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| Title | Date | Reference | Authors | Call # | ISSN | ||
|---|---|---|---|---|---|---|---|
| The precarious origins of the Iroquois Realists School | 2025 | First American art magazine 45 (): 20-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Threads of kinship: bridging global Indigenous communities through art in Kyrgyzstan | 2025 | First American art magazine 45 (): 42-6 | H6/KUB [FIRST-] | 2333-5548 | |||
| Alison Bremner: Tlingit painter, collage artists and carver | 2025 | First American art magazine 45 (): 48-53 | H6/KUB [FIRST-] | 2333-5548 | |||
| Carol Emarthle Douglas: Northern Arapaho/Seminole basket maker | 2025 | First American art magazine 45 (): 54-9 | H6/KUB [FIRST-] | 2333-5548 | |||
| Chippewa Cree/Pawnee beadwork artist John Murie | 2025 | First American art magazine 45 (): 66-71 | H6/KUB [FIRST-] | 2333-5548 | |||
| Jaatłoh4ye'iitsoh [17-18] +[][][][]. Soft sculpture installation activated through performance by Eric Paul Riege (Diné) | 2025 | First American art magazine 45 (): 72-3 | H6/KUB [FIRST-] | 2333-5548 | |||
| The Cihuacóatl of Calixtlahuaca: an expression of power and religiosity in the Toluca Valley | 2025 | Estudios de cultura náhuatl 69 (): 55-88 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| The Cholula polychrome pottery and its Mayan antecedents | 2025 | Estudios de cultura náhuatl 69 (): 89-137 | H6/KUL [ESTUDIOS-] | 0071-1675 | |||
| Objects - ways of seeing, 1926-1939 | 2025 | Tribal art (115): 44-51 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Kings and queens of Africa at the Musée du Louvre Abu Dhabi | 2025 | Tribal art (115): 52-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Presenting the arts of the Pacific: the Thomas Jaffe collection at the Yale Peabody Museum | 2025 | Tribal art (115): 62-75 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The iconic Akan Akua'ba | 2025 | Tribal art (115): 76-89 | *H6/KFY [WORLD-] | 1354-2990 | |||
| The descent of the sun into the underworld. Iconographic analysis of the murals of Patio 3 of the Palacio del Sol, Teotihuacan | 2025 | Revista española de antropología americana 55 (1): 11-29 | H6/KUL [MADRID-] | 0556-6533 | |||
| Israel Tangaroa Birch talks to Tina Ngata | 2024-25 | Art New Zealand (192): 56-63 | H6/KX [ART-] | 0110-1102 | |||
| Picture the feminine: the art of Louise Fong | 2024-25 | Art New Zealand (192): 64-8 | H6/KX [ART-] | 0110-1102 | |||
| Kupesi in her DNA: the barkcloth art of Tui Emma Gillies | 2024-25 | Art New Zealand (192): 69-73 | H6/KX [ART-] | 0110-1102 | |||
| Colourful & intense: 2024 Sydney Contemporary | 2024-25 | Art New Zealand (192): 86-9 | H6/KX [ART-] | 0110-1102 | |||
| The invention of a hybrid ethnic art: the case of the visionary shamanic paintings of the Shipibo collective Barin Bababo (Peruvian Amazon) | 2024 | Mundo Amazonico 15 (1): e104761 | 2145-5082 | ||||
| Mapping the earth's embrace: queer life-building in Mame-Diarra Niang's Éthérée | 2024 | African arts 57 (1): 32-45 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| That the House May Stand Again: veranda posts in Ọyọ́ Palace | 2024 | African arts 57 (1): 46-63 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Barbier-Mueller: art as a legacy | 2024 | Tribal art (111): 18-21 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Treasures of Oceania in Mexico City | 2024 | Tribal art (111): 44-9 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Rethinking the collection: provenance research at the African Museum | 2024 | Tribal art (111): 50-5 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Native baskets of Arizona at the Heard Museum | 2024 | Tribal art (111): 56-61 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Didier Hirsch: collecting narratives | 2024 | Tribal art (111): 88-95 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Mort Golub: from Mahakala to outsider art | 2024 | Tribal art (111): 96-107 | *H6/KFY [WORLD-] | 1354-2990 | |||
| Dating perishables to refine the chronology of Shrine Cave use, the goggle-eye motif, and other Jornada and Mimbres Mogollon iconography | 2024 | Kiva 90 (1): 98-127 | *H6/KE [KIVA-] | 2051-6177 | |||
| Acts of inventory: Te Hau Whakaton at Govett-Brewster | 2024 | Art New Zealand (189): 60-3 | H6/KX [ART-] | 0110-1102 | |||
| Reckoning with history: Richard Lewer paints the Waikato Wars | 2024 | Art New Zealand (189): 78-82 | H6/KX [ART-] | 0110-1102 | |||
| Unadulterated joy: Lissy and Rudi Robinson-Cole's Wharenui Harikoa | 2024 | Art New Zealand (189): 83-5 | H6/KX [ART-] | 0110-1102 | |||
| Leandro Mbomio, the “Black Picasso”: Spanish state propaganda, Blackness, and neocolonialism in Equatorial Guinea | 2024 | Ethnic and racial studies 47 (7): 1456-77 | H6/KD [ETHNIC-] | 1466-4356 | |||
| Valdivia phase 3: transformation of female figurines, acceleration of gender inequality and notes on diversity | 2024 | Revista española de antropología americana 54 (1): 11-25 | H6/KUL [MADRID-] | 0556-6533 | |||
| Painting as relationship: interactions between people and paintings on rock walls | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (1): 1-34 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Change and social (re)organization in traditional braided crafts from the Arapiuns River region, Santarém, Pará | 2024 | Boletim do Museu Paraense Emílio Goeldi ciências humanas 19 (1): 1-18 | H6/KUL [BOLETIM-] | 1981-8122 | |||
| Alberto Ruz Lhuillier and his insights into art | 2024 | Anales del Instituto de Investigaciones Estéticas 46 (124): 9-34 | H6/KFY [MEXICO-] | 0185-1276 | |||
| Terminal Classic conch-shell gorgets from the Maya region and central Mexico | 2024 | Ancient Mesoamerica 35 (1): 193-207 | *H6/KE [ANCIENT-] | 0956-5361 | |||
| Egypt in/and Africa exhibitions, questions and complexities in American art museums | 2024 | African arts 57 (2): 1-9 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Risks, challenges, and possibilities building a future in African arts | 2024 | African arts 57 (2): 9-15 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Pragmatism in Yoruba art: Dada Areogun's narrative woodcarving as cultural stewardship | 2024 | African arts 57 (2): 16-33 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Panoramas from the periphery: women's history tapestries at Rorke's drift | 2024 | African arts 57 (2): 34-47 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| An ancient terracotta figure from Sierra Leone | 2024 | African arts 57 (2): 76-85 | H6/KFY [AFRICAN-] | 0001-9933 | |||
| Dakar's Salon confrontation of 1966 | 2024 | Nka: journal of contemporary African art (54): 80-101 | H6/KY [NKA-] | 1075-7163 | |||
| Looking back: Bob Haozous's Cultural Crossroads of the Americas | 2024 | First American art magazine (41): 28-31 | H6/KUB [FIRST-] | 2333-5548 | |||
| Marco temporal: Indigenous art and activism in Brazil | 2024 | First American art magazine (41): 32-8 | H6/KUB [FIRST-] | 2333-5548 | |||
| Uncolonialism/Bāb art | 2024 | Nka: journal of contemporary African art (54): 64-78 | H6/KY [NKA-] | 1075-7163 | |||
| Dreams and lives: Raymond Sagapolutele photographs his world | 2024 | Art New Zealand 190 (): 48-53 | H6/KX [ART-] | 0110-1102 | |||
| Picture a black Captain Cook: Aotearoa artists at the 24th Biennale of Sydney | 2024 | Art New Zealand 190 (): 74-7 | H6/KX [ART-] | 0110-1102 | |||
| Norman Lewis and African Negro Art | 2024 | Tribal art (112): 104-17 | *H6/KFY [WORLD-] | 1354-2990 | |||
| A collaborative approach to the analysis of Northwest Coast treasures from the Ehlers collection in Denmark | 2024 | American Indian culture and research journal 47 (2): 63-96 | H6/KUB [AMERICAN-] | 0161-6463 | |||
| Esculturas tipo Chac Mool en Michoacán | 2024 | Arqueología mexicana (115): 88-92 | *H6/Kul [ARQUEOLOGIA-] | 0188-8218 |
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