Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
Breaking the chains of television: streaming and the 'Netflix effect' in Turkey | 2024 | International journal of cultural studies 27 (1): 47-64 | H6/KF [INTERNATIONAL-] | 1367-8779 | |||
New online histories from memorial portrait photographs of Nigerian nationalists posted on social media | 2024 | Cahiers d'études africaines (253): 61-91 | H6/KY [CAHIERS-] | ||||
Legitimating taste in cultural fields: generational classifications and symbolic struggles in representations of 'natural' wine | 2024 | Journal of consumer culture 24 (1): 120-37 | H6 [JOURNAL-] | 1469-5405 | |||
Anachronistic archives. Magdalena Jitrik on political deference | 2024 | Iberoamericana 24 (85): 13-25 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Archive of the revolt: from awakening to the virtual museum for the Chilean case | 2024 | Iberoamericana 24 (85): 27-50 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Classical tradition in the celebrations of the Centenary of the Republic of Chile (1910) | 2024 | Iberoamericana 24 (85): 155-83 | H6/KUL [IBEROAMERICANA-] | 1577-3388 | |||
Aesthetic assemblages: relational aesthetics of the Israeli movement practice Gaga | 2024 | Material religion 20 (1): 73-99 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Representations of gender in Estonian graffiti and street art | 2024 | Folklore (Tartu) 92 (): 7-48 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
The appearance of grotesque forms in Crystal manor tales | 2024 | Folklore (Tartu) 92 (): 145-66 | H6/KVT [FOLKLORE-] | 1406-0949 | |||
Big enough to matter: on the frequency and chronology of giant handaxes in the British Lower Palaeolithic | 2024 | Antiquity 98 (398): 305-22 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Alberto Ruz Lhuillier and his insights into art | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 9-34 | H6/KFY [MEXICO-] | 0185-1276 | |||
On the creation and articulation of forms in the abstract rock art of Durango. The case of signs made by pressing with the hands | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 35-90 | H6/KFY [MEXICO-] | 0185-1276 | |||
Uses of the image in the Novo-Hispanic prints within the congregation of Saint Philip Neri | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 91-115 | H6/KFY [MEXICO-] | 0185-1276 | |||
Foreign aromatics, olfactory culture, and scent connoisseurship in late medieval China | 2024 | Journal of the Royal Asiatic Society (Series 3) 34 (2): 435-53 | H6/KW [ROYAL-] | 1356-1863 | |||
Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
The crossover: integrating Indian sign language with mudras in an Indian classical dance performance creation | 2024 | Visual anthropology 37 (2): 146-65 | *H6 [VISUAL-] | 1545-5920 | |||
Attractiveness and attainment: status, beauty, and jobs in China and United States | 2024 | American journal of sociology 129 (6): 1720-62 | H6/KF [AMERICAN-] | 0002-9602 | |||
Were metal tweezers exclusively used as hair removers in the central Andes? | 2024 | Estudios Atacameños 70 (): 1-45 | H6/KE [ATACAMENOS-] | 0716-0925 | |||
Contemporary ethnographic aesthetics: the TikTok turn | 2024 | Visual anthropology 37 (3): 195-211 | *H6 [VISUAL-] | 1545-5920 | |||
Epistemology of the ethnographic image: hybridizing genre in South Sudan's autobiographical cinema | 2024 | Visual anthropology 37 (3): 283-300 | *H6 [VISUAL-] | 1545-5920 | |||
Camaleón cultural: la construcción discursiva, musical y performativa "chola" en la artista peruana Ruby Palomino | 2024 | Studies in Latin American popular culture 42 (): 75-96 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Unlocking the soul of Java: the role of ethnopoetics in shaping cultural and evolutionary narratives in east Javanese literature | 2024 | Human evolution 39 (1-2): 85-99 | H6/HB [HUMAN-] | 0393-9375 | |||
El disco es cultura: sonic artifacts and Latinx Chicago | 2024 | American anthropologist 126 (2): 282-94 | *H6 [AMERICAN-] | 0002-7294 | |||
'Plastic pollution' and plastics as pollution in Mumbai, India | 2023 | Ethnos 88 (1): 167-86 | H6 [ETHNOS-] | 1469-588X | |||
An aesthetic theory of the subversive sublime of Ital cuisine | 2023 | Food Culture and Society 26 (1): 24-46 | H6/KF [FOOD-] | 1751-7443 | |||
“A sense of life”: the abstruse language of taste in Chinese culture | 2023 | Food Culture and Society 26 (1): 47-62 | H6/KF [FOOD-] | 1751-7443 | |||
On material and embodied power dynamics and religion | 2023 | Material religion 19 (1): 80-1 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Feeling material culture: affect, power, sensation | 2023 | Material religion 19 (1): 82-4 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Antecendents, continuities, and experimental stages in a design system: a symmetry analysis of geometric designs of the Mimbres tradition | 2023 | Kiva 89 (1): 26-50 | *H6/KE [KIVA-] | 2051-6177 | |||
‘Inbetweenness’, Tanah Air and Nusantara in Dain Said’s Bunohan (2012), Interchange (2016) and Dukun (2018) | 2023 | Indonesia and the Malay world 51 (149): 100-18 | H6/KX [INDONESIA-] | 1469-8382 | |||
Painting for fools | 2023 | Theory, culture and society 40 (1-2): 179-200 | H6 [THEORY-] | 0263-2764 | |||
(In)visibility, mediated, and sporting perceptions: Bollywood, biopics, and the epistemic turn in Mary Kom | 2023 | Visual anthropology 36 (3): 249-79 | *H6 [VISUAL-] | 1545-5920 | |||
Anthropological vision in interwar art and its publications: an ethnographic turn | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (122): 175-98 | H6/KFY [MEXICO-] | 0185-1276 | |||
Visual effects: a fake indigenous warrior, a contested hill and urban imaginaries of indigeneity in Santiago de Chile | 2023 | Bulletin of Latin American research 42 (2): 264-82 | *H6/KUL [BULLETIN-] | 0261-3050 | |||
Formas y relaciones: un análisis diacrónico de la comunicación visual en el arte rupestre de grupos cazadores-recolectores del extremo sur del Macizo del Deseado (Patagonia, Argentina) | 2023 | Latin American antiquity 34 (1): 59-78 | *H6/KE [LATIN-] | 1045-6635 | |||
Floral beadwork of the Menominee Nation | 2023 | Whispering wind 49 (6): 6-11 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Artifacts from the perspective of Effutu masquerade performance, an aesthetic album | 2023 | African arts 56 (2): 48-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Beyond the “popular” versus “serious” criticism binary: towards new histories of Black art criticism | 2023 | African arts 56 (2): 64-77 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Navigating discipline and indulgence: the performance of contradiction on Instagram food posts in the Philippines | 2023 | Food Culture and Society 26 (3): 793-813 | H6/KF [FOOD-] | 1751-7443 | |||
Art and politics: artivism as a world changing language and form of action | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-26 | 2525-3123 | ||||
"Was it you Lord?": The faces of countermessianism in bodies, allegories, and icons at the Carnival Mangueira Samba School | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-24 | 2525-3123 | ||||
Between images and processes of making see: research on the Mebengokré-Xikrin figurative drawings from the Lux Vidal collection | 2023 | GIS - Gesto, Imagem, e Som: Revista de Antropologia 8 (2): 1-28 | 2525-3123 | ||||
The bearable lightness of being LiNK: anti-aesthetic banality and student humanitarianism concerning North Korean refugeees | 2023 | Anthropological quarterly 96 (1): 121-48 | H6 [PRIMITIVE-] | 0003-5491 | |||
Women and arts: spiritual force and ancestral African wisdom | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (2): 1-18 | H6/KUL [BOLETIM-] | 1981-8122 | |||
¡Nakíssimo! Transnational identities, cultural tourism, and the aesthetics of consumption in NaCo Clothing | 2023 | Studies in Latin American popular culture 41 (): 21-44 | *H6/KUL [STUDIES-] | 0730-9139 | |||
Making Fatima’s presence visible: embodied practices, ShiÊ¿i aesthetics and socio-religious transformations in Iran | 2023 | Material religion 19 (2): 171-89 | H6/KFO [MATERIAL-] | 1743-2200 | |||
From demon to deity: forging a new iconography for Mahishasur | 2023 | Journal of material culture 28 (1): 106-30 | H6/KF [JOURNAL-] | 1359-1835 | |||
"I randomize, therefore I think". Computational indeterminacy and the tensions of liberal subjectivity among writers of computer-generated poetry in the United States | 2023 | American ethnologist 50 (1): 90-102 | H6 [AMERICAN-] | 0094-0496 | |||
Pigeons and papyrus at Amarna: the birds of the Green Room revisited | 2023 | Antiquity 97 (391): 104-19 | H6/KE [ANTIQUITY-] | 0003-598X | |||
Archaeological knowledge production: reading mortuary reconstructions | 2023 | Antiquity 97 (391): 213-30 | H6/KE [ANTIQUITY-] | 0003-598X |