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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| Almanac 2025 | 2025 | Art Asia Pacific Magazine 20 (): 20-109 | H6/KFY [ART] | 1039-3625 | |||
| The mask from Etoumbi, a unique masterpiece | 2025 | Tribal art (115): 100-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| "Bring the objects out of the basement!" The Wellcome African collection at Manchester Museum | 2025 | African arts 58 (1): 10-25 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Collecting the past, facing the future: revealing collectors' connections using the archives of the Wellcome Historical Medical Museum and Library | 2025 | African arts 58 (1): 26-43 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| The early Egyptian and Sudanese collections of Sir Henry Wellcome | 2025 | African arts 58 (1): 44-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Beyond narratives: intersitial provenance as a methodology for transfers of African arts | 2025 | African arts 58 (1): 64-79 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Under the yoke of origin. The ethnographic halls of the National Museum of Anthropology, Mexico | 2025 | Boletín de antropología (Antioquia) 40 (69): 95-120 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Pluralizing narratives about Indigenous peoples in the Northeast. Training and performance of students in the midst of the ethnographic exhibition The First Brazilians | 2025 | Boletín de antropología (Antioquia) 40 (69): 41-65 | H6/KUL [BOLETIN-] | 0120-2510 | |||
| Egypt in/and Africa exhibitions, questions and complexities in American art museums | 2024 | African arts 57 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
| Contemporary ethnographic aesthetics: the TikTok turn | 2024 | Visual anthropology 37 (3): 195-211 | *H6 [VISUAL-] | 1545-5920 | |||
| A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 | |||
| Making room for Inuit curators to thrive | 2024 | Inuit art quarterly 372 (): 50-9 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Touching distance: finder-collector relationship with and experiences of archaeological objects | 2024 | Time and mind: the journal of archaeology, consciousness and culture 17 (1-2): 119-33 | H6/KH [TIME-] | 1751-696X | |||
| A fresh look at the Museum of Anthropology, University of British Columbia, Vancouver | 2024 | Tribal art (113): 68-77 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Baz'art: art and trade among the Kongo | 2024 | Tribal art (113): 78-85 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Surrealism: contact zones. Africa, Oceania, and North America as places of dialogue and friction | 2024 | Tribal art (113): 114-23 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Alternative icons: rethinking symbols of power in 'The World of Stonehenge' | 2024 | Antiquity 98 (400): 1076-87 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Exu’s journey: transfer of authority and decolonization of matter at the Museu do Homem do Nordeste, in Recife - PE | 2024 | Mana 30 (2): 1-32 | H6/KUL [MANA-] | 1678-4944 | |||
| The wandering sheep or how I set off to conduct fieldworks | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 186-95 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| How to feel the world and share it with others | 2024 | Martor: revue d'anthropologie du Musée du Paysan Roumain (29): 196-203 | H6/KVQ [MARTOR-] | 2734-8350 | |||
| Africa in Venice | 2024 | Nka: journal of contemporary African art (55): 4-5 | H6/KY [NKA-] | 1075-7163 | |||
| Experiencing the divine? Museum presentations of religion in Roman Britain | 2024 | Antiquity 98 (401): 1321-39 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Curating commonality: multimodal materialities of intercommunal Northern African heritage | 2024 | Material religion 20 (5): 324-38 | H6/KFO [MATERIAL-] | 1743-2200 | |||
| Museums and archaeology: feminism to change narratives | 2024 | Munibe 75 (): 233-40 | H6/KE [MUNIBE-] | 2172-4555 | |||
| Mixtec social memory in late Renaissance Rome: Ulisse Aldrovandi, Tommaso de’ Cavalieri, and “the skull of an Indian king” | 2024 | Journal de la Société des Américanistes 110 (2): 51-76 | H6/KUB [SOCIETE-] | 0037-9174 | |||
| Thoughts on decolonial curatorship: the "Nhande Mbya Reko - Nosso Jeito de Ser Guarani" exhibition | 2023 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 18 (1): | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Polynesia comes to Brussels | 2023 | Tribal art (108): 56-63 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Songlines: songs of the Australian desert tracks: a guided tour | 2023 | Tribal art (108): 64-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| All the world's histories at the 59th Venice Biennale | 2023 | Nka: journal of contemporary African art (52): 120-35 | H6/KY [NKA-] | 1075-7163 | |||
| The long view: leadership at a critical juncture for "African art" in America | 2023 | African arts 56 (1): 10-12 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| "Knowledge" or "progress?" Do they have to be mutually exclusive? | 2023 | African arts 56 (1): 12-13 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Souvenirs from North America: understanding and representing 'Indianness' in nineteeth-century Sweden | 2023 | History and anthropology 34 (3): 473-96 | H6 [HISTORY-] | 1477-2612 | |||
| Abject objects: disputed narratives in the Historical Museum of the Police in Colombia | 2023 | Mana 29 (2): 1-34 | H6/KUL [MANA-] | 1678-4944 | |||
| Lost in temporal translation: a visual and visitor-based evaluation of prehistory displays | 2023 | Antiquity 97 (393): 707-25 | H6/KE [ANTIQUITY-] | 0003-598X | |||
| Japanese assimilation of the ideas of "exposition" and "museum" in the Meiji era | 2023 | Anales del Instituto de Investigaciones Estéticas 45 (123): 429-59 | H6/KFY [MEXICO-] | 0185-1276 | |||
| The Congo Museum (1898-1910): on collaboration, conflict, bureaucracy and immorality | 2023 | History and anthropology 34 (4): 650-72 | H6 [HISTORY-] | 1477-2612 | |||
| Reimagining the Hans Himmelheber Archive of African Art | 2023 | Tribal art (109): 76-83 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The fortieth anniversary and the past fifteen years of Pacific Art at the National Gallery of Australia | 2023 | Tribal art (109): 84-93 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Fucking up, fixing up, and standing up (to the colonial project of gender and sexuality) | 2023 | American ethnologist 50 (3): 350-5 | H6 [AMERICAN-] | 0094-0496 | |||
| New technology for ancient technologies | 2023 | Human evolution 38 (1-2): 3-16 | H6/HB [HUMAN-] | 0393-9375 | |||
| Restitution from the point of view of return. Multisituated epistemologies | 2023 | Cahiers d'études africaines (251-252): 431-56 | H6/KY [CAHIERS-] | 0008-0055 | |||
| Taqralik Partridge: of minds and mouths | 2023 | Inuit art quarterly 36 (2): 44-51 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Generational gifts: circumpolar Indigenous artists on iconic figures from their regions | 2023 | Inuit art quarterly 36 (2): 52-63 | *H6/KFY [INUIT-] | 0831-6708 | |||
| Redefining curatorship as skilled practice | 2023 | Anthropology and art (7): 1-19 | 2397-1754 | ||||
| Catalogue of correspondence: a collection of rocks found in the Gothenburg Museum of World Culture | 2023 | Anthropology and art (8): 1-45 | 2397-1754 | ||||
| Methodological reflections on curating an artistic event with African youth in a Norwegian city | 2023 | Qualitative research 23 (5): 1283-300 | H6 [QUALITATIVE-] | 1468-7941 | |||
| Salmon culture: exploring museum sovereignty through an exhibition project | 2023 | First American art magazine 37 (): 28-33 | H6/KUB [FIRST-] | 2333-5548 | |||
| Métis painter, curator and critic David Garneau | 2023 | First American art magazine 37 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Rethinking gender from the ethnographic museum. Introduction to the special issue | 2023 | Journal of material culture 28 (4): 501-14 | H6/KF [JOURNAL-] | 1359-1835 |
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