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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Visualizing spirit entities: naming, classification, and pictorial representation of pseudo-natural kinds in Nuaulu cosmography | 2025 | Folklore 136 (1): 129-58 | H6/KF [FOLKLORE-] | 1469-8315 | |||
| Dating perishables to refine the chronology of Shrine Cave use, the goggle-eye motif, and other Jornada and Mimbres Mogollon iconography | 2024 | Kiva 90 (1): 98-127 | *H6/KE [KIVA-] | 2051-6177 | |||
| Petroglyphs in context: another look at the Chillihuay archaeological complex in southern Peru | 2024 | Andean past 14 (14): 101-37 | *H6/KE [ANDEAN-] | 1055-8756 | |||
| The Caborca rock art style and the archaeology of La Proveedora, Sonora | 2024 | Kiva 90 (3): 407-19 | *H6/KE [KIVA-] | 2051-6177 | |||
| Forming techniques of Ychsma cephalomorphic bottles and cara-gollettes from Pachacamac, Peru | 2024 | Ñawpa Pacha 44 (2): 209-32 | H6/KE [NAWPA-] | 0077-6297 | |||
| Indigenous human images from the Maritime Peninsula: pre-conntact to 1850 | 2024 | Northeast anthropology 93-94 (): 149-75 | H6/KUB [MAN IN THE NORTHEAST-] | 1068-9982 | |||
| Cave sanctuaries and Palaeolithic artistic motivation | 2024 | Památky archeologické 115 (): 45-75 | H6/KE [PAMATKY-] | 0031-0506 | |||
| Anthropomorphic bronze castings with enigmatic tattoos from the Kulai culture of Siberia | 2023 | Tribal art (107): 68-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A new look at the rock art on the island of Gökçeada, northeast Aegean | 2023 | Rock art research 40 (1): 107-9 | H6/KE [ROCK-] | 0813-0426 | |||
| The statuette of the Osvaldo site in the Central Amazon. Evaluation of the presence of shamanism in a 7th century AD circular village | 2023 | Boletín del Museo chileno de Arte precolombino 28 (1): 103-18 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Ancestral waters: material culture, notion of transformation and shamanism in the stilt villages in eastern Amazonia | 2023 | Cambridge archaeological journal 33 (3): 537-54 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Anthropomorphs with raised arms in Andean iconography (ca. 4000-500 years BP). A comparative analysis from the Puna de Salta, Argentina | 2023 | Boletín del Museo chileno de Arte precolombino 28 (2): 111-28 | H6/KE [BOLETIN-] | 0716-1530 | |||
| The anthropomorphic vase with a chin-mark and other symbols between the end of the 7th and 6th millennium: origin, diffusion and interpretations | 2023 | Origini 47 (): 69-96 | H6/KE [ORIGINI-] | 0034-6805 | |||
| Between pachamama and the stars...pastoralist fertility rite, rock art, and gender | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 47-66 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Forgotten marks: a study on the historical rock art of Los Fierros site, Andacollo (semiarid northern Chile) | 2022 | Boletín del Museo chileno de Arte precolombino 27 (1): 67-86 | H6/KE [BOLETIN-] | 0716-1530 | |||
| Venerando a los ancestros. Las urnas del Valle de Comitán, Chiapas | 2022 | Arqueología mexicana 29 (172): 70-5 | *H6/KUL [ARQUEOLOGIA-] | 0188-8218 | |||
| Embodiment and fashionabe colours in rock paintings of the Atacama Desert, northern Chile | 2022 | Rock art research 39 (1): 52-68 | H6/KE [ROCK-] | 0813-0426 | |||
| The newly discovered indigenous rock art from the Kinta Valley, West Malaysia | 2022 | Rock art research 39 (1): 69-82 | H6/KE [ROCK-] | 0813-0426 | |||
| Filling the void: rock-art continuity over the Pleistocene-Holocene boundary in eastern Iberia | 2022 | Cambridge archaeological journal 32 (4): 661-87 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Extraordinary back-to-back human and animal figures in the art of western Arnhem Land, Australia: one of the world's largest assemblages | 2022 | Cambridge archaeological journal 32 (4): 707-20 | H6/KE [CAMBRIDGE-] | 0959-7743 | |||
| Rock art from Andriamamelo Cave in the Beanka Protected Area of western Madagascar | 2022 | Journal of island and coastal archaeology 17 (2): 171-94 | H6/KE [ISLAND-] | 1556-4894 | |||
| The hidden side of Para Yacu locality, southern Santiago del Estero, Argentina. A semiotic approach for the interpretation of rock paintings | 2022 | Chungará 54 (4): 697-717 | H6/KUL [CHUNGARA-] | 0716-1182 | |||
| Discovering ancient cave art using 3D photogrammetry: pre-contact Native American mud glyphs from 19th Unnamed Cave, Alabama | 2022 | Antiquity 96 (387): 662-78 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| The Sayburç reliefs: a narrative scene from the Neolithic | 2022 | Antiquity 96 (390): 1599-605 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Nude awakenings: early dynastic nude female iconography | 2022 | Near Eastern Archaeology 85 (1): 33-43 | H6/KE [BIBLICAL-] | 0006-0895 | |||
| In the eye of the beholder: using microscopic analysis in the interpretation of Tuniit (Dorset Paleo-Inuit) art | 2022 | Arctic anthropology 59 (1): 39-56 | *H6 [ARCTIC-] | 0066-6939 | |||
| Les gravures rupestres de l'Oued Kharouâ (Tissint, Maroc) | 2022 | Almogaren 53 (): 185-202 | H6/KE [ALMOGAREN-] | ||||
| Stylistic change and emic cultural continuity in Archaic-Period anthropomorphs at No Bear, Montana | 2021 | Journal of field archaeology 46 (2): 108-18 | *H6/KE [JOURNAL-] | 2042-4582 | |||
| The Amazonian statue. A biography of a famous and polemic artifact from Brazil | 2021 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 16 (2): 1-16 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Intermediate Bronze Age crescent-headed figures in the Negev highlands | 2021 | Bulletin of the American Schools of Oriental Research (385): 219-43 | H6/KW [AMERICAN-] | 0003-097X | |||
| Object, subject, thing: Tamil Hindu priests' material practices and practical theories of animation and accommodation | 2021 | American ethnologist 47 (4): 447-60 | H6 [AMERICAN-] | 0094-0496 | |||
| Rock art of Chucamarc (Yaco, La Paz, Bolivia). Preliminary approach | 2021 | Boletín. Sociedad de Investigación del Arte Rupestre de Bolivia (35): 25-47 | *H6/KE [SOCIEDAD-] | 1017-4346 | |||
| Antropomorphic stone sculptures from the Classic Period at Santo Nombre, Puebla, Mexico | 2021 | Mexicon 43 (5): 101-9 | *H6/KUL [MEXICON-] | 0720-5988 | |||
| "The altarpieces are extremely shape": the collaterals of anthropomorphic columns in the colonial Yucatan | 2021 | Fronteras de la Historia 26 (1): 170-98 | H6/KUL [FRONTERAS-] | 0123-4676 | |||
| Statue-menhirs and context: new results and an overview from the Ossimo Anvòia site (Borno Plateau, Val Camonica) | 2021 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (60): 13-29 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
| The statue-menhirs of the Valcamonica-Valtellina group: an update | 2021 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (60): 31-46 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
| The Copper-Age anthropomorphic steles found in the megalithic area of Saint-Martin-de-Corléans (Aosta): iconographic studies through the analysis and interpretation of their textile ornaments | 2021 | Bulletin du Musée d'Anthropologie préhistorique de Monaco (60): 51-61 | H6/KE [MONACO. Musee d'Anthropologie Prehistorique. Bulletin] | 0544-7631 | |||
| The ovals engraved in the Adrar of Iforas (Mali) and their Saharan counterparts. On the trail of the genies of African protohistory | 2021 | Journal des africanistes 91 (2): 6-89 | H6/KY [SOCIETE-] | 0399-0346 | |||
| El templo pintado del El Ingenio, Nasca | 2021 | Boletín de Lima 43 (203-206): 219-48 | *H6/KE [BOLETIN-] | 0253-0015 | |||
| Prehispanic rock art in a mining, ritual and caravan site of the Puna de Salta: the case of Cueva Inca Viejo in the macro-regional context of the south-central Andes | 2021 | Comechingonia: Revista de Arqueología 25 (3): 129-64 | 2250-7728 | ||||
| Consideraciones arqueológicas en torno al monolito de Ayata (un caso de investigación a distancia) | 2021 | Chachapuma (10): 36-44 | H6/KE [CHACHAPUMA-] | 1993-9086 | |||
| The quest for palaeolithic art in the Neris river valley, Central-Eastern Lithuania | 2021 | Archeologia polski 66 (): 53-69 | H6/KE [ARCHEOLOGIA-] | 0003-8180 | |||
| The oldest (XI-XII centuries) chess pieces made in the abstract Arab style excavated in Poland against the European trends related to the initial stages of adaptation in Europe | 2021 | Slavia antiqua 62 (): 285-315 | H6/KE [SLAVIA-] | 0080-9993 | |||
| Domination of women? Gender representation in the corpus of late neolithic anthropomorphic figurines | 2021 | Ethno-anthropological problems journal 16 (3): 739–59 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
| Whoever seeks, finds. Rock art in southern Chile. Assessment, perspectives, and questions | 2020 | Boletín del Museo chileno de Arte precolombino 25 (1): 247-69 | H6/KE [BOLETIN-] | 0716-1530 | |||
| A celebrated stone: the Inkas' carved monolith at Saywiti | 2020 | Res 73-74 (): 307-24 | *H6 [RES-] | 2327-9621 | |||
| Cultural resource management of the dying ivory craftsmanship as reflected in the wood carving of Thiruvananthapuram, Kerala | 2020 | Journal of Indo-Pacific archaeology 44 (): 1-18 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 2375-0510 | |||
| The rock art of Kisar Island, Indonesia: a small island with a wealth and diversity of artistic expression | 2020 | Journal of Indo-Pacific archaeology 44 (): 19-51 | H6/KE [INDO-PACIFIC PREHISTORY ASSOCIATION. Bulletin.] | 2375-0510 | |||
| New evidence pertaining to an alleged Hopewell mobiliary clay human figurine: a reply to Bebber and colleagues | 2020 | Midcontinental journal of archaeology 45 (2): 87-101 | H6/KE [MIDCONTINENTAL-] | 0146-1109 | |||
| Bura funerary urns. Niger terracottas: an interpretive limbo? | 2020 | African arts 53 (1): 66-75 | H6/KFY [AFRICAN-] | 0001-9933 |
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