Title | Date | Reference | Authors | Call # | ISSN | ||
---|---|---|---|---|---|---|---|
On dangerous ground: Oglala Lakota land used as a bombing range in World War II is still perlious | 2023 | American Indian NMAI 24 (3): 26-33 | *H6/KUB [AMERICAN-] | 1528-0640 | |||
Spirit Lake Dakota/Diné painter and ledger artist Avis Charley | 2023 | First American art magazine 39 (): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Red Cloud's pipebag | 2023 | Whispering wind 50 (3): 24-5 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Ógle Wakȟáŋ Kiŋ: relational materiality and the Lakota Ghost Dance of 1890 | 2022 | Plains anthropologist 67 (263): 219-39 | H6/KUB [PLAINS-] | 0032-0447 | |||
Sitting Bull, Four Horns, and Fort Buford. Questioning a famous set of Plains drawings | 2022 | Museum anthropology review 16 (1-2): 11-29 | 1938-5145 | ||||
Oglala Lakota beadwork and quillwork artist Emil Her Many Horses | 2022 | First American art magazine (35): 70-5 | H6/KUB [FIRST-] | 2333-5548 | |||
Sičáŋgu Lakota interdisciplinary artist Dyani White Hawk | 2022 | First American art magazine 36 (Fall): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
“What’s on the earth is in the stars; and what’s in the stars is on the earth”: Lakota relationships with the stars and American relationships with the apocalypse | 2021 | American Indian culture and research journal 45 (1): 137-56 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Lakota personal names | 2021 | Anthropological linguistics 63 (1-2): 69-79 | H6/KK [ANTHROPOLOGICAL-] | 0003-5483 | |||
The treaty imaginary and tribal sovereignty in South Dakota | 2021 | American Indian quarterly 45 (3): 209-49 | H6/KUB [AMERICAN-] | 0095-182X | |||
Oglala Lakota painter Keith Braveheart | 2020 | First American art magazine 25 (): 56-61 | H6/KUB [FIRST-] | 2333-5548 | |||
Bovine shamanism: the integral role of buffalo in shamanic practice | 2020 | Shaman 28 (1-2): 5-16 | *H6/KFO [SHAMAN-] | 1216-7827 | |||
Complex predicates with nouns and stative verbs in Lakota: a role and reference grammar analysis | 2020 | International journal of American linguistics 86 (3): 407-46 | H6/KK [INTERNATIONAL-] | 0020-7071 | |||
Final obstruent voicing in Lakota: phonetic evidence and phonological implications | 2020 | Language 96 (2): 294-337 | H6/KK [LANGUAGE-] | 0097-8507 | |||
#NativeReads: outcomes of an Oceti Sakowin survey and literary recovery model | 2020 | Wicazo Sa review 35 (1-2): 1-23 | *H6/KUB [WICAZO-] | 0749-6427 | |||
The point of view of a stone: looking at colonization of the northern plains from the Standing Rock | 2019 | Ethnohistory 66 (1): 49-70 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
The secret pipe: protecting the ptehiŊčala čaŊŊuŊpa of the Lakota Sioux | 2019 | History of religions 59 (1): 38-67 | H6/KFO [HISTORY-] | 0018-2710 | |||
Racism, popular culture, and the everyday Rosebud Reservation | 2019 | Native American and indigenous studies 6 (2): 77-110 | |||||
Fragmentary transmissions: on the poetics, practice, and futurism of Listener | 2019 | World art 9 (2): 183-203 | H6 [WORLD-] | 2150-0908 | |||
Kaw-Osage-Lakota ledger artist and painter: Chris Pappan | 2018/2019 | First American art magazine 21 (): 58-63 | H6/KUB [FIRST-] | 2333-5548 | |||
When the spirits arrived: divergent Lakota voices of the 1890 Ghost Dance | 2018 | Plains anthropologist 63 (246): 134-51 | H6/KUB [PLAINS-] | 0032-0447 | |||
Fighting for water and the generation of a new type of pan-Indianism | 2018 | Alteridades 28 (55): 75-85 | H6/KF [ALTERIDADES-] | 0188-7017 | |||
Mniose / the Missouri river: a comparative lilterary analysis of river stories from the Lewis and Clark expedition to the #NoDAPL movement | 2018 | SAIL: studies in American Indian literatures (Series 2) 30 (3-4): 72-95 | *H6/KUB [SAIL-] | 0730-3238 | |||
All my relatives: exploring nineteenth-century Lakota ontology and belief | 2017 | Ethnohistory 64 (3): 379-400 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
Ecological relations and indigenous food sovereignty in Standing Rock | 2017 | American Indian culture and research journal 41 (3): 113-25 | H6/KUB [AMERICAN-] | 0161-6463 | |||
New light on Black Elk and The Sacred Pipe | 2017 | American Indian culture and research journal 41 (4): 71-91 | H6/KUB [AMERICAN-] | 0161-6463 | |||
Oglala Lakota glass artist: Angela Babby | 2016 | First American art magazine 10 (): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
Spirituality and the reclamation of Lakota masculinity in Chris Eyre's Skins (2002) | 2016 | American Indian quarterly 40 (3): 191-215 | H6/KUB [AMERICAN-] | 0095-182X | |||
Who stole Native American Studies II: the need for an AIS redux in an age of redskin debate and debacle | 2016 | Wicazo Sa review 31 (1): 132-44 | *H6/KUB [WICAZO-] | 0749-6427 | |||
The art of transformation: Elk Dreamer society rock art from the northern Great Plains | 2015 | American Indian rock art 41 (): 147-65 | H6/KUB [AMERICAN INDIAN ROCK ART-] | ||||
Verbal meets visual: Sitting Bull and the representation of history | 2015 | Ethnohistory 62 (2): 217-40 | H6/KUB [ETHNOHISTORY-] | 0014-1801 | |||
A winter count of the Wajaje Lakota: 1758-59 to 1885-86 | 2015 | Tribal art 19 (4): 128-33 | *H6/KFY [WORLD-] | 1354-2990 | |||
Steven Spielberg and the Indian case: Into the West as a summa of the Western genre | 2015 | Literatura ludowa 59 (2): 3-27 | H6/KVM [LITERATURA-] | 0024-4708 | |||
Four Horses: a Hunkpapa Lakota warrior-artist commemorates his relatives' valor | 2014 | American Indian art magazine 39 (2): 42-51 | *H6/KUB [AMERICAN-] | 0192-9968 | |||
Sitting Bull: a Hunkpapa Lakota warrior chronicles his life of dauntless courage | 2014 | American Indian art magazine 40 (1): 34-45, 86 | *H6/KUB [AMERICAN-] | 0192-9968 | |||
Older than America: today's reality within Indian reservations | 2014 | International journal of anthropology 29 (3): 183-93 | H6/HB [INTERNATIONAL-] | 0393-9383 | |||
Twentieth-century American Indian political dissent and Russell Means | 2014 | Wicazo Sa review 29 (1): 14-18 | *H6/KUB [WICAZO-] | 0749-6427 | |||
The life and legacy of an Oglala Lakotah patriot: Russell Charles Means | 2014 | Wicazo Sa review 29 (1): 19-28 | *H6/KUB [WICAZO-] | 0749-6427 | |||
Russell Means interview: November 30, 2011 Mesa Community College, Mesa, Arizona | 2014 | Wicazo Sa review 29 (1): 47-57 | *H6/KUB [WICAZO-] | 0749-6427 | |||
From father to son: affirming Lakota manhood in Luther Standing Bear's My people the Sioux | 2014 | SAIL: studies in American Indian literatures (Series 2) 26 (4): 19-38 | *H6/KUB [SAIL-] | 0730-3238 | |||
Thinking like a mountain | 2014 | Hau 4 (2): 245-52 | 2049-1115 | ||||
"I was taught that sun was a great mystery": the sky in Lakota art and lore | 2013 | American Indian art magazine 38 (2): 46-53 | *H6/KUB [AMERICAN-] | 0192-9968 | |||
Switch-reference or coordination? A quantitative approach to clause linkage in Lakota | 2013 | International journal of American linguistics 79 (2): 153-88 | H6/KK [INTERNATIONAL-] | 0020-7071 | |||
Oglalas in Wild West Kensington. Lakota 101 Ranch Wild West Show performers, 1925 | 2013 | Whispering wind 42 (1): 24-30 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Sacred humour: the image and significance of Heyoka among the Great Plains Indians of North America | 2013 | Etnograficheskoe obozrenie 6 (): 159-64 | H6/KVY [ETNOGRAFICHESKOE-] | 0869-5415 | |||
"An elk am I" the elk in Lakota art and lore | 2012 | American Indian art magazine 37 (2): 44-53 | *H6/KUB [AMERICAN-] | 0192-9968 | |||
First in war and peace: the triumph of American Horse | 2012 | American Indian NMAI 13 (4): 28-32, 35-6 | *H6/KUB [AMERICAN-] | 1528-0640 | |||
Decorated moccassin tongues | 2012 | Whispering wind 41 (1): 4-7 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
Little Wound and Kicking Bear | 2011 | Whispering wind 40 (1): 20-2 | *H6/KUB [WHISPERING-] | 0300-6565 | |||
The American "genocide": an untold story | 2010 | International journal of anthropology 25 (1): 1-17 | H6/HB [INTERNATIONAL-] | 0393-9383 |