Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Symposium on Derron Wallace’s The Culture Trap: ethnic expectations and unequal schooling for Black youth | 2024 | Ethnic and racial studies 47 (3): 526-7 | H6/KD [ETHNIC-] | 1466-4356 | |||
All the world's histories at the 59th Venice Biennale | 2023 | Nka: journal of contemporary African art (52): 120-35 | H6/KY [NKA-] | 1075-7163 | |||
Racism without race: reconstructing race through culture in Spanish social-science books | 2023 | Ethnic and racial studies 46 (10): 2111-37 | H6/KD [ETHNIC-] | 1466-4356 | |||
Knowledges on the margins. Strategies of production and new medialities in Latin America from the perspective of conviviality-inequality | 2023 | Iberoamericana 23 (84): 7-12 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Developing African oral tranditional storytelling as a framework for studying with African peoples | 2023 | Qualitative research 23 (6): 1497-514 | H6 [QUALITATIVE-] | 1468-7941 | |||
Afro-descendant oralities and materialities of Ingeniero Miguel Sajaroff (ex La Capilla), Entre Ríos. An anthropological approach | 2022 | Revista Tefros 20 (1): 119-47 | 1669-726X | ||||
Marriages and consensual unions of the Afro population of Carmen de Patagones. Inbreeding and exogamy as possible strategies in the choice of a partner (1832-1874) | 2022 | Revista Tefros 20 (2): 135-73 | 1669-726X | ||||
Performing the nation. Afrodescendence and racialized representation in theatrical artistic practices in Buenos Aires | 2022 | Etnografías Contemporáneas (14): 34-58 | 2451-8050 | ||||
Reflections of movement | 2022 | Current anthropology 63 (5): 608-11 | H6 [CURRENT-] | 1537-5382 | |||
The radical humanism of Sylvia Wynter: an introduction | 2022 | Mana 8 (3): 1-28 | H6/KUL [MANA-] | 1678-4944 | |||
Breach: a portolan of multimodal practice | 2022 | American anthropologist 124 (1): 204-14 | *H6 [AMERICAN-] | 0002-7294 | |||
Visualizing blackness in colonial Latin America | 2021 | Colonial Latin American review 30 (2): 179-96 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
From ira to imagen: the Virgin of the Antigua as a ‘space for correlation’ in seventeenth-century Lima | 2021 | Colonial Latin American review 30 (2): 214-37 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
The composite pardo of seventeenth-century Lima: blackness, whiteness, and Creole self-fashioning in the earliest portraits of Martín de Porres | 2021 | Colonial Latin American review 30 (2): 272-304 | *H6/KUL [COLONIAL-] | 1466-1802 | |||
Rethinking the historical development of Caribbean performance culture from an Afro-Iberian perspective: the case of Jankunu | 2021 | New West Indian guide 25 (3-4): 223-53 | H6/KUL [NWIG-] | 0028-9930 | |||
“So nicely in harmony with the tropical nature.” Listening to the cultural and the natural in Suriname, 1883–2020 | 2021 | The World of Music 10 (2): 51-78 | H6/KFY [WORLD-] | 0043-8774 | |||
The "negress" of Alexandria. African womanhood in modern Egyptian art | 2021 | African arts 54 (4): 20-37 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Listening as a radical act. Conversations on decoloniality and fashion | 2021 | African arts 54 (4): 1-5 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Anthropology of indigenous and Afro media in Latin America: a presentation | 2021 | Disparidades: revista de antropologia 76 (2): 1-5 | H6/KVE [REVISTA-] | 2659-6881 | |||
Disruptive interventions: in re-curating the Georgian House Museum in Bristol: Being Rendered Invisible in the Georgian House (2016) and Daughters of Igbo Woman (2017) | 2021 | Journal of museum ethnography (34): 90-109 | *H6 [JOURNAL-] | 0954-7169 | |||
The unity of Black people and the redemption of Ethiopia: the Ethiopian World Federation and new Black nationalism, 1936-1940 | 2021 | International journal of African historical studies 54 (2): 193-215 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
A paleopathological appraisal of pre- and post-European contact societies in northern Zimbabwe | 2021 | Southern African humanities 34 (): 83-110 | H6/KY [NATAL-] | 1681-5564 | |||
Who can speak about Afro-Argentinean past?: Contesting hegemonic memories from Afrodescendant leadership | 2020 | Runa 41 (1): 115-27 | |||||
Serving status on the Gambia River before and after Abolition | 2020 | Current anthropology (Supplement) 61 (22): S260-S275 | H6 [CURRENT-] | 0011-3204 | |||
Archaeology of marronage in the Caribbean Antilles | 2020 | Revista do Museu de Arqueologia e Etnologia (São Paulo) (35): 1-13 | H6/KUL [SAO PAULO-] | 0103-9709 | |||
Africans combatting COVID-19 in song and music | 2020 | Practicing anthropology 42 (3): 12-15 | qH6 [PRACTICING-] | 0888-4552 | |||
Ex-Africa: histories and identities of a universal art | 2019 | Tribal art (91): 62-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
A desire for art: the Ewa and Yves Develon collection at the Musée des Confluences | 2019 | Tribal art (91): 68-73 | *H6/KFY [WORLD-] | 1354-2990 | |||
The northern Zanj, Demadin, Yamyam, Yam/Yamjan, Habasha/Ahabish, Zanj-Ahabish, and Zanj ed-Damadan - the Horn of Africa between the ninth and fifteenth centuries | 2019 | History in Africa 46 (): 57-104 | H6/KY [HISTORY-] | 0361-5413 | |||
Lost to fire: the African collection of the National Museum of Brazil | 2019 | African arts 52 (3): 12-15 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Mainstreaming African diasporic foodways when academia is not enough | 2019 | Transforming anthropology 27 (2): 149-63 | H6 [TRANSFORMING-] | 1051-0559 | |||
Ancient DNA analysis of the Thulamela remains: deciphering the migratory patterns of a Southern African population | 2019 | Journal of African archaeology 17 (2): 161-72 | H6/KE [JOURNAL-] | 1612-1651 | |||
Blues\blank\black: performance art as gesture, color, repetition, archive | 2019 | Iberoamericana 19 (72): 105-16 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Naturalography of co-existence among East African pastoral societies: an introductory overview of Japanese scholarship | 2019 | African study monographs 40 (2-3): 45-75 | H6/KY [AFRICAN-] | 0285-1601 | |||
A Harvard physician's reports on a 1857 visit to Saamaka | 2019 | New West Indian guide 93 (3-4): 259-78 | H6/KUL [NWIG-] | 0028-9930 | |||
The Dats'in: historical experience and cultural identity of an undocumented indigenous groups of the Sudanese-Ethiopian borderland | 2019 | Journal of Eastern African studies 13 (3): 504-24 | H6/KY [EASTERN-] | 1753-1055 | |||
Introduction: carnivals, festivals, and pan-Africanism | 2019 | World art 9 (1): 1-3 | H6 [WORLD-] | 2150-0908 | |||
Revealing the ‘trends and confrontations’ of contemporary African-American art through the First World Festival | 2019 | World art 9 (1): 5-26 | H6 [WORLD-] | 2150-0908 | |||
Big Bird’s minor upset: Frank Bowling’s prize-winning entry to the 1966 Premier Festival Mondial des Arts Nègres | 2019 | World art 9 (1): 27-41 | H6 [WORLD-] | 2150-0908 | |||
Tendances et Confrontations: an experimental space for defining art from Africa | 2019 | World art 9 (1): 43-65 | H6 [WORLD-] | 2150-0908 | |||
The quest for a Pan-African groove: saxophones and stories from the Pan-African Festival of Algiers (1969) | 2019 | World art 9 (1): 67-80 | H6 [WORLD-] | 2150-0908 | |||
Inside Dakar’s Musée Dynamique: reflections on culture and the state in postcolonial Senegal | 2019 | World art 9 (1): 81-97 | H6 [WORLD-] | 2150-0908 | |||
Sch... On curating the unspoken and the unspeakable | 2019 | Tsantsa (24): 78-88 | H6/KF [TSANTSA-] | 1420-7834 | |||
From the African west coast to Brazil: ways of slavery | 2019 | Ciência & Trópico 43 (2): 63-81 | H6/KUL [CIENCIA-] | 0304-2685 | |||
Beyond compare: art from Africa in the Bode Museum | 2018 | Tribal art 87 (): 70-7 | *H6/KFY [WORLD-] | 1354-2990 | |||
A very long history | 2018 | Tribal art (8): 18-19 | *H6/KFY [WORLD-] | 1354-2990 | |||
Language and music | 2018 | Tribal art (8): 20-1 | *H6/KFY [WORLD-] | 1354-2990 | |||
Contemporary art at the Royal Museum for Central Africa | 2018 | Tribal art (8): 22-3 | *H6/KFY [WORLD-] | 1354-2990 | |||
The awakening of a sleeping beauty: memories of the genesis of an exhibition. The hidden treasures of the Tervuren Museum (1995) | 2018 | Tribal art (8): 24-35 | *H6/KFY [WORLD-] | 1354-2990 | |||
Unrivaled art | 2018 | Tribal art (8): 36-9 | *H6/KFY [WORLD-] | 1354-2990 |