Title | Date | Reference | Authors | Call # | ISSN | ||
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Digitalisierung und (De-)Konstruktion. Überlegungen zur Entwicklung eines Prototyps für die digitale Zugägnglichmachung des Atlas des Schweizerischen Volkskunde | 2024 | Schweizerisches Archiv für Volkskunde (1): 27-51 | H6/KVI [SCHWEIZERISCHES-] | 0036-794X | |||
Everything new is old again: archaeology and the social machine | 2024 | Australian archaeology 90 (1): 92-5 | *H6/KE [AUSTRALIAN-] | 0312-2417 | |||
Restitution vs. retention: reassessing discourses on the African cultural heritage | 2023 | African studies review 66 (1): 101-26 | *H6/KY [AFRICAN-] | 0002-0206 | |||
Swedish rock art research archives | 2022 | Adoranten (): 30-4 | |||||
Can local libraries and museums be depositories for vernacular photographs? | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 163-81 | H6 [OSAKA-] | 0385-180X | |||
Whose dance is it anyway?: Property, copyright and the commons | 2021 | Theory, culture and society 38 (1): 101-26 | H6 [THEORY-] | 0263-2764 | |||
Transferred, mediated or transformed: considering the design, features, and presentation of sacred text mobile applications | 2021 | Journal of contemporary religion 36 (1): 57-78 | H6/KFO [JOURNAL-] | 1353-7903 | |||
Fabricating the integrity of gold in refineries. Digital visibility and divisibility | 2021 | Tsantsa 26 (): 85-104 | H6/KF [TSANTSA-] | 2673-5377 | |||
Producing a 'natural' sound. Interweaving and differentiating analog and digital audio to create the soundscape of a great show | 2021 | Tsantsa 26 (): 51-70 | H6/KF [TSANTSA-] | 2673-5377 | |||
Image annotation support through databases and editing systems | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 197-215 | H6 [OSAKA-] | 0385-180X | |||
Digitization, databasing, and academic utilization of area studies pictures: experiences with the DiPLAS support project | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 183-96 | H6 [OSAKA-] | 0385-180X | |||
Analysis of imagery in regional communities: for visual records of daily lives. What do residents and researchers include and exclude? | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 131-62 | H6 [OSAKA-] | 0385-180X | |||
Creating the database of 'a collection of Osamu Yamaguti (Yamaguchi)'s photographs of Asia-Pacific musicology' as a practice of applicative/applied musicology: a brief history of ethnomusicology and photographs of Okinawa and Amami musical instruments of the 1970s | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 99-130 | H6 [OSAKA-] | 0385-180X | |||
Introduction: DiPLAS support project for building image database: its oultine and related publicity events | 2021 | Bulletin of the National Museum of Ethnology (Osaka) 46 (1): 71-97 | H6 [OSAKA-] | 0385-180X | |||
The J. H. Kwabena Nketia archive at the University of Ghana-Legon | 2020 | History in Africa 47 (): 375-82 | H6/KY [HISTORY-] | 0361-5413 | |||
Teaching South African history in the digital age: collaboration, pedagogy, and popularizing history | 2020 | History in Africa 47 (): 297-325 | H6/KY [HISTORY-] | 0361-5413 | |||
Asylum courts, transnational petitioning, and digital dispersal in Africa | 2020 | History in Africa 47 (): 243-67 | H6/KY [HISTORY-] | 0361-5413 | |||
Preserving public broadcasting archives in the digital era: circulatory stories and technologies, the digital turn, and the return of the past in West Africa | 2020 | History in Africa 47 (): 219-41 | H6/KY [HISTORY-] | 0361-5413 | |||
Born digital? Digitization and the birth of the Moroccan national archives | 2020 | History in Africa 47 (): 195-218 | H6/KY [HISTORY-] | 0361-5413 | |||
Assessment of sex and ancestry variation of the morphology of the fibula | 2020 | Anthropologischer Anzeiger 77 (4): 345-54 | H6/HB [ANTHROPOLOGISCHER-] | 0003-5548 | |||
No way back - reflections on the future of the African photographic archive | 2020 | History in Africa 47 (): 167-94 | H6/KY [HISTORY-] | 0361-5413 | |||
Rescuing, interpreting, and, eventually, digitizing regional postcolonial archives: endangered archives and research in Pointe-Noire, Republic of Congo | 2020 | History in Africa 47 (): 143-65 | H6/KY [HISTORY-] | 0361-5413 | |||
Preserving and digitizing Djenné's manuscript collections: the politics of space and agency in central Mali | 2020 | History in Africa 47 (): 119-42 | H6/KY [HISTORY-] | 0361-5413 | |||
Archives, the digital turn, and governance in Africa | 2020 | History in Africa 47 (): 101-18 | H6/KY [HISTORY-] | 0361-5413 | |||
The crying child. On colonial archives, digitization, and ethics of care in the cultural commons | 2020 | Current anthropology (Supplement) 61 (22): S289-S302 | H6 [CURRENT-] | 0011-3204 | |||
The results of archaeological prospection of the Bridge (Site 68) near the stronghold at Czermno, Tomaszów Lubelski county | 2019 | Wiadomości archeologiczne 70 (): 250-60 | H6/KE [WIADOMOSCI-] | 0043-5082 | |||
Not that dry a land. The specificity of settlement in the flood plains of the middle Vistula valley (on the example of the settlement Cluster in Glinki, Otwock county) | 2019 | Wiadomości archeologiczne 70 (): 271-80 | H6/KE [WIADOMOSCI-] | 0043-5082 | |||
Digitalisation of the stock photographs from the legacy of K. Absolon | 2011 | Acta Musei Moraviae: scientiae sociales 96 (1): 59-70 | H6/KE [ACTA-] | 0323-0570 |