, psychoactive plants, and social dynamics | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 41-61 | H6/KE [BOLETIN-] | 0716-1530 | |||
Art and shamanism. An approach to a hermeneutic of visionary images | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 21-39 | H6/KE [BOLETIN-] | 0716-1530 | |||
The statuette of the Osvaldo site in the Central Amazon. Evaluation of the presence of shamanism in a 7th century AD circular village | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 103-18 | H6/KE [BOLETIN-] | 0716-1530 | |||
Shamanism, ontologies of art, and transcorporeality: bridges between Diaguita art and bailes chinos in the Chilean semi-arid north | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 119-40 | H6/KE [BOLETIN-] | 0716-1530 | |||
Humans, camelids and artifacts in a transformational universe: funerary rituals at El Olivar site | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 141-67 | H6/KE [BOLETIN-] | 0716-1530 | |||
The shapes of things that were: applying Huarpa art (AD 250-700) to the Lewis-Williams and Dowson entoptic model for shamanism | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 195-219 | H6/KE [BOLETIN-] | 0716-1530 | |||
Representations of the san Pedro (Trichocereus spp.) cactus flower and the Anadenanthera colubrina plant in Wari textiles and Tiwanaku art | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 221-46 | H6/KE [BOLETIN-] | 0716-1530 |