Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
That the House May Stand Again: veranda posts in Ọyọ́ Palace | 2024 | African arts 57 (1): 46-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Knowledge production by Yorùbá literary intellectuals from Nigeria as decolonial performance | 2024 | Cahiers d'études africaines (253): 177-201 | H6/KY [CAHIERS-] | ||||
Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Globalization and Islamic music (Asalatu) in Nigeria | 2024 | Journal of religion in Africa 54 (2): 193-208 | H6/KFO [JOURNAL-] | 0022-4200 | |||
'The true and scientific religion': a Christian adaptation of esotericism and reflection of materialism in late nineteenth-century West Africa | 2024 | Journal of religion in Africa 54 (3): 357-81 | H6/KFO [JOURNAL-] | 0022-4200 | |||
The imales’ shadow. Esoteric knowledge and resistance as Islamic contribution to Latin America Afro-epistemology | 2023 | Revista colombiana de antropología 59 (1): 83-106 | H6/KUL [REVISTA-] | 0486-6525 | |||
The etymolgy of the term Ijebu | 2023 | International journal of African historical studies 56 (1): 113-17 | *H6/KY [INTERNATIONAL-] | 0361-7882 | |||
Ilé L’àbọ̀ Simi Oko: cogitations and reflections about homeland, maxim and theoretical propensity for Yorùbá religion influences between Ọ̀yọ́, Sábę and Ifè̩-Ana | 2023 | Journal of religion in Africa 53 (2): 197-219 | H6/KFO [JOURNAL-] | 0022-4200 | |||
The cloth that eats money: Ṣeghoṣen as a symbol of prestige | 2023 | African arts 56 (3): 20-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Ìrègún music and sounding spaces among Yagba-Yoruba people of Nigeria | 2023 | Space and culture 26 (1): 23-38 | H6 [SPACE-] | 1206-3312 | |||
Pentecostal conceptions of warfare prayer among the Yoruba in southwestern Nigeria | 2023 | Journal of religion in Africa 53 (1): 3-20 | H6/KFO [JOURNAL-] | 0022-4200 | |||
Aso Oke at the Saint Louis Art Museum | 2023 | Tribal art (110): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
Gatekeepers and vengeful spirits of the Ọ̀wọ̀ past: word and act made visible | 2023 | African arts 56 (4): 8-23 | H6/KFY [AFRICAN-] | 0001-9933 | |||
African archives in the Caribbean: the Yoruba tradition, cultural experts, and the unmaking of religious knowledge in twentieth-century Trinidad | 2023 | History and anthropology 34 (5): 779-800 | H6 [HISTORY-] | 1477-2612 | |||
"We are Yoruba" or the notion of African art in Brazil | 2023 | African arts 57 (3): 1-6 | H6/KFY [AFRICAN-] | 0001-9933 | |||
I hold in my hand...Prestige, rank, and power | 2023 | African arts 57 (3): 44-65 | H6/KFY [AFRICAN-] | 0001-9933 | |||
A reconsideration of the history and iconology of Yorùbá equestrian figure through two Ifá verses and the Ojúde-Ọba Festival | 2022 | African arts 55 (2): 36-49 | H6/KFY [AFRICAN-] | 0001-9933 | |||
“If a woman knows cult secret, she must never tell”: ritual consecration, secrecy, and female power in Egungun pageantry among the Yoruba | 2022 | African arts 55 (3): 26-37 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Trying to make the intangible tangible, or observations on the cosmology of the Yoruba of Nigeria | 2022 | Arts & cultures (22): 116-27 | *H6/KFY [ARTS-] | ONLY ISBN | |||
Odù Ifá in transition: contemplating boundary mechanism in discursive and critical appreciation of the Ifá corpus | 2022 | Journal of religion in Africa 52 (1-2): 195-219 | H6/KFO [JOURNAL-] | 0022-4200 | |||
Epa masks of Moshood Olúsomo Bámigbóyè | 2022 | Tribal art (106): 72-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
Yoruba proverbs as impoliteness and power negotiator in Kemi Adetiba's King of boys | 2022 | African study monographs 42 (): 21-38 | H6/KY [AFRICAN-] | 0285-1601 | |||
Frobenius unbound. Black Atlantis and the poetics of displacement in the Yoruba diaspora | 2022 | Paideuma 68 (): 119-48 | H6 [PAIDEUMA-] | 0078-7809 | |||
Conviviality and becomings with-in difference. More-than-human relationships in Candoblé | 2022 | Etnografia polska 66 (1/2): 125-32 | H6/KVM [ETNOGRAFIA-] | 0071-1861 | |||
A mosaic of Yorùbá ontology and materiality of pleasure since AD 1000 | 2022 | African studies review 65 (4): 827-46 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Tradicionalismo africano in Cuba: women, consecrated Batá, and the polemics of “re-Yorubization” in Cuban ritual music | 2021 | Ethnomusicology 65 (1): 86-111 | H6/KFYV [ETHNOMUSICOLOGY-] | 0014-1836 | |||
Urban renewal in Ibadan, Nigeria: world class, but essential Yoruba | 2021 | African affairs 120 (480): 391-415 | H6/KY [AFRICAN-] | 0001-9909 | |||
Sounding the voice of tolerance: the Orò secret society at the Yorùbá borderlands | 2021 | Material religion 17 (4): 517-38 | H6/KFO [MATERIAL-] | 1743-2200 | |||
Preliminary phylogenetics: Hausas, Igbos and Yorubas of Nigeria are closely related and are externally related to Guinea, but are not closeley related to Egypt, Israeli-Jews or Saudi Arabia | 2021 | International journal of anthropology 36 (3-4): 223-63 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Folk liturgies and narratives of holy wells among the Yoruba of Southwest Nigeria | 2021 | Etnološka tribina 44 (51): 109-22 | H6/KVP [ETNOLOSKA-] | 0351-1944 | |||
Adopting African traditional principles of conflict resolution in a local church setting: a Yoruba cultural perspective | 2021 | Culture and religion 22 (3): 227-43 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Managing epidemics in ancestral Yorùbá towns and cities: 'sacred groves' as isolation sites | 2020 | African archaeological review 37 (3): 497-502 | *H6/KE [AFRICAN-] | 0263-0338 | |||
Reinterpreting adire cloth in northern Nigeria | 2020 | Textile history 51 (1): 60-85 | H6/KGGT [TEXTILES-] | 0040-4969 | |||
'At least I am married': Muslim-Christian marriage and gender in southwest Nigeria | 2020 | Social anthropology 28 (2): 434-50 | H6/KF [SOCIAL-] | 1469-8676 | |||
Josy Ajiboye, the ultimate prankster: political cartoonist as Egungun | 2020 | African arts 53 (1): 24-37 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Migratory mythopoeism: a critical examination of Moyo Ogundipe's paintings | 2020 | African arts 53 (1): 50-65 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Commonalities and disparities in the iconography of Opón Ifá Ìróké Ifá in Òyó, Sábe, and Ifè-Ana Yorùbá communities | 2020 | African arts 53 (2): 42-53 | H6/KFY [AFRICAN-] | 0001-9933 | |||
'Me I go no suffer': Christian songs and prosperity gospel among the Yoruba Pentecostals in southwest Nigeria | 2020 | Culture and religion 21 (4): 387-408 | H6/KFO [SCOTTISH-] | 1475-5610 | |||
Tracking agriculture-induced fertility among Yorùbá farmers of southwestern Nigeria | 2020 | Ethno-anthropological problems journal 15 (2): 533-49 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Allow peace to reign: musical genres of Fújì and Islamic allegorise Nigerian unity in the era of Boko Haram | 2020 | Yearbook for traditional music 52 (): 1-22 | H6/KFYV [YEARBOOK-] | 0740-1558 | |||
Class, gender, sexuality, and leadership in Bodija market, Ibadan, Nigeria | 2019 | Journal of anthropological research 75 (2): 235-51 | H6 [SOUTHWESTERN-] | 0091-7710 | |||
Hybridity in Yorùbá poetry of Ọlánrewájú Adépọ̀jù | 2019 | African studies 78 (3): 423-37 | H6/KY [BANTU-] | 0002-0184 | |||
Identity and the artistic process in Yoruba estetic concept of ÌwÀ | 2019 | Critical interventions: journal of African art history and visual culture 13 (2-3): 131-47 | H6/KFY [CRITICAL-] | 1930-1944 | |||
Beyond asexualization: narratives of sexual objectification of persons with albinism in Nigeria | 2019 | Ethno-anthropological problems journal 14 (1): 223-45 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Indigenous knowledge and practices in the management of sickle cell anaemia among the Yorùbá in Osun State, Nigeria | 2019 | Ethno-anthropological problems journal 14 (2): 531-56 | H6/KVP [ETNOANTROPOLOSKI PROBLEMI Casopis -] | 0353-1589 | |||
Capital punishment in precolonial Africa: the authenticity challenge | 2018 | Journal of legal pluralism and unofficial law 50 (1): 71-93 | H6/KFNC [JOURNAL-] | 0732-9113 | |||
This is our story: iconography of carved doors and panels in Oyo palace | 2018 | African arts 51 (2): 44-57 | H6/KFY [AFRICAN-] | 0001-9933 | |||
Church Missionary Society evangelists and women's labour in nineteenth-century Abẹ́òkúta | 2018 | Africa 88 (2): 291-311 | H6/KY [AFRICA-] | 0001-9720 | |||
Decomposing numbers | 2018 | Hau 8 (1/2): 23-6 | 2049-1115 | ||||
For an anthropology of destiny | 2018 | Hau 8 (1/2): 292-9 | 2049-1115 |